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The Same River Twice
A Boatman's Journey Home
Michael Burke
University of Arizona Press, 2006
In the summer of 1991 Michael Burke, an experienced river guide, embarks on a three-week journey down a series of remote rivers in British Columbia. Leaving behind his pregnant wife, he embraces the perils of a voyage with a companion he barely knows in a raft that may not weather the trip. He attempts to reconcile the shifting fates of his life—his transition from river guide to husband, father, and academic. At the same time, he hopes to explore his connection to a distant relative, Sid Barrington, who was a champion “swiftwater pilot of the North” in the late 19th and early 20th centuries.

As Burke contemplates what he and Sid may have had in common, he meditates on the changing meaning of rivers, and the impossibility of fully recovering the past. In clear and graceful prose, Burke blends Sid’s colorful history with his own uncommon journey. He also reflects upon the quick currents of time and the fierce passion he shares with Sid for the life of river running in Alaska and the west. Unlike most river-running books that often describe waterways in the lower forty-eight states, The Same River Twice introduces readers to rough, austere, and unfamiliar rivers in the northern wilderness. Burke has an intimate understanding of these remote, free-flowing rivers. He effectively captures the thrill of moving water, the spirit of rivers and river canyons, and the life of river guides. This insightful memoir brings readers into a confluence of rivers, where past and present merge, revealing the power of wilderness and the truth about changing course.
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San Juan
Memoir of a City
Edgardo Rodriguez Julia; Translated by Peter Grandbois
University of Wisconsin Press, 2007
     San Juan: Memoir of a City conducts readers through Puerto Rico's capital, guided by one of its most graceful and reflective writers, Edgardo Rodríguez Juliá. No mere sightseeing tour, this is culture through immersion, a circuit of San Juan's historical and intellectual vistas as well as its architecture. 
     In the allusive cityscape he recreates, Rodríguez Juliá invokes the ghosts of his childhood, of San Juan's elder literati, and of characters from his own novels. On the most tangible level, the city is a place of cabarets and cockfighting clubs, flâneurs and beach bums, smoke-filled bars and honking automobiles. Poised between a colonial past and a commercial future, the San Juan he portrays feels at times perilously close to the pitfalls of modernization. Tenement houses and fading mansions yield to strip malls and Tastee Freezes; asphalt hems in jacarandas and palm trees. "In Puerto Rico," he muses, "life is not simply cruel, it is also busy erasing our tracks." Through this book—available here in English for the first time—Rodríguez Juliá resists that erasure, thoughtfully etching a palimpsest that preserves images of the city where he grew up and rejoicing in the one where he still lives.
 
 
Best Books for Regional General Audiences, selected by the American Association of School Librarians and the Public Library Association
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The San Luis Valley
Sand Dunes and Sandhill Cranes
Text by Susan J. Tweit; Photographs by Glenn Oakley
University of Arizona Press, 2005
It is a high valley edged by serrated peaks, a remote expanse the size of Connecticut lying, as if forgotten, between two mountain ranges. Here, North America’s tallest sand dunes blow against glacier-gouged summits, the Rio Grande begins its long journey from snowflake to saltwater, and vast reaches of desert scrub hide verdant pocket wetlands. Colorado’s San Luis Valley is not a place for the timid. Sizzling hot in summer, frigid cold in winter, this huge landscape is humbling in its openness, a place defined by the rhythms of nature—and by the thrust and parry of male courting female in the ritual dance of sandhill cranes. These majestic birds arrive by the thousands twice a year to feed, rest, and socialize in the valley’s wetlands—invisible except from the air—and their cries temper the constant wind. Susan Tweit lives in the high desert of southern Colorado not far from the valley’s dunes and wetlands. With the precision of a scientist and the passion of a poet, she guides readers through this land of sand dunes and sandhill cranes, describing its natural features and tracing its human history from buffalo hunters and conquistadors to Hispanic farming communities and UFO observatories. And in stunning images, photographer Glenn Oakley brings his intimate feel for light and landscape to portraying not only the subtle beauty of this high-desert sanctuary but also the grandeur of the cranes in flight. As an intimate look at Great Sand Dunes National Park and Preserve and the San Luis Valley, this book reveals a desert place as seductive and sobering as existence itself.
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The San Saba Treasure
Legends of Silver Creek
David C. Lewis
University of North Texas Press, 2018

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Satyr Square
A Year, a Life in Rome
Leonard Barkan
Northwestern University Press, 2008

Part memoir, part literary criticism, part culinary and aesthetic travelogue, this loving reflection is a poignant, funny narrative about an American professor spending a year in Rome. A scarred veteran of academic culture wars retreating to a cradle of culture, Barkan is at first hungry, lonely, and uncertain of his intellectual mission. But soon he is appointed unofficial mascot of an eccentric community of gastronomes, becomes virtually bilingual, and falls in love. As the year progresses, he finds his voice as a writer, loses his lover, and definitively returns to America with heart, mind, and body. His memoir is the celebration of a life lived in the uncanny spaces where art and real people intersect.

Barkan’s reminiscence is not just about the Renaissance and ancient statuary, or Shakespeare and Mozart, Charles Bukowski and Paul de Man, eggplant antipasto and Brunello di Montalcino, foot fetishism and sulfur baths. At the heart of the narrative—beneath that beguiling surface of irony, humor, and misdirection—is a man of genuine ardor, struggling with what it means to be a homosexual and a Jew, trying to rediscover or reinvent his own intellectual passions. Hilarious, erudite, and lusciously rendered, Satyr Square gives us the whole of a life made up from fragments of Italy, art, food, and longing.

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Science on Ice
Four Polar Expeditions
Chris Linder
University of Chicago Press, 2011
“Polar exploration is at once the cleanest and most isolated way of having a bad time which has been devised,” wrote Apsley Cherry-Garrard of his time with the 1910 Scott expedition to the South Pole. And that’s how most of us still imagine polar expeditions: stolid men with ice riming their beards drawing sledges and risking death for scientific knowledge. But polar science has changed drastically over the past century—as Chris Linder shows us, brilliantly, with Science on Ice.

