This fascinating compendium explains the most unusual, obscure, and curious words and expressions from vintage blues music. Utilizing both documentary evidence and invaluable interviews with a number of now-deceased musicians from the 1920s and '30s, blues scholar Stephen Calt unravels the nuances of more than twelve hundred idioms and proper or place names found on oft-overlooked "race records" recorded between 1923 and 1949. From "aggravatin' papa" to "yas-yas-yas" and everything in between, this truly unique, racy, and compelling resource decodes a neglected speech for general readers and researchers alike, offering invaluable information about black language and American slang.
The Biographic Dictionary of Chinese Communism, first published in 1970, provides biographies of 433 influential figures of the Chinese Communist Party in the years from 1921 to 1965. Lucidly written, it has served as a valuable research tool, not only for students and scholars of Chinese history, but for scholars in other disciplines. By charting the careers of numerous Party officials, Donald W. Klein and Anne B. Clark provide insight into "notable patterns of career activity"--particularly, of the frequent, dramatic rise and fall from power.
These are political biographies; the overwhelming majority deal with CCP, government, or military personalities. Approximately 200 of the entries are on members of the Party Central Committee. Each of the others documents a top leader in some field, from government ministers, Party officials in the provinces, provincial governors, diplomats, military and labor leaders, scientists, and science administrators to women and youth leaders, artists, and writers. Each biography contains all information then available on the person's family, education, socio-economic status, early revolutionary activity, and career after the Communists came to power in 1949, as well as the dates and purposes of all foreign trips, information about important writings, and involvement in all kinds of Party activities.
The biographies are well documented, and accompanied by 96 appendices which integrate many of the materials found in the text. For example, one appendix lists every ministry and minister since the People's Republic was established. The Biographic Dictionary also contains a glossary-name index, which lists 1,750 persons found in the text and appendices, along with the Chinese characters for their name. An annotated general bibliography lists the major sources and general references used throughout the study.
Tobe completed in 12volumes, this monumental work here begins publication with the first two volumes—Abaco to Bertie and Bertin to Byzard. When completed, it is expected that the biographical dictionary will include information on more than 8,500 individuals.
Hundreds of printed sources have been searched for this project, and dozens of repositories combed, and the names of personnel listed have been filtered through parish registers whenever possible. From published and unpublished sources, from wills, archives of professional societies and guilds, from records of colleges, universities, and clubs, and from the contributions of selfless scholars, the authors have here assembled material which illuminates theatrical and musical activity in London in the 1660–1800 period.
The information here amassed will doubtless be augmented by other specialists in Restoration and eighteenth-century theatre and drama, but it is not likely that the number of persons now known surely or conjectured finally to have been connected with theatrical enterprise in this period will ever be increased considerably. Certainly, the contributions made here add immeasurably to existing knowledge, and in a number of instances correct standard histories or reference works.
The accompanying illustrations, estimated to be some 1,400 likenesses—at least one picture of each subject for whom a portrait exists—may prove to be a useful feature of the Work. The authors have gone beyond embellishment of the text, and have attempted to list all original portraits any knowledge of which is now recoverable, and have tried to ascertain the present location of portraits in every medium.
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