The history of Cyprus offers a reflection of larger world history. Coveted by a succession of foreign powers, it has been repeatedly occupied: the Phoenicians, Greeks, Romans, Byzantines, crusaders, Venetians, Genoese, Ottomans, and British have all left their mark on this Mediterranean island. Alongside the Roman and early Byzantine ruins of Salamis, other impressive monuments date from the Frankish and Venetian times, including the Abbey of Bellapais; the fortified harbor of Kyrenia; the magnificent cathedrals of Nicosia; and Famagusta, the setting for Shakespeare’s Othello.

In The Geckos of Bellapais, Joachim Sartorius shares the cultures and legends, colors and lights of the Levant. He explores the island’s history—including its division after the Turkish invasion of 1974 and the difficulties that followed. A revealing exploration of Cyprus after the Turkish partition and an evocative account of one poet’s life on one of the most beautiful islands in the Mediterranean, this book belongs among the world’s best travel writing.

Gem of the Adriatic, Trieste sparkled and beckoned through the pages of poets and novelists. Drawn there in search of literary ghosts, of the poet Umberto Saba and the novelists Italo Svevo and James Joyce, Joseph Cary found instead a city with an imaginative life of its own, the one that rises, tantalizing from the pages of this book. The story of Cary's travels, A Ghost in Trieste, is also a tale of discovery and transformation, as the bustling world of port and airplane, baggage and trams and trains becomes the landscape of history and literature, language and art, psychoanalysis and the self.

Here is the crossroads of East and West. A port held in turn by the Romans, the Venetians, the Austrians, the Germans, the Slavs, and finally the Italians, Trieste is the capital of nowhere, fertile source of a unique literary florescence before the First World War. At times an exile home and an exiled city. "I cannot claim to have walked across it all,:" wrote Saba, the poet of Trieste in 1910 of the city Cary crosses and recrosses, seeking the poetry of the place that inspired its literary giants. Trieste's cultural and historical riches, its geographical splendor of hills and sea and mysterious presence unfold in a series of stories, monologues and literary juxtapositions that reveal the city's charms as well as its seductive hold on the writer's imagination. Throughout, literary and immediate impressions alike are elaborated in paintings and maps, and in handsome line drawings by Nicholas Read.

This "clownish and adolescent Parsifal," this Trieste of the "prickly grace," this place "impaled in my heart like a permanent point," this symbol of the Adriatic, this "city made of books" — here the book remakes the city. The Trieste of allusions magically becomes a city of palpable allure, of warmth and trying contradictions and gritty beauty. Part travel diary, part guide book, part literary history, A Ghost in Trieste is a brilliant introduction to an extraordinary time and place. In Joseph Cary, Trieste has found a new poet, and readers, a remarkably captivating companion and guide.

For Somerville this was a kind of pilgrimage, a journey unlike any he had undertaken in 20 years of travel-writing. It was an expedition where he traded the usual comforts and certainties for a real physical and mental challenge, with no mobile phone or other technological aids. The only plan for his journey was to begin in the East at Easter and finish at Whitsun in the extreme West, at the Monastery of the Golden Step, whose gold step, legend says, can only be seen by those who have purged themselves into purity. During his 300-mile walk, he tackled four mountain ranges, high slopes and the numerous gorges of the West. Speaking only basic Greek and trying to follow a poorly way-marked path, he had to rely on his own instincts when climbing mountain passes and crossing high plateaux, farming and shepherding country, where villages are scarce and each night's accommodation was uncertain. He saw a Crete few ever encounter.

In the thirteen personal essays in Grammar Lessons, Michele Morano connects the rules of grammar to the stories we tell to help us understand our worlds. Living and traveling in Spain during a year of teaching English to university students, she learned to translate and interpret her past and present worlds—to study the surprising moments of communication—as a way to make sense of language and meaning, longing and memory.
    Morano focuses first on her year of living in Oviedo, in the early 1990s, a time spent immersing herself in a new culture and language while working through the relationship she had left behind with an emotionally dependent and suicidal man. Next, after subsequent trips to Spain, she explores the ways that travel sparks us to reconsider our personal histories in the context of larger historical legacies. Finally, she turns to the aftereffects of travel, to the constant negotiations involved in retelling and understanding the stories of our lives. Throughout she details one woman’s journey through vocabulary and verb tense toward a greater sense of her place in the world.
    Grammar Lessons illustrates the difficulty and delight, humor and humility of living in a new language and of carrying that pivotal experience forward. Michele Morano’s beautifully constructed essays reveal the many grammars and many voices that we collect, and learn from, as we travel.