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Vanished Giants
The Lost World of the Ice Age
Anthony J. Stuart
University of Chicago Press, 2021
Featuring numerous illustrations, this book explores the many lessons to be learned from Pleistocene megafauna, including the role of humans in their extinction, their disappearance at the start of the Sixth Extinction, and what they might teach us about contemporary conservation crises.

Long after the extinction of dinosaurs, when humans were still in the Stone Age, woolly rhinos, mammoths, mastodons, sabertooth cats, giant ground sloths, and many other spectacular large animals that are no longer with us roamed the Earth. These animals are regarded as “Pleistocene megafauna,” named for the geological era in which they lived—also known as the Ice Age.

In Vanished Giants: The Lost World of the Ice Age, paleontologist Anthony J. Stuart explores the lives and environments of these animals, moving between six continents and several key islands. Stuart examines the animals themselves via what we’ve learned from fossil remains, and he describes the landscapes, climates, vegetation, ecological interactions, and other aspects of the animals’ existence. Illustrated throughout, Vanished Giants also offers a picture of the world as it was tens of thousands of years ago when these giants still existed. Unlike the case of the dinosaurs, there was no asteroid strike to blame for the end of their world. Instead, it appears that the giants of the Ice Age were driven to extinction by climate change, human activities—especially hunting—or both. Drawing on the latest evidence provided by radiocarbon dating, Stuart discusses these possibilities. The extinction of Ice Age megafauna can be seen as the beginning of the so-called Sixth Extinction, which is happening right now. This has important implications for understanding the likely fate of present-day animals in the face of contemporary climate change and vastly increasing human populations.
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Vesuvius
Gillian Darley
Harvard University Press, 2015

Volcanoes around the world have their own legends, and many have wrought terrible devastation, but none has caught the imagination like Vesuvius. We now know that immense eruptions destroyed Bronze Age settlements around Vesuvius, but the Romans knew nothing of those disasters and were lulled into complacency—much as we are today—by its long period of inactivity. None of the nearly thirty eruptions since AD 79 has matched the infamous cataclysm that destroyed Pompeii and Herculaneum within hours. Nearly two thousand years later, the allure of the volcano remains—as evidenced by its popularity as a tourist attraction, from Shelley and the Romantics to modern-day visitors.

Vesuvius has loomed large throughout history, both feared and celebrated. Gillian Darley unveils the human responses to Vesuvius from a cast of characters as far-flung as Pliny the Younger and Andy Warhol, revealing shifts over time. This cultural and scientific meditation on a powerful natural wonder touches on pagan religious beliefs, vulcanology, and travel writing. Sifting through the ashes of Vesuvius, Darley exposes how changes in our relationship to the volcano mirror changes in our understanding of our cultural and natural environments.

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Victorian Toronto, 1850 to 1900
Pattern and Process of Growth
Peter G. Goheen
University of Chicago Press, 1970

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A View of the River
Luna B. Leopold
Harvard University Press, 1994

With the Midwest under water, America had a chance to see how effectively it had “improved” its rivers. We’ve straightened and dredged them, revetted and rerouted them, made massive efforts to control them, yet our actions have been less than successful. Too often, physical changes made to a river conflict with natural processes, resulting in damage rather than alleviating it. Applying available knowledge on how rivers form and act could prevent such problems. Luna B. Leopold seeks to organize such knowledge. Widely regarded as the most creative scholar in the field of river morphology, Leopold presents a coherent description of the river, its shape, size, organization, and action, along with a consistent theory that explains much of the observed character of channels.

The laws of physics that govern rivers allow for variations, many of them dictated by random chance. Thus, a river’s adaptation, as Leopold describes it, tends toward the most probable form, the one with the least variance among hydraulic parameters. We see how this probabilistic tendency plays out as Leopold views the river as a whole from headwater to mouth, in the drainage net, in the behavior of meanders, and in aspects of sediment transport.

Grounded in hydraulics, geomorphology, and surveying, as well as in extensive fieldwork on rivers in the eastern and Rocky Mountain states, Leopold’s view of a river is at once technical and personal, providing both a firm foundation for understanding the behavior of rivers—including instructions for getting started in backyard hydrology—and a wealth of firsthand observations by a thoughtful and experienced scientist. It will be of immediate interest and great use as we seek to develop, preserve, and appreciate our most fluid natural resource.

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Views of the Cordilleras and Monuments of the Indigenous Peoples of the Americas
A Critical Edition
Alexander von Humboldt
University of Chicago Press, 2013
In 1799, Alexander von Humboldt and Aimé Bonpland set out to determine whether the Orinoco River connected with the Amazon. But what started as a trip to investigate a relatively minor geographical controversy became the basis of a five-year exploration throughout South America, Mexico, and Cuba. The discoveries amassed by Humboldt and Bonpland were staggering, and much of today’s knowledge of tropical zoology, botany, geography, and geology can be traced back to Humboldt’s numerous records of these expeditions.
 
