A SCHOLARLY BOOK REPOSITORY84 start with F start with F
With its title essay, "Fables of Representation," one of the most cogent studies ever written of the New York School of poets (a group that includes the influential poet John Ashbery), this book is required reading for anyone who seeks to understand the poetry and culture of the postmodern period.
Author Paul Hoover's wide-ranging subjects include African-American interdisciplinary studies; the position of poetry in the electronic age; the notion of doubleness in the work of Harryette Mullen and others; the lyricism of the New York School poets; and the role of reality in American poetry. Hoover also introduces two provocative essays sure to generate attention and discussion: "The Postmodern Era: A Final Exam" and "The New Millennium: Fifty Statements on Literature and Culture."
Paul Hoover is the editor of the anthology Postmodern American Poetry and author of nine poetry collections, including Totem and Shadow: New and Selected Poems and Viridian. His poetry has appeared in American Poetry Review, The New Republic, and The Paris Review, among others. He is Poet-in-Residence at Columbia College, Chicago.
Faith and the Historian collects essays from eight experienced historians discussing the impact of being "touched" by Catholicism on their vision of history. That first graduate seminar, these essays suggest, did not mark the inception of one's historical sensibilities; rather, that process had deeper, and earlier, roots. The authors--ranging from "cradle to the grave" Catholics to those who haven’t practiced for forty years, and everywhere in between--explicitly investigate the interplay between their personal lives and beliefs and the sources of their professional work. A variety of heartfelt, illuminating, and sometimes humorous experiences emerge from these stories of intelligent people coming to terms with their Catholic backgrounds as they mature and enter the academy. Contributors include: Philip Gleason, David Emmons, Maureen Fitzgerald, Joseph A. McCartin, Mario T. Garcia, Nick Salvatore, James R. Barrett, and Anne M. Butler.
Roy Herron graduated with highest honors from the University of Tennessee at Martin, then studied New Testament and Ethics in Scotland before earning Divinity and Law degrees from Vanderbilt University. But he came home to West Tennessee and served the Volunteer State in both the Tennessee House and Senate. For four decades, Herron served as a legislator, attorney, teacher, and Methodist minister. In that work, he published op-ed essays and articles in Tennessee’s leading newspapers and publications from The Japan Times to The Wall Street Journal on various topics including constitutional liberties, economic justice, health care, politics, and more.
This informative volume collects the most powerful of these writings, adding helpful updates and contemporary insights. With an engaging, conversational style, Herron addresses voter ID laws, drunk-driving statutes, women’s rights and many recurring, contemporary issues. Whether describing the challenges facing his elderly mother as she attempted to exercise her right to vote, or the struggles of working women and men facing illnesses without health insurance, Herron demonstrates an earnestness and thoughtfulness all too rare in politics.
These nearly fifty essays and articles provide evidence that Herron’s Democratic Party and Christianity are not mutually exclusive. Indeed, Herron describes how faith brought him to politics and to fighting for justice, jobs, and constitutional freedoms for all citizens. Faith at Work is a veritable guidebook on how faith and spirituality should affect decision making and advocacy in public life.
ROY HERRON was a Tennessee State Representative from 1987 to 1997 and State Senator from 1997 to 2013. He wrote Things Held Dear: Soul Stories for My Sons and God and Politics: How Can a Christian Be in Politics? He coauthored, with Cotton Ivy, Tennessee Political Humor: Some of These Jokes You Voted For. He lawyers and writes in West Tennessee and Nashville.
In this compilation, editor George D. Smith has assembled sixteen thought-provoking essays which represent this ongoing discussion. They include “On Being a Mormon Historian” by D. Michael Quinn, “Two Integrities: An Address to the Crisis in Mormon Historiography” by Martin E. Marty, “Objectivity and History” by Kent E. Robson, “The Acids of Modernity and the Crisis in Mormon Historiography” by Louis Midgley, and “Historicity of the Canon” by Edward H. Ashment.
