Rebel Dance, Renegade Stanceshows how community music-makers and dancers take in all that is around them socially and globally, and publicly and bodily unfold their memories, sentiments, and raw responses within open spaces designated or commandeered for local popular dance. Umi Vaughan, an African American anthropologist, musician, dancer, and photographer "plantao" in Cuba—planted, living like a Cuban—reveals a rarely discussed perspective on contemporary Cuban society during the 1990s, the peak decade of timba, and beyond, as the Cuban leadership transferred from Fidel Castro to his brother. Simultaneously, the book reveals popular dance music in the context of a young and astutely educated Cuban generation of fierce and creative performers.

By looking at the experiences of black Cubans and exploring the notion of "Afro Cuba," Rebel Dance, Renegade Stanceexplains timba's evolution and achieved significance in the larger context of Cuban culture. Vaughan discusses a maroon aesthetic extended beyond the colonial era to the context of contemporary society; describes the dance spaces of Cuba; and examines the performance of identity and desire through the character of the "especulador." This book will find an audience with musicians, anthropologists, ethnomusicologists, interdisciplinary specialists in performance studies, cultural studies, and Latin American and Caribbean studies, as well as laypeople who are interested in Atlantic/African and African American/Africana studies and/or Cuban culture.

This collection of essays and research articles has been designed, by its breadth of expertise and discipline, to pay suitable homage to the seminal influence and contribution made by the late Alistair Hennessy towards the development of Cuban studies. For that reason, it includes a judicious mixture of the old and the new, including several of the leading and internationally well-established experts on Cuban history, politics and culture, but also some up-and-coming researchers in the field; that mixture and the combination of topics (some addressing the past directly, others assessing the present within a historical context) reflects Hennessy’s own cross-disciplinary and open-minded approach to the study of the history of Cuba. 

The incestuous affair between the writer Anaïs Nin and her father, the pianist-composer Joaquín Nin, is well documented in the volume of her unexpurgated diary published under the title Incest. What has been missing from that account is Joaquín’s point of view. Reunited: The Correspondence of Anaïs and Joaquín Nin, 1933–1940 presents more than one hundred intimate communications between these two artistic geniuses, revealing not only the dynamics of their complex relationship but also why Anaïs spent her life in a never-ending battle to feel loved, appreciated, and understood. Reunited collects the correspondence between Anaïs and Joaquín just before, during, and after the affair, which commenced in 1933, twenty years after he had abandoned his ten-year-old daughter and the rest of his family. These letters were long believed to have been destroyed and lost to history. In 2006, however, a folder containing Joaquín’s original letters to his daughter was discovered in Anaïs’s Los Angeles home, along with a second folder of her letters to him. Together, these letters tell the story of an absent father’s attempt to reconnect with his adult daughter and how that rapprochement quickly turned into an illicit sexual relationship.

What does the Cuban Revolution look like “from within?" This volume proposes that scholars and observers of Cuba have too long looked elsewhere—from the United States to the Soviet Union—to write the island's post-1959 history. Drawing on previously unexamined archives, the contributors explore the dynamics of sociopolitical inclusion and exclusion during the Revolution's first two decades. They foreground the experiences of Cubans of all walks of life, from ordinary citizens and bureaucrats to artists and political leaders, in their interactions with and contributions to the emerging revolutionary state. In essays on agrarian reform, the environment, dance, fashion, and more, contributors enrich our understanding of the period beginning with the utopic mobilizations of the early 1960s and ending with the 1980 Mariel boatlift. In so doing, they offer new perspectives on the Revolution that are fundamentally driven by developments on the island. Bringing together new historical research with comparative and methodological reflections on the challenges of writing about the Revolution, The Revolution from Within highlights the political stakes attached to Cuban history after 1959.

Contributors. Michael J. Bustamante, María A. Cabrera Arús, María del Pilar Díaz Castañón, Ada Ferrer, Alejandro de la Fuente, Reinaldo Funes Monzote, Lillian Guerra, Jennifer L. Lambe, Jorge Macle Cruz, Christabelle Peters, Rafael Rojas, Elizabeth Schwall, Abel Sierra Madero

Cuba has been transformed more radically within one decade than almost any society in recent history. Yet the Cuban Revolution is poorly understood abroad because of its physical and political isolation, the controversies between adherents of the old and new regimes, and the murky skirmishes of the cold war.

This collection of essays is a comprehensive and authoritative study of almost all major aspects of socialist Cuba. It draws together the talents of the ablest group of Cuban specialists ever represented in a single volume.
 

Revolutionary Medicine is a richly textured examination of the ways that Cuba's public health care system has changed during the past two decades and of the meaning of those changes for ordinary Cubans. Until the Soviet bloc collapsed in 1989, socialist Cuba encouraged citizens to view access to health care as a human right and the state's responsibility to provide it as a moral imperative. Since the loss of Soviet subsidies and the tightening of the U.S. economic embargo, Cuba's government has found it hard to provide the high-quality universal medical care that was so central to the revolutionary socialist project. In Revolutionary Medicine, P. Sean Brotherton deftly integrates theory and history with ethnographic research in Havana, including interviews with family physicians, public health officials, research scientists, and citizens seeking medical care. He describes how the deterioration of health and social welfare programs has led Cubans to seek health care through informal arrangements, as well as state-sponsored programs. Their creative, resourceful pursuit of health and well-being provides insight into how they navigate, adapt to, and pragmatically cope with the rapid social, economic, and political changes in post-Soviet Cuba.

María de los Reyes Castillo Bueno (1902–1997), a black woman known as “Reyita,” recounts her life in Cuba over the span of ninety years. Reyita’s voice is at once dignified, warm, defiant, strong, poetic, principled, and intelligent. Her story—as told to and recorded by her daughter Daisy Castillo—begins in Africa with her own grandmother’s abduction by slave-traders and continues through a century of experiences with prejudice, struggle, and change in Cuba for Reyita and her numerous family members.
Sensitive to and deeply knowledgeable of the systemic causes and consequences of poverty, Reyita’s testimony considers the impact of slavery on succeeding generations, her mother’s internalized racism, and Cuba’s residual discrimination. The humiliation and poverty inflicted on the black Cuban community as well as her decision to marry a white man to ensure a higher standard of living form the basis of other chapters. Reyita actively participated in the life of the community—often caring for the children of prostitutes along with her own eight children and giving herbal medicine and “spiritualist” guidance to ill or troubled neighbors. She describes her growing resistance, over five decades of marriage, to her husband’s sexism and negativity. Strong-willed and frank about her sexuality as well as her religious and political convictions, Reyita recounts joining the revolutionary movement in the face of her husband’s stern objections, a decision that added significant political purpose to her life. At book’s end, Reyita radiates gratification that her 118 descendants have many different hues of skin, enjoy a variety of professions, and—“most importantly”—are free of racial prejudice.