front cover of O Sing unto the Lord
O Sing unto the Lord
A History of English Church Music
Andrew Gant
University of Chicago Press, 2017
For as long as people have worshipped together, music has played a key role in church life. With O Sing unto the Lord, Andrew Gant offers a fascinating history of English church music, from the Latin chant of late antiquity to the great proliferation of styles seen in contemporary repertoires.

The ornate complexity of pre-Reformation Catholic liturgies revealed the exclusive nature of this form of worship. By contrast, simple English psalms, set to well-known folk songs, summed up the aims of the Reformation with its music for everyone. The Enlightenment brought hymns, the Methodists and Victorians a new delight in the beauty and emotion of worship. Today, church music mirrors our multifaceted worldview, embracing the sounds of pop and jazz along with the more traditional music of choir and organ. And reflecting its truly global reach, the influence of English church music can be found in everything from masses sung in Korean to American Sacred Harp singing.

From medieval chorales to “Amazing Grace,” West Gallery music to Christmas carols, English church music has broken through the boundaries of time, place, and denomination to remain familiar and cherished everywhere. Expansive and sure to appeal to all music lovers, O Sing unto the Lord is the biography of a tradition, a book about people, and a celebration of one of the most important sides to our cultural heritage.
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Of Giants
Sex, Monsters, And The Middle Ages
Jeffrey Jerome Cohen
University of Minnesota Press, 1999

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The Old English and Anglo-Latin Riddle Tradition
Andy Orchard
Harvard University Press, 2021

What offers over seven hundred witty enigmas in several languages? Answer: The Old English and Anglo-Latin Riddle Tradition. Riddles, wordplay, and inscrutable utterances have been at the heart of Western literature for many centuries. Often brief and always delightful, medieval riddles provide insights into the extraordinary and the everyday, connecting the learned and the ribald, the lay and the devout, and the familiar and the imported. Many solutions involve domestic life, including “butter churn” and “chickens.” Others like “the harrowing of hell” or “the Pleiades” appeal to an educated elite. Still others, like “the one-eyed seller of garlic,” are too absurd to solve: that is part of the game. Riddles are not simply lighthearted amusement. They invite philosophical questions about language and knowledge.

Most riddles in this volume are translated from Old English and Latin, but it also includes some from Old Norse–Icelandic. The Old English and Anglo-Latin Riddle Tradition assembles, for the first time ever, an astonishing array of riddles composed before 1200 CE that continue to entertain and puzzle.

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The Old English Catholic Homilies
The First Series
Aelfric
Harvard University Press, 2024

A contemporary edition and translation of one of the great monuments of Old English literary and religious culture.

The homilies of the monk Ælfric, written in the last decade of the tenth century, offer some of the most important prose writing in Old English. They convey mainstream Christian thought at the turn of the millennium, a distillation of the spiritual inheritance of the English Church before the Norman Conquest and during a time of monastic reform. The homilies cover a broad range of topics, from biblical exegesis to saints’ lives to general Christian history, with a strong focus on the Gospel reading at Mass, explained in language that laypeople could understand. Ælfric is famous for his lucid prose, which he later developed into a rhythmical and alliterative style that has often been likened to verse.

In his first series of Catholic Homilies, Ælfric drew on the works of Church Fathers such as Augustine, Gregory, and Bede to create forty sermons for use throughout the church year. This is the first complete translation of the Catholic Homilies since 1844, presented alongside the newly edited Old English text.

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OLD ENGLISH LITERATURE IN ITS MANUSCRIPT CONTEXT
JOYCE T. LIONARONS
West Virginia University Press, 2004

In Old English Literature in its Manuscript Context, editor Joyce Tally Lionarons has developed a multifaceted collection examining the issues facing the textual transmission of Anglo-Saxon writings. Eight established scholars consider the ideas of textual identity, authorship and translation, and editorial standards and obligations. This work also features a scholarly exchange of ideas and photographs of the original Anglo-Saxon manuscripts, making this essential reading for anyone interested in the history of Old English literature. The essays published in this text were originally composed at an NEH summer seminar conducted by Paul Szarmach and Timothy Graham at the Parker Library of Corpus Christi College, Cambridge in 1997.