“History, myth, and legend are not always distinguishable,” cautions Smith,” “but there are some things we can know. The authors of these essays attempt to define the boundaries between objectivity and the biases of belief and unbelief which may color what is written about the past.”
Over the past decade Mormons have debated how their history should be written. New Mormon Historians believe that balanced, unprejudiced approaches produce the most reliable history. Traditionalists contend that no historian can be completely objective, that Mormon history should therefore be written with the “pre-understanding” that Joseph Smith restored the ancient Christian church.
The Pass. The Curse. The Double Doink. A sports fan’s life is not just defined by intense moments on a field, it’s scarred by them. For a real fan, winning isn’t everything—losing is. The true fans, it’s said, are those who have suffered the most, enduring lives defined by irrational obsession, fervid hopes, and equally gut-wrenching misery. And as Paul Campos shows, those deep feelings are windows not just onto an individual fan’s psychology but onto some of our shared concepts of community, identity, and belonging—not all of which are admirable. In A Fan’s Life, he seeks not to exalt a particular team but to explore fandom’s thorniest depths, excavating the deeper meanings of the fan’s inherently unhappy life.
A Fan’s Life dives deep into the experience of being an ardent fan in a world defined more and more by the rhetoric of “winners” and “losers.” In a series of tightly argued chapters that suture together memoir and social critique, Campos chronicles his lifelong passion for University of Michigan football while meditating on fandom in the wake of the unprecedented year of 2020—when, for a time, a global pandemic took away professional and collegiate sports entirely. Fandom isn’t just leisure, he shows; it’s part of who we are, and part of even our politics, which in the age of Donald Trump have become increasingly tribal and bloody. Campos points toward where we might be heading, as our various partisan affiliations—fandoms with a grimly national significance—become all the more intense and bitterly self-defining. As he shows, we’re all fans of something, and making sense of fandom itself might offer a way to wrap our heads around our increasingly divided reality, on and off the field.
Contributors: Nancer Ballard, H. Lee Barnes, Kim Barnes, Mary Clearman Blew, Joy Castro, Robin Hemley, Judith Kitchen, Brenda Miller, Ander Monson, Dinty W. Moore, Sean Prentiss, Lia Purpura, Erik Reece, Jonathan Rovner, Bob Shacochis, and Joe Wilkins.
If baseball is the sport of nostalgic prose, basketball’s movement, myths, and culture are truly at home in verse. In this extraordinary collection of essays, poets meditate on what basketball means to them: how it has changed their perspective on the craft of poetry; how it informs their sense of language, the body, and human connectedness; how their love of the sport made a difference in the creation of their poems and in the lives they live beyond the margins. Walt Whitman saw the origins of poetry as communal, oral myth making. The same could be said of basketball, which is the beating heart of so many neighborhoods and communities in this country and around the world. On the court and on the page, this “poetry in motion” can be a force of change and inspiration, leaving devoted fans wonderstruck.
Faced with the prospect of moving to another place, Bowers finds herself thinking about the familiar world in new and unfamiliar ways. Through her eyes, too, we see how an interest in nature and the outdoors developed from early childhood and how simple curiosity has led her to the most surprising discoveries. At odd and unexpected moments, her work also seems to bring new insights into herself and her life as a writer, a wife, and a mother. These pages promise a new adventure at every turn in the trail. For sheer terror, there's a climb up the face of Baboquivari, for laughs, there's the great bagworm caper, and for some quiet truths, there are themes of gain and loss, of connection and reconcilliation. Crunching through winter snow or sweating under summer sun, we know we're in the hands of an experienced guide. And we know we couldn't ask for a better companion.
In this highly individual study, Avrom Fleishman explores a wide range of literary references to human culture—the culture of ideas, facts, and images. Each critical essay in Fiction and the Ways of Knowing takes up for sustained analysis a major British novel of the nineteenth or the twentieth century. The novels are analyzed in the light of social, historical, philosophical, and other perspectives that can be grouped under the human sciences.
