front cover of Naked Truth
Naked Truth
Strip Clubs, Democracy, and a Christian Right
By Judith Lynne Hanna
University of Texas Press, 2012

Across America, strip clubs have come under attack by a politically aggressive segment of the Christian Right. Using plausible-sounding but factually untrue arguments about the harmful effects of strip clubs on their communities, the Christian Right has stoked public outrage and incited local and state governments to impose onerous restrictions on the clubs with the intent of dismantling the exotic dance industry. But an even larger agenda is at work, according to Judith Lynne Hanna. In Naked Truth, she builds a convincing case that the attack on exotic dance is part of the activist Christian Right’s “grand design” to supplant constitutional democracy in America with a Bible-based theocracy.

Hanna takes readers onstage, backstage, and into the community and courts to reveal the conflicts, charges, and realities that are playing out at the intersection of erotic fantasy, religion, politics, and law. She explains why exotic dance is a legitimate form of artistic communication and debunks the many myths and untruths that the Christian Right uses to fight strip clubs. Hanna also demonstrates that while the fight happens at the local level, it is part of a national campaign to regulate sexuality and punish those who do not adhere to Scripture-based moral values. Ultimately, she argues, the naked truth is that the separation of church and state is under siege and our civil liberties—free speech, women’s rights, and free enterprise—are at stake.

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front cover of Neo-Burlesque
Neo-Burlesque
Striptease as Transformation
Lynn Sally
Rutgers University Press, 2022
The neo-burlesque movement seeks to restore a sense of glamour, theatricality, and humor to striptease. Neo-burlesque performers strut their stuff in front of audiences that appreciate their playful brand of pro-sex, often gender-bending, feminism. 
 
Performance studies scholar and acclaimed burlesque artist Lynn Sally offers an inside look at the history, culture, and philosophy of New York’s neo-burlesque scene. Revealing how twenty-first century neo-burlesque is in constant dialogue with the classic burlesque of the nineteenth and twentieth centuries, she considers how today’s performers use camp to comment on preconceived notions of femininity. She also explores how the striptease performer directs the audience’s gaze, putting on layers of meaning while taking off layers of clothing. 
 
Through detailed profiles of iconic neo-burlesque performers such as Dita Von Teese, Dirty Martini, Julie Atlas Muz, and World Famous *BOB*, this book makes the case for understanding neo-burlesque as a new sexual revolution. Yet it also examines the broader community of “Pro-Am” performers who use neo-burlesque as a liberating vehicle for self-expression. Raising important questions about what feminism looks like, Neo-Burlesque celebrates a revolutionary performing art and participatory culture whose acts have political reverberations, both onstage and off.
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front cover of New Dance
New Dance
Margery Turner
University of Pittsburgh Press, 1976

Dealing exclusively with developments in modern dance since 1951, this book is for anyone who wishes to understand and experience nonliteral dance: students and teachers, dancers and critics.

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front cover of New German Dance Studies
New German Dance Studies
Edited by Susan Manning and Lucia Ruprecht
University of Illinois Press, 2012
New German Dance Studies offers fresh histories and theoretical inquiries that resonate across fields of the humanities. Sixteen essays range from eighteenth-century theater dance to popular contemporary dances in global circulation. In an exquisite trans-Atlantic dialogue that demonstrates the complexity and multilayered history of German dance, American and European scholars and artists elaborate on definitive performers and choreography, focusing on three major thematic areas: Weimar culture and its afterlife, the German Democratic Republic, and recent conceptual trends in theater dance.
 
Contributors are Maaike Bleeker, Franz Anton Cramer, Kate Elswit, Susanne Franco, Susan Funkenstein, Jens Richard Giersdorf, Yvonne Hardt, Sabine Huschka, Claudia Jeschke, Marion Kant, Gabriele Klein, Karen Mozingo, Tresa Randall, Gerald Siegmund, and Christina Thurner.
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front cover of Numbers on the Move
Numbers on the Move
Authored by Teresa Benzwie
Temple University Press, 2011

"Move with the numbers, count to the beat. Clap your hands. Tap your feet. Count one two three four, with your Head Shoulders Elbows Hands Arms Hips Knees Feet!"

Early childhood educator Teresa Benzwie believes that dance and movement foster imagination, which is essential to the learning process. Her philosophy—that creative movement helps children gain knowledge through the body—is incorporated in Numbers on the Move, an appealing and entertaining book that urges kids to dance, stretch, and move as they learn to count and play with numbers.

Featuring playful, full-color illustrations, this book offers dynamic activities for children, who learn most readily from experience. For parents and teachers, Benzwie provides additional games and activities to try with children. Kids will develop a concrete awareness of numbers as they connect in deep, direct ways with their own expressive movement.

 

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