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A Barrel of Monkeys
A Compendium of Collective Nouns for Animals
Compiled by Samuel Fanous
Bodleian Library Publishing, 2015
What should we call the wild animals we spot from our windows? A surfeit of skunks? A dray of squirrels? A patient watch of wildlife enthusiasts might even catch sight of a skulk of foxes or a scavenging sloth of bears. The practice of inventing collective nouns for animals is an ancient pastime which derives from medieval hunts, but the list has been augmented in every age—and it remains an entertaining pastime today.

A Barrel of Monkeys brings together more than one hundred collective nouns for animals, from a bloat of hippopotamuses to a caravan of camels, a tower of giraffes, and a leap of leopards. The rivalry between male rhinoceroses becomes especially apt when the rowdy ungulates are characterized as a crash of rhinos.  An ambush of tigers is an apt characterization of the skillful hunters that silently stalk their prey. A blend of wordplay, puns, and alliteration, some of the terms collected here are now commonplace, like a pride of lions. Others aren’t heard much these days, but many—like a dazzle of zebras or a prickle of porcupines—richly deserve a comeback.

With charming illustrations by the eighteenth-century artist and naturalist Thomas Bewick, A Barrel of Monkeys is the perfect follow-up to A Conspiracy of Ravens, the Bodleian Library’s book of bird words. Not even a crash of rhinos can stop readers from smiling at this second collection.
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Barrelhouse Words
A Blues Dialect Dictionary
Stephen Calt
University of Illinois Press, 2009

This fascinating compendium explains the most unusual, obscure, and curious words and expressions from vintage blues music. Utilizing both documentary evidence and invaluable interviews with a number of now-deceased musicians from the 1920s and '30s, blues scholar Stephen Calt unravels the nuances of more than twelve hundred idioms and proper or place names found on oft-overlooked "race records" recorded between 1923 and 1949. From "aggravatin' papa" to "yas-yas-yas" and everything in between, this truly unique, racy, and compelling resource decodes a neglected speech for general readers and researchers alike, offering invaluable information about black language and American slang.

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Basque-English Dictionary
Gorka Aulestia
University of Nevada Press, 1989
This is the most comprehensive Basque-English dictionary; it incorporates all six major dialects of the revitalized language. With skill and precision, Gorka Aulestia has tackled the difficult problem of translating the non-Indo-European Basque language into English.
Nearly 50,000 entries in six major dialects are included in this comprehensive dictionary. A concise introduction combines the basics of Basque verb forms, and each entry provides essential information such as part of speech and dialect markers.
Special attention is given to words relating to modern society, contradicting the old adage that Basque is a rural-based language. Many of these terms do not appear in existing Basque-Spanish or Basque-French dictionaries.
A formal guide to writing speech, this dictionary will be of interest to scholars, students, Basque Americans, Old World Basques learning English, and libraries around the world.
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Basque-English, English-Basque Dictionary
Gorka Aulestia
University of Nevada Press, 1992
This pocket-sized Basque-English, English-Basque dictionary was designed for a broad audience—students, teachers, people of Basque descent, and travelers—and contains definitions of the most commonly used Basque and English words. This compact softcover volume is the condensed version of the two larger dictionaries, Basque-English Dictionary and English-Basque Dictionary. These two comprehensive reference works were highly praised by critics and well received by the public. Prepared by two scholars of the Basque language, this streamlined volume is an indispensable aid for students, travelers, and those who need to translate quickly between Basque and English. The unified Batua dialect is emphasized.
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Biographic Dictionary of Chinese Communism, 1921–1965
Donald W. Klein and Anne B. Clark
Harvard University Press, 1971

The Biographic Dictionary of Chinese Communism, first published in 1970, provides biographies of 433 influential figures of the Chinese Communist Party in the years from 1921 to 1965. Lucidly written, it has served as a valuable research tool, not only for students and scholars of Chinese history, but for scholars in other disciplines. By charting the careers of numerous Party officials, Donald W. Klein and Anne B. Clark provide insight into "notable patterns of career activity"--particularly, of the frequent, dramatic rise and fall from power.

These are political biographies; the overwhelming majority deal with CCP, government, or military personalities. Approximately 200 of the entries are on members of the Party Central Committee. Each of the others documents a top leader in some field, from government ministers, Party officials in the provinces, provincial governors, diplomats, military and labor leaders, scientists, and science administrators to women and youth leaders, artists, and writers. Each biography contains all information then available on the person's family, education, socio-economic status, early revolutionary activity, and career after the Communists came to power in 1949, as well as the dates and purposes of all foreign trips, information about important writings, and involvement in all kinds of Party activities.

The biographies are well documented, and accompanied by 96 appendices which integrate many of the materials found in the text. For example, one appendix lists every ministry and minister since the People's Republic was established. The Biographic Dictionary also contains a glossary-name index, which lists 1,750 persons found in the text and appendices, along with the Chinese characters for their name. An annotated general bibliography lists the major sources and general references used throughout the study.

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A Biographical Dictionary of Actors, Volume 2, Belfort to Byzand
Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800
Philip H. Highfill, Jr., Kalman A. Burnim, and Edward A. Langhans
Southern Illinois University Press, 1973

Tobe completed in 12volumes, this monumental work here begins publica­tion with the first two volumes—Abaco to Bertie and Bertin to Byzard. When completed, it is expected that the bio­graphical dictionary will include informa­tion on more than 8,500 individuals.

