front cover of Introducing Don DeLillo
Introducing Don DeLillo
Frank Lentricchia
Duke University Press, 1991
If you want to find out what a rock critic, a syndicated columnist, and scholars of American literature have to say about one of America’s most important contemporary novelists, turn to Introducing Don DeLillo. Placing the author’s work in a cultural context, this is the first book-length collection on DeLillo, adding considerably to the emerging critical discourse on his work.
Diversity is the key to this striking assemblage of cultural criticism edited by Frank Lentricchia. Special features include an expanded version of the Rolling Stone interview with the author (“An Outsider in this Society”) and the extraordinary tenth chapter of DeLillo’s Ratner’s Star. Accessibly written and entertaining, the collection will be of great interest to both students and scholars of contemporary American literature as well as to general readers interested in DeLillo’s work.

Contributors. Frank Lentricchia, Anthony Decurtis, Daniel Aaron, Hal Crowther, John A. McClure, Eugene Goodheart, Charles Molesworth, Dennis A. Foster, and John Frow

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front cover of Present Tense
Present Tense
Rock & Roll and Culture
Anthony DeCurtis, ed.
Duke University Press, 1992
The most compelling art form to emerge from the United States in the second half of the twentieth century, rock & roll stands in an edgy relationship with its own mythology, its own musicological history and the broader culture in which it plays a part. In Present Tense, Anthony DeCurtis brings together writers from a wide variety of fields to explore how rock & roll is made, consumed, and experienced in our time.
In this collection, Greil Marcus creates a collage of words and pictures that evokes and explores Elvis Presley's grisly fate as an American cultural image, while Robert Palmer tells the gripping tale of the origins and meanings of the electric guitar. Rap music, MTV, and the issue of gender identity in the work of Bruce Springsteen all undergo thorough examination; rock & roll's complex relationship with the forces of censorship gets a remarkably fresh reading; and the mainstreaming of rock & roll in the 1980s is detailed and analyzed. And, in an interview with Laurie Anderson and an essay by Atlanta musician Jeff Calder, the artists speak for themselves.

Contributors. Jeff Calder, Anthony DeCurtis, Mark Dery, Paul Evans, Glenn Gass, Trent Hill, Michael Jarrett, Alan Light, Greil Marcus, Robert Palmer, Robert B. Ray, Dan Rubey, David R. Shumway, Martha Nell Smith, Paul Smith
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front cover of Rocking My Life Away
Rocking My Life Away
Writing about Music and Other Matters
Anthony DeCurtis
Duke University Press, 1998
Rocking My Life Away represents nearly twenty years of writing by one of the premier critics of popular music in America today. In these pieces from Rolling Stone, the New York Times, and other publications, Anthony DeCurtis reveals his ongoing engagement with rock & roll as artistic forum, source of personal inspiration, and compelling site of cultural struggle. Including significant new work—liner notes commissioned for the Phil Spector box set and a spirited discussion with Peter Buck of R.E.M. about rock criticism, for example—DeCurtis also ventures with insight and power beyond the world of rock & roll. A joint profile of the political writers Neil Sheehan and Taylor Branch and provocative looks at the work of novelists Don DeLillo and T. Coraghessan Boyle round out this eclectic collection.
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