In the political landscape emerging from the end of the Cold War, making U.S. foreign policy has become more difficult, due in part to less clarity and consensus about threats and interests. In After the End James M. Scott brings together a group of scholars to explore the changing international situation since 1991 and to examine the characteristics and patterns of policy making that are emerging in response to a post–Cold War world. These essays examine the recent efforts of U.S. policymakers to recast the roles, interests, and purposes of the United States both at home and abroad in a political environment where policy making has become increasingly decentralized and democratized. The contributors suggest that foreign policy leadership has shifted from White House and executive branch dominance to an expanded group of actors that includes the president, Congress, the foreign policy bureaucracy, interest groups, the media, and the public. The volume includes case studies that focus on China, Russia, Bosnia, Somalia, democracy promotion, foreign aid, and NAFTA. Together, these chapters describe how policy making after 1991 compares to that of other periods and suggest how foreign policy will develop in the future. This collection provides a broad, balanced evaluation of U.S. foreign policy making in the post–Cold War setting for scholars, teachers, and students of U.S. foreign policy, political science, history, and international studies.
Contributors. Ralph G. Carter, Richard Clark, A. Lane Crothers, I. M. Destler, Ole R. Holsti, Steven W. Hook, Christopher M. Jones, James M. McCormick, Jerel Rosati, Jeremy Rosner, John T. Rourke, Renee G. Scherlen, Peter J. Schraeder, James M. Scott, Jennifer Sterling-Folker, Rick Travis, Stephen Twing
In this bold book, Samuel Cohen asserts the literary and historical importance of the period between the fall of the Berlin wall and that of the Twin Towers in New York. With refreshing clarity, he examines six 1990s novels and two post-9/11 novels that explore the impact of the end of the Cold War: Pynchon's Mason & Dixon, Roth's American Pastoral, Morrison's Paradise, O'Brien's In the Lake of the Woods, Didion's The Last Thing He Wanted, Eugenides's Middlesex, Lethem's Fortress of Solitude, and DeLillo's Underworld. Cohen emphasizes how these works reconnect the past to a present that is ironically keen on denying that connection. Exploring the ways ideas about paradise and pastoral, difference and exclusion, innocence and righteousness, triumph and trauma deform the stories Americans tell themselves about their nation’s past, After the End of History challenges us to reconsider these works in a new light, offering fresh, insightful readings of what are destined to be classic works of literature.
At the same time, Cohen enters into the theoretical discussion about postmodern historical understanding. Throwing his hat in the ring with force and style, he confronts not only Francis Fukuyama’s triumphalist response to the fall of the Soviet Union but also the other literary and political “end of history” claims put forth by such theorists as Fredric Jameson and Walter Benn Michaels. In a straightforward, affecting style, After the End of History offers us a new vision for the capabilities and confines of contemporary fiction.
"Robert E. Lane is one of the most prominent and distinguished critics of both the human impact of market economies and economic theory, arguing from much research that happiness is more likely to flow from companionship, enjoyment of work, contribution to society, and the opportunity to develop as a person, than from the pursuit of wealth and the accumulation of material goods in market economies. This latest work playfully personalizes the contrast through a dialogue between a humanistic social scientist, Dessi, and a market economist, Adam. It is all too rare to have the two sides talking to each other. Moreover, in Lane's witty and literate hands, it is an open-minded and balanced conversation, in which neither side has all the answers. His unparalleled grasp of interdisciplinary social scientific knowledge is brought to bear on the largest questions of human life: What genuinely makes people happy? How should human society be organized to maximize the quality of human lives?"
--David O. Sears, Professor of Psychology and Political Science, UCLA
"Lane's deep knowledge of the sources of human happiness enables him to develop a powerful critique of economic theory."
---Robert A. Dahl, Sterling Professor Emeritus of Political Science, Yale University
Robert E. Lane is the Eugene Meyer Professor Emeritus of Political Science at Yale University. His previous publications include The Loss of Happiness in Market Democracies (2000) and The Market Experience (1991).
