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City of Dust
A Cement Company Town in the Land of Tom Sawyer
Gregg Andrews
University of Missouri Press, 2002
Mark Twain's boyhood home of Hannibal, Missouri, often brings to mind romanticized images of Twain's fictional characters Huck Finn or Tom Sawyer exploring caves and fishing from the banks of the Mississippi River. In City of Dust, Gregg Andrews tells another story of the Hannibal area, the very real story of the exploitation and eventual destruction of Ilasco, Missouri, an industrial town created to serve the purposes of the Atlas Portland Cement Company.
In this new edition, Andrews provides an introduction detailing the impact of this book since its initial publication in 1996. He writes of a new twist in the Ilasco saga, one that concerns the Continental Cement Company’s attempt, not unlike Atlas’s one hundred years earlier, to manipulate the sale of a piece of land near its plant in the town. He explores the uneasy relationship between preservationists and the plant’s CEO and officials in St. Louis; the growing movement to preserve Ilasco’s heritage, including the building of a monument to commemorate the early residents of the town; and the grassroots petition drive and letter-writing campaign that stopped the Continental Cement Company’s machinations.
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Death
From Dust to Destiny
Richard Brilliant
Reaktion Books, 2017
It is the surest fact of our existence, one we can never escape, one that no one else can do for us and that we can never be certain when will actually happen: our death. Death has long denoted the ultimate boundary of our individual lives, yet as Richard Brilliant shows in this moving book, there are ways that we can actually surpass it. Exploring the worlds of religion, ritual, and art, he shows how we have used memory to live a life everlasting.

Brilliant examines the ways that an individual’s ethos can live on long after the biological body perishes. It does so through the collective memories of survivors, being passed down to subsequent generations. Such “remainings” are created by rituals and reinforced through commemorations and obituaries and projected through art and architecture. These powerful inducements to remember counter the finality of physical death, bridging the gap between absence and presence. Weaving together a rich collection of texts and images and guiding them with deeply meaningful insights, Brilliant offers a reflective meditation on the methods that artists, architects, and writers have developed to activate memory and animate their subjects into robust afterlife. In this way, he shows, death need no longer be seen as a terminal departure but rather a transformation into a new form of existence, one carried on by the communion of others.
 
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Dust of the Zulu
Ngoma Aesthetics after Apartheid
Louise Meintjes
Duke University Press, 2017
In Dust of the Zulu Louise Meintjes traces the political and aesthetic significance of ngoma, a competitive form of dance and music that emerged out of the legacies of colonialism and apartheid in South Africa. Contextualizing ngoma within South Africa's history of violence, migrant labor, the HIV epidemic, and the world music market, Meintjes follows a community ngoma team and its professional subgroup during the twenty years after apartheid's end. She intricately ties aesthetics to politics, embodiment to the voice, and masculine anger to eloquence and virtuosity, relating the visceral experience of ngoma performances as they embody the expanse of South African history. Meintjes also shows how ngoma helps build community, cultivate responsible manhood, and provide its participants with a means to reconcile South Africa's past with its postapartheid future. Dust of the Zulu includes over one hundred photographs of ngoma performances, the majority taken by award-winning photojournalist TJ Lemon.
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Dust
The Archive and Cultural History
Carolyn Steedman
Rutgers University Press, 2002

In this witty, engaging, and challenging book, Carolyn Steedman has produced an originaland sometimes irreverentinvestigation into how modern historiography has developed. Dust: The Archive and Cultural History considers our stubborn set of beliefs about an objective material worldinherited from the nineteenth centurywith which modern history writing and its lack of such a belief, attempts to grapple. Drawing on her own published and unpublished writing, Carolyn Steedman has produced a sustained argument about the way in which history writing belongs to the currents of thought shaping the modern world.

Steedman begins by asserting that in recent years much attention has been paid to the archive by those working in the humanities and social sciences; she calls this practice "archivization." By definition, the archive is the repository of "that which will not go away," and the book goes on to suggest that, just like dust, the "matter of history" can never go away or be erased.

This unique work will be welcomed by all historians who want to think about what it is they do.

