Common understandings drawn from biblical references, literature, and art portray deserts as barren places that are far from God and spiritual sustenance. In our own time, attention focuses on the rigors of climate change in arid lands and the perils of the desert in the northern Mexican borderlands for migrants seeking shelter and a new life.

Bountiful Deserts foregrounds the knowledge of Indigenous peoples in the arid lands of northwestern Mexico, for whom the desert was anything but barren or empty. Instead, they nurtured and harvested the desert as a bountiful and sacred space. Drawing together historical texts and oral testimonies, archaeology, and natural history, author Cynthia Radding develops the relationships between people and plants and the ways that Indigenous people sustained their worlds before European contact through the changes set in motion by Spanish encounters, highlighting the long process of colonial conflicts and adaptations over more than two centuries. This work reveals the spiritual power of deserts by weaving together the cultural practices of historical peoples and contemporary living communities, centered especially on the Yaqui/Yoeme and Mayo/Yoreme.

Radding uses the tools of history, anthropology, geography, and ecology to paint an expansive picture of Indigenous worlds before and during colonial encounters. She re-creates the Indigenous worlds in both their spiritual and material realms, bringing together the analytical dimension of scientific research and the wisdom of oral traditions in its exploration of different kinds of knowledge about the natural world.

Published in cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University

Now back in print, Joseph Wood Krutch’s Burroughs Award–winning The Desert Year is as beautiful as it is philosophically profound. Although Krutch—often called the Cactus Walden—came to the desert relatively late in his life, his curiosity and delight in his surroundings abound throughout The Desert Year, whether he is marveling at the majesty of the endless dry sea, at flowers carpeting the desert floor, or at the unexpected appearance of an army of frogs after a heavy rain.

Krutch’s trenchant observations about life prospering in the hostile environment of Arizona’s Sonoran Desert turn to weighty questions about humanity and the precariousness of our existence, putting lie to Western denials of mind in the “lower” forms of life: “Let us not say that this animal or even this plant has ‘become adapted’ to desert conditions. Let us say rather that they have all shown courage and ingenuity in making the best of the world as they found it. And let us remember that if to use such terms in connection with them is a fallacy then it can only be somewhat less a fallacy to use the same terms in connection with ourselves.”

This edition contains 33 exacting drawings by noted illustrator Rudolf Freund. Closely tied to Krutch’s uncluttered text, the drawings tell a story of ineffable beauty.

Originally published in 1995, soon after Death Valley National Park became the fifty-third park in the US park system, The Explorer's Guide to Death Valley National Park was the first complete guidebook available for this spectacular area.

Now in its third edition, this is still the only book that includes all aspects of the park. Much more than just a guidebook, it covers the park's cultural history, botany and zoology, hiking and biking opportunities, and more. Information is provided for all of Death Valley's visitors, from first-time travelers just learning about the area to those who are returning for in-depth explorations.

The book includes updated point-to-point logs for every road within and around the park, as well as more accurate maps than those in any other publication. With extensive input from National Park Service resource management, law enforcement, and interpretive personnel, as well as a thorough bibliography for suggested reading, The Explorer's Guide to Death Valley National Park, Third Edition is the most up-to-date, accurate, and comprehensive guide available for this national treasure.

Great Basin National Park is in large part a high-alpine park, but it sits in one of America’s driest, least populated, and most isolated deserts. That contrast is one facet of the diversity that characterizes this region. Within and outside the park are phenomenal landscape features, biotic wonders, unique environments, varied historic sites, and the local colors of isolated towns and ranches. Vast Snake and Spring Valleys, bracketing the national park, are also subjects of one of the West's most divisive environment contests, over what  on the surface seems most absent but underground is abundant enough for sprawling Las Vegas to covet it—water.

Dryland degradation and desertification now affect almost a billion people around the world. Tragically, the biological resources and productivity of millions of acres of land are lost to desertification each year because people remain unaware of strategies and techniques that could improve yields, reduce risk, and begin healing the world's deserts. A Guide for Desert and Dryland Restoration is the first book to offer practical, field-tested solutions to this critical problem.

Author David Bainbridge has spent more than 25 years actively involved in restoring lands across the American Southwest. A Guide for Desert and Dryland Restoration presents the results of his years of fieldwork, as well as research and experience from scientists and practitioners around the globe.