The definitive book on what is known about the Late Pleistocene and Early Holocene archaeological record in the Southeast
The 1996 benchmark volume The Paleoindian and Early Archaic Southeast, edited by David G. Anderson and Kenneth E. Sassaman, was the first study to summarize what was known of the peoples who lived in the Southeast when ice sheets covered the northern part of the continent and mammals such as mammoths, saber-toothed cats, and ground sloths roamed the landscape.
The American Southeast at the End of the Ice Age provides an updated, definitive synthesis of current archaeological research gleaned from an array of experts in the region. It is organized in three parts: state records, the regional perspective, and reflections and future directions. Chapters survey a diversity of topics including the distribution of the earliest archaeological sites in the region, chipped-stone tool technology, the expanding role of submerged archaeology, hunter-gatherer lifeways, past climate changes and the extinction of megafauna on the transitional landscape, and evidence of demographic changes at the end of the Ice Age. Discussion of the ethical responsibilities regarding the use of private collections and the relationship of archaeologists and the avocational community, insight from outside the Southeast, and considerations for future research round out the volume.
David G. Anderson / Derek T. Anderson / Katherine McMillan Barry / Kara Bridgman Sweeney / Samuel O. Brookes / Adam M. Burke / Stephen B. Carmody / Philip J. Carr / William A. Childress / I. Randolph Daniel Jr. / Ryan Duggins / Grayal E. Farr / Michael K. Faught / Brendan Fenerty / Jay D. Franklin / Lauren M. Franklin / J. Christopher Gillam / Joseph A. M. Gingerich / Jessi J. Halligan / Kandace D. Hollenbach / Vance T. Holliday / Thomas A. Jennings / K. C. Jones / Shawn A. Joy / Jerald Ledbetter / Greg J. Maggard / Steven M. Meredith / D. Shane Miller / Christopher R. Moore / Juliet E. Morrow / Sydney O’Brien / Ryan M. Parish / Angelina G. Perrotti / Charlotte D. Pevny / Sean A. Roades / Sarah C. Sherwood / Ashley M. Smallwood / Morgan F. Smith / Kary L. Stackelbeck / James L. Strawn / Sarah D. Stuckey / David K. Thulman / Jesse W. Tune / Michael R. Waters / Andrew A. White / Renee B. Whitman / Chris Widga
Over the past thirty years, the way Americans experience death has been dramatically altered. The advent of medical technology capable of sustaining life without restoring health has changed where, when, and how we die. In this revelatory study, medical anthropologist Sharon R. Kaufman examines the powerful center of those changes: the hospital, where most Americans die today. She deftly links the experiences of patients and families, the work of hospital staff, and the ramifications of institutional bureaucracy to show the invisible power of the hospital system in shaping death and our individual experience of it. In doing so, Kaufman also speaks to the ways we understand what it means to be human and to be alive.
“An act of courage and a public service.”—San Francisco Chronicle
“This beautifully synthesized and disquieting account of how hospital patients die melds disciplined description with acute analysis, incorporating the voices of doctors, nurses, social workers, and patients in a provocative analysis of the modern American quest for a ‘good death.’”—Publishers Weekly
“Kaufman exposes the bureaucratic and ethical quandaries that hover over the modern deathbed.”—Psychology Today
“Kaufman’s analysis illuminates the complexity of the care of critically ill and dying patients [and] the ambiguity of slogans such as ‘death with dignity,’ ‘quality of life,’ and ‘stopping life support.’ . . . Thought-provoking reading for everyone contemplating the fate of us all.”—New EnglandJournal of Medicine
Animals at the End of the World
By Gloria Susana Esquivel, translated by Robin Myers University of Texas Press, 2020 Library of Congress PQ8180.415.S69A7213 2020 | Dewey Decimal 863.7
Animals at the End of the World begins with an explosion, which six-year-old Inés mistakes for the end of the world that she has long feared. In the midst of the chaos, she meets the maid’s granddaughter, Mariá, who becomes her best friend and with whom she navigates the adult world in her grandparents’ confined house. Together, they escape the house and confront the “animals” that populate Bogotá in the 1980s. But Inés soon realizes she cannot count on either María or her preoccupied and conflicted parents. Alone, she must learn to decipher her outer and inner worlds, confronting both armies of beasts and episodes of domestic chaos. In the process, she also learns what it means to test boundaries, break rules, and cope with the consequences.
