A SCHOLARLY BOOK REPOSITORY27 start with O start with O
Ibn Battuta was, without doubt, one of the world’s truly great travelers. Born in fourteenth-century Morocco, and a contemporary of Marco Polo, Ibn Battuta left an account in his own words of his remarkable journeys, punctuated by adventure and peril, throughout the Islamic world and beyond. Whether sojourning in Delhi and the Maldives, wandering through the mazy streets of Cairo and Damascus, or contesting with pirates and shipwreck, the indefatigable Ibn Battuta brought to vivid life a medieval world brimming with marvel and mystery. Carefully observing the great diversity of civilizations that he encountered, Ibn Battuta exhibited an omnivorous interest in such matters as food and drink; religious differences among Christians, Hindus, and Shia Muslims; and ideas about purity and impurity, disease, women, and sex.
David Waines offers here a graceful analysis of Ibn Battuta’s travelogue. This is a gripping treatment of the life and times of one of history’s most daring, and at the same time most human, adventurers.
In Of Morsels and Marvels, Condé takes us on a literary journey around places she has travelled to in India, Indonesia, and South Africa. She highlights the tastes and culinary traditions that are fascinating examples of a living museum. Such places, Condé explains, provide important insights into lesser-known aspects of contemporary life. One anecdote illustrates what becomes of the standard Antillean dishes of fish stew and goat curry by two Antilleans who own a restaurant in Sydney, Australia. Cuisine changes not only according to the individual cook but also adapts to foreign skies under which it is created. The author also recounts personal memories of her lifelong relationship with cooking, such as when Adélia, her family’s servant, wrongly blames little Maryse for mixing raisins with fish and using her imagination in the kitchen.
Blending travel with gastronomy, this enchanting volume from the winner of the 2018 Alternative Nobel Prize will delight all who marvel at the wonders of the kitchen or seek to taste the world.
These writings tell the tale of a land in transition—one with abundant, unique, and incredibly lush flora and fauna, a natural history quite elusive today. Drawing on archives he uncovered while writing his acclaimed A Natural History of the Chicago Region, Greenberg hand-selected these first-person narratives, all written between 1721 and 1959. Not every author is familiar, but every contribution is distinctive. From a pioneer’s hilarious notes on life in the Kankakee marsh to Theodore Drieser’s poignant plea for conservation of the Tippecanoe River to infamous murderer Nathan Leopold’s charming description of a pet robin he kept in prison, the sources included are as diverse as the nature they describe.
In Old Blue’s Road, historian James Whiteside shares accounts of his motorcycle adventures across the American West. He details the places he has seen, the people he has met, and the personal musings those encounters prompted on his unique journeys of discovery.
In 2005, Whiteside bought a Harley Davidson Heritage Softail, christened it “Old Blue,” and set off on a series of far-reaching motorcycle adventures. Over six years he traveled more than 15,000 miles. Part travelogue and part historical tour, this book takes the reader along for the ride. Whiteside’s travels to the Pacific Northwest, Yellowstone, Dodge City, Santa Fe, Wounded Knee, and many other locales prompt consideration of myriad topics—the ongoing struggle between Indian and mainstream American culture, the meaning of community, the sustainability of the West's hydraulic society, the creation of the national parks system, the Mormon experience in Utah, the internment of Japanese Americans during World War II, and more.
Delightfully funny and insightful, Old Blue’s Road links the colorful history and vibrant present from Whiteside’s unique vantage point, recognizing and reflecting on the processes of change that made the West what it is today. The book will interest the general reader and western historian alike, leading to new appreciation for the complex ways in which the American West's past and present come together.
Whitman praised its "good-natured style." But many reviewers doubted Melville's veracity, and some objected to his "raciness" and "indecencies." Some also denounced his criticism of missionary endeavors, for his attacks on missionaries were more polemical than those undertaken in the earlier book. Omoo, however, influenced later visitors to Tahiti such as Pierre Loti, Henry Adams, John La Farge, and Jack London; it was the book that sent Robert Louis Stevenson to the South Seas.
