When the Nazis annexed western Poland in 1939, they quickly set about identifying Polish citizens of German origin and granting them the privileged legal status of ethnic Germans of the Reich. Following Germany’s defeat in World War II, Soviet-dominated Poland incorporated eastern Germany and proceeded to do just the opposite: searching out Germans of Polish origin and offering them Polish citizenship. Underscoring the processes of inclusion and exclusion that mold national communities, Belonging to the Nation examines the efforts of Nazi Germany and postwar Poland to nationalize inhabitants of the contested Polish-German borderlands.
Histories of the experience of national minorities in the twentieth century often concentrate on the grim logic of ethnic cleansing. John Kulczycki approaches his topic from a different angle, focusing on how governments decide which minorities to include, not expel. The policies Germany and Poland pursued from 1939 to 1951 bear striking similarities. Both Nazis and Communist Poles regarded national identity as biologically determined—and both found this principle difficult to enforce. Practical impediments to proving a person’s ethnic descent meant that officials sometimes resorted to telltale cultural behaviors in making assessments of nationality. Although the goal was to create an ethnically homogeneous nation, Germany and Poland allowed pockets of minorities to remain, usually to exploit their labor. Kulczycki illustrates the complexity of the process behind national self-determination, the obstacles it confronts in practice, and the resulting injustices.
Using Ukraine as a case-in-point, Svitlana Krasynska engages diverse bodies of literature and rich empirical data to reveal the vital role and unique potential of below-the-radar civic engagement in contexts where informal practices abound—a phenomenon largely neglected by scholars of civil society who traditionally focus on formal civic organizations.
Civil society in Eastern Europe has long been labeled weak based on a general lack of citizen participation in formal civil society organizations—a key criterion for assessing civic engagement in comparative studies. However, such assessment of civil society fails to recognize the role and impact of informal civic engagement in contexts where informality permeates economic, political, and social spheres. Ukraine offers a valuable counterargument of the importance of informal civil society in Eastern Europe, especially in the post-Soviet countries.
Krasynska convincingly shows that informality constitutes an essential component of civil society, shaping popular approaches to addressing social, economic, and political issues. The trailblazing findings in Below the Radar will be of interest to scholars of democratization, informality, and area studies, and they will aid development practitioners and policy makers in determining a more effective approach to helping fledgling democracies around the world.
Beyond Compare is a remarkable work that offers a commentary on spiritual learning for the twenty-first century rooted in two classic texts from the Hindu and Christian traditions: the Essence of the Three Auspicious Mysteries by Śrī Vedānta Deśika and Treatise on the Love of God by St. Francis de Sales.
In his commentary, Clooney achieves multiple goals—the book is a contribution to Christian spiritual theology, highlighting for today the beautiful insights into love by St. Francis de Sales (1567-1623), Doctor of the Church. At the same time it points out how even in our world of many religious paths, we can recover and deepen the ancient tradition of loving surrender into God's hands by opening ourselves to the wisdom of India and one of Hindu India's most famous traditions of loving God, explained to us by the south Indian Hindu theologian Śrī Vedānta Deśika (1268-1369). Clooney goes further, offering a comparative study of these classic works in which he self-consciously writes about the process of reading the two works and the impact this approach has on the reader. The good advice found through this deep engagement with these texts offers a deeper insight into how we can most fruitfully and spiritually think about religious pluralism in the 21st century, remaining open in heart and mind while loyal still to our own tradition.
Not merely a book about loving surrender to God, Beyond Compare offers us the opportunity to advance along that path ourselves, learning from the wisdom of St. Francis de Sales and Śrī Vedānta Deśika, meditating on their two paths together, deepening our own love and willingness to surrender in love to God.
The great modernist eccentric Alexei Remizov was a “writers’ writer” whose innovative poetic prose has long since entered the Russian literary canon. Gradually expanding his working methods to make drawing an integral part of the writing process, during the 1930s and 1940s, Remizov created hundreds of albums that combined texts with collages and india ink and watercolor illustrations. In Beyond Symbolism and Surrealism, Julia Friedman provides the first extensive examination of the dynamic interplay between text and image in Remizov’s albums, revealing their coequal roles in his oneiric and synaesthetic brand of storytelling. A participant in the Russian symbolist movement, an intellectual ally of many futurists, and during his émigré years, a collaborator of the surrealists, Remizov had unique insight into artistic cultures of the European avant-garde. His reinterpretation of the medieval illuminated manuscripts carries forward the traditions of symbolist mysticism and
This long-overdue examination of Remizov’s visual art addresses modernism’s key theoretical questions surrounding the relationships between image and text. Beyond Symbolism and Surrealism introduces a generous sampling of Remizov’s graphic work, much of which is currently held in private collections.
Where is the line that separates the “normal” from the “abnormal”? Liubov, a young Ukrainian woman of small nobility, struggles with this question in Lesia Ukrainka’s The Blue Rose. Living in Ukraine at the turn of the twentieth century, she finds herself outside the norms for a woman: she reads “thick books,” follows music and art, and is interested in science and psychology. She hosts a salon and challenges men in discussions about politics and culture. Liubov is also an orphan whose mother died in an asylum, and she worries about inheriting her mother’s disease as well as passing it on to future children. When Liubov falls in love with Orest, she proposes a radical solution to her dilemma: to pursue something as rare as a blue flower—“pure love” that foregoes the physical and abandons the requirement of marriage and motherhood.