One of these accounts, Views of the Cordilleras and Monuments of the Indigenous Peoples of the Americas, firmly established Alexander von Humboldt as the founder of Mesoamerican studies. In Views of the Cordilleras—first published in French between 1810 and 1813—Humboldt weaves together magnificently engraved drawings and detailed texts to achieve multifaceted views of cultures and landscapes across the Americas. In doing so, he offers an alternative perspective on the New World, combating presumptions of its belatedness and inferiority by arguing that the “old” and the “new” world are of the same geological age.
 
This critical edition of Views of the Cordilleras—the second volume in the Alexander von Humboldt in English series—contains a new, unabridged English translation of Humboldt’s French text, as well as annotations, a bibliography, and all sixty-nine plates from the original edition, many of them in color.
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Volcano
Nature and Culture
James Hamilton
Reaktion Books, 2012

For years, tourists have trekked across cracked rock at Hawaii’s Kilauea volcano to witness the awe-inspiring sight of creeping lava and its devastating effects on the landscape. In 2010, Eyjafjallajökull erupted in Iceland, stranding travelers as a cloud of ash covered western and northern Europe, causing the largest disruption of air travel since World War II. And just a few months later, Mount Merapi blew in Indonesia, killing over 350 people and displacing over 350,000 others, awakening people once more to the dangerous potential of these sleeping giants.

Though today largely dormant, volcanoes continue to erupt across the world, reminding us of their sheer physical power. In Volcano, James Hamilton explores the cultural history generated by the violence and terrifying beauty of volcanoes. He describes the reverberations of early eruptions of Vesuvius and Etna in Greek and Roman myth. He also examines the depiction of volcanoes in art—from the earliest known wall painting of an erupting volcano in 6200 BCE to the distinctive colors of Andy Warhol and Michael Sandle’s exploding mountains. Surveying a number of twenty-first-century works, Hamilton shows that volcanoes continue to influence the artistic imagination.
 
Combining established figures such as Joseph Wright and J. M. W. Turner with previously unseen perspectives, this richly illustrated book will appeal to anyone interested in science as well as the cultural impact of these spectacular natural features.
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Volcanoes and Wine
From Pompeii to Napa
Charles Frankel
University of Chicago Press, 2019
There’s a reason we pay top dollar for champagne and that bottles of wine from prestige vineyards cost as much as a car: a place’s distinct geographical attributes, known as terroir to wine buffs, determine the unique profile of a wine—and some rarer locales produce wines that are particularly coveted. In Volcanoes and Wine, geologist Charles Frankel introduces us to the volcanoes that are among the most dramatic and ideal landscapes for wine making.
            Traveling across regions wellknown to wine lovers like Sicily, Oregon, and California, as well as the less familiar places, such as the Canary Islands, Frankel gives an in-depth account of famous volcanoes and the wines that spring from their idiosyncratic soils. From Santorini’s vineyards of rocky pumice dating back to a four-thousand-year-old eruption to grapes growing in craters dug in the earth of the Canary Islands, from Vesuvius’s famous Lacryma Christi to the ambitious new generation of wine growers reviving the traditional grapes of Mount Etna, Frankel takes us across the stunning and dangerous world of volcanic wines. He details each volcano’s most famous eruptions, the grapes that grow in its soils, and the people who make their homes on its slopes, adapting to an ever-menacing landscape. In addition to introducing the history and geology of these volcanoes, Frankel's book serves as a travel guide, offering a host of tips ranging from prominent vineyards to visit to scenic hikes in each location.
            This illuminating guide will be indispensable for wine lovers looking to learn more about volcanic terroirs, as well as anyone curious about how cultural heritage can survive and thrive in the shadow of geological danger.
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The Vortex
An Environmental History of the Modern World
Frank Uekotter
University of Pittsburgh Press, 2023
Environmental challenges are defining the twenty-first century. To fully understand ongoing debates about our current crises—climate change, loss of biological diversity, pollution, extinction, resource woes—means revisiting their origins, in all their complexity. With this ambitious, highly original contribution to the environmental history of global modernity, Frank Uekötter considers the many ways humans have had an impact on their physical environment throughout history. Ours is not a one-way trajectory to sudden collapse, he argues, but rather death by a thousand cuts. The many paths we’ve forged to arrive in our current predicament, from agriculture to industry to infrastructure, must be considered collectively if we are to stay afloat in what Uekötter describes as a vortex: a powerful metaphor for the flow of history, capturing the momentum and the many crosscurrents that swept people and environments along. His book invites us to look at environmental challenges from multiple perspectives, including all the twists and turns that have helped to create the mess we find ourselves in. Uekötter has written a world history for an age where things are falling apart: where we know what lies ahead and are equipped with the right tools—technological and otherwise—and plenty of experience to deal with environmental challenges, but somehow fail to get our affairs in order. 
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