An oceanographer and award-winning photographer, Linder chronicles four polar expeditions in this richly illustrated volume: to a teeming colony of Adélie penguins, through the icy waters of the Bering Sea in spring, beneath the pack ice of the eastern Arctic Ocean, and over the lake-studded surface of the Greenland Ice Sheet. Each trip finds Linder teamed up with a prominent science journalist, and together their words and pictures reveal the day-to-day details of how science actually gets done at the poles. Breathtaking images of the stark polar landscape alternate with gritty, close-up shots of scientists working in the field, braving physical danger and brutal conditions, and working with remarkable technology designed to survive the poles—like robotic vehicles that chart undersea mountain ranges—as they gather crucial information about our planet's distant past, and the risks that climate change poses for its future.

The result is a combination travel book and paean to the hard work and dedication that underlies our knowledge of life on earth. Science on Ice takes readers to the farthest reaches of our planet; science has rarely been more exciting—or inspiring.
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The Sea and the Jungle
H.M. Tomlinson
Northwestern University Press, 1996
Considered a masterpiece of travel literature for nearly a century, The Sea and the Jungle is a wise and witty book of firsts: ostensibly a lighthearted story of a Londoner's first ocean voyage, it is also a carefully crafted journalistic account of the first successful ascent of the Amazon River and its tributary, the Madeira, by an English steamer. First published in 1912, The Sea and the Jungle remains one of the most popular accounts of a traveler's experience in Amazonia. As Peter Matthiessen observed fifty years later, " The Sea and the Jungle is one of the few level-headed works in the literature of this region. . . . accurate and difficult to improve upon."
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The Sea Mark
Captain John Smith’s Voyage to New England
Russell M. Lawson
University Press of New England, 2015
By age thirty-four Captain John Smith was already a well-known adventurer and explorer. He had fought as a mercenary in the religious wars of Europe and had won renown for fighting the Turks. He was most famous as the leader of the Virginia Colony at Jamestown, where he had wrangled with the powerful Powhatan and secured the help of Pocahontas. By 1614 he was seeking new adventures. He found them on the 7,000 miles of jagged coastline of what was variously called Norumbega, North Virginia, or Cannada, but which Smith named New England. This land had been previously explored by the English, but while they had made observations and maps and interacted with the native inhabitants, Smith found that “the Coast is . . . even as a Coast unknowne and undiscovered.” The maps of the region, such as they were, were inaccurate. On a long, painstaking excursion along the coast in a shallop, accompanied by sailors and the Indian guide Squanto, Smith took careful compass readings and made ocean soundings. His Description of New England, published in 1616, which included a detailed map, became the standard for many years, the one used by such subsequent voyagers as the Pilgrims when they came to Plymouth in 1620. The Sea Mark is the first narrative history of Smith’s voyage of exploration, and it recounts Smith’s last years when, desperate to return to New England to start a commercial fishery, he languished in Britain, unable to persuade his backers to exploit the bounty he had seen there.
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The Secret Life Of John C. Van Dyke
Selected Letters
David W. Teague
University of Nevada Press, 1997

The author of The Desert, the book that made the American landscape accessible to the mainstream mind, was much less like his fellow environmental prophets John Muir and Henry David Thoreau than he would have had us believe. Van Dyke claimed to have wandered "alone on horseback for thousands of miles through the American Southwest and northern Mexico," as readers of The Desert—now in the millions since the book was published in 1901—were told. He did not. In The Secret Life of John C. Van Dyke, Teague and Wild unmask the desert saint with Van Dyke’s own recently discovered letters. These letters depict a privileged, patrician, and pampered member of the upper-class. His incriminating correspondence reveals that he saw most of the desert from plush railroad cars and grand hotel rooms. In the introduction, the editors clear up many misconceptions scholars currently hold about Van Dyke’s ecological principles, about his outdoorsmanship, and about his trip through the desert itself. As the centennial of the publication of The Desert approaches, this lively collection of letters helps set the record straight. The John C. Van Dyke unveiled in The Secret Life is a more varied character than we had supposed—still worthy of much admiration for his remarkable accomplishments, but still mysterious, and not the man we thought him to be.

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Seeing Things Whole
The Essential John Wesley Powell
John Wesley Powell; Edited by William deBuys
Island Press, 2001

John Wesley Powell was an American original. He was the last of the nation's great continental explorers and the first of a new breed of public servant: part scientist, part social reformer, part institution builder. His work and life reveal an enduringly valuable way of thinking about land, water, and society as parts of an interconnected whole; he was America's first great bioregional thinker.

Seeing Things Whole presents John Wesley Powell in the full diversity of his achievements and interests, bringing together in a single volume writings ranging from his gripping account of exploring the Colorado River through the Grand Canyon to his views on the evolution of civilization, along with the seminal writings in which he sets forth his ideas on western settlement and the allocation and management of western resources.

The centerpiece of Seeing Things Whole is a series of selections from the famous 1878 Report on the Lands of the Arid Region and related magazine articles in which Powell further develops the themes of the report. In those, he recommends organizing the Arid Lands into watershed commonwealths governed by resident citizens whose interlocking interests create the checks and balances essential to wise stewardship of the land. This was the central focus of John Wesley Powell's bioregional vision, and it remains a model for governance that many westerners see as a viable solution to the resource management conflicts that continue to bedevil the region.

Throughout the collection, award-winning writer and historian William deBuys brilliantly sets the historical context for Powell's work. Section introductions and extensive descriptive notes take the reader through the evolution of John Wesley Powell's interests and ideas from his role as an officer in the Civil War through his critique of Social Darwinism and landmark categorization of Indian languages, to the climatic yet ultimately futile battles he fought to win adoption of his land-use proposals.

Seeing Things Whole presents the essence of the extraordinary legacy that John Wesley Powell has left to the American people, and to people everywhere who strive to reconcile the demands of society with the imperatives of the land.

