front cover of Weaving a Way Home
Weaving a Way Home
A Personal Journey Exploring Place and Story
Leslie Van Gelder
University of Michigan Press, 2008

An inquiry into how we engage with the world, and how solutions to environmental challenges can be found in the heart of our emotional relationships with places

"No one with a working heart will fail to be moved by Van Gelder. With passion and intelligence, she explores the way we story places and places story all life."
---Patrick Curry, Lecturer in Religious Studies, University of Kent, and author of Ecological Ethics: An Introduction and Defending Middle-Earth

"With grace and passion Leslie Van Gelder weaves together stories of her own encounters with an amazing variety of places---riverside meadows of Oxford, racially sundered Cyprus, fly-tormented Canadian muskeg, caves stroked by Paleolithic fingertips, derelict Coney Island, grasslands through which lion cubs follow the black tip of their mother’s tail---to show us how Place and Story are the warp and weft of our being as earth-dwellers."
---Tim Robinson, Folding Landscapes, and author of Connemara: Listening to the Wind

"Travel narrative, memoir, literary criticism, and anthropology fuse in this highly original and moving exploration of place and home."
---John Elder, author of Reading the Mountains of Home and Pilgrimage to Vallombrosa

"Van Gelder offers her most deeply personal stories as microcosmic examples of universal human experience, thus creating an empathic bond with her reader that conveys power and understanding simultaneously, and stimulates the reader's imagination toward reflection upon similarly personal stories of place. Van Gelder has modeled the relationship between story and place by telling placeful stories, and so has licensed the reader to do the same. Her writing throughout is rich and metaphoric. She is a gifted storyteller and a competent scholar, a combination to be treasured."
---Joseph W. Meeker, Professor Emeritus, College of Arts/Science, Union Institute and University, and author of The Spheres of Life, The Comedy of Survival, and Minding the Earth

Weaving a Way Home is an inquiry into the complex relationship between people, place, and story. In our memories and connections to a place, we are given one of the few opportunities to have deep relationships with place---relationships that cannot be described in words. Place can embody powerful emotions for us, and Leslie Van Gelder argues that we ourselves are places---geographical points possessing unique perspectives---that can feel displaced, replaced, or immovable. While the places of the external world can be accessed through maps and a good GPS system, our emotional landscapes are best reached through the sharing of stories.

In the tradition of writers Lewis Hyde, Barry Lopez, Peter Matthiessen, Joseph Meeker, Steven Mithen, Paul Shepard, Gary Snyder, and Terry Tempest Williams, Van Gelder uses both creative nonfiction narrative and evolutionary biological theory to explore complex terrain. Following Van Gelder's own travels, the book moves from the caves of the Dordogne lit only by the small beam of a flashlight, to an acacia thicket in Mozambique, to a black fly–infested bay inappropriately named Baie de Ha Ha in the inlands of Quebec, to the green line wrapped in barbed wire separating northern and southern Cyprus, to Abu Simbel's empty stone eyes in the Egyptian desert, and finally to the high road above Pelorus Sound on the rocky coasts of New Zealand. The author takes the reader to each place to create a storied landscape and explore new intellectual terrain. Van Gelder shows us that our collections of experiences, unique to us, can only be shared through the articulation of narrative.Weaving a Way Home will appeal to those deeply interested in knowing how we forge relationships with places and how that shapes who we are.

Jacket photographs: Garden gate: © iStockphoto.com/Richard Goerg. Iron fence: Christ Church Meadow in Oxford, Leslie Van Gelder.

Author photograph: Kevin Sharpe

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The Whales Know
A Journey through Mexican California
Pino Cacucci
Haus Publishing, 2014
Following in the footsteps of John Steinbeck, Cacucci travels through endless expanses of desert, salt mountains and rows of cacti with thorns so sharp that they can impale thirsty birds... Written with humour and heart, this is an insight into an ecosystem under threat and he describes the landscape and its inhabitants with compassion and respect.
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The Whaling Season
An Inside Account Of The Struggle To Stop Commercial Whaling
Kieran Mulvaney
Island Press, 2003

Despite a decades-long international moratorium on commercial whaling, one fleet has continued to hunt and kill whales in the waters surrounding Antarctica. Refusing to let this defiance go unchallenged, the environmental organization Greenpeace began dispatching expeditions to the region in an effort to intercept the whalers and use nonviolent means to stop their lethal practice.

Over the past decade, Kieran Mulvaney led four such expeditions as a campaigner and coordinator. In The Whaling Season, he recounts those voyages in all their drama, disappointments, strain, and elation, giving readers a behind-the-scenes look at the hazards and triumphs of life as an environmental activist on the high seas. The author also explores the larger struggles underlying the expeditions, drawing on the history of commercial whaling and Antarctic exploration, the development of Greenpeace, and broader scientific and political efforts to conserve marine life. He presents a rich portrait of the current struggles and makes an impassioned plea for protection of some of the world’s most spectacular creatures.