Offering both a personal and historical exploration of the Ho Chi Minh Trail, this book highlights the critical role the Trail and the young women soldiers who helped build and defend it played in the Vietnam War. Accompanied by two traveling companions, Sherry Buchanan winds her way from Hanoi in the north to Ho Chi Minh City, formerly Saigon, in the south. Driving through the spectacular scenery of Vietnam and Laos, she encounters locations from the Truong Son mountains, the Phong Nha Caves, ancient citadels, and Confucian temples to the Khmer Temple of Wat Phu at the western-most point of the Trail in Laos.
Buchanan records her interactions—both scheduled and spontaneous—with those who experienced the Vietnam War firsthand. She listens to the women who defended the Trail roads against the greatest bombing campaign in modern times, walks through minefields with the demolition teams hunting for unexploded ordnance, and meets American veterans who have returned to Vietnam with an urge to “do something.” Buchanan weaves informative, and often humorous, tales from her journey with excerpts from the accounts of others, situating the locations she visits in their historical and political context. On the Ho Chi Minh Trail brings together geography, history, and personal accounts to reveal the scale of the tragedy, its harmful legacies, and our memory of it. Buchanan challenges American exceptionalism and calls for redress for those harmed by US military actions during the Vietnam War and America’s subsequent wars.
Why do nearly five million people travel to the Grand Canyon each year? Mark Neumann answers this question with a book as compelling as the panoramic vistas of the canyon. In On the Rim, he describes how the Grand Canyon became an internationally renowned tourist attraction and cultural icon, and delves into the meanings the place holds for the individuals who live, work, and travel there.
Weaving history, ethnography, documentary photography, and autobiography, Neumann exposes the roots—the personal and social dimensions—of America’s pursuit of leisure. He shows how people visiting the Grand Canyon create their own experiences, even while they are affected by one hundred years of social history and cultural expectations. On the Rim examines the lines between progress and nostalgia, science and spirituality, nature and culture, authenticity and mass production, and work and leisure—all of which crisscross the tourist experience.
To support his argument, Neumann uses evidence from tourist registers and Park Service records, first-person narratives, interviews, and scenes from television shows, Hollywood movies, and popular novels. Heavily illustrated with historical and contemporary photographs, the narrative shifts back and forth between early descriptions of the canyon and modern tourist stories, the past illuminating the present at every step.
From Albert Einstein’s visit and the hunt for the fugitive Danny Horning to the everyday experiences of local Native Americans, park rangers, and vacationing families, Neumann reminds us that every trip to the Grand Canyon is a complex journey, fueled by shared expectations but always open to the possibility of surprise. On the Rim is a multilayered, nuanced study of the place and its many visitors.
If I had let myself be ruled by reason alone, I would surely be lying dead somewhere or another in the Siberian frost.
The Siberian taiga: a massive forest region of roughly 4.5 million square miles, stretching from the Ural Mountains to the Bering Sea, breathtakingly beautiful and the coldest inhabited region in the world. Winter temperatures plummet to a bitter 97 degrees below zero, and beneath the permafrost lie the fossilized remains of mammoths, woolly rhinoceroses, and other ice age giants. For the Yukaghir, an indigenous people of the taiga, hunting sable is both an economic necessity and a spiritual experience—where trusting dreams and omens is as necessary as following animal tracks. Since the fall of Communism, a corrupt regional corporation has monopolized the fur trade, forcing the Yukaghir hunters into impoverished servitude.
Enter Rane Willerslev, a young Danish anthropologist who ventures into this frozen land on an idealistic mission to organize a fair-trade fur cooperative with the hunters. From the outset, things go terribly wrong. The regional fur company, with ties to corrupt public officials, proves it will stop at nothing to maintain its monopoly: one of Willerslev’s Yukaghir business partners is arrested on spurious charges of poaching and illegal trading; another drowns mysteriously. When police are sent to arrest him, Willerslev fears for his life, and he and a local hunter flee to a remote hunting lodge even deeper in the icy wilderness. Their situation turns even more desperate right away: they manage to kill a moose but lose the meat to predators and begin to starve, frostbitten and isolated in the frozen taiga.