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Seven Summers
A Naturalist Homesteads in the Modern West
Julia Corbett
University of Utah Press, 2013

Seven Summers is the story of a naturalist-turned-professor who flees city life each summer with her pets and power tools to pursue her lifelong dream—building a cabin in the Wyoming woods. With little money and even less experience, she learns that creating a sanctuary on her mountain meadow requires ample doses of faith, patience, and luck. This mighty task also involves a gradual and sometimes painful acquisition of flexibility and humility in the midst of great determination and naive enthusiasm.

For Corbett, homesteading is not about wresting a living from the land, but respecting and immersing herself in it—observing owls and cranes, witnessing seasons and cycles, and learning the rhythms of wind and weather in her woods and meadow. The process changes her in unexpected ways, just as it did for women homesteaders more than a century ago. The more she works with wood, the more she understands the importance of “going with the grain” in wood as well as in life. She must learn to let go, to move through loss and grief, to trust her voice, and to balance independence and dependence. Corbett also gains a better understanding of her fellow Wyomingites, a mix of ranchers, builders, gas workers, and developers, who share a love of place but often hold decidedly different values. This beautifully written memoir will appeal to readers who appreciate stories of the western landscape, independent women, or the appreciation of the natural world.

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Seven Words for Wind
Essays and Field Notes from Alaska's Pribilof Islands
Sumner MacLeish
University of Alaska Press, 2008
Far off the coast of mainland Alaska lie the remote Pribilof Islands—a fiercely isolated wilderness surrounded by a wild, rich sea. The largest island, St. Paul, is just fourteen miles long and eight wide; despite its small size and relative self-enclosure, Sumner MacLeish lived and worked on the island, coming to love its rugged weather, abundant wildlife, and 600 native Aleuts. Her spare, imagistic prose illuminates the unforgiving darkness and unimaginable beauty of this subarctic landscape, and the pieces in Seven Words for Wind relate her own experience with attentive, open curiosity that finds light, humor, and companionship where it might least be expected.
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The Shark God
Encounters with Ghosts and Ancestors in the South Pacific
Charles Montgomery
University of Chicago Press, 2007
When Charles Montgomery was ten years old, he stumbled upon the memoirs of his great-grandfather, a seafaring missionary in the South Pacific. Twenty years later and a century after that journey, entranced by the world of black magic and savagery the bishop described, Montgomery set out for Melanesia in search of the very spirits and myths his great-grandfather had sought to destroy.  In The Shark God, he retraces his ancestor’s path through the far-flung islands, exploring the bond between faith and magic, the eerie persistence of the spirit world, and the heavy footprints of the British Empire.

In the South Pacific, he discovers a world of sorcery and shark worship, where Christian and pagan rituals coexist and an ordinary day is marked by confrontations with America-worshiping cult leaders and militants alike. A defiantly original blend of history and memoir, anthropology and travel writing, The Shark God is ultimately a tale of personal and political transformation.
 
The Shark God, a travel story as dark and twisted as one might ever wish to hear . . . reaches a superb climax with some apocalyptically page-turning scenes.”—Guardian
 
“A fascinating account of the drama of Melanesian life.”—Times Literary Supplement
 
“With exquisite writing, Montgomery lovingly captures the beauty and the horrors, the mysteries and the shams of the people and places he visits.”—Publishers Weekly
 
“A very real and memorable talent. . . . The endurance [Montgomery] displayed on his travels was admirable, the adventures he survived were tremendous, and the quality of his prose seems matched only by the wisdom of his observations.”—Simon Winchester, Globe and Mail (Toronto)
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A Shi'ite Pilgrimage to Mecca, 1885-1886
The Safarnâmeh of Mirzâ Mo?ammad ?osayn Farâhâni
By Mirzâ Farâhâni
University of Texas Press, 1990

Western accounts of the Hajj, the ritual Muslim pilgrimage to Mecca, are rare, since access to Mecca is forbidden to non-Muslims. In the Muslim world, however, pilgrimage literature is a well-established genre, dating back to the earliest centuries of the Islamic era. A Shiʿite Pilgrimage to Mecca is taken from the original nineteenth-century Persian manuscript of the Safarnâmeh of Mirzâ Moḥammad Ḥosayn Farâhâni, a well-educated, keenly observant, Iranian Shiʿite gentleman.

This memoir holds a wealth of social and economic information about Czarist Russia, the Ottoman Empire, Egypt, Northern Iran, and Arabia. The author is a meticulous observer, recording details of distances, currencies, accommodations, modes of travel, and so on. He records the experiences encountered by pilgrims of his day: physical hardships, disease, generosity and compassion, banditry, hospitality, comradeship, and exaltation. And, without prejudice, he discusses the tensions between the Shiʿites and the Sunnites in the holy places—tensions that still exist and have erupted in bloody clashes during recent pilgrimages.

A Shiʿite Pilgrimage to Mecca will appeal to a wide audience of general readers, Middle Eastern scholars, anthropologists, and historians.

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Sidewalks
Portraits of Chicago
Rick Kogan & Charles Osgood
Northwestern University Press, 2008
"A wonderful book that tells you the basic truths of our city." —Studs Terkel

Few people know Chicago as do Rick Kogan and Charles Osgood, and their "Sidewalks" column for the Chicago Tribune Sunday Magazine is a tour of the city like no other, taking readers to the off-beat and quintessential spots that give Chicago its character—that make its inhabitants feel at home and tell its visitors that they have arrived.

Accompanied by evocative color photographs by Charles Osgood, Kogan's pieces revisit the lost places and people of Chicago, and take readers down the quiet byways and thriving thoroughfares, pointing out the characters and cornerstones, the oddities and institutions that make the city what it is. In this collection you will find an elegy for Maxwell Street, the marketplace that pulsed with city life for more than 100 years; a remembrance of a disturbing advertisement ("Are you a slave to housework?") on the side of a building on Irving Park Road; a cross marking a deadly intersection; a magical miniature golf course; as well as ballad singer Fred Holstein, the denizens of the World Gym and memories of Bensinger's pool hall, the day-camp kids of summer, bike couriers, the creatures of the beach, and much, much more. Here is Chicago, past, present, and—let's hope—future, captured in the unique archive of Sidewalks.
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Siena
City of Secrets
Jane Tylus
University of Chicago Press, 2015
Jane Tylus’s Siena is a compelling and intimate portrait of this most secretive of cities, often overlooked by travelers to Italy. Cultural history, intellectual memoir, travelogue, and guidebook, it takes the reader on a quest of discovery through the well- and not-so-well-traveled roads and alleys of a town both medieval and modern.
           
