Most analyses of Egyptian politics present the limitations and failures of official political life as the complete story of politics in Egypt. Raymond Baker's direct observation of Egyptian politics has convinced him that alternative political groups have sustained themselves and carved out spaces for promising political action despite official efforts at containment.
In this compelling study, Baker recreates the public worlds of eight groups on the periphery of Egyptian politics. They range in their political stances from Communists to the Muslim Brothers and include shifting clusters of critical intellectuals who gather around influential journals or in research centers, as well as the quiescent aestheticists of the Wissa Wassef community. Taken together, the experiences of Egyptians in alternative groups reveal that Egyptians are more than the objects of diverse external pressures and more than the sufferers from multiple internal problems. They are also creative political actors who have stories to tell about the human potential to struggle for humane values and goals in the modern world.
In examining Egypt from the margins rather than from the center, Baker proposes a new direction for Third World political studies. He suggests a way out of the impasse in the current development literature, which is fixed on a scientific study of causes and determinants, by focusing on actual political struggles and alternative political visions.
Working simultaneously on two levels, Saladin represents the best kind of biography—a portrait of a man who is said to have made an age, and the most complete account we have to date of an age that made the man. Unlike biographies that focus on Saladin’s military exploits, especially the recapturing of Jerusalem from European Crusaders in 1187, Eddé’s narrative draws on an incredible array of contemporary sources to develop the fullest picture possible of a ruler shaped profoundly by the complex Arabian political environment in which he rose to prominence. The result is a unique view of the Crusades from an Arab perspective.
Saladin became a legend in his own time, venerated by friend and foe alike as a paragon of justice, chivalry, and generosity. Arab politicians ever since have sought to claim his mantle as a justification for their own exercise of power. But Saladin's world-historical status as the ideal Muslim ruler owes its longevity to a tacit agreement among contemporaries and later chroniclers about the set of virtues Saladin possessed—virtues that can now be tested against a rich tapestry of historical research. This tension between the mythical image of Saladin, layered over centuries and deployed in service of specific moral and political objectives, and the verifiable facts of his life available to a judicious modern historian is what sustains Anne-Marie Eddé's erudite biography, published to acclaim in France in 2008 and offered here in smooth, readable English translation.
Personal records from the sands of Egypt.
This is the first of two volumes giving a selection of Greek papyri relating to private and public business. They cover a period from before 300 BC to the eighth century AD. Most were found in rubbish heaps or remains of ancient houses or in tombs in Egypt. From such papyri we get much information about administration and social and economic conditions in Egypt, and about native Egyptian, Greek, Roman, and Byzantine law, as well as glimpses of ordinary life.
This volume contains: Agreements, 71 examples; these concern marriage, divorce, adoption, apprenticeship, sales, leases, employment of laborers. Receipts, 10. Wills, 6. Deed of disownment. Personal letters from men and women, young and old, 82. Memoranda, 2. Invitations, 5. Orders for payment, 2. Agenda, 2. Accounts and inventories, 12. Questions of oracles, 3. Christian prayers, 2. A Gnostic charm. Horoscopes, 2.
The three-volume Loeb Classical Library edition of Select Papyri also includes a volume of poetry.
Official records from the sands of Egypt.
This volume presents papyri relating to public business of various kinds in Egypt from the middle of the 3rd century BC to AD 710, thus including affairs in that country first when it was ruled by the Greek Ptolemaic kings, secondly when it was a Roman province. The earliest examples date from the reign of King Ptolemy II Philadelphus and the latest from the government by the Arabs after their conquest of Egypt in AD 639–641.
The papyri chosen were all sent by persons in office (from king, Roman emperor, or governor downwards) or addressed to them or sent for their information: Codes and Regulations, 6 examples. Edicts and Orders, 26. Public Announcements, 6. Reports of Meetings, 3. Official Acts and Inquiries, 5. Judicial Business, 18. Petitions and Applications, 44. Declarations to Officials, 30. Appointments and Nominations, 7. Tenders and Contracts, 19. Receipts, 26. Orders for Payment, 6. Accounts and Registers or Lists, 12. Letters, 16. Notes on the systems of dating and of money in Egypt as well as a glossary of technical terms are provided.
The three-volume Loeb Classical Library edition of Select Papyri also includes a volume of poetry and one of private documents.
Scraps of verse from the sands of Egypt.
The papyri found in Egypt have yielded fragments large and small of ancient literary authors. We include in this volume from the 5th–4th centuries BC fragments of two tragedies (one a satyr play) by Aeschylus; of five by Sophocles; of ten by Euripides; of one by Ion; and of some plays not assignable. From Old Comedy, 5th century, we have fragments of one play each of Epicharmus, Cratinus, Pherecrates, Eupolis, and Plato; some fragments of Aristophanes; and unassignable fragments. From Middle Comedy and New Comedy, 4th and 3rd centuries, are twenty-six items including at least three by Menander and one each by Philemon, Timocles, and Straton. From mimes there are a fragment of Sophron and six unassignable, including 112 lines of clownish doings by the Indian Ocean. The lyric poetry, 7th century BC–4th AD, twenty-one mostly anonymous items, includes some of Sappho, Corinna, Pindar, Philicus, fragments of dithyrambic poetry, hymns, songs and so on. There are seventeen examples of elegiac and iambic, 7th century BC–3rd AD, including some Mimnermus, Amyntas, Leonidas, Antipater of Sidon, and Posidippus. The thirty items of hexameter poetry, 5th century BC–6th AD are mostly unassignable but include Panyasis, Erinna (a lovely fragment of her “Distaff”), Euphorion, Pancrates, and Dionysius (the “Bassarica”).
The three-volume Loeb Classical Library edition of Select Papyri also includes volumes of public and private documents.
One of the world's oldest crossroads, the Sinai joins the great continental land masses of Africa and Eurasia. Its physical geography of rugged mountain peaks, desert plains, and sea coasts was formed by the collision of the two continental plates, while the human tides that have swept across the region over millennia have left an intricate web of cultures and ethnicities.
In this book, Ned Greenwood offers a complete, up-to-date physical geography of Sinai. After an introductory chapter that situates Sinai within world history and geography, he focuses in detail on the following areas: plate tectonics and geology, geomorphology and drainage, weather and climate, soils, and biogeography.
In the concluding chapter, Greenwood considers the human geography of Sinai, including the pressures currently posed by population growth, political extremism, and environmental constrictions on development. He offers a fully rounded picture of the physical environment of Sinai that will be vital reading for everyone concerned about the future of this strategic yet fragile land.
Art is politics and politics is art in this study of post–World War I caricature art in Egypt and Egyptian politics. This book explores the complex meaning and significance of caricature art drawn to support the ascendant Egyptian Wafdpolitical party and its push for independence from British colonial control. The works of previously neglected Egyptian lithographers are also explored, especially those who adopted sophisticated European techniques while experimenting with a variety of new styles during a remarkable period in Egyptian history.
Caricature art by Wafd party artists was almostsui generis. It is distinguished especially by its sincere use of iconic, folkloric imagery, intended to rally nationalistic sentiments among an emerging Egyptian electorate that included many nonliterate citizens. Cannon’s research breathes new life into an influential yet largely forgotten artistic movement in Egypt, one that deserves recognition for its contribution to Egypt’s share of modern Middle East cultural history. Includes full color reproductions.READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press