front cover of All That Rises
All That Rises
A Novel
Alma García
University of Arizona Press, 2023
In the border city of El Paso, Texas, two guardedly neighboring families have plunged headlong into a harrowing week. Rose Marie DuPre, wife and mother, has abandoned her family. On the doorstep of the Gonzales home, long-lost rebel Inez appears. As Rose Marie’s husband, Huck (manager of a maquiladora), and Inez’s brother, Jerry (a college professor), struggle separately with the new shape of their worlds, Lourdes, the Mexican maid who works in both homes, finds herself entangled in the lives of her employers, even as she grapples with a teenage daughter who only has eyes for el otro lado—life, American style.

What follows is a story in which mysteries are unraveled, odd alliances are forged, and the boundaries between lives blur in destiny-changing ways—all in a place where the physical border between two countries is as palpable as it is porous, and the legacies of history are never far away. There are no easy solutions to the issues the characters face in this story, and their various realities—as undocumented workers, Border Patrol agents, the American supervisor of a Mexican factory employing an impoverished workforce—never play out against a black-and-white moral canvas. Instead, they are complex human beings with sometimes messy lives who struggle to create a place for themselves in a part of the world like no other, even as they are forced to confront the lives they have made.

All That Rises is about secrets, lies, border politics, and discovering where you belong—within a family, as well as in the world beyond. It is a novel for the times we live in, set in a place many people know only from the news.
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Blockading the Border and Human Rights
The El Paso Operation that Remade Immigration Enforcement
By Timothy J. Dunn
University of Texas Press, 2009

To understand border enforcement and the shape it has taken, it is imperative to examine a groundbreaking Border Patrol operation begun in 1993 in El Paso, Texas, "Operation Blockade." The El Paso Border Patrol designed and implemented this radical new strategy, posting 400 agents directly on the banks of the Rio Grande in highly visible positions to deter unauthorized border crossings into the urban areas of El Paso from neighboring Ciudad Juárez—a marked departure from the traditional strategy of apprehending unauthorized crossers after entry. This approach, of "prevention through deterrence," became the foundation of the 1994 and 2004 National Border Patrol Strategies for the Southern Border. Politically popular overall, it has rendered unauthorized border crossing far less visible in many key urban areas. However, the real effectiveness of the strategy is debatable, at best. Its implementation has also led to a sharp rise in the number of deaths of unauthorized border crossers.

Here, Dunn examines the paradigm-changing Operation Blockade and related border enforcement efforts in the El Paso region in great detail, as well as the local social and political situation that spawned the approach and has shaped it since. Dunn particularly spotlights the human rights abuses and enforcement excesses inflicted on local Mexican Americans and Mexican immigrants as well as the challenges to those abuses. Throughout the book, Dunn filters his research and fieldwork through two competing lenses, human rights versus the rights of national sovereignty and citizenship.

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Border Identifications
Narratives of Religion, Gender, and Class on the U.S.-Mexico Border
By Pablo Vila
University of Texas Press, 2005

From poets to sociologists, many people who write about life on the U.S.-Mexico border use terms such as "border crossing" and "hybridity" which suggest that a unified culture—neither Mexican nor American, but an amalgamation of both—has arisen in the borderlands. But talking to people who actually live on either side of the border reveals no single commonly shared sense of identity, as Pablo Vila demonstrated in his book Crossing Borders, Reinforcing Borders: Social Categories, Metaphors, and Narrative Identities on the U.S.-Mexico Frontier. Instead, people living near the border, like people everywhere, base their sense of identity on a constellation of interacting factors that includes regional identity, but also nationality, ethnicity, and race.

In this book, Vila continues the exploration of identities he began in Crossing Borders, Reinforcing Borders by looking at how religion, gender, and class also affect people's identifications of self and "others" among Mexican nationals, Mexican immigrants, Mexican Americans, Anglos, and African Americans in the Cuidad Juárez-El Paso area. Among the many fascinating issues he raises are how the perception that "all Mexicans are Catholic" affects Mexican Protestants and Pentecostals; how the discourse about proper gender roles may feed the violence against women that has made Juárez the "women's murder capital of the world"; and why class consciousness is paradoxically absent in a region with great disparities of wealth. His research underscores the complexity of the process of social identification and confirms that the idealized notion of "hybridity" is only partially adequate to define people's identity on the U.S.-Mexico border.

