front cover of Vaquita
Vaquita
Science, Politics, and Crime in the Sea of Cortez
Brooke Bessesen
Island Press, 2018
"Intrepid conservation detective story." —Nature

"A lucid, informed, and gripping account...a must-read." —Science

"Passionate...a heartfelt and alarming tale." —Publishers Weekly


"Gripping...a well-told and moving tale of environmentalism and conservation." —Kirkus

"Compelling." —Library Journal 

In 2006, vaquita, a diminutive porpoise making its home in the Upper Gulf of California, inherited the dubious title of world’s most endangered marine mammal. Nicknamed “panda of the sea” for their small size and beguiling facial markings, vaquitas have been in decline for decades, dying by the hundreds in gillnets intended for commercially valuable fish, as well as for an endangered fish called totoaba. When international crime cartels discovered a lucrative trade in the swim bladders of totoaba, illegal gillnetting went rampant, and now the lives of the few remaining vaquitas hang in the balance.

Author Brooke Bessesen takes us on a journey to Mexico’s Upper Gulf region to uncover the story. She interviewed townspeople, fishermen, scientists, and activists, teasing apart a complex story filled with villains and heroes, a story whose outcome is unclear. When diplomatic and political efforts to save the little porpoise failed, Bessesen followed a team of veterinary experts in a binational effort to capture the last remaining vaquitas and breed them in captivity—the best hope for their survival. In this fast-paced, soul-searing tale, she learned that there are no easy answers when extinction is profitable.

Whether the rescue attempt succeeds or fails, the world must ask itself hard questions. When vaquita and the totoaba are gone, the black market will turn to the next vulnerable species. What will we do then?
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front cover of Violent Sensations
Violent Sensations
Sex, Crime, and Utopia in Vienna and Berlin, 1860-1914
Scott Spector
University of Chicago Press, 2016
Around the turn of the twentieth century, Vienna and Berlin were centers of scientific knowledge, accompanied by a sense of triumphalism and confidence in progress. Yet they were also sites of fascination with urban decay, often focused on sexual and criminal deviants and the tales of violence surrounding them. Sensational media reports fed the prurient public’s hunger for stories from the criminal underworld: sadism, sexual murder, serial killings, accusations of Jewish ritual child murder—as well as male and female homosexuality.

In Violent Sensations, Scott Spector explores how the protagonists of these stories—people at society’s margins—were given new identities defined by the groundbreaking sciences of psychiatry, sexology, and criminology, and how this expert knowledge was then transmitted to an eager public by journalists covering court cases and police investigations. The book analyzes these sexual and criminal subjects on three levels: first, the expertise of scientists, doctors, lawyers, and scholars; second, the sensationalism of newspaper scandal and pulp fiction; and, third, the subjective ways that the figures themselves came to understand who they were. Throughout, Spector answers important questions about how fantasies of extreme depravity and bestiality figure into the central European self-image of cities as centers of progressive civilization, as well as the ways in which the sciences of social control emerged alongside the burgeoning emancipation of women and homosexuals.
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front cover of Voices of Crime
Voices of Crime
Constructing and Contesting Social Control in Modern Latin America
Edited by Luz E. Huertas, Bonnie A. Lucero, and Gregory J. Swedberg
University of Arizona Press, 2016
Crime exists in every society, revealing not only the way in which societies function but also exposing the standards that society holds about what is harmful and punishable. Criminalizing individuals and actions is not the exclusive domain of the state; it emerges from the collective consciousness—the judgments of individuals and groups who represent societal thinking and values. Studying how these individuals and groups construct, represent, perpetrate, and contest crime reveals how their message reinforces and also challenges historical and culturally specific notions of race, class, and gender.
 
Voices of Crime examines these official and unofficial perceptions of deviancy, justice, and social control in modern Latin America. As a collection of essays exploring histories of crime and justice, the book focuses on both cultural and social history and the interactions among state institutions, the press, and a variety of elite and non-elite social groups. Arguing that crime in Latin America is best understood as a product of ongoing negotiation between “top-down” and “bottom up” ideas (not just as the exercise of power from the state), the authors seek to document and illustrate the everyday experiences of crime in particular settings, emphasizing underresearched historical actors such as criminals, victims, and police officers.
 
The book examines how these social groups constructed, contested, navigated, and negotiated notions of crime, criminality, and justice. This reorientation—in contrast to much of the existing historical literature that focuses on elite and state actors—prompts the authors to critically examine the very definition of crime and its perpetrators, suggesting that “not only the actions of the poor and racial others but also the state can be termed as criminal.”
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