Explores 19th-century, modern, postmodern, and millennial texts as they portray the changing ecological face of America

Lee Rozelle probes the metaphor of environmental catastrophe in American literature of the last 150 years. In each instance, Rozelle finds evidence that the ecosublime--nature experienced as an instance of wonder and fear--profoundly reflects spiritual and political responses to the natural world, America’s increasingly anti-ecological trajectory, and the ascendance of a post-natural landscape.

In the 19th century, Rozelle argues, Isabella Bird and Edgar Allan Poe represented the western wilderness as culturally constructed and idealized landscapes. Gardens, forests, and frontiers are conceptual frameworks that either misrepresent or uphold ecological space. Modernists like Nathanael West and William Carlos Williams, on the other hand, portray urban space as either wastelands or mythical urban gardens. A chapter on Charles W. Chesnutt and Rebecca Harding Davis analyzes a new breed of literary eco-advocate, educating and shocking mainstream readers through depictions of ecological disaster. A later chapter probes the writings of Edward Abbey and the Unabomber Manifesto to delve into the sublime dimensions of environmental activism, monkey-wrenching, and eco-terrorism. 

 

Desert vistas are often deemed vacant, inhospitable wastelands. Don't suggest that to Joy Harjo, Pat Mora, or other contemporary southwestern writers. In these arid stretches, often devoid of green, today's southwestern writers see pyrotechnic colors and Gothic shapes that excite and often overwhelm the imagination. And they capture this excitement in words that fix these desert images in the minds of readers who may too often look at the world through green-colored glasses. This anthology of contemporary nature writing from the Greater Southwest brings together a host of writers including peers of Edward Abbey such as Charles Bowden and Ann Zwinger and representatives of a new generation of writers such as Rick Bass and Terry Tempest Williams. The book is an eclectic blend of nonfiction and fiction, field notes and poetry, through which artists of diverse backgrounds both celebrate and illuminate the unique vitality and complexity of southwestern literature— proving that green is only one of many colors on their palette. The selections included here range all across the southwestern landscape and explore adventures in the wild, topics in natural history, living close to the land, and efforts at conservation and restoration. They clearly demonstrate that there is grace and beauty in this often-maligned part of the world— both in the human traditions that have developed in the region and in the natural features of the desert itself.

Cities are often thought to be separate from nature, but recent trends in ecocriticism demand that we consider them as part of the total environment. This new collection of essays sharpens the focus on the nature of cities by exploring the facets of an urban ecocriticism, by reminding city dwellers of their place in ecosystems, and by emphasizing the importance of this connection in understanding urban life and culture.

The editors—both raised in small towns but now living in major urban areas—are especially concerned with the sociopolitical construction of all environments, both natural and manmade. Following an opening interview with Andrew Ross exploring the general parameters of urban ecocriticism, they present essays that explore urban nature writing, city parks, urban "wilderness," ecofeminism and the city, and urban space. The volume includes contributions on topics as wide-ranging as the urban poetry of English writers from Donne to Gay, the manufactured wildness of a gambling casino, and the marketing of cosmetics to urban women by idealizing Third World "naturalness." These essays seek to reconceive nature and its cultural representations in ways that contribute to understanding the contemporary cityscape. They explore the theoretical issues that arise when one attempts to adopt and adapt an environmental perspective for analyzing urban life.

The Nature of Cities offers the ecological component often missing from cultural analyses of the city and the urban perspective often lacking in environmental approaches to contemporary culture. By bridging the historical gap between environmentalism, cultural studies, and urban experience, the book makes a statement of lasting importance to the development of the ecocritical movement.