front cover of The Comedy of Errors
The Comedy of Errors
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2022
Shakespeare’s archetypal slapstick comedy, now with updated jokes and wordplay.

One of Shakespeare’s earliest plays, The Comedy of Errors is a farcical tale of separated twins and mistaken identities. This slapstick play is a staple of the genre, including madcap bawdiness, love at first sight, reunions, and happily-ever-afters. Christina Anderson’s translation dives deep into the joy of the original text, reinterpreting the metaphor, antiquated slang, and double and triple entendre for a contemporary audience.

This translation of The Comedy of Errors was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
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front cover of Confusion
Confusion
A Study in the Theory of Knowledge
Joseph L. Camp Jr.
Harvard University Press, 2002

Everyone has mistaken one thing for another, such as a stranger for an acquaintance. A person who has mistaken two things, Joseph L. Camp argues, even on a massive scale, is still capable of logical thought. In order to make that idea precise, one needs a logic of confused thought that is blind to the distinction between the objects that have been confused. Confused thought and language cannot be characterized as true or false even though reasoning conducted in such language can be classified as valid or invalid.

To the extent that philosophers have addressed this issue at all, they take it for granted that confusion is a kind of ambiguity. Camp rejects this notion; his fundamental claim is that confusion is not a mental state. To attribute confusion to someone is to take up a paternalistic stance in evaluating his reasoning. Camp proposes a novel characterization of confusion, and then demonstrates its fruitfulness with several applications in the history of philosophy and the history of science.

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front cover of Errors, Lies, and Libel
Errors, Lies, and Libel
Peter E. Kane. Foreword by Elmer Gertz
Southern Illinois University Press, 1992

Peter E. Kane takes a critical look at the development of the present law through a discussion of seventeen landmark libel cases.

One of the many points Kane clarifies is the important distinction between an error and a lie when judging whether someone is guilty of libel. For example, in the series of events that led to Goldwater vs. Ginzburg, Ralph Ginzburg, publisher of fact magazine, compiled and printed in fact a montage of quotes he had collected from psychiatrists about Barry Goldwater. It took five years of legal sparring for the courts to conclude that Ginzburg had deliberately published a malicious and irresponsible document and to rule in favor of Goldwater. Kane closes with a discussion of current thinking on possible libel reform.

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front cover of The Fatal Conceit
The Fatal Conceit
The Errors of Socialism
F. A. Hayek
University of Chicago Press, 1988
Hayek gives the main arguments for the free-market case and presents his manifesto on the "errors of socialism." Hayek argues that socialism has, from its origins, been mistaken on factual, and even on logical, grounds and that its repeated failures in the many different practical applications of socialist ideas that this century has witnessed were the direct outcome of these errors. He labels as the "fatal conceit" the idea that "man is able to shape the world around him according to his wishes."

"The achievement of The Fatal Conceit is that it freshly shows why socialism must be refuted rather than merely dismissed—then refutes it again."—David R. Henderson, Fortune.

"Fascinating. . . . The energy and precision with which Mr. Hayek sweeps away his opposition is impressive."—Edward H. Crane, Wall Street Journal

F. A. Hayek is considered a pioneer in monetary theory, the preeminent proponent of the libertarian philosophy, and the ideological mentor of the Reagan and Thatcher "revolutions."
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