Like other Christian denominations, the Church of Jesus Christ of Latter-day Saints (Mormons) has been engaged in the battle for the Bible since challenges to biblical authority began to exert significant influence in America toward the end of the nineteenth century. Other believing communities have responded with various reevaluations of the biblical text. Latter-day Saints have experimented with similar approaches, often taking liberal positions on biblical authority and conservative positions on history and authorship. However, Latter-day Saints accept additional scripture and embrace a theology notably distinct from traditional Christianity. Hence, they relate to the Bible differently from other Christians, creating gaps with mainstream biblical studies. This volume bridges that gap.
From comparing the Book of Mormon to the Bible or the Dead Sea Scrolls, to Mormon feminists’ views on the Gospels, this volume takes a comprehensive and inclusive approach to understanding Bible scholarship’s role in Mormon history, exploring these differences for both scholars and students. A diverse group of contributors presents an accessible resource to mediate between Latter-day Saint traditions and the broader context of biblical history, literature, and scholarship. Each essay provides a synopsis of relevant major scholarly views and delivers new insights into varied crosscurrents of biblical studies.
In The J. Golden Kimball Stories, beloved and iconoclastic Mormon humorist J. Golden Kimball (1853-1938) speaks on death, marriage, love, hell, God, and everything in between. Compiled by Eric A. Eliason from previously unpublished archival resources, this collection of stories, anecdotes, and jokes captures the irreverent comedy and independent thinking that made Kimball so beloved both in and out of his Mormon community.
Arranged thematically and framed by short contextual introductions, each chapter presents a colorful portrait of Kimball on topics including tricks, cussing, ministering, chastising, and repentance. A comprehensive introductory essay places Kimball in the context of Mormon history and folklore scholarship.
Warrior Ways is one of the first book-length explorations of military folklife, and focuses on the lore produced by modern American warriors, illuminating the ways in which members of the armed services creatively express the complex experience of military life. In short, lively essays, contributors to the volume, all of whom have close personal or professional relationships to the military, examine battlefield talismans, personal narrative (storytelling), “Jody calls” (marching and running cadences), slang, homophobia and transgressive humor, music, and photography, among other cultural expressions.
Military folklore does not remain in an isolated subculture; it reveals our common humanity by delighting, disturbing, infuriating, and inspiring both those deeply invested in and those peripherally touched by military life. Highlighting the contemporary and historical importance of the military in American life, Warrior Ways will be of interest to scholars and students of folklore, anthropology, and popular culture; those involved in veteran services and education; and general readers interested in military culture.
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