The book discusses the ecology of desert plants, explores the causes of desertification and land abuse, and outlines the processes and procedures needed to evaluate, plan, implement, and monitor desert restoration projects. It sets forth economical and practical field-tested solutions for understanding site characteristics, selecting and growing plants, and ensuring that they survive with a minimal amount of water and care. Each chapter represents a guide to a critical topic for environmental restoration; extensive photographs, diagrams and drawings give detailed information for immediate application, and additional resources are included in appendixes.

A Guide for Desert and Dryland Restoration is the first comprehensive book focused on restoring arid regions, and clearly demonstrates that arid lands can be successfully rehabilitated. In addition to restorationists, the book will be an invaluable resource for anyone working in arid lands, including farmers, ranchers, gardeners, landscapers, outdoor recreation professionals, and activists.

“The novel was begun in 1926, when I was twenty-four years old and working as a telephone engineer in Imperial Valley, on the California-Baja California border. During my stay there I made a horseback trip down into the little-known desert interior of Lower California. After having lived all of my early years in the high Rockies of California, I was unprepared for the vast sweep of sunstruck desert with its flat wastes, clumps of cacti, and barren parched-rock ranges. Its emotional impact was so profound, I was impelled to give voice to it with pencil and paper.”

— Frank Waters

First published in 1930 under the title Fever Pitch, The Lizard Woman is Frank Waters’ first novel. It foreshadows a theme central to Waters’ later work: that we must attune our spirits to the land to fully understand our places in the natural order.

The desert has long been a theme in Mark C. Taylor’s work, from his inquiries into the religious significance of Las Vegas to his writings on earthworks artist Michael Heizer. At once haunted by absence and loss, the desert, for Taylor, is a place of exile and wandering, of temptation and tribulation. Bones, in turn, speak to his abiding interest in remnants, ruins, ritual, and immanence. Taylor combines his fascination in the detritus of the desert and its philosophical significance with his work in photography in Mystic Bones.

A collection of remarkably elegant close-up images of weathered bones—remains of cattle, elk, and deer skeletons gathered from the desert of the American West—Mystic Bones pairs each photograph with a philosophical aphorism. These images are buttressed by a major essay, “Rubbings of Reality,” in which Taylor explores the use of bones in the religious rituals of native inhabitants of the Western desert and, more broadly, the appearance of bones in myth and religious reality.

Meditating on the way in which bones paradoxically embody both the personal and the impersonal—at one time they are our very substance, but eventually they become our last remnants, anonymous, memorializing oblivion—Taylor here suggests ways in which natural processes can be thought of as art, and bones as art objects. Bones, Taylor writes, “draw us elsewhere.” To follow their traces beyond the edge of the human is to wander into ageless times and open spaces where everything familiar becomes strange.

By revealing beauty hidden in the most unexpected places, these haunting images refigure death in a way that allows life to be seen anew. A bold new work from a respected philosopher of religion, Mystic Bones is Taylor’s his most personal statement of after-God theology.

The author of The Desert, the book that made the American landscape accessible to the mainstream mind, was much less like his fellow environmental prophets John Muir and Henry David Thoreau than he would have had us believe. Van Dyke claimed to have wandered "alone on horseback for thousands of miles through the American Southwest and northern Mexico," as readers of The Desert—now in the millions since the book was published in 1901—were told. He did not. In The Secret Life of John C. Van Dyke, Teague and Wild unmask the desert saint with Van Dyke’s own recently discovered letters. These letters depict a privileged, patrician, and pampered member of the upper-class. His incriminating correspondence reveals that he saw most of the desert from plush railroad cars and grand hotel rooms. In the introduction, the editors clear up many misconceptions scholars currently hold about Van Dyke’s ecological principles, about his outdoorsmanship, and about his trip through the desert itself. As the centennial of the publication of The Desert approaches, this lively collection of letters helps set the record straight. The John C. Van Dyke unveiled in The Secret Life is a more varied character than we had supposed—still worthy of much admiration for his remarkable accomplishments, but still mysterious, and not the man we thought him to be.

Mozingo presents the life histories of more than sixty species of both common and unusual shrubs, and discusses how shrubs grow, reproduce, and adapt to the extreme weather conditions that are part of daily life in the Great Basin. Drawings by Christine Stetter.