The Cuban model of communism has been an inspiration—from both a positive and negative perspective—for social movements, political leaders, and cultural expressionists around the world. With changes in leadership, the pace of change has accelerated following decades of economic struggles. The death of Fidel Castro and the reduced role of Raúl Castro seem likely to create further changes, though what these changes look like is still unknown. For now, Cuba is opening in important ways. Cubans can establish businesses, travel abroad, access the internet, and make private purchases. Paths for Cuba examines Cuba’s internal reforms and external influences within a comparative framework. The collection includes an interdisciplinary group of scholars from around the world to explore reforms away from communism.

 

Visitors to Cuba will notice that Afro-Cuban figures and references are everywhere: in popular music and folklore shows, paintings and dolls of Santería saints in airport shops, and even restaurants with plantation themes. In Performing Afro-Cuba, Kristina Wirtz examines how the animation of Cuba’s colonial past and African heritage through such figures and performances not only reflects but also shapes the Cuban experience of Blackness. She also investigates how this process operates at different spatial and temporal scales—from the immediate present to the imagined past, from the barrio to the socialist state.
           
Wirtz analyzes a variety of performances and the ways they construct Cuban racial and historical imaginations. She offers a sophisticated view of performance as enacting diverse revolutionary ideals, religious notions, and racial identity politics, and she outlines how these concepts play out in the ongoing institutionalization of folklore as an official, even state-sponsored, category. Employing Bakhtin’s concept of “chronotopes”—the semiotic construction of space-time—she examines the roles of voice, temporality, embodiment, imagery, and memory in the racializing process. The result is a deftly balanced study that marries racial studies, performance studies, anthropology, and semiotics to explore the nature of race as a cultural sign, one that is always in process, always shifting.  

Since 2002, at least 775 men have been held in the U.S. detention center at Guantánamo Bay, Cuba. According to Department of Defense data, fewer than half of them are accused of committing any hostile act against the United States or its allies. In hundreds of cases, even the circumstances of their initial detainment are questionable.

This collection gives voice to the men held at Guantánamo. Available only because of the tireless efforts of pro bono attorneys who submitted each line to Pentagon scrutiny, Poems from Guantánamo brings together twenty-two poems by seventeen detainees, most still at Guantánamo, in legal limbo.

If, in the words of Audre Lorde, poetry “forms the quality of light within which we predicate our hopes and dreams toward survival and change,” these verses—some originally written in toothpaste, others scratched onto foam drinking cups with pebbles and furtively handed to attorneys—are the most basic form of the art.

The research Alexander von Humboldt amassed during his five-year trek through the Americas in the early nineteenth-century proved foundational to the fields of botany, geography, and geology. But his visit to Cuba during this time yielded observations that extended far beyond the natural world. Political Essay on the Island of Cuba is a physical and cultural study of the island nation. In it, Humboldt denounces colonial slavery on both moral and economic grounds and stresses the vital importance of improving intercultural relations throughout the Americas.

Humboldt’s most controversial book, Political Essay on the Island of Cuba was banned, censored, and willfully mistranslated to suppress Humboldt’s strong antislavery sentiments. It reemerges here, newly translated from the original two volume French edition, to introduce a new generation of readers to Humboldt’s astonishing multiplicity of scientific and philosophical perspectives. In their critical introduction, Vera Kutzinski and Ottmar Ette emphasize Humboldt’s rare ability to combine scientific rigor with a cosmopolitan consciousness and a deeply felt philosophical humanism. The result is a work on Cuba of historical import that will attract historians of science as well as cultural historians, political scientists, and literary scholars.

The Puerto Rican debt crisis, the challenges of social, political, and economic transition in Cuba, and the populist politics of Duterte in the Philippines—these topics are typically seen as disparate experiences of social reality. Though these island territories were colonized by the same two colonial powers—by the Spanish Empire and, after 1898, by the United States—research in the fields of history and the social sciences rarely draws links between these three contexts.

Located at the intersection of Postcolonial Studies, Latin American Studies, Caribbean Studies, and History, this interdisciplinary volume brings together scholars from the US, Europe, Latin America, the Caribbean, and the Philippines to examine the colonial legacies of the three island nations of Cuba, Puerto Rico, and the Philippines. Instead of focusing on the legacies of US colonialism, the continuing legacies of Spanish colonialism are put center-stage. The analyses offered in the volume yield new and surprising insights into the study of colonial and postcolonial constellations that are of interest not only for experts, but also for readers interested in the social, political, economic, and cultural dynamics of Cuba, Puerto Rico, and the Philippines during Spanish colonization and in the present. The empirical material profits from a rigorous and systematic analytical framework and is thus easily accessible for students, researchers, and the interested public alike.

A Choice Outstanding Academic Title, 2022

A valuable narrative of the often paradoxical and conflicting human bonds between female owners and the enslaved in nineteenth-century Cuba
 
In the early nineteenth century, while abolitionism was rising and the slave trade was declining in the Atlantic world, Spain used this opportunity to massively expand plantation slavery in Cuba. Between 1501 and 1866, more than 778,000 Africans were torn from their homelands and brought to work for the Cuban slaveholding class.
 
An understudied aspect of Cuban slaveholding society is the role of the white Cuban slave mistress (amas). The Power of Their Will: Slaveholding Women in Nineteenth-Century Cuba illuminates the interaction of female slaveholders and the enslaved during this time. Teresa Prados-Torreira shows, despite the lack of political power in a highly patriarchal society, Cuban women as property owners were instrumental in supporting the long duration of slavery, whether by enforcing the disciplining of the enslaved in the domestic sphere or helping to create the illusion of slavery as a humane institution. Thousands of Creole slaveholding women relied on slaves to lead a comfortable life. Even the subsistence of many poor women depended on the income derived from the hiring out of their enslaved.
 
In this accessible cultural history, culled from government documents, fiction, newspaper articles, traveler’s accounts, women’s wills, and archival research, Prados-Torreira coalesces a valuable narrative out of the often paradoxical and conflicting stories of the human bonds between the female owner and the enslaved. Narrative chapters, enlivened by vignettes, describe the daily life of slave mistresses in the main cities of Havana and Santiago and other towns, workings of sugar mills and coffee plantations, how slaveholding women coping with slave rebellions and wartime during the Ten Years’ War, and how personal relationships could occasionally affect the balance of power.