The diversity of critical contexts in these thirteen essays is organized by Avrom Fleishman's governing belief in the interrelations of literature and other ways of interpreting the world. The underlying assumptions of this approach—as explained in his introductory essay—are that fiction is capable of encompassing even the most recondite facts and recalcitrant ideas; that fiction, though never a mirror of reality, is linked to realities and takes part in the real; and that a critical reading may be informed by scientific knowledge without reducing the literary work to a schematic formula.
Fleishman investigates the matters of fact and belief that make up the designated meanings, the intellectual contexts, and the speculative parallels in three types of novel. Some of the novels discussed make it clear that their authors are informed on matters beyond the nonspecialist's range; these essays help bridge this information gap. Other fictional works are only to be grasped in an awareness of the cultural lore tacitly distributed in their own time; a modern reader must make the effort to fathom their anachronisms. And other novels can be found to open passageways that their authors can only have glimpsed intuitively; these must be pursued with great caution but equal diligence.
The novels discussed include Little Dorrit, The Way We Live Now, Daniel Deronda, he Return of the Native, and The Magus. Also examined are Wuthering Heights, Vanity Fair, Northanger Abbey, To the Lighthouse, Under Western Eyes, Ulysses, and A Passage to India.
In this contemplative collection of essays, Lisa Knopp moves out from the prairies of Nebraska and Iowa to encompass a fully developed vision of light, memory, change, separateness, time, symbols, responsibility, and unity. Knopp charts a stimulating course among the individual, community, and culture that removes the boundaries between self and other, allowing one to become fully present in the world. Her keen vision sees beyond the ordinary to illuminate the mysteries and meanings of our personal and natural worlds.
Inspired by the pioneering work of preeminent environmental historian Donald Worster, the contributors to A Field on Fire: The Future of Environmental History reflect on the past and future of this discipline. Featuring wide-ranging essays by leading environmental historians from the United States, Europe, and China, the collection challenges scholars to rethink some of their orthodoxies, inviting them to approach familiar stories from new angles, to integrate new methodologies, and to think creatively about the questions this field is well positioned to answer.
Worster’s groundbreaking research serves as the organizational framework for the collection. Editors Mark D. Hersey and Ted Steinberg have arranged the book into three sections corresponding to the primary concerns of Worster’s influential scholarship: the problem of natural limits, the transnational nature of environmental issues, and the question of method. Under the heading “Facing Limits,” five essays explore the inherent tensions between democracy, technology, capitalism, and the environment. The “Crossing Borders” section underscores the ways in which environmental history moves easily across national and disciplinary boundaries. Finally, “Doing Environmental History” invokes Worster’s work as an essayist by offering self-conscious reflections about the practice and purpose of environmental history.
The essays aim to provoke a discussion on the future of the field, pointing to untapped and underdeveloped avenues ripe for further exploration. A forward thinker like Worster presents bold challenges to a new generation of environmental historians on everything from capitalism and the Anthropocene to war and wilderness. This engaging volume includes a very special afterword by one of Worster’s oldest friends, the eminent intellectual historian Daniel Rodgers, who has known Worster for close to fifty years.
