Laughter, contemporary theory suggests, is often aggressive in some manner and may be prompted by a sudden perception of incongruity combined with memories of past emotional experience. Given this importance of the past to our recognition of the comic, it follows that some "traditions" dispose us to ludic responses. The studies in Of Corpse: Death and Humor in Folklore and Popular Culture examine specific interactions of text (jokes, poetry, epitaphs, iconography, film drama) and social context (wakes, festivals, disasters) that shape and generate laughter. Uniquely, however, the essays here peruse a remarkable paradox---the convergence of death and humor.

Utah Series in Middle East Studies

What kind of relationship exists between wars and epidemics? It is widely held that epidemics affected the outcomes of many wars and, until World War II, more victims of war died of disease than of battle wounds. Many disease vectors are present in times of conflict, including mass movements of people across borders and increased contact between persons of different geographic regions, yet disease is rarely treated in depth in histories of war.

Hikmet Özdemir’s The Ottoman Army, 1914–1918 provides extensive documentation of disease and death across the Ottoman Empire during World War I, when epidemic diseases annihilated armies and caused civilians to perish en masse. Drawing on hospital records and information on regional disease prevalence, Özdemir examines the effects that disease and epidemic had on the outcome of the war.

The information on disease mortality explains much that has never been properly understood about wartime events and government actions, events that only begin to make sense when the disease factor is considered. Rich in detail, this is an extremely valuable book that illuminates a facet of the war that has not been adequately considered until now.

An award-winning exploration of the presence of the dead in the lives of the living

A common remedy after suffering the loss of a loved one is to progress through the “stages of grief,” with “acceptance” as the final stage in the process. But is it necessary to leave death behind, to stop dwelling on the dead, to get over the pain? Vinciane Despret thinks not. In her fascinating, elegantly translated book, this influential thinker argues that, in practice, people in all cultures continue to enjoy a lively, inventive, positive relationship with their dead.

Through her unique storytelling woven from ethnographic sources and her own family history, Despret assembles accounts of those who have found ways to live their daily lives with their dead. She rejects the idea that one must either subscribe to “complete mourning” (in a sense, to get rid of the dead) or else fall into fantasy and superstition. She explores instead how the dead still play an active, tangible role through those who are living, who might assume their place in a family or in society; continue their labor or art; or thrive from a shared inheritance or an organ donation. This is supported by dreams and voices, novels, television and popular culture, the work of clairvoyants, and the everyday stories and activities of the living. For decades now, in the West, the dead have been discreet and invisible. Today, especially as a result of the Covid-19 pandemic, Despret suggests that perhaps we will be willing to engage with the dead in ways that bring us happiness despite our loss. 

Despret’s unique method of inquiry makes her book both entertaining and instructive. Our Grateful Dead offers a new, pragmatic approach to social and cultural research and may indeed provide compassionate therapy for those of us coping with death.