In her commanding debut as a playwright, Ukrainka created a deep psychological rendering of an unattainable ideal. The Blue Rose highlights themes such as women’s struggles for liberation, social progress and its reliance on science, and resistance to change in traditional societies. Written in sophisticated Ukrainian, Ukrainka’s nuanced play helped Ukrainian culture break free of the Russian imperial mold that sought to first provincialize and then erase it. Presented here in contemporary English translation, The Blue Rose illuminates Ukraine’s intellectual history and its connections with Western culture.
Where is the line that separates the “normal” from the “abnormal”? Liubov, a young Ukrainian woman of small nobility, struggles with this question in Lesia Ukrainka’s The Blue Rose. Living in Ukraine at the turn of the twentieth century, she finds herself outside the norms for a woman: she reads “thick books,” follows music and art, and is interested in science and psychology. She hosts a salon and challenges men in discussions about politics and culture. Liubov is also an orphan whose mother died in an asylum, and she worries about inheriting her mother’s disease as well as passing it on to future children. When Liubov falls in love with Orest, she proposes a radical solution to her dilemma: to pursue something as rare as a blue flower—“pure love” that foregoes the physical and abandons the requirement of marriage and motherhood.
In her commanding debut as a playwright, Ukrainka created a deep psychological rendering of an unattainable ideal. The Blue Rose highlights themes such as women’s struggles for liberation, social progress and its reliance on science, and resistance to change in traditional societies. Written in sophisticated Ukrainian, Ukrainka’s nuanced play helped Ukrainian culture break free of the Russian imperial mold that sought to first provincialize and then erase it. Presented here in contemporary English translation, The Blue Rose illuminates Ukraine’s intellectual history and its connections with Western culture.
The issues of immigration and integration are at the forefront of contemporary politics. Yet debates over foreign workers and the desirability of their incorporation into European and American societies too often are discussed without a sense of history. McCook’s examination questions static assumptions about race and white immigrant assimilation a hundred years ago, highlighting how the Polish immigrant experience is relevant to present-day immigration debates on both sides of the Atlantic. Further, his research shows the complexity of attitudes toward immigration in Germany and the United States, challenging historical myths surrounding German national identity and the American “melting pot.”
In a comparative study of Polish migrants who settled in the Ruhr Valley and northeastern Pennsylvania, McCook shows that in both regions, Poles become active citizens within their host societies through engagement in social conflict within the public sphere to defend their ethnic, class, gender, and religious interests. While adapting to the Ruhr and northeastern Pennsylvania, Poles simultaneously retained strong bonds with Poland, through remittances, the exchange of letters, newspapers, and frequent return migration. In this analysis of migration in a globalizing world, McCook highlights the multifaceted ways in which immigrants integrate into society, focusing in particular on how Poles created and utilized transnational spaces to mobilize and attain authentic and more permanent identities grounded in newer broadly conceived notions of citizenship.
Stanislaw Baranczak, a Polish writer in exile, turns to his colleagues and their plights, in Poland, Czechoslovakia, Hungary, and the Soviet Union, to explain why oppressive regimes could not succeed in their attempts to transform the Eastern European into Homo sovieticus.
These superb essays focus on the role that culture, and particularly literature, has played in keeping the spirit of intellectual independence alive in Eastern and Central Europe. Exploring a variety of issues from censorship to underground poetry, Baranczak shows why, in societies where people struggle to survive under totalitarian rule, art is believed to have the power to make things happen.
He brings into sharp relief the works and personalities of many legendary figures of recent Eastern European political and cultural history from Lech Walesa and Pope John Paul II to Václav Havel and Adam Michnik to Czeslaw Milosz, Witold Gombrowicz, Bruno Schulz, and Joseph Brodsky--and makes vivid the context from which they spring. Some of the essays probe the sense of inarticulateness experienced by writers in exile; many represent the literary essay at its best; all reveal that Baranczak is a sophisticated, often savagely funny writer on whom nothing is lost.
This refreshing and provocative book guides us toward a clearer understanding of what has led to the present moment, in which the nations of Eastern and Central Europe, tired of striving to "breathe under water," are finally "coming up for air." It is rewarding reading for anyone interested in art's confrontation with an intractable political reality--wherever it occurs in the world.
The Byzantine Empire centered at the city of Constantinople grew from a small Greek colonial village into the capital of the Eastern Roman empire. Ultimately, Byzantium represented what remained of Roman power in late antiquity. Established as the seat of Constantine the Great in 328 AD, the empire grew and matured over the centuries, reaching its pinnacle in the sixth century during the reign of Justinian and his loyal general, Belisarius. In the process of empire building, Byzantium battled the Goths, the Germanic tribes, the Persians, the Lombards, and ultimately the Islamic armies of the Near East. Byzantium remained a buffer against Muslim expansion, and by the time the remnants of the empire and the city of Constantinople were finally conquered by the Ottomans in the fourteenth century, European states to the west were able to resist any further encroachment.
In tracing the empire’s history from its humble beginnings through its ascendancy and final decay, distinguished historian Charles W. C. Oman blends his engaging narrative style with his impeccable command of primary source material. Here, Oman dispels the misconception that the Byzantine court was one plagued by corruption and intrigue—a canard that added “Byzantine” to the English language; instead, Byzantium was one of the most stable governments of late antiquity. Never before reprinted in paperback, The Byzantine Empire is a model of concise popular scholarship.
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