front cover of Ciulirnerunak Yuuyaqunak/Do Not Live Without an Elder
Ciulirnerunak Yuuyaqunak/Do Not Live Without an Elder
The Subsistence Way of Life in Southwest Alaska
Edited by Ann Fienup-Riordan
University of Alaska Press, 2016
In October of 2010, six men who were serving on the board of the Calista Elders Council (CEC) gathered in Anchorage with CEC staff to spend three days speaking about the subsistence way of life. The men shared stories of their early years growing up on the land and harvesting through the seasons, and the dangers they encountered there. The gathering was striking for its regional breadth, as elders came from the Bering Sea coast as well as the Yukon and Kuskokwim rivers. And while their accounts had some commonalities, they also served to demonstrate the wide range of different approaches to subsistence in different regions.
            This book gathers the men’s stories for the current generation and those to come. Taken together, they become more than simply oral histories—rather, they testify to the importance of transmitting memories and culture and of preserving knowledge of vanishing ways of life.
 
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Philostratus the Elder, Imagines. Philostratus the Younger, Imagines. Callistratus, Descriptions
Philostratus the Elder. Philostratus the Younger. Callistratus
Harvard University Press

Artful descriptions.

This volume presents kindred works important for evidence relating to late Greek art. They are attributed to two men each known as Philostratus and to a third man called Callistratus, otherwise unknown. To an elder Philostratus, the Lemnian, born ca. AD 190, junior kinsman of the Philostratus who wrote the Life of Apollonius of Tyana and Lives of the Sophists, is attributed the series of sixty-five Eikones or Imagines, descriptions (in two books) ostensibly of paintings in a gallery at Naples. A younger Philostratus, apparently his grandson, is credited with seventeen similar descriptions. The fourteen Ekphraseis attributed to Callistratus are descriptions of statues in stone or bronze, written probably in the fourth century AD. It is not known to what extent the descriptions are of real works of art, but they show how artists treated their subjects, and are written with some artistic knowledge. Yet rhetorical skill dominates: these pieces were written to display the writers’ powers of description.

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