Thus begins Willerslev’s extraordinary, chilling tale of one year living in exile among Yukaghir hunters in the stark Siberian taiga region. At turns shocking and quietly moving, On the Run in Siberia is a pulse-pounding tale of idealism, political corruption, starvation, and survival (with a timely assist from Vladimir Putin) as well as a striking portrait of the Yukaghirs’ shamanistic tradition and their threatened way of life, a drama unfolding daily in one of the world’s coldest, most enthralling landscapes.
A Mesoamerican travel book from two perspectives and two centuries.
In 1839 John Lloyd Stephens, then 31 years old, and his traveling companion, artist Frederick Catherwood, disappeared into the vast rain forest of eastern Guatemala. They had heard rumors that remains of a civilization of incomparable artistic and cultural merit were moldering in the steamy lowland jungles. They braved Indian uprisings, road agents, heat, and biting insects to eventually encounter what is today known as the lost civilization of the Maya.
In 1841 Stephens published Incidents of Travel in Central America, Chiapas, and Yucatan to instant acclaim with both American and international audiences. His conversational style was fresh and crisp and his subject matter, the search for lost cities on the Central American isthmus, was romantic and adventurous. Stephens's book has been characterized as the "great American nonfiction narrative of the 19th century." Indeed, what Stephens wrote about the Maya makes a major contribution to Maya studies.
Steve Glassman retraces Stephens's route, visiting the same archaeological sites, towns, markets, and churches and meeting along the way the descendants of those people Stephens described, from mestizo en route to the cornfields to town elders welcoming the Norte Americanos. Glassman's work interlaces discussion of the history, natural environment, and architecture of the region with descriptions of the people who live and work there. Glassman compares his 20th-century experience with Stephens's 19th-century exploration, gazing in awe at the same monumental pyramids, eating similar foods, and avoiding the political clashes that disrupt the governments and economies of the area.
Stephens's books are still widely available, but his importance to literary professionals has been overlooked. With this new travelogue, Glassman reaffirms Stephens's reputation and brings his work to wider critical and public attention.
Shrouded in the lore of legendary Indians, Mt. Timpanogos beckons the urban populace of Utah. And yet, no “Indian” legend graced the mount until Mormon settlers conjured it—once they had displaced the local Indians, the Utes, from their actual landmark, Utah Lake. On Zion’s Mount tells the story of this curious shift. It is a quintessentially American story about the fraught process of making oneself “native” in a strange land. But it is also a complex tale of how cultures confer meaning on the environment—how they create homelands.
Only in Utah did Euro-American settlers conceive of having a homeland in the Native American sense—an endemic spiritual geography. They called it “Zion.” Mormonism, a religion indigenous to the United States, originally embraced Indians as “Lamanites,” or spiritual kin. On Zion’s Mount shows how, paradoxically, the Mormons created their homeland at the expense of the local Indians—and how they expressed their sense of belonging by investing Timpanogos with “Indian” meaning.
This same pattern was repeated across the United States. Jared Farmer reveals how settlers and their descendants (the new natives) bestowed “Indian” place names and recited pseudo-Indian legends about those places—cultural acts that still affect the way we think about American Indians and American landscapes.
Sirota was born in Vienna, but in 1929 her family moved to Japan so that her father, a noted pianist, could teach, and she grew up speaking German, English, and Japanese. Russian, French, Italian, Latin, and Hebrew followed, and at fifteen Sirota was sent to complete her education at Mills College in California. The formal declaration of World War II cut Gordon off from her parents, and she supported herself by working for a CBS listening post in San Francisco that would eventually become part of the FCC. Translating was one of Sirota’s many talents, and when the war ended, she was sent to Japan as a language expert to help the American occupation forces. When General MacArthur suddenly created a team that included Sirota to draft the new Japanese Constitution, he gave them just eight days to accomplish the task. Colonel Roest said to Beate Sirota, “You’re a woman, why don’t you write the women’s rights section?”; and she seized the opportunity to write into law guarantees of equality unparalleled in the US Constitution to this day.
