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Taking Advance Directives Seriously
Prospective Autonomy and Decisions Near the End of Life
Robert S. Olick
Georgetown University Press, 2001

In the quarter century since the landmark Karen Ann Quinlan case, an ethical, legal, and societal consensus supporting patients' rights to refuse life-sustaining treatment has become a cornerstone of bioethics. Patients now legally can write advance directives to govern their treatment decisions at a time of future incapacity, yet in clinical practice their wishes often are ignored.

Examining the tension between incompetent patients' prior wishes and their current best interests as well as other challenges to advance directives, Robert S. Olick offers a comprehensive argument for favoring advance instructions during the dying process. He clarifies widespread confusion about the moral and legal weight of advance directives, and he prescribes changes in law, policy, and practice that would not only ensure that directives count in the care of the dying but also would define narrow instances when directives should not be followed. Olick also presents and develops an original theory of prospective autonomy that recasts and strengthens patient and family control.

While focusing largely on philosophical issues the book devotes substantial attention to legal and policy questions and includes case studies throughout. An important resource for medical ethicists, lawyers, physicians, nurses, health care professionals, and patients' rights advocates, it champions the practical, ethical, and humane duty of taking advance directives seriously where it matters most-at the bedside of dying patients.

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This Is Not the End of the Book
Jean-Claude Carriare and Umberto Eco
Northwestern University Press, 2012

A book lover today might sometimes feel like the fictional medieval friar William of Baskerville in Eco’s The Name of the Rose, watching the written word become lost to time. In This Is Not the End of the Book, that book’s author, Umberto Eco, and his fellow raconteur Jean-Claude Carriere sit down for a dazzling dialogue about memory and the pitfalls, blanks, omissions, and irredeemable losses of which it is made. Both men collect rare and precious books, and they joyously hold up books as hardy survivors, engaging in a critical, impassioned, and rollicking journey through book history, from papyrus scrolls to the e-book. Along the way, they touch upon science and subjectivity, dialectics and anecdotes, and they wear their immense learning lightly. A smiling tribute to what Marshall McLuhan called the Gutenberg Galaxy, this dialogue will be a delight for all readers and book lovers.

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Titian
And the End of the Venetian Renaissance
Tom Nichols
Reaktion Books, 2013
Titian is best known for paintings that embodied the tradition of the Venetian Renaissance—but how Venetian was the artist himself? In this study, Tom Nichols probes the tensions between the individualism of Titian’s work and the conservative mores of the city, showing how his art undermined the traditional self-suppressing approach to painting in Venice and reflected his engagement with the individualistic cultures emerging in the courts of early modern Europe.
            Ranging widely across Titian’s long career and varied works, Titian and the End of the Venetian Renaissance outlines his radical innovations to the traditional Venetian altarpiece; his transformation of portraits into artistic creations; and his meteoric breakout from the confines of artistic culture in Venice. Nichols explores how Titian challenged the city’s communal values with his competitive professional identity, contending that his intensely personalized way of painting resulted in a departure that effectively brought an end to the Renaissance tradition of painting. Packed with 170 illustrations, this groundbreaking book will change the way people look at Titian and Venetian art history.
 
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To the End of the World
Nathanael Greene, Charles Cornwallis, and the Race to the Dan
Andrew Waters
Westholme Publishing, 2023
A Stranded American Army, a Relentless Enemy, and a Thrilling Pursuit and Escape that Changed the Outcome of the American Revolution
“In the most barren inhospitable unhealthy part of North America, opposed by the most savage, inveterate perfidious cruel Enemy, with zeal and with Bayonets only, it was resolv’d to follow Green’s Army, to the end of the World.” So wrote British general Charles O’Hara about the epic confrontation between Nathanael Greene and Charles Cornwallis during the winter of 1780-81. Only Greene’s starving, threadbare Continentals stood between Cornwallis and control of the South—and a possible end to the American rebellion. Burning their baggage train so that they could travel more quickly, the British doggedly pursued Greene’s bedraggled soldiers, yet the rebels remained elusive. Daniel Morgan’s stunning victory at Cowpens over a superior British force set in motion the “Race to the Dan,” Greene’s month-long strategic retreat across the Carolinas. In constant rain and occasional snow, Greene’s soldiers—tracking the ground with their bloody feet—bound toward a secret stash of boats on the Dan River. Just before Cornwallis could close his trap, the Continentals crossed into Virginia and safety. Greene’s path featured three near-miss river escapes, the little-known Battle of Cowan’s Ford, and a final chase so close that the fate of the American South—and the American effort—rested on one wrong British move. 
    With a background section on the Southern theater in 1780, and a summary outlining the lives and careers of its important officers, To the End of the World: Nathanael Greene, Charles Cornwallis, and the Race to the Dan is a carefully documented and beautifully written account of this extraordinary chapter of American history. The book not only showcases the incredible dramatics of the American Revolution’s “Great Escape,” but also provides a compelling look at the psychological and intellectual distinctions between its two great generals, Greene and Cornwallis.
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Toward the End of the Century
Essays into Poetry
Wayne Dodd
University of Iowa Press, 1992

