Utah has long claimed to have the greatest snow on Earth—the state itself has even trademarked the phrase. In Secrets of the Greatest Snow on Earth, Jim Steenburgh investigates Wasatch weather, exposing the myths, explaining the reality, and revealing how and why Utah’s powder lives up to its reputation. Steenburgh also examines ski and snowboard regions beyond Utah, providing a meteorological guide to mountain weather and snow climates around the world.

Chapters explore mountain weather, avalanches and snow safety, historical accounts of weather events and snow conditions, and the basics of climate and weather forecasting. In this second edition, Steenburgh explains what creates the best snow for skiing and snowboarding using accurate and accessible language and 150 color photographs and illustrations, making Secrets of the Greatest Snow on Earth a helpful tool for planning vacations and staying safe during mountain adventures.

This edition is updated with two new chapters covering microclimates and climate change in greater depth. Steenburgh addresses the declining snowpack and the future of snow across the western United States, as well as the declining snow and ice in several regions of the world—the European Alps in particular. Snowriders, weather enthusiasts, meteorologists, students of snow science, and anyone who dreams of deep powder and bluebird skies will want to get their gloves on this new edition of Secrets of the Greatest Snow on Earth.

Praise for the first edition:
“Everything you always wanted to know about how snow forms and how to follow forecasts so you see
how much an”d where is in the book. It’s a must-have for any fan of snow, sure to get you excited about
winter, and give you a bevy of conversation topics for the chairlift ride.”
—Utah Adventure Journal

“For backcountry enthusiasts that find themselves infatuated with weather patterns, snow-water
equivalents, microclimates, and Utah, this book is a dream come true.”
—The Backcountry Skiing Blog

“Steenburgh shares a career’s worth of knowledge in this book. His love of both snow science and skiing
is obvious, and he adds humor and personality to the scientific discussion.”
—First Tracks!! Online Skiing Magazine

“When it comes to snow, the details—both small- and large-scale—do matter. If we all observed our
surroundings with as much curiosity and enthusiasm as Steenburgh, the world could be a much better-
tended place.”
—American Scientist

We drive cars with "Save the Whales" bumper stickers, buy aerosol sprays that advertise "no chlorofluorocarbons," and wear T-shirts made from organically grown cotton. All of these "earth friendly" choices and products convince us that we are "thinking globally, acting locally" and saving the planet. But are we really?

In this provocative book, J. Robert Hunter asserts that using catchy slogans and symbols to sell the public on environmental conservation is ineffective, misleading, and even dangerous. Debunking the Fifty Simple Things You Can Do to Save the Earth approach, Hunter shows that there are no simple solutions to major environmental problems such as species extinction, ozone depletion, global warming, pollution, and non-renewable resource consumption.

The use of slogans and symbols, Hunter argues, simply gives the public a false sense that "someone" is solving the environmental crisis—while it remains as serious now as when the environmental movement began. Writing in plain yet passionate prose for general readers, he here opens a national debate on what is really required to preserve the earth as a habitat for the human species.

As we enter a new millennium ruled by technology, will poetry still matter? The Song of the Earth answers eloquently in the affirmative. A book about our growing alienation from nature, it is also a brilliant meditation on the capacity of the writer to bring us back to earth, our home.

In the first ecological reading of English literature, Jonathan Bate traces the distinctions among "nature," "culture," and "environment" and shows how their meanings have changed since their appearance in the literature of the eighteenth century. An intricate interweaving of climatic, topographical, and political elements poetically deployed, his book ranges from greenhouses in Jane Austen's novels to fruit bats in the poetry of Les Murray, by way of Thomas Hardy's woodlands, Dr. Frankenstein's Creature, John Clare's birds' nests, Wordsworth's rivers, Byron's bear, and an early nineteenth-century novel about an orangutan who stands for Parliament. Though grounded in the English Romantic tradition, the book also explores American, Central European, and Caribbean poets and engages theoretically with Rousseau, Adorno, Bachelard, and especially Heidegger.

The model for an innovative and sophisticated new "ecopoetics," The Song of the Earth is at once an essential history of environmental consciousness and an impassioned argument for the necessity of literature in a time of ecological crisis.

The traditional Chinese notion of itself as the “middle kingdom”—literally the cultural and political center of the world—remains vital to its own self-perceptions and became foundational to Western understandings of China. This worldview was primarily constructed during the earliest imperial unification of China during the Qin and Han dynasties (221 BCE–220 CE). But the fragmentation of empire and subsequent “Age of Disunion” (220–589 CE) that followed undermined imperial orthodoxies of unity, centrality, and universality. In response, geographical writing proliferated, exploring greater spatial complexities and alternative worldviews.

This book is the first study of the emergent genre of geographical writing and the metageographies that structured its spatial thought during that period. Early medieval geographies highlighted spatial units and structures that the Qin–Han empire had intentionally sought to obscure—including those of regional, natural, and foreign spaces. Instead, these postimperial metageographies reveal a polycentric China in a polycentric world. Sui–Tang (581–906 CE) officials reasserted the imperial model as spatial orthodoxy. But since that time these alternative frameworks have persisted in geographical thought, continuing to illuminate spatial complexities that have been incompatible with the imperial and nationalist ideal of a monolithic China at the center of the world.

Environmental issues, once the benign hobby of the few, have become everybody's urgent concern--progressing from the peaceful vibes of the first Earth Day to the political tumult of the "green possibility." As we surpass the end of the twentieth century and as these issues become more pressing, John Young's tour de force is an especially welcome and timely assessment of the history of the environmental movement--and a call to arms for a new and effective attack on the problems.

Young maintains that only a powerful synthesis of political, economic, and moral ideologies--a unification he terms postenvironmentalism--will move world societies into a relation to the environment that maintains the best democratic values. He describes many of the movements and strategies that have appeared over the last three decades: realos, reds, greens, left and right ecologists, eco-feminists, humanists, and pragmatists. Now even the most radical environmentalists must recognize the reality of questions about equity and poverty, technology and energy, aid and trade between wealthy and impoverished countries, and the validity of the ways people consider them. As the process of trial and error this book describes continues, Young offers--in a thoughtful and undogmatic manner--an alternative perspective that is essential reading for all who care about our world.