For armchair adventurers, polar enthusiasts, and anyone concerned about marine conservation and continued hunting of the world’s whales, The Whaling Season is an engrossing and informative tale of adventure set in one of the Earth’s last great wilderness areas.


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Where the Strange Roads Go Down
Mary del Villar and Fred del Villar; Foreword by Susan Hardy Aiken
University of Arizona Press, 1999
Strange Roads is a small gem of travel literature in the tradition of works by John Van Dyke, Carl Lumholtz, Charles Lummus, Mary Austin, Edward Hoagland, and Bruce Chatwin. But for all its absorbing detail about topography, flora, and fauna, its keen observations of character, and its vivid re-creation of the sense of place, it is much more than a travel memoir. For on every page one senses the strength, character, and distinctive perspective of Mary del Villar herself. An uncommon woman by any standards, she seems all the more remarkable when one recalls the profoundly reactionary gender ideologies that prevailed in the postwar era in which she lived and wrote. Like other great female wanderers, she transcended the confining notions of woman her society would have imposed on her, living her life according to the dictates of her own intrepid spirit.” –From the foreword by Susan Hardy Aiken
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White Waters and Black
Gordon MacCreagh
University of Chicago Press, 2001
With a wicked eye for absurdities, Gordon MacCreagh recounts his adventures with eight "Eminent Scientificos" as they set out to explore the Amazon in 1923 without any idea of what lies ahead of them: rapids, malaria, monkey stew, and "dangerous savages." A combination of Twain's The Innocents Abroad and a cautionary tale for explorers, this is one of the most honest accounts ever written of a scientific expedition.
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The Wildest Place on Earth
Italian Gardens and the Invention of Wilderness
John Hanson Mitchell
University Press of New England, 2015
This is the ironic story of how Italian Renaissance and Baroque gardens encouraged the preservation of the American wilderness and ultimately fostered the creation of the world’s first national park system. Told via Mitchell’s sometimes disastrous and humorous travels—from the gardens of southern Italy up through Tuscany and the lake island gardens—the book is filled with history, folklore, myths, and legends of Western Europe, including a detailed history of the labyrinth, a common element in Renaissance gardens. In his attempt to understand the Italian garden in detail, Mitchell set out to create one on his own property—with a labyrinth.
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Winter Notes on Summer Impressions
Fyodor Dostoevsky
Northwestern University Press, 1997
Winter Notes on Summer Impressions (Зимние заметки о летних впечатлениях) is an early book-length essay by Russian author Fyodor Dostoevsky which he composed while traveling in western Europe. Many commentators believe that in the themes it explores, the essay anticipates his later work Notes from the Underground.

In June 1862, Dostoevsky left Petersburg on his first excursion to Western Europe. Ostensibly making the trip to consult Western specialists about his epilepsy, he also wished to see firsthand the source of the Western ideas he believed were corrupting Russia. Over the course of his journey he visited a number of major cities, including Berlin, Paris, London, Florence, Milan, and Vienna. He recorded his impressions in Winter Notes on Summer Impressions, which were first published in the February 1863 issue of Vremya (Time), the periodical of which he was the editor.

Among other themes, Dostoevsky reveals his Pan-Slavism, rejecting European culture as corrupt and exhorting Russians to resist the temptation to emulate or adopt European ways of life.
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A World Between Waves
Edited by Frank Stewart
Island Press, 1992

A World Between Waves is a collection of essays on the natural history of Hawaii by some of America's most renowned writers. It is a testament to the biological and geological wealth of this unique and threatened island landscape, and a passionate call to action on behalf of what may soon be gone.

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Writing Abroad
A Guide for Travelers
Peter Chilson and Joanne B. Mulcahy
University of Chicago Press, 2017
“Tell me all about your trip!” It’s a request that follows travelers as they head out into the world, and one of the first things they hear when they return. When we leave our homes to explore the wider world, we feel compelled to capture the experiences and bring the story home. But for those who don’t think of themselves as writers, putting experiences into words can be more stressful than inspirational.
Writing Abroad is meant for travelers of all backgrounds and writing levels: a student embarking on overseas study; a retiree realizing a dream of seeing China; a Peace Corps worker in Kenya. All can benefit from documenting their adventures, whether on paper or online. Through practical advice and adaptable exercises, this guide will help travelers hone their observational skills, conduct research and interviews, choose an appropriate literary form, and incorporate photos and videos into their writing.
Writing about travel is more than just safeguarding memories—it can transform experiences and tease out new realizations. With Writing Abroad, travelers will be able to deepen their understanding of other cultures and write about that new awareness in clear and vivid prose.
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