How religious institutions used landscapes and architecture to express their religious and social ideologies
The Archaeology of Protestant Landscapes focuses on three religious institutions in the US South in the eighteenth and nineteenth centuries: St. Paul’s Parish Church in coastal South Carolina, St. Luke’s Episcopal Church in central Alabama, and Cane Hill College in Northwest Arkansas. Drawing from archaeological surveys and excavations, artifact analysis, archival research, geophysical testing, and architectural information on religious structures, Kimberly Pyszka offers case studies of these institutions, which were located in developing communities that varied socially, politically, and economically.
Pyszka uses these case studies to demonstrate that select religious institutions used and modified natural landscape features to create cultural landscapes to express their ideology, identity, goals, and social, religious, and political power. She notes that where those structures were constructed, how they sat on the landscape, their architectural style, and their overall visual appearance were well-considered decisions made by religious leaders to benefit their organizations, communities, and, sometimes, themselves.
Pyszka also uses these case studies to highlight the social roles that religious organizations played in the development of communities. She points to landscape decisions—specifically to how the architectural design of religious structures was used, intentionally or not, to unite people, often those of differing religious backgrounds—as contributing to the creation of a common identity among people living in new and still-growing settlements, aiding in community development. This book contributes to the growing body of work within historical archaeology on churches, churchyards, and cemeteries and to the increasing awareness among archaeologists of how these sites contribute to questions of identity, consumerism, trade, and colonialism.
“Nothing defines California and our nation’s heritage as significantly or emotionally,” says the California Mission Foundation, “as do the twenty-one missions that were founded along the coast from San Diego to Sonoma.” Indeed, the missions collectively represent the state’s most iconic tourist destinations and are touchstones for interpreting its history. Elementary school students today still make model missions evoking the romanticized versions of the 1930s. Does it occur to them or to the tourists that the missions have a dark history?
California Mission Landscapes is an unprecedented and fascinating history of California mission landscapes from colonial outposts to their reinvention as heritage sites through the late nineteenth and twentieth centuries. Illuminating the deeply political nature of this transformation, Elizabeth Kryder-Reid argues that the designed landscapes have long recast the missions from sites of colonial oppression to aestheticized and nostalgia-drenched monasteries. She investigates how such landscapes have been appropriated in social and political power struggles, particularly in the perpetuation of social inequalities across boundaries of gender, race, class, ethnicity, and religion. California Mission Landscapes demonstrates how the gardens planted in mission courtyards over the past 150 years are not merely anachronistic but have become potent ideological spaces. The transformation of these sites of conquest into physical and metaphoric gardens has reinforced the marginalization of indigenous agency and diminished the contemporary consequences of colonialism. And yet, importantly, this book also points to the potential to create very different visitor experiences than these landscapes currently do.
Despite the wealth of scholarship on California history, until now no book has explored the mission landscapes as an avenue into understanding the politics of the past, tracing the continuum between the Spanish colonial period, emerging American nationalism, and the contemporary heritage industry.
Great Salt Lake is a celebrated, world-recognized natural landmark. It, and the broader region bound to it, is also a thoroughly cultural landscape; generations of peoples made their lives there. In an eminently readable narrative, Steven Simms, one of the foremost archaeologists of the region, traces the scope of human history dating from the Pleistocene, when First Peoples interacted with the lapping waters of Lake Bonneville, to nearly the present day. Through vivid descriptions of how people lived, migrated, and mingled, with persistence and resilience, Simms honors the long human presence on the landscape.
First Peoples of Great Salt Lake takes a different approach to understanding the ancients than is typical of archaeology. De-emphasizing categories and labels, it traces changing environments, climates, and peoples through the notion of place. It challenges the "Pristine Myth," the cultural bias that Indigenous peoples were timeless, changeless, primitive, and the landscapes they lived in sparsely populated and perpetually pristine. First Peoples and their descendants modified the forests and understory vegetation, shaped wildlife populations, and adapted to long-term climate change. Native Americans of Great Salt Lake were very much part of their world, and the story here is one of long continuity through dramatic cultural change.
A growing number of archaeologists are applying Geographic Information Science (GIS) technologies to their research problems and questions. Advances in GIS and its use across disciplines allows for collaboration and enables archaeologists to ask ever more sophisticated questions and develop increasingly elaborate models on numerous aspects of past human behavior. Least cost analysis (LCA) is one such avenue of inquiry. While least cost studies are not new to the social sciences in general, LCA is relatively new to archaeology; until now, there has been no systematic exploration of its use within the field.
This edited volume presents a series of case studies illustrating the intersection of archaeology and LCA modeling at the practical, methodological, and theoretical levels. Designed to be a guidebook for archaeologists interested in using LCA in their own research, it presents a wide cross-section of practical examples for both novices and experts. The contributors to the volume showcase the richness and diversity of LCA’s application to archaeological questions, demonstrate that even simple applications can be used to explore sophisticated research questions, and highlight the challenges that come with injecting geospatial technologies into the archaeological research process.