A classic work of history, ethnography, and botany, and an examination of the life and environs of the 18th-century south
William Bartram was a naturalist, artist, and author of Travels through North and South Carolina, Georgia, East and West Florida, the Cherokee Country, the ExtensiveTerritories of the Muscogulees, or Creek Confederacy, and the Country of the Choctaws. The book, based on his journey across the South, reflects a remarkable coming of age. In 1773, Bartram departed his family home near Philadelphia, Pennsylvania, as a British colonist; in 1777, he returned as a citizen of an emerging nation of the United States. The account of his journey, published in 1791, established a national benchmark for nature writing and remains a classic of American literature, scientific writing, and history. Brought up as a Quaker, Bartram portrayed nature through a poetic lens of experience as well as scientific observation, and his work provides a window on 18th-century southern landscapes. Particularly enlightening and appealing are Bartram’s detailed accounts of Seminole, Creek, and Cherokee peoples.The Bartram Trail Conference fosters Bartram scholarship through biennial conferences held along the route of his travels. This richly illustrated volume of essays, a selection from recent conferences, brings together scholarly contributions from history, archaeology, and botany. The authors discuss the political and personal context of his travels; species of interest to Bartram; Creek architecture; foodways in the 18th-century south, particularly those of Indian groups that Bartram encountered; rediscovery of a lost Bartram manuscript; new techniques for charting Bartram’s trail and imaging his collections; and a fine analysis of Bartram’s place in contemporary environmental issues.
Renée Nicholson’s professional training in ballet had both moments of magnificence and moments of torment, from fittings of elaborate platter tutus to strange language barriers and unrealistic expectations of the body. In Fierce and Delicate, she looks back on the often confused and driven self she had been shaped into—always away from home, with friends who were also rivals, influenced by teachers in ways sometimes productive and at other times bordering on sadistic—and finds beauty in the small roles she performed. When, inevitably, Nicholson moved on from dancing, severed from her first love by illness, she discovered that she retained the lyricism and narrative of ballet itself as she negotiated life with rheumatoid arthritis.
An intentionally fractured memoir-in-essays, Fierce and Delicate navigates the traditional geographies of South Florida, northern Michigan, New York City, Milwaukee, West Virginia, and also geographies of the body—long, supple limbs; knee replacements; remembered bodies and actual. It is a book about the world of professional dance and also about living with chronic disease, about being shattered yet realizing the power to assemble oneself again, in a new way.
Figures of Resistance brings together the unpublished lectures and little-seen essays of internationally renowned theorist Teresa de Lauretis, spanning over twenty years of her finest work. Thirty years after the height of feminist theory, this collection invites us to reflect on the history of feminism and take a hard look at where it stands today. Selected essays include "Sexual Indifference and Lesbian Representation," "The Lure of the Mannish Lesbian," "Eccentric Subjects," "Habit Changes," "The Intractability of Desire," and the unpublished article "Figures of Resistance." An introduction from feminist film scholar Patricia White provides an overview of the development of de Lauretis's thought and of feminist theory over past decades.
Contributors include patients, caretakers, physicians, journalists, lawyers, social workers, educators, hospital administrators, academics, psychologists, and a poet, and among them are ethicists, religious believers, and nonbelievers. Some write moving, personal accounts of "good" or 'bad" deaths; others examine the ethical, social, and political implications of slow dying. Essays consider death from natural causes, suicide, and aid-in-dying (assisted suicide).
Writing in a style free of technical jargon, the contributors discuss documents that should be prepared (health proxy, do-not-resuscitate order, living will, power of attorney); decision-making (over medical interventions, life support, hospice and palliative care, aid-in-dying, treatment location, speaking for those who can no longer express their will); and the roles played by religion, custom, family, friends, caretakers, money, the medical establishment, and the government.
For those who yearn for some measure of control over death, the essayists in Final Acts, from very different backgrounds and with different personal and professional experiences around death and dying, offer insight and hope.
A nationally recognized artist, Snow chose to stay in Utah where, when not teaching at the University of Utah, he roamed the southern Utah desert gaining inspiration from the red rock formations, especially the Cockscomb outside his studio near Capitol Reef National Park. Snow said, “Every artist probably wonders if he or she made the right decision to dig in to a certain place.” He dug into the landscape in and around Southern Utah and never regretted it. Just as “Tennessee Williams’s South, William Faulkner’s Mississippi, [or] John Steinbeck’s West Coast, formed their work,” the desert lands of the Colorado Plateau formed Snow’s. Their sense of place, “without provincialism,” said Snow “is what gives their art its enduring power.” Final Light will appeal to art historians and art lovers, especially those interested in abstract expressionism and the art of Utah, the West, and the Southwest.