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From the Dust of the Earth
Benedict XVI, the Bible , and the Theory of Evolution
Matthew J. Ramage
Catholic University of America Press, 2022
The claim that evolution undermines Christianity is standard fare in our culture. Indeed, many today have the impression that the two are mutually exclusive and that a choice must be made between faith and reason—rejecting Christianity on the one hand or evolutionary theory on the other. Is there a way to square advances in this field of study with the Bible and Church teaching? In this book—his fourth dedicated to applying Joseph Ratzinger/Benedict XVI’s wisdom to pressing theological difficulties—Matthew Ramage answers this question decidedly in the affirmative. Distinguishing between evolutionary theory properly speaking and the materialist attitude that is often conflated with it, Ramage’s work meets the challenge of evolutionary science to Catholic teaching on human origins, guided by Ratzinger’s conviction that faith and evolutionary theory mutually enrich one another. Pope Benedict gifted the Church with many pivotal yet often-overlooked resources for engaging evolution in the light of faith, especially in those instances where he addressed the topic in connection with the Book of Genesis. Ramage highlights these contributions and also makes his own by applying Ratzinger’s principles to such issues as the meaning of man’s special creation, the relationship between sin and death, and the implications of evolution for eschatology. Notably, Ramage shows that many apparent conflicts between Christianity and evolutionary theory lose their force when we interpret creation in light of the Paschal Mystery and fix our gaze on Jesus, the New Adam who reveals man to himself. Readers of this text will find that it does more than merely help to resolve apparent contradictions between faith and modern science. Ramage’s work shows that discoveries in evolutionary biology are not merely difficulties to be overcome but indeed gifts that yield precious insight into the mystery of God’s saving plan in Christ.
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From This Wicked Patch of Dust
Sergio Troncoso
University of Arizona Press, 2011
In the border shantytown of Ysleta, Mexican immigrants Pilar and Cuauhtémoc Martínez strive to teach their four children to forsake the drugs and gangs of their neighborhood. The family’s hardscrabble origins are just the beginning of this sweeping new novel from Sergio Troncoso.

Spanning four decades, this is a story of a family’s struggle to become American and yet not be pulled apart by a maelstrom of cultural forces. As a young adult, daughter Julieta is disenchanted with Catholicism and converts to Islam. Youngest son Ismael, always the bookworm, is accepted to Harvard but feels out of place in the Northeast where he meets and marries a Jewish woman. The other boys—Marcos and Francisco—toil in their father’s old apartment buildings, serving as the cheap labor to fuel the family’s rise to the middle class. Over time, Francisco isolates himself in El Paso while Marcos eventually leaves to become a teacher, but then returns, struggling with a deep bitterness about his work and marriage. Through it all, Pilar clings to the idea of her family and tries to hold it together as her husband’s health begins to fail.

This backdrop is then shaken to its core by the historic events of 2001 in New York City. The aftermath sends shockwaves through this newly American family. Bitter conflicts erupt between siblings and the physical and cultural spaces between them threaten to tear them apart. Will their shared history and once-common dreams be enough to hold together a family from Ysleta, this wicked patch of dust?
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In the Dust of Kilimanjaro
David Western
Island Press, 1997

"Kilimanjaro slowly takes shape as the night sounds die, its glaciated peak tinged pink in the early light. A solitary wildebeest stares motionless as if mesmerized by the towering mass; a small caravan of giraffe drifts across the plain in solitary file, necks undulating to the slow rhythm of their gangling stride. There is an inexplicable deja vu about the African savannas, as if some subliminal memory is tweaked by the birthplace of our hominid lineage." --from In the Dust of Kilimanjaro

In the Dust of Kilimanjaro is the extraordinary story of one man's struggle to protect Kenya's wildlife. World-renowned conservationist David Western -- who grew up in Africa and whose life is intertwined with the lives of its animals and indigenous peoples -- presents a history of African wildlife conservation and an intimate glimpse into his life as a global spokesperson and one of Kenya's most prominent citizens.

Beginning with his childhood adventures hunting in rural Tanganyika (now Tanzania), Western describes how and why the African continent came to hold such power over him. In lyrical prose, he recounts the years of solitary fieldwork in and around Amboseli National Park that led to his gradual awakening to what was happening to the animals and people there. His immersion in the culture and ecology of the region made him realize that without an integrated approach to conservation, one that involved people as well as animals, Kenya's most magnificent creatures would be lost forever.

His accounts of his friendships with the Maasai add a personal dimension to the book that gives the reader new appreciation for the centuries-old links between Africa's wildlife and people. Continued coexistence rather than segregation, he argues, offers the best hope for the world's wildlife. Western describes how his unique understanding of the potentially devastating problems in the region helped him pioneer a new approach to global wildlife conservation that balances the needs of people and wildlife without excluding one or the other.

More than an exceptional autobiography, In the Dust of Kilimanjaro is a riveting look at local and global efforts to preserve species and protect ecosystems. It is the definitive story of wildlife conservation in Africa with a strong and timely message about co-existence between humans and animals.