Hundreds of printed sources have been searched for this project, and dozens of repositories combed, and the names of personnel listed have been filtered through parish registers whenever possible. From published and unpublished sources, from wills, archives of professional societies and guilds, from records of colleges, uni­versities, and clubs, and from the contri­butions of selfless scholars, the authors have here assembled material which il­luminates theatrical and musical activity in London in the 1660–1800 period.

The information here amassed will doubtless be augmented by other spe­cialists in Restoration and eighteenth-century theatre and drama, but it is not likely that the number of persons now known surely or conjectured finally to have been connected with theatrical en­terprise in this period will ever be in­creased considerably. Certainly, the contributions made here add immeasurably to existing knowledge, and in a number of instances correct standard histories or reference works.

The accompanying illustrations, esti­mated to be some 1,400 likenesses—at least one picture of each subject for whom a portrait exists—may prove to be a use­ful feature of the Work. The authors have gone beyond embellishment of the text, and have attempted to list all origi­nal portraits any knowledge of which is now recoverable, and have tried to ascer­tain the present location of portraits in every medium.

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The Biographical Dictionary of Iowa
David Hudson
University of Iowa Press, 2009
Iowa has been blessed with citizens of strong character who have made invaluable contributions to the state and to the nation. In the 1930s alone, such towering figures as John L. Lewis, Henry A. Wallace, and Herbert Hoover hugely influenced the nation’s affairs. Iowa’s Native Americans, early explorers, inventors, farmers, scholars, baseball players, musicians, artists, writers, politicians, scientists, conservationists, preachers, educators, and activists continue to enrich our lives and inspire our imaginations.
     Written by an impressive team of more than 150 scholars and writers, the readable narratives include each subject’s name, birth and death dates, place of birth, education, and career and contributions. Many of the names will be instantly recognizable to most Iowans; others are largely forgotten but deserve to be remembered. Beyond the distinctive lives and times captured in the individual biographies, readers of the dictionary will gain an appreciation for how the character of the state has been shaped by the character of the individuals who have inhabited it.
     From Dudley Warren Adams, fruit grower and Grange leader, to the Younker brothers, founders of one of Iowa’s most successful department stores, The Biographical Dictionary of Iowa is peopled with the rewarding lives of more than four hundred notable citizens of the Hawkeye State. The histories contained in this essential reference work should be eagerly read by anyone who cares about Iowa and its citizens.

Entries include Cap Anson, Bix Beiderbecke, Black Hawk, Amelia Jenks Bloomer, William Carpenter, Philip Greeley Clapp, Gardner Cowles Sr., Samuel Ryan Curtis, Jay Norwood Darling, Grenville Dodge, Julien Dubuque, August S. Duesenberg, Paul Engle, Phyllis L. Propp Fowle, George Gallup, Hamlin Garland, Susan Glaspell, Josiah Grinnell, Charles Hearst, Josephine Herbst, Herbert Hoover, Inkpaduta, Louis Jolliet, MacKinlay Kantor, Keokuk, Aldo Leopold, John L. Lewis, Marquette, Elmer Maytag, Christian Metz, Bertha Shambaugh, Ruth Suckow, Billy Sunday, Henry Wallace, and Grant Wood.

Excerpt from the entry on:
Gallup, George Horace (November 19, 1901–July 26, 1984)—founder of the American Institute of Public Opinion, better known as the Gallup Poll, whose name was synonymous with public opinion polling around the world—was born in Jefferson, Iowa. . . . . A New Yorker article would later speculate that it was Gallup’s background in “utterly normal Iowa” that enabled him to find “nothing odd in the idea that one man might represent, statistically, ten thousand or more of his own kind.” . . . In 1935 Gallup partnered with Harry Anderson to found the American Institute of Public Opinion, based in Princeton, New Jersey, an opinion polling firm that included a syndicated newspaper column called “America Speaks.” The reputation of the organization was made when Gallup publicly challenged the polling techniques of The Literary Digest, the best-known political straw poll of the day. Calculating that the Digest would wrongly predict that Kansas Republican Alf Landon would win the presidential election, Gallup offered newspapers a money-back guarantee if his prediction that Franklin Delano Roosevelt would win wasn’t more accurate. Gallup believed that public opinion polls served an important function in a democracy: “If govern¬ment is supposed to be based on the will of the people, somebody ought to go and find what that will is,” Gallup explained.

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A Blake Dictionary
The Ideas and Symbols of William Blake
S. Foster Damon
Dartmouth College Press, 2013
William Blake, poet, artist, and mystic, created a vast multidimensional universe through his verse and art. Spun from a fabric of symbolism and populated by a host of complex characters, Blake’s comprehensive world has provided endless inspiration to subsequent generations. For the reader of Blake, background knowledge of his symbolism is a necessity. In this volume, first published in 1965, S. Foster Damon, father of modern Blake studies and a professor at Brown University until his death, has assembled all references to particular symbols or aspects of Blake’s work and life, so that readers can see the entire spectrum of Blake’s thought on a variety of topics. For this edition of S. Foster Damon’s classic reference work, Morris Eaves has written an updated annotated bibliography and a new foreword, included here along with his original 1988 index.
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