As Tylus leads us through the city, she shares her passion for Siena in novelistic prose, while never losing sight of the historical complexities that have made Siena one of the most fascinating and beautiful towns in Europe. Today, Siena can appear on the surface standoffish and old-fashioned, especially when compared to its larger, flashier cousins Rome and Florence. But first impressions wear away as we learn from Tylus that Siena was an innovator among the cities of Italy: the first to legislate the building and maintenance of its streets, the first to publicly fund its university, the first to institute a municipal bank, and even the first to ban automobile traffic from its city center.
           
We learn about Siena’s great artistic and architectural past, hidden behind centuries of painting and rebuilding, and about the distinctive characters of its different neighborhoods, exemplified in the Palio, the highly competitive horserace that takes place twice a year in the city’s main piazza and that serves as both a dividing and a uniting force for the Sienese. Throughout we are guided by the assured voice of a seasoned scholar with a gift for spinning a good story and an eye for the telling detail, whether we are traveling Siena’s modern highways, exploring its underground tunnels, tracking the city’s financial history, or celebrating giants of painting like Simone Martini or giants of the arena, Siena’s former Serie A soccer team.
           
A practical and engaging guide for tourists and armchair travelers alike, Siena is a testament to the powers of community and resilience in a place that is not quite as timeless and serene as it may at first appear.
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Singers Die Twice
A Journey to the Land of Dhrupad
Peter Pannke
Seagull Books, 2013
Singers Die Twice is the story of a life in music. One of Germany's best-known exponents of North Indian classical music, specifically dhrupad singing, Perer Pannke has traveled from his home in Germany to Varanasi, Delhi, Darbhanga, and the forests of Vrindaban to study classical Indian singing in the most famous gharanas—musical houses—of India. His richly woven story takes readers from the legendary beginning of the gharana in the eighteenth century into the last splendid days of the Maharaja of Darbhanga—the inspiration for Satyajit Ray's 1957 classic film, The Music Room—and into the present.

Along the way, we meet legendary singers whose names are still known to the devotees of dhrupad: the grand old Pandit Ram Chatur Mallik, the pious and inspiring Pandit Vidur Mallik, and both the masters and the humbler musicians and traveling players who bring music to the fields of Bihar, across India, and beyond. Singers Die Twice is the inspiring story of a master musician in the world that he loves.

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Sketches of Alabama
Mary Duffee, edited by Jane Porter Nabers and Virginia Pounds Brown
University of Alabama Press, 1970

Mary Gordon Duffee's father, Matthew Duffee was born in Ireland and immigrated to Tuscaloosa, Alabama in 1823. In Tuscaloosa he operated a popular tavern, and he later bought a resort hotel at Blount Springs. Mary Duffee was born in Alabama in 1840 and spent many summers with her family at the resort. It was the journey to and from Blount Springs that inspired Duffee's best-known work, Sketches of Alabama, which originally appeared as fifty-nine articles in the Birmingham Weekly Iron Age in 1886 and 1887. She also contributed articles to several out-of-state newspapers, wrote guide books, advertising copy, and poetry. She died in 1920. This collection contains typescripts of some of Mary Gordon Duffee's Iron Age columns "Sketches of Alabama," manuscripts of seven of Duffee's poems, a typed biographical sketch of Duffee, undated, and Duffee's obituary from the Birmingham Age-Herald.

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Slicing the Silence
Voyaging to Antarctica
Tom Griffiths
Harvard University Press, 2007

From Scott and Shackleton to sled dogs and penguins, stories of Antarctica seize our imagination. In December 2002, environmental historian Tom Griffiths set sail with the Australian Antarctic Division to deliver the new team of winterers. In this beautifully written book, Griffiths reflects on the history of human experiences in Antarctica, taking the reader on a journey of discovery, exploration, and adventure in an unforgettable land.

He weaves together meditations on shipboard life during his three-week voyage with fascinating forays into the history and nature of Antarctica. He brings alive the great age of sail in the initiation of travelers to the great winds of the “roaring forties.” No continent is more ruled by wind, and Griffiths explains why Antarctica is a barometer of global climatic health. He charts the race to the South Pole, from its inception as part of the drive to map Earth’s magnetism, to the reasons for Robert Scott’s tragic death. He also offers vivid descriptions of life in Antarctica, such as the experience of a polar night, the importance of food for morale, and coping with solitude.

A charming narrative and an informative history, Slicing the Silence is an intimate portrait of the last true wilderness.

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Snowshoeing Through Sewers
Adventures in New York City, New Jersey, and Philadelphia
Michael Aaron Rockland
Rutgers University Press, 2008
When Daniel Boone heard a neighbor's dog bark, he moved West. But when there's no Wild West left, where is adventure to be found? Michael Aaron Rockland looks for adventure in the megalopolis, "not where no one has been but where no one wishes to go . . . across traffic-clogged cities, the parking lots of wall-to-wall suburban malls, and the sinister waterways that seep through rusting industrial sites."

In these ten alternately poetic and comic tales of adventure in the New York/Philadelphia corridor, the most densely populated chunk of America, Rockland walks and bikes areas meant only for cars and paddles through waters capable of dissolving canoes. He hikes the length of New York's Broadway, camps in New York City, treks across Philadelphia, pedals among the tractor trailers of Route 1 in New Jersey, and paddles around Manhattan and through the dark tunnels under Trenton.

