The Tomáraho, a subgroup of the Ishir (Chamacoco) of Paraguay, are one of the few remaining indigenous populations who have managed to keep both their language and spiritual beliefs intact. They have lived for many years in a remote region of the Gran Chaco, having limited contact with European or Latin American cultures. The survival of the Tomáraho has been tenuous at best; at the time of this writing there were only eighty-seven surviving members.
Ticio Escobar, who lived extensively among the Tomáraho, draws on his acquired knowledge of Ishir beliefs to confront them with his own Western ideology, and records a unique dialogue between cultures that counters traditional anthropological interpretation. The Curse of Nemur--which is part field diary, part art critique, and part cultural anthropology—offers us a view of the world from an entirely new perspective, that of the Ishir. We acquire deep insights into their powerful and enigmatic narrative myths, which find expression in the forms of body painting, feather decoration, dream songs, shamanism, and ritual.
Through dramatic photographs, native drawings, extensive examination of color and its importance in Ishir art, and Escobar’s lucid observation, The Curse of Nemur illuminates the seamless connection of religious practice and art in Ishir culture. It offers a glimpse of an aesthetic “other,” and in so doing, causes us to reexamine Western perspectives on the interpretation of art, belief, and Native American culture.
Condemned to hang after his raid on Harper’s Ferry, John Brown prophesied that the crimes of a slave-holding land would be purged away only with blood. A study of omens, maledictions, and inspired invocations, The Oracle and the Curse examines how utterances such as Brown’s shaped American literature between the Revolution and the Civil War.
In nineteenth-century criminal trials, judges played the role of law’s living oracles, but offenders were also given an opportunity to address the public. When the accused began to turn the tables on their judges, they did so not through rational arguments but by calling down a divine retribution. Widely circulated in newspapers and pamphlets, these curses appeared to channel an otherworldly power, condemning an unjust legal system and summoning readers to the side of righteousness.
Exploring the modes of address that communicated the authority of law and the dictates of conscience in antebellum America’s court of public opinion, Caleb Smith offers a new poetics of justice which assesses the nonrational influence that these printed confessions, trial reports, and martyr narratives exerted on their first audiences. Smith shows how writers portrayed struggles for justice as clashes between human law and higher authority, giving voice to a moral protest that transformed American literature.
When you hear the words "Boston sports," does your mind flash to a place or to a person? Do you think of a fly ball arching over the Green Monster, a Celtic breaking across the parquet at Boston Garden, rowers skimming along the Charles River in autumn, or runners tackling the grueling stretch of "Heartbreak Hill" during the Boston Marathon? Or do you conjure faces--a smiling Babe Ruth, a bearded Bill Russell, a determined Rocky Marciano, a boyish and nimble Bobby Orr, or a defiant Pedro Martinez? Most likely, it is impossible to separate the two, impossible to imagine Bob Cousy on any court other than the Garden or Ted Williams playing at any field other than Fenway. Certain people and places are as inseparable as heads and tails on a penny.
The Rock, the Curse, and the Hub is a collection of original essays about the people and places that live in the minds and memories of Bostonians and all Americans. From the Boston of the young Bambino and even younger Francis Ouimet to the glories and agonies of 1986 and the struggles to keep the Patriots in town, each chapter focuses on the games and the athletes, but also on which sports have defined Boston and Bostonians. In a city of deep ethnic and class divisions, sports have provided a common ground, an intense shared experience. Pursuing the legend and the lore, these essays celebrate the players, the games, and the arenas that are at the heart of the city of Boston.
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