Meth cooks practice late industrial alchemy—transforming base materials, like lithium batteries and camping fuel, into gold

Meth alchemists all over the United States tap the occulted potencies of industrial chemical and big pharma products to try to cure the ills of precarious living: underemployment, insecurity, and the feeling of idleness. Meth fires up your attention and makes repetitive tasks pleasurable, whether it’s factory work or tinkering at home. Users are awake for days and feel exuberant and invincible. In one person’s words, they “get more life.” 

The Alchemy of Meth is a nonfiction storybook about St. Jude County, Missouri, a place in decomposition, where the toxic inheritance of deindustrialization meets the violent hope of this drug-making cottage industry. Jason Pine bases the book on fieldwork among meth cooks, recovery professionals, pastors, public defenders, narcotics agents, and pharmaceutical executives. Here, St. Jude is not reduced to its meth problem but Pine looks at meth through materials, landscapes, and institutions: the sprawling context that makes methlabs possible. The Alchemy of Meth  connects DIY methlabs to big pharma’s superlabs, illicit speed to the legalized speed sold as ADHD medication, uniquely implicating the author’s own story in the narrative. 

By the end of the book, the backdrop of St. Jude becomes the foreground. It could be a story about life and work anywhere in the United States, where it seems no one is truly clean and all are complicit in the exploitation of their precious resources in exchange for a livable present—or even the hope of a future.

In contrast to the vast literature on Euclidean geometry as a whole, little has been published on the relatively recent developments in the field of combinatorial geometry. Boltyanskii and Gohberg's book investigates this area, which has undergone particularly rapid growth in the last thirty years. By restricting themselves to two dimensions, the authors make the book uniquely accessible to interested high school students while maintaining a high level of rigor. They discuss a variety of problems on figures of constant width, convex figures, coverings, and illumination. The book offers a thorough exposition of the problem of cutting figures into smaller pieces. The central theorem gives the minimum number of pieces into which a figure can be divided so that all the pieces are of smaller diameter than the original figure. This theorem, which serves as a basis for the rest of the material, is proved for both the Euclidean plane and Minkowski's plane.