front cover of Contingency, Exploitation, and Solidarity
Contingency, Exploitation, and Solidarity
Labor and Action in English Composition
Seth Kahn
University Press of Colorado, 2017

Composition has been a microcosm of the corporatization of higher education for thirty years, with adjuncts often handling the hard work of writing instruction. We've learned enough to know that change is needed. Influenced by the efforts of organizations such as New Faculty Majority, Faculty Forward, PrecariCorps, and national faculty unions, this collection highlights action, describing efforts that have improved adjunct working conditions in English departments. The editors categorize these efforts into five threads: strategies for self-advocacy; organizing within and across ranks; professionalizing in complex contexts; working for local changes to workload, pay, and material conditions; and protecting gains.

Contributors to this collection include contingent and tenure-line faculty from private, public, and community colleges, as well as writing program administrators and writing center faculty. Their voices address contingency, exploitation, and solidarity in activist terms deriving from institutional realities and cases. Collectively, they offer creative and constructive responses that can enact labor justice and champion the disciplinary energies of all members of our collegial community.

Contributors: Janelle Adsit​, ​Jacob Babb​, ​Chris Blankenship​, ​Rebekah Shultz Colby​, ​Richard Colby​, ​Anicca Cox​, ​Sue Doe​, ​Tracy Donhardt​, ​Dawn Fels​, ​Barbara Heiffero​n, ​Desirée M. Holter​, ​Justin Jory​, ​Jeffrey Klausman​, ​Michelle LaFrance​, ​Sarah Layden​, ​Carol Lind​, ​Maria Maist​o, ​Amanda Martin​, ​Mark McBeth​, ​Tim McCormack​, ​Joan Mulli​n, ​Dani Nier-Weber​, ​Glenn Moomau​, ​Michael Murphy​, ​Anna K. Nardo​, ​Rolf Norgaard​, ​Courtney Adams Wooten​, ​Lacey Wootton​, ​Allison Laubach Wright

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front cover of English Composition As A Happening
English Composition As A Happening
Geoffrey Sirc
Utah State University Press, 2002
What happened to the bold, kicky promise of writing instruction in the 1960s? The current conservative trend in composition is analyzed allegorically by Geoffrey Sirc in this book-length homage to Charles Deemer's 1967 article, in which the theories and practices of Happenings artists (multi-disciplinary performance pioneers) were used to invigorate college writing. Sirc takes up Deemer's inquiry, moving through the material and theoretical concerns of such pre- and post-Happenings influences as Duchamp and Pollock, situationists and punks, as well as many of the Happenings artists proper.

With this book, already a cult classic, began a neo-avant-garde for composition studies.

Winner of the Ross W. Winterowd Award for most outstanding book in composition theory.
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