Human variation has always existed, though it has been conceived of and responded to variably. Beholding Disability in Renaissance England interprets sixteenth- and seventeenth-century literature to explore the fraught distinctiveness of human bodyminds and the deliberate ways they were constructed in early modernity as able, and not. Hobgood examines early modern disability, ableism, and disability gain, purposefully employing these contemporary concepts to make clear how disability has historically been disavowed—and avowed too. Thus, this book models how modern ideas and terms make the weight of the past more visible as it marks the present, and cultivates dialogue in which early modern and contemporary theoretical models are mutually informative.

Beholding Disability also uncovers crucial counterdiscourses circulating in the English Renaissance that opposed cultural fantasies of ability and had a keen sensibility toward non-normative embodiments. Hobgood reads impairments as varied as epilepsy, stuttering, disfigurement, deafness, chronic pain, blindness, and castration in order to understand not just powerful fictions of ability present during the Renaissance but also the somewhat paradoxical, surprising ways these ableist ideals provided creative fodder for many Renaissance writers and thinkers. Ultimately, Beholding Disability asks us to reconsider what we think we know about being human both in early modernity, and today.
 

In The Body in Mystery, Jennifer R. Rust engages the political concept of the mystical body of the commonwealth, the corpus mysticum of the medieval church. Rust argues that the communitarian ideal of sacramental sociality had a far longer afterlife than has been previously assumed. Reviving a critical discussion of the German historian Ernst Kantorowicz’s 1957 masterwork, The King’s Two Bodies: A Study in Mediaeval Political Theology, Rust brings to bear the latest scholarship. Her book expands the representation of the corpus mysticum through a range of literary genres as well as religious polemics and political discourses. Rust reclaims the concept as an essential category of social value and historical understanding for the imaginative life of literature from Reformation England. The Body in Mystery provides new ways of appreciating the always rich and sometimes difficult continuities between the secular and sacred in early modern England, and between the premodern and early modern periods.

Traces how conscience—inner moral conviction—came to shape public life, fueling martyrdom, free speech, and political revolts

Bold Conscience: Luther to Shakespeare to Milton is a sweeping, original study of how conscience became one of the most powerful ideas in early modern England. Tracing the emergence of what Joshua R. Held calls the “bold conscience,” the book shows how inner moral conviction moved from the realm of private guilt to public action, fueling debates about authority, obedience, free speech, and resistance. By placing conscience at the center of literary, religious, and political conflict, Bold Conscience reveals a vital intellectual throughline linking the Reformation to the birth of modern ideas of liberty and toleration.

The book unfolds chronologically, beginning with Martin Luther and Henry VIII and moving through Shakespeare’s Hamlet and Henry VIII, John Donne’s court sermons, and John Milton’s polemical and poetic works, including Areopagitica and Paradise Lost. Each chapter combines close literary reading with historical and theological analysis, showing how conscience operates across genres—drama, sermon, pamphlet, and epic poetry. Joshua R. Held is a distinguished scholar of early modern literature whose work bridges literary criticism, intellectual history, and religious studies, bringing clarity and narrative energy to complex debates.

Bold Conscience will appeal to scholars and students of early modern literature, Shakespeare, Milton, and Reformation history, as well as readers interested in the origins of religious freedom and political dissent. It will also engage anyone concerned with how moral conviction shapes public life then and now.

In Boys Abducted, Abdulhamit Arvas explores the history of abducted boys in English and Ottoman literary and visual culture to examine the relationships between homoeroticism, race, and empire in the early modern period. The popular literary trope of the abducted beautiful boy—often eroticized as an exotic object of desire—intersects with the historical phenomenon of vulnerable youths who were captured and exchanged within the global traffic in bodies. Arvas offers a queer-historicist analysis of a wide array of Ottoman and English texts and genres ranging from poetry, drama, and travelogue to chronicles, maps, and visual arts. He shows how the boy in these representations crosses boundaries between nations and empires, embodying the tensions and dissonances between the aestheticized eroticism of literary and cultural representations and the violent history of abductions, conversions, and enslavements. In so doing, Arvas presents complex parallels and connections between the two societies, highlighting the circulation of sexual and racial discourses in imperial imaginings to uncover discursive formations and formulations of sexuality, race, and empire.