BiblioVault - Books about Detectives

Dahlia's Iris

Secret Autobiography and Fiction

Leslie Scalapino

University of Alabama Press, 2003

Detectives are investigating the death of Dahlia Winter's husband and also looking into the mysterious deaths of young boys who are imported for labor in a future-time San Francisco. Citing the plots of Invasion of the Body Snatchers, Terminator 2, and Blade Runner as proof that our sense of inner and outer is tied to rebellion and slavery, the novel appears at first to be a detail of these films all at once, like a colonization of them from the inside. But almost immediately the plot assumes its own life. Based on a conception of the Tibetan written form called Secret Autobiography--which is not the chronological events or actions of a life, but an individual's seeing outside any frames--the novel makes a time-space in which sensation, actions, and thought-memory are occurring alongside our present-day space.

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The Mystery of A Yellow Sleuth

Detective Sergeant Nor Nalla, Federated Malay States Police

Ronald Allan

National University of Singapore Press, 2018

In 1931 a book full of thrilling adventures set mostly in Malaya appeared in London under the title A Yellow Sleuth: Being the Autobiography of “Nor Nalla” (Detective-Sergeant Federated Malay States Police). Reviewers concluded that the stories were just barely plausible, but agreed that the author knew Malaya intimately.
Nor Nalla is an anagram for Ron Allan, who spent four years working on a rubber plantation in Malaya shortly before World War I. Like Kipling’s famous colonial spy, Kim, the “yellow sleuth” is a master of undercover operations, and this reissued work explores vast locales, from the forests of Malaya to the ports of Java, from London’s underbelly to the camps of Chinese laborers in WWI Flanders. Throughout, readers are left to differentiate between fiction and fact, and ponder questions of authorship, in this “impossible fantasy of hybridity,” as Phillip Holden calls it in his perceptive introduction.
Contemporary readers will not only savor the book’s tales of adventure and detection, they will also appreciate the ways that the author brings to life— and reveals the contradictions of—late colonial society.

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The Private Eye

Detectives in the Movies

Bran Nicol

Reaktion Books, 2013

From Philip Marlowe and Sam Spade to Jake Gittes, private eyes have made for some of the most memorable characters in cinema. We often view these detectives as lone wolves who confront and try to make sense of a violent and chaotic modern world. Bran Nicol challenges this stereotype in The Private Eye and offers a fresh take on this iconic character and the film noir genre.

Nicol traces the history of private eye movies from the influential film noirs of the 1940s to 1970s neonoir cinema, whose slow and brilliant decline gave way to the fading of detectives into movie mythology today. Analyzing a number of classic films—including The Maltese Falcon, The Big Sleep, Chinatown, and The Long Goodbye—he reveals that while these movies are ostensibly thrillers, they are actually occupied by issues of work and love. The private eye is not a romantic hero, Nicol argues, but a figure who investigates the concealments of others at the expense of his own private life. Combining a lucid introduction to an underexplored tradition in movie history with a new approach to the detective in film, this book casts new light on the private worlds of the private eye.

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Street Stories

The World of Police Detectives

Robert Jackall

Harvard University Press, 2009

Detectives work the streets--an arena of action, vice, lust, greed, aggression, and violence--to gather shards of information about who did what to whom. They also work the cumbersome machinery of the justice system--semi-military police hierarchies with their endless jockeying for prestige, procedure-driven district attorney offices, and backlogged courts--transforming hard-won street knowledge into public narratives of responsibility for crime. Street Stories, based on years of fieldwork with the New York City Police Department and the District Attorney of New York, examines the moral ambiguities of the detectives' world as they shuttle between the streets and a bureaucratic behemoth.

In piecing together street stories to solve intriguing puzzles of agency and motive, detectives crisscross the checkerboard of urban life. Their interactions in social strata high and low foster cosmopolitan habits of mind and easy conversational skills. And they become incomparable storytellers. This book brims with the truth-is-stranger-than-fiction violence of the underworld and tells about a justice apparatus that splinters knowledge, reduces life-and-death issues to arcane hair-splitting, and makes rationality a bedfellow of absurdity.

Detectives' stories lay bare their occupational consciousness--the cunning and trickery of their investigative craft, their self-images, moral rules-in-use, and judgments about the players in their world--as well as their personal ambitions, sensibilities, resentments, hopes, and fears. When detectives do make cases, they take satisfaction in removing predators from the streets and helping to ensure public safety. But their stories also illuminate dark corners of a troubled social order.

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