Whereas Henry David Thoreau built his cabin on Walden Pond to get out of town, for Rockland, the challenge is to head into town. As he writes, "in the late twentieth century, a weed and trash-filled city lot . . . may be a better place than the wilderness to contemplate one's relationship to nature."
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So Many Africas
Six Years in a Zambian Village
Jill Kandel
Autumn House Press, 2015
Newly-wed Kandel and her Dutch husband move to Zambia, living in a village so remote it takes an eight-hour canoe ride to reach.
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Soldier-Artist of the Great Reconnaissance
John C. Tidball and the 35th Parallel Pacific Railroad Survey
Eugene C. Tidball
University of Arizona Press, 2004
In 1853, a survey team under Amiel W. Whipple set out for California from Fort Smith, Arkansas, in search of a transcontinental railroad route. In addition to studying the engineering obstacles for the railroad, the party collected natural history specimens in this unexplored and dangerous corner of America—and when the expedition entered New Mexico, it requested an additional military escort to guard against hostile Indians. An 1848 West Point graduate, Lt. John C. Tidball had only recently arrived at Fort Defiance in New Mexico, when he received his orders to join the surveying party. Although his official duties were strictly military, Tidball began sketching as soon as he joined the expedition, and his talents made him an indispensable member of Whipple’s artistic staff. This book offers a new look at the Whipple expedition through the lens of a newly discovered manuscript of Tidball’s memoirs—the only firsthand account of the 35th parallel survey to be discovered in nearly thirty years. Soldier-Artist of the Great Reconnaissance includes much of the material from this manuscript, giving us John Tidball’s pungent observations on the journey as well as striking examples of his artwork. Melding the observations of several diarists—which sometimes presented opposing viewpoints—author Eugene Tidball offers a new perspective on the Whipple expedition that focuses on the diverse personalities of the party and on the Native Americans they encountered along the way. The Pacific Railroad Surveys were among the most important explorations of North America ever undertaken. Eugene Tidball’s account of this journey tells how the artistic and literary contributions of John Tidball, his distant cousin, enrich our understanding of what the survey party saw and thought as they crossed the continent. Soldier-Artist of the Great Reconnaissance recaptures the Whipple expedition’s trials and triumphs as it documents the unusual talents of one of its most versatile members.
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Some of the Dead Are Still Breathing
Living in the Future
By Charles Bowden
University of Texas Press, 2018

The third book in Charles Bowden’s “accidental trilogy” that began with Blood Orchid and Blues for Cannibals, Some of the Dead Are Still Breathing attempts to resolve the overarching question: “How can a person live a moral life in a culture of death?” As humanity moves further into the twenty-first century, Bowden continues to interrogate our roles in creating the ravaged landscapes and accumulated death that still surround us, as well as his own childhood isolation, his lust for alcohol and women, and his waning hope for a future. We witness post-Katrina New Orleans and terrorist-bombed Bali; we encounter our shared actions with the animal world and the desirous need for consumption; we see the clash and erosion of our physical and figurative borders, the savagery of our own civilization. A man of his time and out of time, Bowden seeks acceptance and a will to endure what may lie ahead.

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Some Strange Corners of Our Country
Charles F. Lummis; Foreword by Lawrence Clark Powell
University of Arizona Press, 1989
Lummis's prose portraits of the Grand Canyon, Petrified Forest, Montezuma Castle, and other sites reflect the author's knowledge of Southwest anthropology and history.
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Somebody Else
Arthur Rimbaud in Africa 1880-91
Charles Nicholl
University of Chicago Press, 1999
At the age of twenty-five, Arthur Rimbaud—the infamous author of A Season in Hell, the pioneer of modernism, the lover and destroyer of Verlaine, the "hoodlum poet" celebrated a century later by Bob Dylan and Jim Morrison—turned his back on poetry, France, and fame, for a life of wandering in East Africa.

In this compelling biography, Charles Nicholl pieces together the shadowy story of Rimbaud's life as a trader, explorer, and gunrunner in Africa. Following his fascinating journey, Nicholl shows how Rimbaud lived out that mysterious pronouncement of his teenage years: "Je est un autre"—I is somebody else.

"Rimbaud's fear of stasis never left him. 'I should like to wander over the face of the whole world,' he told his sister, Isobelle, 'then perhaps I'd find a place that would please me a little.' The tragedy of Rimbaud's later life, superbly chronicled by Nicholl, is that he never really did."—London Guardian

"Nicholl has excavated a mosaic of semi-legendary anecdotes to show that they were an essential part of the poet's journey to become 'somebody else.' Not quite biography, not quite travel book, in the end Somebody Else transcends both genres."—Sara Wheeler, Daily Telegraph

"At the end of Somebody Else Rimbaud is more interesting and more various than before: he is not less mysterious, but he is more real."—Susannah Clapp, Observer Review
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A Song of Longing
AN ETHIOPIAN JOURNEY
Kay Kaufman Shelemay
University of Illinois Press, 1992
"A rich, descriptive account. . . . Shelemay presents extraordinary personal experiences that shaped her research process and make reading this text pleasurable."
-- Library Journal
 
"Highly recommended to generalists in music as well as to specialists interested in Ethiopia. . . . Also makes an excellent case study text for university-level courses examining fieldwork issues and conditions."
-- Notes
"Highly recommended for both undergraduate and graduate collections in ethnomusicology, anthropology, African, and Judaic studies."
-- Choice
 
 
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Sonora
A Description of the Province
Ignaz Pfefferkorn; Foreword by Bernard L. Fontana; Translated and Annotated by Theodore E. Treutlein
University of Arizona Press, 1989
"The bloodsucking bat, construction of bows and arrows, the punishment for adultery among the Apaches... all was grist that dropped into the industrious mill of Father Pfefferkorn's eyes, ears, and brain."—Saturday Review

"To be read for enjoyment; nevertheless, the historian will find in it a wealth of information that has been shrewdly appraised, carefully sifted, and creditably related."—Catholic Historical Review

"Of interest not only to the historian but to the geographer and anthropologist."—Pacific Historical Review
 
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South America Mi Hija
Sharon Doubiago
University of Pittsburgh Press, 1992

When Shawn Doubiago graduated from high school, she and her mother Sharon, embarked on a journey through Colombia, Ecuador, and Peru. In Cuzco, Peru, standing before an alter where the Incas had sacrifced their female virgins, the daughter asked, “Are there any good men?” South American Mi Hija is Sharon Doubiago’s reply.

