front cover of Correction of Drift
Correction of Drift
A Novel in Stories
Pamela Ryder
University of Alabama Press, 2008
Explores the lives behind the headlines of the Lindbergh baby kidnapping, evoking anew the scope of tragedy through the vision of literary fiction.
 
It was called the crime of the century, and it was front-page news: the Lindbergh baby kidnapping. Correction of Drift: A Novel in Stories imagines the private lives behind the headlines of the case, and examines the endurance—and demise—of those consumed by the tragedy.

Every character brings a different past life to the event, be it a life of celebrity, or of misfortune and obscurity. There is Anne Morrow Lindbergh—daughter of a millionaire, the shy poet who married a national hero; Charles Lindbergh—the rough-and-tumble Minnesota barnstormer, who at age twenty-five made the first transatlantic flight, bringing him world-wide prestige; Violet—the skittish family maid with a curious attachment to the boy and a secret life that lapses into hysteria and self-destruction; and the kidnappers—an assembly of misfits with their own histories of misery. All are bound by the violence, turmoil, and mystery of the child’s disappearance as it becomes evident that each life has been irrevocably changed. Patterns of bereavement and loss illuminate these stories: despair at the death of a child; the retreat into seclusion; the comfort and the desolation of a marriage. But the heart of this novel is the far-reaching nature of tragedy, and the ways the characters go on to live—or end—their lives.
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Drift and Mastery
An Attempt to Diagnose the Current Unrest
Walter Lippmann, Introduction and notes by William E. Leuchtenburg, Foreword by Ganesh Sitaraman
University of Wisconsin Press, 2015
In 1914, a brilliant young political journalist published a book arguing that the United States had entered a period of “drift”—a lack of control over rapidly changing forces in society. He highlighted the tensions between expansion and consolidation, traditionalism and progressivism, and emotion and rationality. He wrote to convince readers that they could balance these tensions: they could be organized, efficient, and functional without sacrificing impulse, choice, or liberty. Mastery over drift is attainable, Walter Lippmann argued, through diligent attention to facts and making active choices. Democracy, Lippman wrote, is “a use of freedom, an embrace of opportunity.”
            Lippman’s Drift and Mastery became one of the most important and influential documents of the Progressive Movement. It remains a valuable text for understanding the political thought of early twentieth-century America and a lucid exploration of timeless themes in American government and politics. Distinguished historian Walter Leuchtenberg’s 1986 introduction and notes are retained in this edition.
            Ganesh Sitaraman, who has provided a foreword for this centennial edition, suggests that Lippmann’s classic still has much to say to twenty-first-century progressives. The underlying solutions for our time, he believes, are similar to those of Lippman’s era. Sitaraman contends that American society can regain mastery over drift by reforming finance and reducing inequality, by rethinking the relationship between corporations and workers, and by embracing changes in social life.
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Empty Moments
Cinema, Modernity, and Drift
Leo Charney
Duke University Press, 1998
In Empty Moments, Leo Charney describes the defining quality of modernity as “drift”—the experience of being unable to locate a stable sense of the present. Through an exploration of artistic, philosophical, and scientific interrogations of the experience of time, Charney presents cinema as the emblem of modern culture’s preoccupation with the reproduction of the present.
Empty Moments creates a catalytic dialogue among those who, at the time of the invention of film, attempted to define the experience of the fleeting present. Interspersing philosophical discussions with stylistically innovative prose, Charney mingles Proust’s conception of time/memory with Cubism’s attempt to interpret time through perspective and Surrealism’s exploration of subliminal representations of the present. Other topics include Husserl’s insistence that the present can only be fantasy or fabrication and the focus on impossibility, imperfection, and loss in Kelvin’s laws of thermodynamics. Ultimately, Charney’s work hints at parallels among such examples, the advent and popularity of cinema, and early film theory.
A book with a structural modernity of its own, Empty Moments will appeal to those interested in cinema and its history, as well as to other historians, philosophers, literary, and cultural scholars of modernity.


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Transatlantic Policymaking in an Age of Austerity
Diversity and Drift
Martin A. Levin and Martin Shapiro, Editors
Georgetown University Press, 2004

Transatlantic Policymaking in an Age of Austerity integrates the study of politics and public policy across a broad spectrum of regulatory and social welfare policies in the United States and several nations of Western Europe. The editors and a sterling list of contributors look at policymaking in the 1990s through the present—providing a comparative politics framework—stressing both parallel development and the differences between and among the nations. Similar prevailing ideas and political factors can be identified and transatlantic comparisons made—providing for a clearer understanding of the policymaking process.

Faith in regulated markets and the burden of rising welfare costs are concerns found on both sides of the Atlantic. Western democracies also share political climates colored by economic austerity; low trust in government, pressures from interest groups, and a sharply divided electorate. Because of differing political processes and differing policy starting points, a variety of disparate policy decisions have resulted.

Real world policymaking in the areas of welfare, health, labor, immigration reform, disability rights, consumer and environmental regulation, administrative reforms, and corporate governance are compared. Ultimately, the last decade is best characterized as one of "drift," sluggish changes with little real innovation and much default to the private sector. In general, policymakers on both sides of the ocean, constrained by economic necessity, have been unable to produce policy outcomes that satisfy the key segments of the electorate.

The contributors examine the United States, Great Britain, France, and Germany, as well as a number of other European countries, and study the European Union itself as a policymaking institution. Transatlantic Policymaking in an Age of Austerity distills the prominent issues, politics, and roles played by governmental institutions into a new understanding of the dynamics of policymaking in and among transatlantic nations.

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The Trustus Plays
The Hammerstone, Drift, and Holy Ghost
Jon Tuttle
Intellect Books, 2009

The Trustus Plays collects three full-length, award-winning performance texts by American playwright Jon Tuttle. Each play was a winner of the national Trustus Playwrights Festival contest and was then produced by the Trustus Theatre in Columbia, South Carolina. The Hammerstone is a comedy about two professors aging gracelessly, Drift is a dark comedy about marriage and divorce, and Holy Ghost is the story of German POWs held in the camps in the American south. Jon Tuttle provides an introduction to the plays, and Trustus founder and artistic director, Jim Thigpen, offers a preface describing Tuttle’s work within the context of the Trustus theatre’s dedication to experimental, edgy social drama.

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