In Erosion, Gina Caison traces how American authors and photographers have grappled with soil erosion as a material reality that shapes narratives of identity, belonging, and environment. Examining canonical American texts and photography including The Grapes of Wrath, Octavia Butler’s Parable series, John Audubon’s Louisiana writings, and Dorothea Lange’s Migrant Mother, Caison shows how concerns over erosion reveal anxieties of disappearance that are based in the legacies of settler colonialism. Soil loss not only occupies a complex metaphorical place in the narrative of American identity; it becomes central to preserving the white settler-colonial state through Indigenous dispossession and erasure. At the same time, Caison examines how Indigenous texts and art, such as Lynn Rigg’s play Green Grow the Lilacs, Karenne Wood’s poetry, and the photography of Monique Verdin, challenge colonial narratives of the continent by outlining the material stakes of soil loss for their own communities. From California to Oklahoma to North Carolina’s Outer Banks, Caison ultimately demonstrates that concerns over erosion reverberate out into issues of climate change, land ownership, Indigenous sovereignty, race, and cultural and national identity.

A multidisciplinary examination of the forms taken by withdrawal.

What forms does withdrawal—meaning either that which withdraws itself or which is being withdrawn—take in artistic and cultural practices? What movements does it create or follow in specific contexts, and with what theoretical, material, and political consequences? The contributors to this book address these questions in a variety of writing practices, each focusing on specific scenes.
 
Through interviews, artistic and literary texts, visual contributions, and academic texts, On Withdrawal explores various modalities of withdrawal, ranging from a silencing of critical voices to a political and aesthetic strategy of refusal.

Contributors: Arnika Ahldag, Sofia Bempeza, Lauren Berlant, Kathrin Busch, Helen Cammock, Knut Ebeling, Sebastián Eduardo Dávila, Mutlu Ergün-Hamaz, Stefanie Graefe, Rebecca Hanna John, Ulrike Jordan, Pinar Ögrenci, Pallavi Paul, Thorsten Schneider, Judith Sieber, Diana Taylor, Deniz Utlu, Marivi Véliz, Nele Wulff, and Akram Zaatari

 

Seventy million years ago in what would become North America, a monstrous thirty-five-foot-long Cretaceous crocodile lurked on a marshy riverbank. Springing suddenly, its huge jaws trapped and crushed a juvenile hadrosaur. Today, the remains of that ancient crocodile are being painstakingly reconstructed in Colorado, where naturalist Zach Fitzner continues his life-long fascination with this amazing animal family. 

In Tears for Crocodilia: Evolution, Ecology, and the Disappearance of One of the World’s Most Ancient Animals, Fitzner tracks the evolution of crocodilians from prehistoric predators to modern endangered wildlife, using his own experiences with these reptiles as a lens to understanding wildlife conservation and our relationship with the natural world. Traveling the world to interact with crocodiles, from observing alligators in a wildlife refuge in Texas and paddling a canoe in the Everglades searching for crocodiles to trekking the jungles in Nepal to find endangered gharials, the author expresses a wonder in exploring these diverse ecosystems, making a connection between crocodilians and the lands they live in. As the story follows crocodilians, it also illuminates their often complicated relationship with humans, from crocodile cults in ancient Egypt to American alligators living on golf courses. Fitzner also closely examines the dark side of this relationship, including habitat destruction and poaching as well as the mechanistic view of traditional conservation that turns these magnificent animals into agricultural products. Tears for Crocodilia delves deeply into issues of wildlife conservation, ethics, and how we can coexist with other creatures. It is also a tribute to a magnificent group of animals, survivors from the age of dinosaurs. 

A Poetic Autobiography—Intimate, Sorrowful, and Funny

Lynn Emanuel’s sixth collection of poetry is not sequential or straightforward. It has no conventional chronology, no master narrative. Instead, it is a life story, with all the chaos and messiness entailed therein. Transcript of the Disappearance, Exact and Diminishing is a commotion of grief and wit, audacious images, poems, and paragraphs. It explores and centers on the possibilities and limitations of art in the face of disappearances of many kinds, including the disappearance that is most personal—the poet’s own.