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On Hunting
Roger Scruton
St. Augustine's Press, 2002
To say that On Hunting is a book on fox hunting is like saying that Moby-Dick is a whaling yarn. Modern people are as given to loving, fearing, fleeing, and pursuing other species as were their hunter-gatherer forebears. And in fox hunting, they join together with their most ancient friends among the animals, to pursue an ancient enemy. The feelings stirred by hunting are explored by Scruton, in a book that is both illuminating and deeply personal. Drawing on his own experiences of hunting and offering a delightful portrait of the people and animals who take part in it, Scruton introduces the reader to the mysteries of country life. His book is a plea for tolerance toward a sport in which the love of animals prevails over the pursuit of them, and in which Nature herself is the center of the drama. 
Among the most dramatic and ironic discoveries that On Hunting offers the typical American reader is that hunting is about a love and respect for animals, rather than a blood-thirsty hatred of them, and that the sport, far from being limited to an upper-class, old-monied aristocracy, is really one promoting an egalitarian meritocracy. 
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On or About December 1910
Early Bloomsbury and Its Intimate World
Peter Stansky
Harvard University Press, 1996

On or about December 1910 human character changed, Virginia Woolf remarked, and well she might have. The company she kept, the Bloomsbury circle, took shape before the coming of World War I, and would have a lasting impact on English society and culture after the war. This book captures the dazzling world of Bloomsbury at the end of an era, and on the eve of modernism.

Peter Stansky depicts the vanguard of a rising generation seizing its moment. He shows us Woolf in that fateful year, in the midst of an emotional breakdown, reaching a turning point with her first novel, The Voyage Out, and E. M. Forster, already a success, offering Howards End and acknowledging his passion for another man. Here are Roger Fry, prominent art critic and connoisseur, remaking tradition with the epochal exhibition “Manet and the Post-Impressionists”; Vanessa Bell and Duncan Grant beginning their most interesting phase as artists; Lytton Strachey signing the contract for his first book; and John Maynard Keynes entering a significant new stage in his illustrious career.

Amid the glittering opulence and dismal poverty, the swirl of Suffragists, anarchists, agitators, and organizers, Stansky—drawing upon his historical and literary skills—brings the intimate world of the Bloomsbury group to life. Their lives, relationships, writings, and ideas entwine, casting one member after another in sharp relief. Even their Dreadnought Hoax, a trick played on the sacred institution of the navy, reveals their boldness and esprit. The picture Stansky presents, with all its drama and detail, encompasses the conflicts and sureties of a changing world of politics, aesthetics, and character.

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On the Laws and Customs of England
Translated, with revisions and notes, by Samuel E. Thorne
Harvard University Press

This publication, issued in cooperation with the Selden Society, reproduces completely the Yale edition of 1915–1942, which has long been unobtainable. To it has been added an English translation, the first in almost a century, incorporating many improvements of the text, drawn from a re-examination of the manuscripts and a further identification of Henry de Bracton’s sources, Roman and English.

Volume I contains George E. Woodbine’s prolegomena to his edition, written in 1915, to which Samuel Thorne has added a prefatory note, reclassifying and redating the manuscripts on which the edition was based. Volume II begins the text and translation, which will be completed in Volume III and Volume IV. Notes and indices will appear in Volume V.

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On the Laws and Customs of England
Translated, with revisions and notes, by Samuel E. Thorne
Harvard University Press

This publication, issued in cooperation with the Selden Society, reproduces completely the Yale edition of 1915–1942, which has long been unobtainable. To it has been added an English translation, the first in almost a century, incorporating many improvements of the text, drawn from a re-examination of the manuscripts and a further identification of Henry de Bracton’s sources, Roman and English.

Volume I contains George E. Woodbine’s prolegomena to his edition, written in 1915, to which Samuel Thorne has added a prefatory note, reclassifying and redating the manuscripts on which the edition was based. Volume II begins the text and translation, which will be completed in Volume III and Volume IV. Notes and indices will appear in Volume V.

[more]

logo for Harvard University Press
On the Laws and Customs of England
Translated, with revisions and notes, by Samuel E. Thorne
Harvard University Press

This publication, issued in cooperation with the Selden Society, reproduces completely the Yale edition of 1915–1942, which has long been unobtainable. To it has been added an English translation, the first in almost a century, incorporating many improvements of the text, drawn from a re-examination of the manuscripts and a further identification of Henry de Bracton’s sources, Roman and English.

