front cover of Excluded Ancestors, Inventible Traditions
Excluded Ancestors, Inventible Traditions
Essays Toward a More Inclusive History of Anthropology
Edited by Richard Handler
University of Wisconsin Press, 2015
    History-making can be used both to bolster and to contest the legitimacy of established institutions and canons. Excluded Ancestors, Inventible Traditions seeks to widen the anthropological past and, in doing so, to invigorate contemporary anthropological practice. In the past decade, anthropologists have become increasingly aware of the ways in which participation in professional anthropology has depended and continues to depend on categorical boundaries of race, class, gender, citizenship, institutional and disciplinary affiliation, and English-language proficiency. Historians of anthropology play a crucial role interrogating such boundaries; as they do, they make newly available the work of anthropologists who have been ignored.
    Excluded Ancestors, Inventible Traditions  focuses on little-known scholars who contributed to the anthropological work of their time, such as John William Jackson, the members of the Hampton Folk-Lore Society, Charlotte Gower Chapman, and Lucie Varga.  In addition, essays on Marius Barbeau and Sol Tax present figures who were centrally located in the anthropologies of their day. A final essay analyzes notions of "the canon" and considers the place of a classic ethnographic area, highland New Guinea, in anthropological canon-formation.
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logo for Harvard University Press
Folklore and Fakelore
Essays Toward a Discipline of Folk Studies
Richard M. Dorson
Harvard University Press, 1976

front cover of Teaching With Student Texts
Teaching With Student Texts
Essays Toward an Informed Practice
Joseph Harris
Utah State University Press, 2010

Harris, Miles and Paine ask:  What happens when the texts that students write become the focus of a writing course? In response, a distinguished group of scholar/teachers suggests that teaching with students texts is not simply a classroom technique, but a way of working with writing that defines composition as a field.

In Teaching with Student Texts, authors discuss ways of revaluing student writing as intellectual work, of circulating student texts in the classroom and beyond, and of changing our classroom practices by bringing student writings to the table. Together, these essays articulate a variety of ways that student texts can take a central place in classroom work and can, in the process, redefine the ways our field talks about writing.

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