Chosen by 15 Bytes, Utah's art magazine, as the most exceptional art book for 2014.
Finding a Clear Path intertwines literature, agriculture, and ecology as author Jim Minick takes the reader on many journeys, allowing you to float on a pond, fly with a titmouse, gather ginseng, and grow the lowly potato. The reader visits monarch butterflies and morel mushrooms, encountering beavers, black snakes, and bloodroot along the way. Using his background as a blueberry farmer, gardener and naturalist, Minick explores the Appalachian region and also introduces information that can be appreciated from a scientific point of view, explaining, for example, the ears of an owl, or the problems with the typical Christmas tree. Reading this collection of essays invites you to search for ways to better understand and appreciate this marvelous world, opening paths for journeys of your own.
With its roots in the Spanish verb querer—“to want, to love”—the term querencia has been called untranslatable but has come to mean a place of safety and belonging, that which we yearn for when we yearn for home. In this striking essay collection, Harrison Candelaria Fletcher shows that querencia is also a state of being: the peace that arises when we reconcile who we are. A New Mexican of mixed Latinx and white ethnicity, Candelaria Fletcher ventures into the fault lines of culture, landscape, and spirit to discover the source of his lifelong hauntings. Writing in the persona of coyote, New Mexican slang for “mixed,” he explores the hyphenated elements within himself, including his whiteness. Blending memory, imagination, form, and language, each essay spirals outward to investigate, accept, and embrace hybridity. Ultimately, Finding Querencia offers a new vocabulary of mixed-ness, a way to reconcile the crosscurrents of self and soul.
Ray Didinger opens his lively memoir Finished Business with the Philadelphia Eagles’ upset win in Super Bowl LII. When the Eagles finally hoist the Lombardi Trophy, Didinger does his best to straddle the emotions of a working reporter and a long-suffering Philly fan. His ability to do that is why he has built up such a loyal following.
Didinger began following the Eagles as a kid, hanging out in his grandfather’s bar in Southwest Philadelphia. He spent his summers at the team's training camp in Hershey. It was there he met his idol, flanker Tommy McDonald. He would later write a play, Tommy and Me, about their friendship and his efforts to see McDonald enshrined in the Pro Football Hall of Fame.
Didinger has been covering the Eagles as a newspaper columnist or TV analyst since 1970. Over the years, he wrote sports for the Philadelphia Bulletin and the Philadelphia Daily News. He later produced Emmy Award–winning documentaries for NFL Films before transitioning to sports talk radio and TV analysis.
In five decades, across multiple media platforms, he has interviewed everyone from Hank Aaron, Wayne Gretzky, Muhammad Ali, Julius Erving, Jack Nicklaus, to Mike Schmidt, as well as writing film scripts for Hollywood stars such as Bruce Willis and Alec Baldwin. He went to the White House with the U.S. Olympic team and even explored the bizarre world of professional wrestling.
His stories, told in his familiar, breezy style, capture his enthusiasm for sports and his affection for the fans who still mourn the pennant that eluded the Phillies in 1964. Didinger has become synonymous with Philadelphia sports, and his memoir is as passionate as an autumn Sunday at Lincoln Financial Field.
Fire and Ink brings together, for the first time in one volume, politically engaged writing by poets, fiction writers, and essayists. Including many of our finest writers—Martín Espada, Adrienne Rich, June Jordan, Patricia Smith, Gloria Anzaldúa, Sharon Olds, Arundhati Roy, Sonia Sanchez, Carolyn Forche, Chitra Banerjee Divakaruni, Alice Walker, Linda Hogan, Gary Soto, Kim Blaeser, Minnie Bruce Pratt, Li-Young Lee, and Jimmy Santiago Baca, among others—this is an indispensable collection.