Set amidst the mysteries and tragedies of South American culture, this book-length narrative poem is both an account of their journey and a feminist exploration of the struggle between the sexes.

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The South As It Is
1865–1866
John Richard Dennett, with a new introduction by Caroline E. Janney
University of Alabama Press, 2010

This classic report originally appeared as a series of articles in the Nation between July 8, 1865, and April 11, 1866. Dennett traveled in seven states—Virginia, North Carolina, South Carolina, Georgia, Alabama, Louisiana, and Mississippi—at the very beginning of Reconstruction. His remarkably prophetic account of the recently defeated South is a major source for the history of this transition.

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Southern Fried
Going Whole Hog in a State of Wonder
Rex Nelson
Butler Center for Arkansas Studies, 2016

For decades, Rex Nelson has been traveling Arkansas. He learned to love the back roads, small towns, and people of the state while going on trips with his father, who sold athletic supplies to high schools. They sat in old Depression-era gyms built by the Works Progress Administration, ate in small-town cafes, and waded in streams on warm spring days.

Throughout his career as a sportswriter, political writer, senior staff member in the governor’s office, presidential appointee to the Delta Regional Authority, and now corporate communications director for Simmons Bank, Nelson has written millions of words about Arkansas and its people.

In this collection of columns from the Arkansas Democrat-Gazette, Nelson brings to life the personalities, communities, festivals, and tourist attractions that make Arkansas unique. As he says, “Arkansas is a hard place to explain to outsiders. We’re mostly Southern but also a bit Midwestern and a tad Southwestern. The Ozarks are different from the pine woods of the Gulf Coastal Plain, and the Delta is different from the Ouachitas. Invariably, though, those who take the time to get off the main roads and get to know the real Arkansas are entranced by the place.”

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front cover of The Southern Journey of a Civil War Marine
The Southern Journey of a Civil War Marine
The Illustrated Note-Book of Henry O. Gusley
Edited and annotated by Edward T. Cotham, Jr.
University of Texas Press, 2006

On September 28, 1863, the Galveston Tri-Weekly News caught its readers' attention with an item headlined "A Yankee Note-Book." It was the first installment of a diary confiscated from U.S. Marine Henry O. Gusley, who had been captured at the Battle of Sabine Pass. Gusley's diary proved so popular with readers that they clamored for more, causing the newspaper to run each excerpt twice until the whole diary was published. For many in Gusley's Confederate readership, his diary provided a rare glimpse into the opinions and feelings of an ordinary Yankee—an enemy whom, they quickly discovered, it would be easy to regard as a friend.

This book contains the complete text of Henry Gusley's Civil War diary, expertly annotated and introduced by Edward Cotham. One of the few journals that have survived from U.S. Marines who served along the Gulf Coast, it records some of the most important naval campaigns of the Civil War, including the spectacular Union success at New Orleans and the embarrassing defeats at Galveston and Sabine Pass. It also offers an unmatched portrait of daily life aboard ship. Accompanying the diary entries are previously unpublished drawings by Daniel Nestell, a doctor who served in the same flotilla and eventually on the same ship as Gusley, which depict many of the locales and events that Gusley describes.

Together, Gusley's diary and Nestell's drawings are like picture postcards from the Civil War—vivid, literary, often moving dispatches from one of "Uncle Sam's nephews in the Gulf."

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Souvenirs of the Fur Trade
Northwest Coast Indian Art and Artifacts Collected by American Mariners, 1788–1844
Mary Malloy
Harvard University Press, 2000

American mariners made more than 175 voyages to the Northwest Coast during the half-century after the ships Columbia and Washington pioneered the route from Boston in 1787. Although obtaining sea otter pelts for the China trade was the original purpose of the voyages, the art and culture of Northwest Coast Indians so intrigued and fascinated American sailors that the collecting of ethnographic artifacts became an important secondary trade. The Indians traded masks, hats, paddles, pipes, fishhooks, spoons, clothing, and canoe models from their canoes to the decks of Yankee vessels.

In this act of exchange, the artifacts moved from one world to another—first to shipboard, and later to the “cabinets of curiosities” of learned societies in Massachusetts, where many of them found homes. The objects were the first examples of Northwest Coast Indian material culture to enter American museums, and they influenced perceptions of Northwest Coast Indian people and their complex cultures.

By carefully researching the records of ten institutions and the shipboard journals of more than a dozen mariners, Mary Malloy has brought details about these early collections together for the first time. From utilitarian objects to artistic masterpieces, these souvenirs tell a story of commerce and cultural exchange that reached across the continent during the period when Americans were first beginning to look westward.

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Spiral Jetta
A Road Trip through the Land Art of the American West
Erin Hogan
University of Chicago Press, 2008

Erin Hogan hit the road in her Volkswagen Jetta and headed west from Chicago in search of the monuments of American land art: a salty coil of rocks, four hundred stainless steel poles, a gash in a mesa, four concrete tubes, and military sheds filled with cubes. Her journey took her through the states of Utah, Nevada, New Mexico, Arizona, and Texas. It also took her through the states of anxiety, drunkenness, disorientation, and heat exhaustion. Spiral Jetta is a chronicle of this journey.

A lapsed art historian and devoted urbanite, Hogan initially sought firsthand experience of the monumental earthworks of the 1970s and the 1980s—Robert Smithson’s Spiral Jetty, Nancy Holt’s Sun Tunnels, Walter De Maria’s Lightning Field, James Turrell’s Roden Crater, Michael Heizer’s Double Negative, and the contemporary art mecca of Marfa, Texas. Armed with spotty directions, no compass, and less-than-desert-appropriate clothing, she found most of what she was looking for and then some.