Legacies of Space and Intangible Heritage is an interdisciplinary exploration of the intersections between the study and management of physical sites and the reproduction of intangible cultural legacies. The volume provides nine case studies that explore different ways in which place is mediated by social, political, and ecological processes that have deep historical roots and that continue to affect the politics of heritage management.
Spaces of human habitation are both historical records of the past and key elements in reproducing the knowledge and values that define lives in the present. Practices, knowledge, and skills that communities recognize as part of their culture—and that a range of legal statutes define as protected intangible heritages—are threatened by increased migration, the displacement of indigenous peoples, and limits on access to culturally or historically significant sites. This volume addresses how different physical environments contribute to the reproduction of cultural forms even in the wake of these processes of displacement and change. Case studies from North and South America reveal a pattern of abandonment and reestablishment of settlements and show how collective memory drives people back to culturally meaningful sites.
This tendency for communities to return to the sites that shaped their collective histories, along with the growing importance granted to intangible heritage, challenges archaeologists and other heritage workers to find new ways of incorporating the cultural legacies that link societies to place into the work of research and stewardship. By examining the politics of cultural continuity through the lenses of archaeology and ethnohistory, Legacies of Space and Intangible Heritage demonstrates this complex relationship between a people’s heritage and the landscape that affects the making of "place."
Contributors: Rani Alexander, Hannah Becker, Minette Church, Bonnie Clark, Chip Colwell, Winifred Creamer, Emiliana Cruz, T. J. Ferguson, Julio Hoil Gutierrez, Jonathan Haas, Saul Hedquist, Maren Hopkins, Stuart B. Koyiyumptewa, Christine Kray, Henry Marcelo Castillo, Anna Roosevelt, Jason Yaeger, Keiko Yoneda
National parks are the places that present ideas of nature to Americans: Zion, Yosemite, Grand Canyon, Yellowstone bring to mind quintessential and awe-inspiring wilderness. By examining how rhetoric—particularly visual rhetoric—has worked to shape our views of nature and the “natural” place of humans, Observation Points offers insights into questions of representation, including the formation of national identity.
As Thomas Patin reveals, the term “nature” is artificial and unstable, in need of constant maintenance and reconstruction. The process of stabilizing its representation, he notes, is unavoidably political. America’s national parks and monuments show how visual rhetoric operates to naturalize and stabilize representations of the environment. As contributors demonstrate, visual rhetoric is often transparent, structuring experience while remaining hidden in plain sight. Scenic overlooks and turnouts frame views for tourists. Visitor centers, with their display cases and photographs and orientation films, provide their own points of view—literally and figuratively. Guidebooks, brochures, and other publications present still other ways of seeing. At the same time, images of America’s “natural” world have long been employed for nationalist and capitalist ends, linking expansionism with American greatness and the “natural” triumph of European Americans over Native Americans.
The essays collected here cover a wide array of subjects, including park architecture, landscape painting, public ceremonies, and techniques of display. Contributors are from an equally broad range of disciplines—art history, geography, museum studies, political science, American studies, and many other fields. Together they advance a provocative new visual genealogy of representation.
Contributors: Robert M. Bednar, Southwestern U, Georgetown, Texas; Teresa Bergman, U of the Pacific; Albert Boime, UCLA; William Chaloupka, Colorado State U; Gregory Clark, Brigham Young U; Stephen Germic, Rocky Mountain College; Gareth John, St. Cloud State U, Minnesota; Mark Neumann, Northern Arizona U; Peter Peters, Maastricht U; Cindy Spurlock, Appalachian State U; David A. Tschida, U of Wisconsin, Eau Claire; Sabine Wilke, U of Washington.
Space-Time Perspectives on Early Colonial Moquegua looks at the encounters between existing populations and newcomers from successive waves of colonization, from indigenous expansion states (Wari, Tiwanaku, and Inka) to the foreign Spaniards, and the way each group “re-spatialized” the landscape according to its own political and economic ends. Viewing these spatializations from political, economic, and religious perspectives, Rice considers both the ideological and material occurrences.
Concluding with a special focus on the multiple space-time considerations involved in Spanish-inspired ceramics from the region, Space-Time Perspectives on Early Colonial Moquegua integrates the local and rural with the global and urban in analyzing the events and processes of colonialism. It is a vital contribution to the literature of Andean studies and will appeal to students and scholars of archaeology, historical archaeology, history, ethnohistory, and globalization.
The Mesa Verde region is one of the most popular tourist destinations in the world and is an area fraught with complexities, anomalies, and layers of histories. Sushi in Cortez is a collection of essays by an interdisciplinary group of academics, artists, and cultural observers that explores this diverse landscape and heritage by combining and sharing the differing perspectives provided by various disciplines. Poetry, film, environmental philosophy, nature photography, native Pueblo perspectives, and archaeology are used to touch on the common questions people ask about the value of their work and lives as well as the value of visiting ancient sites such as Mesa Verde. The authors share personal stories about the difficulties, joys, confusions, and epiphanies they experienced as they crossed the boundaries of their professional lives, coming to understand how incomplete any single rendition of place can be. Find additional images on our website www.uofupress.com.
Take a look inside the authors’ Mesa Verde experience in this short film,“Location Fracture” by Melinda Levin.
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