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Brides and Sinners in El Chuco
Christine Granados
University of Arizona Press, 2006
Brides have their dreams, sinners their secrets, but sometimes it’s not so easy to tell them apart.

In the border town of El Paso—better known to its Mexican American residents as El Chuco—dramas unfold in humdrum households every day as working-class men come home from their jobs and as their wives and children do their best to cope with life. Christine Granados now plumbs the heart of this community in fourteen startling stories, uncovering the dreams and secrets in which ordinary people sometimes lose themselves. Many fictional accounts of barrio life play up tradition and nostalgia; Brides and Sinners in El Chuco is a trip to the darker side. Here are memories of growing up in a place where innocence is always tempered by reality—true-to-life stories, told in authentic language, of young women, from preteens to twenty-somethings, learning to negotiate their way through troubled times and troubled families. In the award-winning story “The Bride,” a young girl recalls her sister as a perennial bride on Halloween, planning for her eventual big day in a pink notebook with lists of potential husbands, only to see her dream thwarted at the junior prom. In another, we meet Bobbi, the class slut, whose D-cup chest astounds the other girls and entices everyone—even those who shouldn’t be tempted.

Granados’ tales boldly portray women’s struggle for solidarity in the face of male abuse, and as these characters come to grips with self-discovery, sibling rivalry, and dysfunctional relationships, she shows what it means for Chicanas to grow up in protective families while learning to survive in the steamy border environment. Brides and Sinners in El Chuco is an uncompromising look at life with all its hard edges—told with enough softness to make readers come back for more.
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Chuco Punk
Sonic Insurgency in El Paso
Tara López
University of Texas Press, 2024

An immersive study of the influential and predominantly Chicanx punk rock scene in El Paso, Texas.

Punk rock is known for its daring subversion, and so is the West Texas city of El Paso. In Chuco Punk, Tara López dives into the rebellious sonic history of the city, drawing on more than seventy interviews with punks, as well as unarchived flyers, photos, and other punk memorabilia. Connecting the scene to El Paso's own history as a borderland, a site of segregation, and a city with a long lineage of cultural and musical resistance, López throws readers into the heat of backyard punx shows, the chaos of riots in derelict mechanic shops, and the thrill of skateboarding on the roofs of local middle schools. She reveals how, in this predominantly Chicanx punk rock scene, women forged their own space, sound, and community. Covering the first roots of Chuco punk in the late 1970s through the early 2000s, López moves beyond the breakout bands to shed light on how the scene influenced not only the contours of sound and El Paso but the entire topography of punk rock.

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Coloniality of the US/Mexico Border
Power, Violence, and the Decolonial Imperative
Roberto D. Hernández
University of Arizona Press, 2018
National borders are often taken for granted as normal and necessary for a peaceful and orderly global civil society. Roberto D. Hernández here advances a provocative argument that borders—and border violence—are geospatial manifestations of long histories of racialized and gendered colonial violence.

In Coloniality of the U-S///Mexico Border, Hernández offers an exemplary case and lens for understanding what he terms the “epistemic and cartographic prison of modernity/coloniality.” He adopts “coloniality of power” as a central analytical category and framework to consider multiple forms of real and symbolic violence (territorial, corporeal, cultural, and epistemic) and analyzes the varied responses by diverse actors, including local residents, government officials, and cultural producers.

Based on more than twenty years of border activism in San Diego–Tijuana and El Paso–Ciudad Juárez, this book is an interdisciplinary examination that considers the 1984 McDonald’s massacre, Minutemen vigilantism, border urbanism, the ongoing murder of women in Ciudad Juárez, and anti-border music.

Hernández’s approach is at once historical, ethnographic, and theoretically driven, yet it is grounded in analyses and debates that cut across political theory, border studies, and cultural studies. The volume concludes with a theoretical discussion of the future of violence at—and because of—­national territorial borders, offering a call for epistemic and cartographic disobedience.

