front cover of The Taliban and the Crisis of Afghanistan
The Taliban and the Crisis of Afghanistan
Robert D. Crews
Harvard University Press, 2009

The Taliban remain one of the most elusive forces in modern history. A ragtag collection of clerics and madrasa students, this obscure movement emerged out of the rubble of the Cold War to shock the world with their draconian Islamic order. The Taliban refused to surrender their vision even when confronted by the United States after September 11, 2001. Reinventing themselves as part of a broad insurgency that destabilized Afghanistan, they pledged to drive out the Americans, NATO, and their allies and restore their "Islamic Emirate."

The Taliban and the Crisis of Afghanistan explores the paradox at the center of this challenging phenomenon: how has a seemingly anachronistic band of religious zealots managed to retain a tenacious foothold in the struggle for Afghanistan's future? Grounding their analysis in a deep understanding of the country's past, leading scholars of Afghan history, politics, society, and culture show how the Taliban was less an attempt to revive a medieval theocracy than a dynamic, complex, and adaptive force rooted in the history of Afghanistan and shaped by modern international politics. Shunning journalistic accounts of its conspiratorial origins, the essays investigate broader questions relating to the character of the Taliban, its evolution over time, and its capacity to affect the future of the region.

Offering an invaluable guide to "what went wrong" with the American reconstruction project in Afghanistan, this book accounts for the persistence of a powerful and enigmatic movement while simultaneously mapping Afghanistan's enduring political crisis.

[more]

front cover of Televisuality
Televisuality
Style, Crisis, and Authority in American Television
John T Caldwell
Rutgers University Press, 2020
Although the "decline" of network television in the face of cable programming was an institutional crisis of television history, John Caldwell's classic volume Televisuality reveals that this decline spawned a flurry of new production initiatives to reassert network authority. Television in the 1980s hyped an extensive array of exhibitionist practices to raise the prime-time marquee above the multi-channel flow. Televisuality demonstrates the cultural logic of stylistic exhibitionism in everything from prestige series (Northern Exposure) and "loss-leader" event-status programming (War and Remembrance) to lower "trash" and "tabloid" forms (Pee-Wee's Playhouse and reality TV). Caldwell shows how "import-auteurs" like Oliver Stone and David Lynch were stylized for prime time as videographics packaged and tamed crisis news coverage. By drawing on production experience and critical and cultural analysis, and by tying technologies to aesthetics and ideology, Televisuality is a powerful call for desegregation of theory and practice in media scholarship and an end to the willful blindness of "high theory."
[more]

front cover of Theater and Crisis
Theater and Crisis
Myth, Memory, and Racial Reckoning in America, 1964-2020
Patrice D. Rankine
Lever Press, 2024
Racial reckoning was a recurrent theme throughout the summer of 2020, a response to George Floyd’s murder and the unprecedented impact of COVID on marginalized groups. Theater and Crisis proposes a literary and theatrical study of how Floyd's killing could possibly happen in the aftermath of the Civil Rights era, and in the supposedly post-racial era following the election of Barack Obama. In the days and months following Floyd's death, there were nightly protests in streets across the United States and broader world. At the same time, theater performances were forced to shift online to video conferencing platforms and to find new ways to engage audiences. In each case, groups made shared meaning through storytelling and narrative, a liberatory process of myth-making and reverence that author Patrice D. Rankine calls “epiphanic encoding.”

Rather than approaching the problem of racial reckoning through history, where periodization and progress are dominant narratives, Theater and Crisis argues that myth and memory allow for better theorization about recurring events from the past, their haunting, and what these apparent ghosts ask of us. Building on the study of myth as active, processual storytelling, Rankine acknowledges that it grounds and orients groups toward significant events. Theater and Crisis aligns narratives about Emmett Till, Trayvon Martin, and George Floyd, among others, with ancient, mythic figures such as Christ, Dionysus, Oedipus, and Moses. As living and verbal visitations, these stories performed on stage encode the past through their epiphanies in the present, urging audiences toward shared meaning. 

Rankine traces the cyclical hauntings of race through the refiguring of mythic stories across the past 75 years in the plays of James Baldwin, Ntozake Shange, Antoinette Nwandu, and many more, and in response to flashpoints in US racial history, such as the 1955 lynching of Emmett Till, the upheavals of the 1960s and 1970s, the wars on drugs and crime, and the continued violence against and disenfranchisement of Black people into the twenty-first century. Theater and Crisis explores the appearance of myth on the American stage and showcases the ongoing response by the theatrical establishment to transform the stage into a space for racial reckoning. This timely book is essential reading for scholars of theater studies, classics, and American studies.
 
[more]

front cover of A Thousand Screenplays
A Thousand Screenplays
The French Imagination in a Time of Crisis
Sabine Chalvon-Demersay
University of Chicago Press, 1999
In 1991, French public television held an amateur screenwriting contest. When Sabine Chalvon-Demersay, a French sociologist, examined the roughly 1,000 entries, she had hoped to analyze their differences. What she found, however, surprised her. Although the entrants covered nearly every social demographic, their screenplays presented similar characters in similar situations confronting similar problems.