Volume I contains George E. Woodbine’s prolegomena to his edition, written in 1915, to which Samuel Thorne has added a prefatory note, reclassifying and redating the manuscripts on which the edition was based. Volume II begins the text and translation, which will be completed in Volume III and Volume IV. Notes and indices will appear in Volume V.

[more]

logo for Harvard University Press
On the Laws and Customs of England
Translated, with revisions and notes, by Samuel E. Thorne
Harvard University Press

This publication, issued in cooperation with the Selden Society, reproduces completely the Yale edition of 1915–1942, which has long been unobtainable. To it has been added an English translation, the first in almost a century, incorporating many improvements of the text, drawn from a re-examination of the manuscripts and a further identification of Henry de Bracton’s sources, Roman and English.

Volume I contains George E. Woodbine’s prolegomena to his edition, written in 1915, to which Samuel Thorne has added a prefatory note, reclassifying and redating the manuscripts on which the edition was based. Volume II begins the text and translation, which will be completed in Volume III and Volume IV. Notes and indices will appear in Volume V.

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On the Laws and Customs of England
Henry de Bracton
Harvard University Press

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On the Laws and Customs of England
Henry de Bracton
Harvard University Press

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The One King Lear
Sir Brian Vickers
Harvard University Press, 2016

King Lear exists in two different texts: the Quarto (1608) and the Folio (1623). Because each supplies passages missing in the other, for over 200 years editors combined the two to form a single text, the basis for all modern productions. Then in the 1980s a group of influential scholars argued that the two texts represent different versions of King Lear, that Shakespeare revised his play in light of theatrical performance. The two-text theory has since hardened into orthodoxy. Now for the first time in a book-length argument, one of the world’s most eminent Shakespeare scholars challenges the two-text theory. At stake is the way Shakespeare’s greatest play is read and performed.

Sir Brian Vickers demonstrates that the cuts in the Quarto were in fact carried out by the printer because he had underestimated the amount of paper he would need. Paper was an expensive commodity in the early modern period, and printers counted the number of lines or words in a manuscript before ordering their supply. As for the Folio, whereas the revisionists claim that Shakespeare cut the text in order to alter the balance between characters, Vickers sees no evidence of his agency. These cuts were likely made by the theater company to speed up the action. Vickers includes responses to the revisionist theory made by leading literary scholars, who show that the Folio cuts damage the play’s moral and emotional structure and are impracticable on the stage.