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Tragic Thoughts at the End of Philosophy
Language, Literature, and Ethical Theory
Gerald L. Bruns
Northwestern University Press, 1999
Recently, a number of Anglo-American philosophers of very different sorts--pragmatists, metaphysicians, philosophers of language, philosophers of law, moral philosophers—have taken a reflective rather than merely recreational interest in literature. Does this literary turn mean that philosophy is coming to an end or merely down to earth? In this collection of essays, one of the most insightful of contemporary literary theorists investigates the intersection of literature and philosophy, analyzing the emerging preferences for practice over theory, particulars over universals, events over structures, inhabitants over spectators, an ethics of responsibility over a morality of rules, and a desire for intimacy with the world instead of simply a disengaged knowledge of it.
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Transience
Chinese Experimental Art at the End of the Twentieth Century
Wu Hung
University of Chicago Press, 2006
In a groundbreaking approach to avant-garde Chinese art, the 1999 exhibition "Transience: Chinese Experimental Art at the End of the Twentieth Century" established a historical framework for current artistic production in China. Organized by the David and Alfred Smart Museum of Art at the University of Chicago, the show and its catalog highlighted the diverse responses of twenty-two artists to Chinas recent history and current social transformation.

These detailed essays on the artists and their works are now available in a revised edition of the exhibition catalog. Written by Wu Hung, a leading authority and the curator of the exhibit, Transience explores contemporary Chinese art through the themes of demystification, ruins, and transience, and represents an original perspective in the continuing discussion on Chinese experimental art.
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The Triumph of Broken Promises
The End of the Cold War and the Rise of Neoliberalism
Fritz Bartel
Harvard University Press, 2022

A powerful case that the economic shocks of the 1970s hastened both the end of the Cold War and the rise of neoliberalism by forcing governments to impose austerity on their own people.

Why did the Cold War come to a peaceful end? And why did neoliberal economics sweep across the world in the late twentieth century? In this pathbreaking study, Fritz Bartel argues that the answer to these questions is one and the same. The Cold War began as a competition between capitalist and communist governments to expand their social contracts as they raced to deliver their people a better life. But the economic shocks of the 1970s made promises of better living untenable on both sides of the Iron Curtain. Energy and financial markets placed immense pressure on governments to discipline their social contracts. Rather than make promises, political leaders were forced to break them.

In a sweeping narrative, The Triumph of Broken Promises tells the story of how the pressure to break promises spurred the end of the Cold War. In the West, neoliberalism provided Western leaders like Ronald Reagan and Margaret Thatcher with the political and ideological tools to shut down industries, impose austerity, and favor the interests of capital over labor. But in Eastern Europe, revolutionaries like Lech Walesa in Poland resisted any attempt at imposing market discipline. Mikhail Gorbachev tried in vain to reform the Soviet system, but the necessary changes ultimately presented too great a challenge.

Faced with imposing economic discipline antithetical to communist ideals, Soviet-style governments found their legitimacy irreparably damaged. But in the West, politicians could promote austerity as an antidote to the excesses of ideological opponents, setting the stage for the rise of the neoliberal global economy.

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Tunguska, or the End of Nature
A Philosophical Dialogue
Michael Hampe
University of Chicago Press, 2015
On June 30, 1908, a mysterious explosion erupted in the skies over a vast woodland area of Siberia. Known as the Tunguska Event, it has been a source of wild conjecture over the past century, attributed to causes ranging from meteors to a small black hole to antimatter. In this imaginative book, Michael Hampe sets four fictional men based on real-life scholars—a physicist (Günter Hasinger and Steven Weinberg), a philosopher (Paul Feyerabend), a biologist (Adolf Portmann), and a mathematician (Alfred North Whitehead)—adrift on the open ocean, in a dense fog, to discuss what they think happened. The result is a playful and highly illuminating exploration of the definition of nature, mankind’s role within it, and what its end might be.
           
Tunguska, Or the End of Nature uses its four-man setup to tackle some of today’s burning issues—such as climate change, environmental destruction, and resource management—from a diverse range of perspectives. With a kind of foreboding, it asks what the world was like, and will be like, without us, whether we are negligible and the universe random, whether nature can truly be explained, whether it is good or evil, or whether nature is simply a thought we think. This is a profoundly unique work, a thrillingly interdisciplinary piece of scholarly literature that probes the mysteries of nature and humans alike. 
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