“I was never quite sure what Hogan was looking for when she set out . . . or indeed whether she found it. But I loved the ride. In Spiral Jetta, an unashamedly honest, slyly uproarious, ever-probing book, art doesn’t magically have the power to change lives, but it can, perhaps no less powerfully, change ways of seeing.”—Tom Vanderbilt, New York Times Book Review

“The reader emerges enlightened and even delighted. . . . Casually scrutinizing the artistic works . . . while gamely playing up her fish-out-of-water status, Hogan delivers an ingeniously engaging travelogue-cum-art history.”—Atlantic

“Smart and unexpectedly hilarious.”—Kevin Nance, Chicago Sun-Times

“One of the funniest and most entertaining road trips to be published in quite some time.”—June Sawyers, Chicago Tribune

“Hogan ruminates on how the work affects our sense of time, space, size, and scale. She is at her best when she reexamines the precepts of modernism in the changing light of New Mexico, and shows how the human body is meant to be a participant in these grand constructions.”—New Yorker

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The Spirit of Mediterranean Places
Michael Butor
Northwestern University Press, 1997
This book gathers French writer Michel Butor's essays on his travel in the Mediterranean. Included are pieces on Cordova, Istanbul, Salonica, Delphi, Crete, and northern Italy, as well as an extended essay on Egypt--where, when he was 24, Butor spent a year teaching French in a secondary school. Michel Butor is one of the leading exponents of the avant-garde writing that emerged in France in the 1950s .
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Spring, Heat, Rains
A South Indian Diary
David Shulman
University of Chicago Press, 2008
“Rocks. Goats. Dry shrubs. Buffaloes. Thorns. A fallen tamarind tree.” Such were the sights that greeted David Shulman on his arrival in the South Indian state of Andhra Pradesh in the spring of 2006. An expert on South Indian languages and cultures, Shulman knew the region well, but from the moment he arrived for this seven-month sojourn he actively soaked up such simple aspects of his surroundings, determined to attend to the rich texture of daily life—choosing to be at the same time scholar and tourist, wanderer and wonderer.
 
Lyrical, sensual, and introspective, Spring, Heat, Rains is Shulman’s diary of that experience. Evocative reflections on daily events—from explorations of crumbling temples to battles with ineradicable bugs to joyous dinners with friends—are organically interwoven with considerations of the ancient poetry and myths that remain such an inextricable part of life in contemporary India. With Shulman as our guide, we meet singers and poets, washermen and betel-nut vendors, modern literati and ancient gods and goddesses. We marvel at the “golden electrocution” that is the taste of a mango fresh from the tree. And we plunge into the searing heat of an Indian summer, so oppressive and inescapable that when the monsoon arrives to banish the heat with sheets of rain, we understand why, year after year, it is celebrated as a miracle.
 
An unabashedly personal account from a scholar whose deep knowledge has never obscured his joy in discovery, Spring, Heat, Rains is a passionate act of sharing, an unforgettable gift for anyone who has ever dreamed of India.
 
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Stardust Monuments
The Saving and Selling of Hollywood
Alison Trope
Dartmouth College Press, 2012
Stardust Monuments spotlights the enduring efforts to memorialize and canonize the history and meaning of Hollywood and American film culture. In this engaging analysis, Alison Trope explores the tensions between art and commerce as they intersect in a range of nonprofit and for-profit institutions and products. An insightful tour of Hollywood’s past, present, and future, Stardust Monuments examines the establishment of film libraries and museums beginning in the mid 1930s, the many failed attempts to open a Hollywood museum ranging from the 1960s to today, and the more successful recent corporate efforts to use Hollywood’s past in theme restaurants and parks, classic movie channels, and DVD boxed sets. This fascinating narrative details the ongoing struggle to champion and codify Hollywood’s legacy, a struggle engaged in by Hollywood stars and corporate executives, as well as memorabilia collectors and users of IMDb.
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Stars Fell on Alabama
Carl Carmer
University of Alabama Press, 2000
Stars Fell on Alabama is truly a classic. The book enjoyed enormous popularity and notoriety when it was first published (it was a selection of The Literary Guild and also sold widely in Europe). It can be described as a book of folkways—not journalism, or history, or a novel. At times it is impressionistic; at other times it conveys deep insights into the character of Alabama. Carmer visited every region of the state, always accompanied by someone intimately familiar with the locality. The mosaic that emerges from the pages of his book portrays Alabama’s human landscape in all its variety, and it is a work essential to an understanding of Alabama and its culture.
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Steaming to the North
The First Summer Cruise of the US Revenue Cutter Bear, Alaska and Chukotka, Siberia, 1886
Katherine C. Donahue and David C. Switzer
University of Alaska Press, 2014
On a rugged frontier where the ocean was king, most laws came from those who ruled the sea—and few ships policed the western Arctic like the revenue cutter Bear. Commissioned into the organization that would eventually become the US Coast Guard, the Bear patrolled and charted the waters of Alaska and Siberia, bringing medical care, saving lives, and dealing out justice when needed. The ship’s crew and famous captain, the fiery Michael Healy, looked out for Natives and Americans alike in a time when Alaska was adjusting to its new status as a US territory.

Steaming to the North follows the Bear from May to October 1886 as it takes its first summer cruise from San Francisco up to Point Barrow and back again. This is the first book to exhibit the photographs taken by 3rd Lt. Charles Kennedy of New Bedford, introducing rarely seen photos of the last sail-and-steam whaling ships, capturing early interactions of Natives with white whalemen and explorers, and showing lives otherwise lost to time. Essays follow the logbook of the cruise and allow readers to vividly ride alongside the crew on a history-making voyage.
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Stepping Twice Into the River
Following Dakota Waters
Robert King
University Press of Colorado, 2005
What happens when an English professor takes a year off to explore a tiny prairie creek? Between mishaps with the canoe, long walks to the sites of Cheyenne villages and cavalry trenches, and gallons of coffee with isolated farmers, what happens is insight. In Stepping Twice Into the River, Robert King recounts his exploration of the "almost unnoticeable" along North Dakota's Sheyenne River, from its headwaters to river's end. With each experience along the way - tracing a military campaign, canoeing the river, visiting a ghost town and even trying to sleep in an ancient Cheyenne village - King examines a different aspect of the plains: Native American culture, pioneer society, religion, war, agriculture, and nature.

Blending travel narrative and poetic reflection, Stepping Twice Into the River takes readers on a journey through time, revealing both stability and change and offering prairie wisdom. An affectionate and shrewd observer, King illuminates the ordinary from the perspectives of history, science, and literature. In the hands of this gifted thinker and writer, local facts yield universal metaphor.

