A deed is a governmental conveyance, a power asserted by the written, for, as William Carlos Williams wrote to Robert Creeley: “the government can never be more than the government of the words.” The question of ownership, of the words with which we define ourselves and each other, and of whose and what claims are legitimate is much at issue in Rod Smith’s Deed, a lyric, ambitious, rebellious work thoroughly grounded in the New American tradition of poets such as John Ashbery, Allen Ginsberg, and Charles Olson.
At the entrance to this collection stands an abode in the form of a long poem, “The Good House,” a comfortable, at times soothingly humorous place that is also a site of conflict. In “The Spider Poems,” the mythic spider, the maker of the alphabet, is a ?gure of fun and revelation. The third section of the book presents a series of shorter poems chosen for their stylistic variety. Deed ends with a nod to two masters, as Smith turns Jack Spicer’s “Homage to Creeley” into a double homage with “Homage to Homage to Creeley.” The gesture of choosing what one brings into one’s house, what one decides to love, closes the book.
Deed is about making as bequeathing, as celebration, and as impatience for the true democracy that is always yet to arrive. There is still joy inside and out, and by giving usDeed Rod Smith has captured that joy. In so doing he tells us where we as a people, a politik, and a poetic are going.
David Daube (1909–1999) was a world-renowned biblical law scholar. He was a fellow at All Souls College at Oxford, an emeritus professor of law at Oxford, and an emeritus professor of law at the University of California, Berkeley. Scholars have hailed his essential research on Roman law, biblical law, Hebraic Law, and ethics throughout his life and today.
Daube produced dozens of books and published over 150 articles in scholarly journals. Now, for the first time, his twenty Gifford Lectures, delivered in 1962 and 1964, will be available to the public. His first ten Gifford Lectures have been collected in The Deed and the Doer in the Bible: David Daube's Gifford Lectures, Volume 1.
The theme of Daube's Gifford Lectures is law and wisdom in the Bible. His wide-ranging deliberations reveal how complicated and profound the biblical text is. He analyzes deeds described in the Bible and considers, for example, what causes people to act in a certain way, the role of intent, why unintended deeds are sometimes punishable, and how the origin of a deed is determined. His lectures are aimed at professionals in biblical criticism, biblical history, ethics, and the history of law concerning its roots in Old Testament traditions. Daube is a recognized master in these fields, and there are substantial applications to current ethical and legal issues.
Remembered today primarily as a poet, calligrapher, and critic, the protean Su Shi was an outspoken player in the contentious politics and intellectual debates of the Northern Song dynasty. In this comprehensive study, Ronald C. Egan analyzes Su’s literary and artistic work against the background of eleventh-century developments within Buddhist and Confucian thought and Su’s dogged disagreement with the New Policies of Wang Anshi.
Egan explicates Su’s views on governance, the classics, and Buddhism; and he describes Su’s social-welfare initiatives, arrest for disloyalty, and exiles. Finding a key to the richness of Su’s artistic activities in his vacillation on the significance of aesthetic pursuits, Egan explores Su’s shi and ci poetry and Su’s promotion of painting and calligraphy, looking specially at the problem of subjectivity. In a concluding chapter, he reconsiders Su’s role as a founder of the wenren (“literati”) and challenges the conventional understanding of both Su and the Northern Song wenren generally.
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