But this was only one episode in an extraordinary life, and when Gordon died in December 2012, words of grief and praise poured from artists, humanitarians, and thinkers the world over. Illustrated with forty-seven photographs, The Only Woman in the Room captures two cultures at a critical moment in history and recounts, after a fifty-year silence, a life lived with purpose and courage. This edition contains a new afterword by Nicole A. Gordon and an elegy by Geoffrey Paul Gordon.
The opalescent deserts of the American Southwest have become romantic icons in the public imagination through the words of writers, the images of artists and photographers, and the visual storytelling of filmmakers. In this spirited, personal, beautifully written book, Peter Wild explores the lives and works of sixteen writers whose words have shaped our visions of the opal desert.
Wild begins with Cabeza de Vaca, whose Relación of his desert wanderings sent treasure-hungry Spaniards searching for cities of gold. He goes on to discuss the works of both widely read and lesser-known nineteenth- and twentieth-century authors, including such luminaries as Mary Austin, Joseph Wood Krutch, Edward Abbey, Ann Zwinger, and Charles Bowden. He links all the writers as explorers of one kind or another, searching for tangible or intangible treasures, some finding and some losing their dreams in the opal desert.
When Melissa Clark purchased a box of old scrapbooks online, she knew only that she had bought something relating to the University of Utah and Zion Park. What came in the mail was much more than she had expected. Instead of random mementos, two albums arrived full of photographs and newspaper clippings dating to 1920 that document a trip made by six young women from the University of Utah into the newly formed Zion National Park. Part of a promotional campaign developed by the Los Angeles and Salt Lake Railroad to advertise its national park shuttle service, the women entered Zion Canyon as its first offical tourists. When Melissa bought those timeworn scrapbooks she found a forgotten treasure: the opening of Zion.
With text by John Clark, the scrapbooks are now the basis of a one-of-a-kind publication. Part fashion spread, part adventure guide, and all Utah cultural treasure, Opening Zion is a stunning visual record of the park. Remarkably detailed black-and-white photographs show the young adventurers scrambling over rocky outcrops, pondering the dizzying height of Zion's sheer walls, and singing camp songs by the campfire. We are introduced anew to the "gigantic grandeur" of Zion National Park. As one of the women wrote, "One can think only beautiful thoughts amid such splendor."
Oildale native, Gerald Haslam, doesn’t like it when folks dismiss the Central Valley as boring and flat. In this collection of essays, he argues that it is California’s heartland and economic hub. In addition, the valley has produced a crop of gifted writers. These nineteen essays range from reminiscences of childhood and adolescence to a portrait of Mexican-Americans and their position in the Valley’s society to a moving essay about having the author’s aging father come to live with the family. Even if you have never lived in the Valley, reading this book will give you an entirely new perspective the next time you drive into it.
The Other Jersey Shore takes readers on a personal tour of the New Jersey portion of the Delaware River and its surroundings. You will learn about the role that the river played in human history, including Washington’s four crossings of the Delaware during the Revolutionary War. And you will also learn about the ecological history of the river itself, once one of the most polluted waterways in the country and now one of the cleanest, providing drinking water for 17 million people. Michael Aaron Rockland, a long-time New Jersey resident, shows readers his very favorite spots along the Delaware, including the pristine waterfalls and wilderness in the Delaware Water Gap recreation area. Along the way, he shares engrossing stories and surprising facts about the river that literally defines western New Jersey.
The interior of Antarctica is an utterly pristine wilderness, a desolate landscape of ice, wind, and rock; a landscape so unfamiliar as to seem of another world. This place has been known to only a handful of early explorers and the few scientists fortunate enough to have worked there. Edmund Stump is one of the lucky few. Having climbed, photographed, and studied more of the continent-spanning Transantarctic Mountains than any other person on Earth, this geologist, writer, and photographer is uniquely suited to share these alien sights.