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front cover of Stories from the Country of Lost Borders by Mary Austin
Stories from the Country of Lost Borders by Mary Austin
Pryse, Marjorie
Rutgers University Press, 1987
Mary Austin's The Land of Little Rain (1903) and Lost Borders (1909), both set in the California desert, make intimate connections between animals, people, and the land they inhabit. For Austin, the two indispensable conditions of her fiction were that the region must enter the story "as another character, as the instigator of plot," and that the story must reflect "the essential qualities of the land."

In The Land of Little Rain, Austin's attention to natural detail allows her to write prose that is geologically, biologically, and botanically accurate at the same time that it offers metaphorical insight into human emotional and spiritual experience. In Lost Borders, Austin focuses on both white and Indian women's experiences in the desert, looks for the sources of their deprivation, and finds them in the ways life betrays them, usually in the guise of men. She offers several portraits of strong women characters but ultimately identifies herself with the desert, which she personifies as a woman.
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Stories From Under The Sky
John Madson
University of Iowa Press, 2006
In Stories from under the Sky, John Madson salutes the outdoor life. These thirty-six essays display his healthy respect for the forces of nature, without diminishing his wry awareness of the foibles of beast, bird, fish, and human.
In sections on mammals, the river, and birds, Madson acquaints readers with some real characters—not all of them four-footed! Some are old favorites: the raccoon, the otter, the fawn, and the badger. Others are less familiar—the demonic shrew, the indomitable dogfish, and the exotic blue heron. Even the “unloved” come in for their share of attention: toads, waterbugs, wasps, and turkey buzzards. Madson has a yarn to spin about each one. Where else would you find an essay on “Snake Liars”?

Whatever the topic, Madson’s love of nature shines through, be it coon hunting or an explanation of the incredible bird machine. His obvious affection is tempered with the recognition that not everything “natural” is a pretty sight. All of which leaves readers with a better understanding of life under the sky. 

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A Student Commentary on Pausanias Book 1
Patrick Paul Hogan
University of Michigan Press, 2014
Patrick Paul Hogan’s A Student Commentary on Pausanias Book 1 introduces the first book of Pausanias’ “Description of Greece” to students of Classical Greek. Pausanias’ second century CE work is the only surviving ancient description of the monuments and artwork of mainland Greece. Book 1 of the “Description” covers Athens, its demes, and Megara—that is, Attica, the heart of the ancient Greek world. It offers not only a walking description of buildings, statues, and artwork by an ancient traveler but also insight into the mindset of an educated Greek of the Roman imperial age: his reaction to Roman domination and Classical Greek history and culture, his deeply felt religious beliefs, and his ideas regarding Hellenism and Hellenic identity.

This textbook, the first on Pausanias aimed at students in almost a century, brings Pausanias back into the classroom for a new generation of readers. It is based on the Greek text edited by M. H. Rocha-Pereira and includes philological and historical commentary by Hogan. This volume elucidates difficult syntax and helps the reader with the immense number of names and places Pausanias mentions. It is suitable for students of Classical Greek at the graduate and undergraduate levels, whether Classical philologists or Classical archaeologists and art historians. Professors of archaeology will find this textbook an excellent starting point for any course on Pausanias and easily supplemented by their own knowledge of material remains and modern finds.
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front cover of A Student Commentary on Pausanias Book 2
A Student Commentary on Pausanias Book 2
Patrick Paul Hogan
University of Michigan Press, 2018
Patrick Paul Hogan guides students through Pausanias’ description of the strategic and rich city of Corinth and its neighbors
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Sun, Sin & Suburbia
The History of Modern Las Vegas, Revised and Expanded
Geoff Schumacher
University of Nevada Press, 2015
More than forty million visitors per year travel to Sin City to visit the gambling mecca of the world. But gambling is only one part of the city’s story. In this carefully documented history, Geoff Schumacher tracks the rise of Las Vegas, including its vital role during World War II; the rise of the Strip in the 1950s; the explosive growth of the 1990s; and the colossal collapse triggered by the real estate bust and economic crisis of the mid-2000s. Schumacher surveys the history of the iconic casinos, debunking myths and highlighting key players such as Howard Hughes, Kirk Kerkorian, and Steve Wynn.
 
Schumacher’s history also profiles the Las Vegas where more than two million people live. He explores the neighborhoods sprawling beyond the Strip’s neon gleam and uncovers a diverse community offering much more than table games, lounge acts, and organized crime. Schumacher discusses contemporary Las Vegas, charting its course from the nation’s fastest-growing metropolis to one of the Great Recession’s most battered victims.
 
Sun, Sin & Suburbia will appeal to tourists looking to understand more than the glitz and glitter of Las Vegas and to newcomers who want to learn about their new hometown. It will also be an essential addition to any longtime Nevadan’s library of local history.
 
First published in 2012 by Stephens Press, this paperback edition is now available from the University of Nevada Press.
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Sundancers and River Demons
Essays on Landscape and Ritual
Conger Beasley Jr.
University of Arkansas Press, 1990

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Survival City
Adventures among the Ruins of Atomic America
Tom Vanderbilt
University of Chicago Press, 2010

On the road to Survival City, Tom Vanderbilt maps the visible and invisible legacies of the cold war, exhuming the blueprints for the apocalypse we once envisioned and chronicling a time when we all lived at ground zero. In this road trip among ruined missile silos, atomic storage bunkers, and secret test sites, a lost battleground emerges amid the architecture of the 1950s, accompanied by Walter Cotten’s stunning photographs. Survival City looks deep into the national soul, unearthing the dreams and fears that drove us during the latter half of the twentieth century.

“A crucial and dazzling book, masterful, and for me at least, intoxicating.”—Dave Eggers


“A genuinely engaging book, perhaps because [Vanderbilt] is skillful at conveying his own sense of engagement to the reader.”—Los Angeles Times


“A retracing of Dr. Strangelove as ordinary life.”—Greil Marcus, Bookforum

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