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One Poor Scruple
Josephine Ward
Catholic University of America Press, 2022
The Catholic University of America Press is pleased to continue to present new volumes in our Catholic Women Writers series, which will shed new light on prose work of Catholic women writers from the 19th and 20th centuries. Josephine Ward is one of Catholicism’s greatest literary treasures and a foremost contributor to English literary history – except that she has all but completely fallen from the historical record. She spent her life in close companionship with the most active minds working in the late 19th century to restore to the Catholic Church in England the intellectual, sacramental and theological integrity it had once enjoyed before three hundred years of persecution. All seven of her novels are out of print, despite their once high acclaim in the fin de siècle literary world. First published in 1899, One Poor Scruple follows the recusant Riversdale family who have survived the long penal years by observing a quiet aristocratic life of sport and agriculture, never stepping into the public sphere from which Catholics in Britain had been barred for so long. But at the start of the twentieth century, a new generation has emerged. The novel’s younger characters are now legally able to go to Oxford and Cambridge and to enter the public life of letters. Emboldened by the confident work of John Henry Newman, this younger generation of Catholics are nonetheless cautioned not to trust the Protestant establishment. One Poor Scruple is a coming-of-age story in which the new generation of more worldly Catholics search for love, friendship and intellectual emancipation in the decadent social world of Edwardian London. Decades before Evelyn Waugh examined in Brideshead Revisited the human struggle to distinguish between true and false beauty, Ward’s novel examined the challenge of discerning between conflicting desires and of living a life that is as truthful and good as it is beautiful.
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The One Thomas More
Travis Curtright
Catholic University of America Press, 2012
The One Thomas More carefully studies the central humanist and polemical texts written by More to illustrate a coherent development of thought.
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The Orwell Mystique
A Study in Male Ideology
Daphne Patai
University of Massachusetts Press, 1984
One hundred years after the publication of Looking Backward, Bellamy remains a controversial figure in American literary and social history. The collection of essays in this volume, commemorating the novel's appearance in 1888, attests to his continued importance.
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The Outward Mind
Materialist Aesthetics in Victorian Science and Literature
Benjamin Morgan
University of Chicago Press, 2017
Though underexplored in contemporary scholarship, the Victorian attempts to turn aesthetics into a science remain one of the most fascinating aspects of that era. In The Outward Mind, Benjamin Morgan approaches this period of innovation as an important origin point for current attempts to understand art or beauty using the tools of the sciences. Moving chronologically from natural theology in the early nineteenth century to laboratory psychology in the early twentieth, Morgan draws on little-known archives of Victorian intellectuals such as William Morris, Walter Pater, John Ruskin, and others to argue that scientific studies of mind and emotion transformed the way writers and artists understood the experience of beauty and effectively redescribed aesthetic judgment as a biological adaptation. Looking beyond the Victorian period to humanistic critical theory today, he also shows how the historical relationship between science and aesthetics could be a vital resource for rethinking key concepts in contemporary literary and cultural criticism, such as materialism, empathy, practice, and form. At a moment when the tumultuous relationship between the sciences and the humanities is the subject of ongoing debate, Morgan argues for the importance of understanding the arts and sciences as incontrovertibly intertwined.
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Owls, Caves and Fossils
Predation, Preservation and Accumulation of Small Mammal Bones in Caves, with an Analysis of the Pleistocene Cave Faunas From Westbury-Sub-Mendip, Somerset, U.K.
Peter Andrews
University of Chicago Press, 1990
Owls, Caves, and Fossils is the first comprehensive, fully illustrated account of small mammal taphonomy. The study of small mammal remains has previously been neglected in favor of such large mammals as elephants, bovids, and carnivores, and Andrews remedies this deficiency by analyzing the taphonomic processes significant in the preservation of small mammal fauna in caves.
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Oxford Botanic Garden
A Guide
Simon Hiscock and Chris Thorogood
Bodleian Library Publishing, 2019
Oxford Botanic Garden has occupied its central Oxford site next to the river Cherwell continuously since its foundation in 1621 and is the United Kingdom’s oldest botanic garden. Today, the Garden holds a collection of more than five thousand different types of plant, some of which exist nowhere else and are of international conservation importance.

This guide explores Oxford Botanic Garden’s many historic and innovative features, from the walled garden to the waterlily pool, the greenhouses, the rock garden, the water garden and “Lyra’s bench,” made famous in Philip Pullman’s beloved His Dark Materials series. It also gives a detailed explanation of the Garden’s medicinal and taxonomic beds and special plant collections. Lavishly illustrated with specially-commissioned photographs, this book not only provides a fascinating historical overview but also offers a practical guide to Oxford Botanic Garden and its work today. Featuring a map of the site and a historic timeline, this book is a beautiful souvenir of the birthplace of botanical science in the UK.
 
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Oxford Freemasons
A Social History of Apollo University Lodge
Joe Mordaunt Crook and James W. Daniel
Bodleian Library Publishing, 2018
Over the past two hundred years, many thousands of undergraduates have been initiated into membership of Apollo, the Masonic Lodge of the University of Oxford. These have included such diverse figures as Oscar Wilde, Samuel Reynolds Hole, and Edward, Prince of Wales and his brother Leopold. Drawing on archives held in the Bodleian Library, this book is the first serious attempt to set the story of Apollo in the context of Oxford life and learning as well as its wider social and political diaspora. From the devastating numbers lost in World Wars I and II, as well as those decorated for bravery, to the significant number of Olympians who were members of the lodge, the book also charts the lodge’s charitable work, social events, and its adaptation to twenty-first-century life in Oxford. Illustrated with archival material, portraits, and Masonic treasures, this unique book offers the history of a minor narrative with major implications, documenting the remarkable numbers of Oxford freemasons with distinguished careers in government, law, the army, and the church.
 
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