With stories of Stump’s forty years of journeys and science, Otherworldly Antarctica contains 130 original color photographs, complemented by watercolors and sketches by artist Marlene Hill Donnelly. Over three chapters—on the ice, the rock, and the wind—we meet snowy paths first followed during Antarctica’s Heroic Age, climb the central spire of the Organ Pipe Peaks, peer into the crater of the volcanic Mount Erebus, and traverse Liv Glacier on snowmobile, while avoiding fatal falls into the blue interiors of hidden crevasses. Along the way, we see the beauty of granite, marble, and ice-cored moraines, meltwater ponds, lenticular clouds, icebergs, and glaciers. Many of Stump’s breathtaking images are aerial shots taken from the planes and helicopters that brought him to the interior. More were shot from vantages gained by climbing the mountains he studied. Some were taken from the summits of peaks. Many are of places no one had set foot before—or has since. All seem both permanent and precarious, connecting this otherworld to our fragile own.
While many baby boomers are downsizing to a simpler retirement lifestyle, photographer and writer Judy Blankenship and her husband Michael Jenkins took a more challenging leap in deciding to build a house on the side of a mountain in southern Ecuador. They now live half the year in Cañar, an indigenous community they came to know in the early nineties when Blankenship taught photography there. They are the only extranjeros (outsiders) in this homely, chilly town at 10,100 feet, where every afternoon a spectacular mass of clouds rolls up from the river valley below and envelopes the town.
In this absorbing memoir, Blankenship tells the interwoven stories of building their house in the clouds and strengthening their ties to the community. Although she and Michael had spent considerable time in Cañar before deciding to move there, they still had much to learn about local customs as they navigated the process of building a house with traditional materials using a local architect and craftspeople. Likewise, fulfilling their obligations as neighbors in a community based on reciprocity presented its own challenges and rewards. Blankenship writes vividly of the rituals of births, baptisms, marriages, festival days, and deaths that counterpoint her and Michael’s solitary pursuits of reading, writing, listening to opera, playing chess, and cooking. Their story will appeal to anyone contemplating a second life, as well as those seeking a deeper understanding of daily life in the developing world.
This book tells their story, a tale of dedication and tireless labor in the face of suspicion, resistance, and even violence. At a time when Alaska’s natural bounty remains under threat, Our Perfect Wild shows us an example of the commitment—and love—that will be required to preserve it.
Glionna’s interest in Nevada’s rugged, isolated landscape and the people who choose to live in this often-harsh environment was born of his own wanderings into the “outback.” Through his stories, he shares intimate portraits of rural and small-town lifestyles not many understand. Readers meet men with names like Flash and Mr. Cool; will listen to a cowboy minister preach the word of God to his parishioners; will walk with an antiques dealer from Genoa as he hunts for denim in Nevada’s abandoned nineteenth-century mine shafts; and will learn from an ex-paramedic– turned–coffee-shop–owner who provides Boulder City with a true sense of community. Full of humor, eccentricities, and compassion, these stories reveal the state’s true nature and extend an invitation to get lost “somewhere out there” in the real Nevada.
Published just days before America’s entry into World War II, Ozark Country is Otto Ernest Rayburn’s love letter to his adopted region. One of several chronicles of the Ozarks that garnered national attention during the Depression and war years, when many Americans craved stories about people and places seemingly untouched by the difficulties of the times, Rayburn’s colorful tour takes readers from the fictional village of Woodville into the backcountry of a region teeming with storytellers, ballad singers, superstitions, and home remedies.
Rayburn’s tales—fantastical, fun, and unapologetically romantic—portray a world that had already nearly disappeared by the time they were written. Yet Rayburn’s depiction of the Ozarks resonates with notions of the region that have persisted in the American consciousness ever since.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press