 
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front cover of Crossing Borders, Reinforcing Borders
Crossing Borders, Reinforcing Borders
Social Categories, Metaphors, and Narrative Identities on the U.S.-Mexico Frontier
By Pablo Vila
University of Texas Press, 2000

Along the U.S.-Mexico frontier, where border crossings are a daily occurrence for many people, reinforcing borders is also a common activity. Not only does the U.S. Border Patrol strive to "hold the line" against illegal immigrants, but many residents on both sides of the border seek to define and bound themselves apart from groups they perceive as "others."

This pathfinding ethnography charts the social categories, metaphors, and narratives that inhabitants of El Paso and Ciudad Juárez use to define their group identity and distinguish themselves from "others." Pablo Vila draws on over 200 group interviews with more than 900 area residents to describe how Mexican nationals, Mexican immigrants, Mexican Americans, African Americans, and Anglos make sense of themselves and perceive their differences from others.

This research uncovers the regionalism by which many northern Mexicans construct their sense of identity, the nationalism that often divides Mexican Americans from Mexican nationals, and the role of ethnicity in setting boundaries among Anglos, Mexicans, and African Americans. Vila also looks at how gender, age, religion, and class intertwine with these factors. He concludes with fascinating excerpts from re-interviews with several informants, who modified their views of other groups when confronted by the author with the narrative character of their identities.

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El Paso
Local Frontiers At A Global Crossroads
Victor M. Ortiz-Gonzalez
University of Minnesota Press, 2004
A grounded and instructive analysis of the ways globalization affects a border city. Every marker of social difference can be easily interpreted in the fashionable language of "borderlandso--and if so, as Victor M. Ortiz-Gonzalez reveals, the practical reality of the border region is often grossly misrepresented and its people woefully served. He argues that amid the tantalizing abstractions generated by the sweeping reconfigurations of globalization, people in cities like El Paso and Ciudad Juarez, on the U.S. - Mexican border, are actually living the gritty realities of a new world order. With descriptions of grassroots initiatives to confront the challenges and opportunities that NAFTA represents for the city, El Paso challenges us to acknowledge and address the conceptual and sociopolitical tasks of a world in which abstract representations and nonlocal interests override concrete situations. Ortiz-Gonzalez also provides an in-depth analysis of groups such as La Mujer Obrera, Unite El Paso, and the Hispanic Chamber of Commerce and their attempts to give local residents and workers more autonomy and power. Balancing ethnographic detail with precise theoretical insights, El Paso offers a compelling case study and a stirring call to understand both the conceptual challenge and the social urgency of the effects of globalization in local settings. Victor M. Ortiz-Gonzalez is coordinator of the Mexican and Caribbean Studies Program at Northeastern Illinois University.
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The Last Tortilla
and Other Stories
Sergio Troncoso
University of Arizona Press, 1999
"She asked me if I liked them. And what could I say? They were wonderful." From the very beginning of Sergio Troncoso's celebrated story "Angie Luna," we know we are in the hands of a gifted storyteller. Born of Mexican immigrants, raised in El Paso, and now living in New York City, Troncoso has a rare knack for celebrating life.

Writing in a straightforward, light-handed style reminiscent of Grace Paley and Raymond Carver, he spins charming tales that reflect his experiences in two worlds. Troncoso's El Paso is a normal town where common people who happen to be Mexican eat, sleep, fall in love, and undergo epiphanies just like everyone else. His tales are coming-of-age stories from the Mexican-American border, stories of the working class, stories of those coping with the trials of growing old in a rapidly changing society. He also explores New York with vignettes of life in the big city, capturing its loneliness and danger.

Beginning with Troncoso's widely acclaimed story "Angie Luna," the tale of a feverish love affair in which a young man rediscovers his Mexican heritage and learns how much love can hurt, these stories delve into the many dimensions of the human condition. We watch boys playing a game that begins innocently but takes a dangerous turn. We see an old Anglo woman befriending her Mexican gardener because both are lonely. We witness a man terrorized in his New York apartment, taking solace in memories of lost love. Two new stories will be welcomed by Troncoso's readers. "My Life in the City" relates a transplanted Texan's yearning for companionship in New York, while "The Last Tortilla" returns to the Southwest to explore family strains after a mother's death—and the secret behind that death. Each reflects an insight about the human heart that has already established the author's work in literary circles.