The time of crisis presented by the amateur writers was not one of war, famine, or disease—it was the millennial dilemma of representation. In a world plagued by alienation, individualization, and a lack of mobility, how can members of a society combat their declining senses of self?

Although the contestants wrote about life in France, their concerns and struggles have a distinctly universal ring. A lucid, witty writer, Chalvon-Demersay offers a clear, if still developing, photograph of the contemporary imagination.

[more]

logo for Harvard University Press
A Time of Crisis
Japan, the Great Depression, and Rural Revitalization
Kerry Smith
Harvard University Press, 2001
This study of Japan's transformation by the economic crises of the 1930s focuses on efforts to overcome the effects of the Great Depression in rural areas, particularly the activities of local activists and policymakers in Tokyo. The author argues that these efforts changed the nation's thinking about the countryside, as well as Japan's conception of its economic and cultural relationship to the nation, in ways that have important implications for our understanding of both the war years and the postwar reconstruction. The reactions of inhabitants of rural areas to the depression shed new light on how average Japanese responded to the problems of modernization and how they re-created the countryside.
[more]

front cover of The Times Were Strange and Stirring
The Times Were Strange and Stirring
Methodist Preachers and the Crisis of Emancipation
Reginald F. Hildebrand
Duke University Press, 1995
With the conclusion of the Civil War, the beginnings of Reconstruction, and the realities of emancipation, former slaves were confronted with the possibility of freedom and, with it, a new way of life. In The Times Were Strange and Stirring, Reginald F. Hildebrand examines the role of the Methodist Church in the process of emancipation—and in shaping a new world at a unique moment in American, African American, and Methodist history.
Hildebrand explores the ideas and ideals of missionaries from several branches of Methodism—the African Methodist Episcopal Church, the Colored Methodist Episcopal Church, and the northern-based Methodist Episcopal Church—and the significant and highly charged battle waged between them over the challenge and meaning of freedom. He traces the various strategies and goals pursued by these competing visions and develops a typology of some of the ways in which emancipation was approached and understood.
Focusing on individual church leaders such as Lucius H. Holsey, Richard Harvey Cain, and Gilbert Haven, and with the benefit of extensive research in church archives and newspapers, Hildebrand tells the dramatic and sometimes moving story of how missionaries labored to organize their denominations in the black South, and of how they were overwhelmed at times by the struggles of freedom.
[more]

logo for Harvard University Press
Tormented Voices
Power, Crisis, and Humanity in Rural Catalonia, 1140–1200
Thomas N. Bisson
Harvard University Press, 1998

Mute in life as in death, peasants of remote history rarely speak to us in their own voices. But Thomas Bisson’s engagement with the records of several hundred twelfth-century people of rural Catalonia enables us to hear these voices. The peasants’ allegations of abuse while in the service of their common lord the Count of Barcelona and his son the King reveal a unique perspective on the meaning of power both by those who felt and feared it, and by those who wielded it. These records—original parchments, dating much earlier than other comparable records of European peasant life—name peasants in profusion and relate some of their stories.

Bisson describes these peasants socially and culturally, showing how their experience figured in a wider crisis of power from the twelfth century. His compassionate history considers demography, naming patterns, gender, occupational identities, and habitats, as well as power, coercion, and complaint, and the moralities of faith, honor, and shame. He concludes with reflections on the historical meanings of violence and suffering.

This rich contribution to medieval social and cultural history and peasant studies suggests important resources and ideas for historians and anthropologists.

[more]

front cover of Transformations and Crisis of Liberalism in Argentina, 1930–1955
Transformations and Crisis of Liberalism in Argentina, 1930–1955
Jorge A. Nallim
University of Pittsburgh Press, 2012
In this original study, Jorge A. Nállim chronicles the decline of liberalism in Argentina during the volatile period between two military coups—the 1930 overthrow of
Hipólito Yrigoyen and the deposing of Juan Perón in 1955. While historians have primarily focused on liberalism in economic or political contexts, Nállim instead documents a wide range of locations where liberalism was claimed and ultimately marginalized in the pursuit of individual agendas.

Nállim shows how concepts of liberalism were espoused by various groups who “invented traditions” to legitimatize their methods of political, religious, class, intellectual, or cultural hegemony. In these deeply fractured and corrupt processes, liberalism lost political favor and alienated the public. These events also set the table for Peronism and stifled the future of progressive liberalism in Argentina.

Nállim describes the main political parties of the period and deconstructs their liberal discourses. He also examines major cultural institutions and shows how each attached liberalism to their cause.

Nállim compares and contrasts the events in Argentina to those in other Latin American nations and reveals their links to international developments. While critics have positioned the rhetoric of liberalism during this period as one of decadence or irrelevance, Nállim instead shows it to be a vital and complex factor in the metamorphosis of modern history in Argentina and Latin America as well.

[more]

logo for University of North Texas Press
Two Counties in Crisis
Measuring Political Change in Reconstruction Texas
Robert J. Dillard
University of North Texas Press, 2023


Send via email Share on Facebook Share on Twitter