The first novel by Colombian author Gloria Susana Esquivel, Animals at the End of the World is a poetic and moving coming-of-age story that lingers long after its final page.
Apocalyptic Anxiety traces the sources of American culture’s obsession with predicting and preparing for the apocalypse. Author Anthony Aveni explores why Americans take millennial claims seriously, where and how end-of-the-world predictions emerge, how they develop within a broader historical framework, and what we can learn from doomsday predictions of the past.
The book begins with the Millerites, the nineteenth-century religious sect of Pastor William Miller, who used biblical calculations to predict October 22, 1844 as the date for the Second Advent of Christ. Aveni also examines several other religious and philosophical movements that have centered on apocalyptic themes—Christian millennialism, the New Age movement and the Age of Aquarius, and various other nineteenth- and early twentieth-century religious sects, concluding with a focus on the Maya mystery of 2012 and the contemporary prophets who connected the end of the world as we know it with the overturning of the Maya calendar.
Apocalyptic Anxiety places these seemingly never-ending stories of the world’s end in the context of American history. This fascinating exploration of the deep historical and cultural roots of America’s voracious appetite for apocalypse will appeal to students of American history and the histories of religion and science, as well as lay readers interested in American culture and doomsday prophecies.
Though often invoked by pro-life supporters, Thomas Aquinas in fact held that human life begins after conception, not at the moment of union. But in following the twists and turns of Aquinas’ thinking about the beginning and end of human life, Fabrizio Amerini reaches a nuanced interpretation that will unsettle both sides in the abortion debate.
Carpeted in boreal forests, dotted with lakes, cut by rivers, and straddling the Arctic Circle, the region surrounding the White Sea, which is known as the Russian North, is sparsely populated and immensely isolated. It is also the home to architectural marvels, as many of the original wooden and brick churches and homes in the region's ancient villages and towns still stand. Featuring nearly two hundred full color photographs of these beautiful centuries-old structures, Architecture at the End of the Earth is the most recent addition to William Craft Brumfield's ongoing project to photographically document all aspects of Russian architecture.
The architectural masterpieces Brumfield photographed are diverse: they range from humble chapels to grand cathedrals, buildings that are either dilapidated or well cared for, and structures repurposed during the Soviet era. Included are onion-domed wooden churches such as the Church of the Dormition, built in 1674 in Varzuga; the massive walled Transfiguration Monastery on Great Solovetsky Island, which dates to the mid-1550s; the Ferapontov-Nativity Monastery's frescoes, painted in 1502 by Dionisy, one of Russia's greatest medieval painters; nineteenth-century log houses, both rustic and ornate; and the Cathedral of St. Sophia in Vologda, which was commissioned by Ivan the Terrible in the 1560s. The text that introduces the photographs outlines the region's significance to Russian history and culture.
Brumfield is challenged by the immense difficulty of accessing the Russian North, and recounts traversing sketchy roads, crossing silt-clogged rivers on barges and ferries, improvising travel arrangements, being delayed by severe snowstorms, and seeing the region from the air aboard the small planes he needs to reach remote areas.
The buildings Brumfield photographed, some of which lie in near ruin, are at constant risk due to local indifference and vandalism, a lack of maintenance funds, clumsy restorations, or changes in local and national priorities. Brumfield is concerned with their futures and hopes that the region's beautiful and vulnerable achievements of master Russian carpenters will be preserved. Architecture at the End of the Earth is at once an art book, a travel guide, and a personal document about the discovery of this bleak but beautiful region of Russia that most readers will see here for the first time.