Troncoso sets aside the polemics about social discomfort sometimes found in contemporary Chicano writing and focuses instead on the moral and intellectual lives of his characters. The twelve stories gathered here form a richly textured tapestry that adds to our understanding of what it is to be human.
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front cover of The Making of a Mexican American Mayor
The Making of a Mexican American Mayor
Mario Garcia
University of Arizona Press, 1999
Raymond Telles was the first Mexican American mayor of El Paso, Texas, and the most significant Mexican American of his time. This book details his political career from 1948, when he won a hotly contested election for county clerk, to his ambassadorship to Costa Rica.
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front cover of The Making of a Mexican American Mayor
The Making of a Mexican American Mayor
Raymond L. Telles of El Paso and the Origins of Latino Political Power
Mario T. García
University of Arizona Press, 2018
Raymond L. Telles was the first Mexican American mayor of a major U.S. city. Elected mayor of El Paso in 1957 and serving for two terms, he went on to become the first Mexican American ambassador in U.S. history, heading the U.S. delegation to Costa Rica. Historian Mario T. García brings Telles’s remarkable story to life in this newly updated edition of his pioneering biography, The Making of a Mexican American Mayor.

In the border metropolis of El Paso, more than half the population is Mexican American, yet this group had been denied effective political representation. Mexican Americans broke this barrier and achieved the “politics of status” through Telles’s stunning 1957 victory. This book captures the excitement of that long-awaited election.

The Making of a Mexican American Mayor also examines Telles’s story as a microcosm of the history of Mexican Americans before and after World War II—the Mexican American Generation. As mayor and ambassador, Telles symbolized this generation’s striving for political participation, and his legacy is evident in the growing number of Latinas/os holding office today.
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Memory Fever
Ray Gonzalez
University of Arizona Press, 1999
For poet Ray Gonzalez, growing up in El Paso during the 1960s was a time of loneliness and vulnerability. He encountered discrimination in high school not only for being Latino but also for being a non-athlete in a school where sports were important. Like many young people, he found diversion in music; unlike most, he found solace in the desert. In these vignettes, Gonzalez shares memories of boyhood that tell how he discovered the natural world and his creative spirit.

Through 29 storylike essays, Gonzalez takes readers into the heart of the desert and the soul of a developing poet. He introduces us to the people who shaped his life. We learn of his father's difficulties with running a pool hall and of his grandmother's steadfast religious faith. We meet sinister Texas Rangers, hallucinatory poets, illegal aliens, and racist high school jocks. His vivid recollections embrace lizard hunts and rattlesnake dreams, rock music and menudo making—all in stories that convey the pains and joys of growing up on the border. As Gonzalez leads us through his desert of hope and vision, we come to recognize the humor and sadness that permeate this special place.
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front cover of The Verging Cities
The Verging Cities
Natalie Scenters-Zapico
University Press of Colorado, 2015
From undocumented men named Angel, to angels falling from the sky, Natalie Scenters-Zapico’s gripping debut collection, The Verging Cities, is filled with explorations of immigration and marriage, narco-violence and femicide, and angels in the domestic sphere. Deeply rooted along the US-México border in the sister cities of El Paso, Texas, and Cd. Juárez, Chihuahua, these poems give a brave new voice to the ways in which international politics affect the individual. Composed in a variety of forms, from sonnet and epithalamium to endnotes and field notes, each poem distills violent stories of narcos, undocumented immigrants, border patrol agents, and the people who fall in love with each other and their traumas.

The border in Scenters-Zapico’s The Verging Cities exists in a visceral place where the real is (sur)real. In these poems mouths speak suspended from ceilings, numbered metal poles mark the border and lovers’ spines, and cities scream to each other at night through fences that “ooze only silt.” This bold new vision of border life between what has been named the safest city in the United States and the murder capital of the world is in deep conversation with other border poets—Benjamin Alire Saenz, Gloria Anzaldúa, Alberto Ríos, and Luis Alberto Urrea—while establishing itself as a new and haunting interpretation of the border as a verge, the beginning of one thing and the end of another in constant cycle.
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