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Lives of Dust and Water
An Anthropology of Change and Resistance in Northwestern Mexico
María Luz Cruz-Torres
University of Arizona Press, 2004
Along the coast of northwestern Mexico, "pink gold" may mean wealth for some, but the new global economy has imposed terrible burdens on many sectors of the population. State and regional economic development policies have supported the use of natural resources for commercial export, resulting in the rapid growth of agriculture and shrimp aquaculture. Environmental pressures have contributed to the degradation of marine ecosystems, and once self-reliant rural populations have been driven to wage and subsistence labor in order to survive. This book eloquently explains how contemporary rural communities in southern Sinaloa have responded to economic and ecological changes affecting the entire nation.

A political ecology of human survival in one of the most important ecological regions of Mexico, it describes how these communities contest environmental degradation and economic impoverishment arising from political and economic forces beyond their control. María Luz Cruz-Torres evokes the rich and varied experiences of the people who live in the villages of Celaya and El Cerro, showing how they invent and utilize their own social capital to emerge as whole persons in the face of globalization. She traces the histories of the two villages to illustrate the complex variation involved in community formation and to show how people respond to and utilize Mexican law and reform. Surrounded by limited resources, poverty, illness, sudden death, and daily oppression, these men and women create innovative social and cultural forms that mitigate these impacts.

Cruz-Torres reveals not only how they manage to survive in the midst of horrendous circumstances but also how they transcend those impediments with dignity. She details the participation of household members in the subsistence, formal, and informal sectors of the economy, and how women use a variety of resources to guarantee their families’ survival. A sometimes tragic but ultimately vibrant story of human resistance, Lives of Dust and Water offers an important look at a little-studied but dynamically developing region of Mexico. It contributes to a more precise understanding of how rural coastal communities in Mexico emerged and continue to develop and adjust to the uncertainties of the globalizing world.
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The Prairie Winnows Out Its Own
The West River Country of South Dakota in the Years of Depression and Dust
Nelson, Paula M.
University of Iowa Press, 1996

Between 1900 and 1915, in the last great land rush, over one hundred thousand homesteaders flooded into the west river country of South Dakota, a land noted for its aridity and unpredictable weather, its treelessness, and its endless sky. The settlers of “the last, best west” weathered their first crisis in the severe drought of 1910-1911, which winnowed out many of the speculators and faint of heart; they abandoned their founding hopes of quick success and substituted a new ethos of “next year country”—while this year was hard, next year would be better, an ironic phrase at once optimistic and fatalistic.

“Next year,” however, was in many of those years not better. The collapse of the agricultural economy in the immediate aftermath of the boom years of World War I set in motion a pattern of regional decline amid national prosperity and cultural change: the rise of radio and mass culture increased rural folks' awareness of national trends and tastes, a development which paradoxically increased their own sense of remoteness and isolation. The failure of the farm economy to recover to any substantial degree in the twenties caused a less dramatic but cumulatively greater impact on the west river country's population and prospects—a second great crisis.

The Great Depression and the dustbowl years of the thirties were the greatest test of the west river people. The drought of 1910-1911, heretofore seen as the benchmark of bad times, faded even in the remembrances of the original pioneers in the face of the thirties' relentless drought, grasshoppers, blowing dust, and the accompanying starvation, struggle, and despair. The Depression in the west river country was a blast furnace from which a hardened yet still hopeful people emerged, scathed but undefeated. The Prairie Winnows Out Its Own is the voice of this experience.

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Raising the Dust
The Literary Housekeeping of Mary Ward, Sarah Grand, and Charlotte Perkins Gilman
Beth Sutton-Ramspeck
Ohio University Press, 2004

Raising the Dust identifies a heretofore-overlooked literary phenomenon that author Beth Sutton-Ramspeck calls “literary housekeeping.” The three writers she examines rejected turn-of-the-century aestheticism and modernism in favor of a literature that is practical, even ostensibly mundane, designed to “set the human household in order.”

To Mary Augusta Ward, Sarah Grand, and Charlotte Perkins Gilman, housekeeping represented public responsibilities: making the food supply safe, reforming politics, and improving the human race itself. Raising the Dust places their writing in the context of the late-Victorian era, in particular the eugenics movement, the proliferation of household conveniences, the home economics movement, and decreased reliance on servants. These changes affected relationships between the domestic sphere and the public sphere, and hence shaped the portrayal of domesticity in the era's fiction and nonfiction.

Moreover, Ward, Grand, and Gilman articulated a domestic aesthetic that swept away boundaries. Sutton-Ramspeck uncovers a new paradigm here: literature as engaging the public realm through the devices and perspectives of the domestic. Her innovative and ambitious book also connects fixations on cleaning with the discovery of germs (the first bacterium discovered was anthrax, and knowledge of its properties increased fears of dust); analyzes advertising cards for soap; and links the mental illness in Gilman's “The Yellow Wall-Paper” to fears during the period of arsenic poisoning from wallpaper.

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