This groundbreaking anthology marks the emergence of social action writing as a distinct field within creative writing and literature. Featuring never-before-published pieces, as well as reprinted material, Fire and Ink is divided into ten sections focused on significant social issues, including identity, sexuality and gender, the environment, social justice, work, war, and peace. The pieces can often be gripping, such as “Frame,” in which Adrienne Rich confronts government and police brutality, or Chris Abani’s “Ode to Joy,” which documents great courage in the face of mortal danger.
Fire and Ink serves as a wonderful reader for a wide range of courses, from composition and rhetoric classes to courses in ethnic studies, gender studies, American studies, and even political science, by facing a past that was often accompanied by injustice and suffering. But beyond that, this collection teaches us that we all have the power to create a more equitable and just future.
This collection of fourteen essays written by young communication scholars at the University of Arkansas presents unique insights into how First Amendment issues have played out in the state. Rather than exploring the particular legal issues and the constitutional principles enunciated by the courts, First Amendment Studies tells the stories of actual people expressing challenged or unpopular points of view and reveals the ways that constitutional controversies arise from the actions of local officials and individual citizens.
Drawing on public documents as well as extensive interviews with participants, these essays demonstrate the dynamics of democratic dissent—on college campuses, in public schools, in churches, on the streets, in the forests and on the farms, and in legislative chambers and courtrooms.
Each essay was selected for the Richard S. Arnold Prize in First Amendment Studies, an endowed fund established in 1999 to encourage University of Arkansas graduate students in communication and the liberal arts to explore and examine questions about freedom of speech and freedom of religion.
In any age, humans wrestle with apparently inexorable forces. Today, we face the threat of global terrorism. In the aftermath of September 11, few could miss sensing that a great evil was at work in the world. In Flannery O’Connor’s time, the threats came from different sources—World War II, the Cold War, and the Korean conflict—but they were just as real. She, too, lived though a “time of terror.” The first major critical volume on Flannery O’Connor’s work in more than a decade, Flannery O’Connor in the Age of Terrorism explores issues of violence, evil, and terror—themes that were never far from O’Connor’s reach and that seem particularly relevant to our present-day setting.
The fifteen essays collected here offer a wide range of perspectives that explore our changing views of violence in a post-9/11 world and inform our understanding of a writer whose fiction abounds in violence. Written by both established and emerging scholars, the pieces that editors Avis Hewitt and Robert Donahoo have selected offer a compelling and varied picture of this iconic author and her work. Included are comparisons of O’Connor to 1950s writers of noir literature and to the contemporary American novelist Cormac McCarthy; cultural studies that draw on horror comics of the Cold War and on Fordism and the American mythos of the automobile; and pieces that shed new light on O’Connor’s complex religious sensibility and its role in her work.
While continuing to speak fresh truths about her own time, O’Connor’s fiction also resonates deeply with the postmodern sensibilities of audiences increasingly distant from her era—readers absorbed in their own terrors and sense of looming, ineffable threats. This provocative new collection presents O’Connor’s work as a touchstone for understanding where our culture has been and where we are now. With its diverse approaches, Flannery O’Connor in the Age of Terrorism will prove useful not only to scholars and students of literature but to anyone interested in history, popular culture, theology, and reflective writing.
With style, humor, and a sense of wonder, Nelson blends his field adventures with a history of the birding community; natural and cultural history; bird stories from authors such as Henry David Thoreau, Emily Dickinson, and Mary Oliver; current scientific research; and observations about the fascinating habits of birds and their admirers. These essays are capped off with a plea for bird conservation, in Massachusetts and beyond.
In every culture there exists unwritten law—obligations and prohibitions that are understood and passed on, and transgressions that are punished. Folk Law, a comprehensive two-volume collection of essays, examines this meeting place of folklore and jurisprudence. The contributors explore the historical significance and implications of folk law, its continuing influence around the globe, and the conflicts that arise when folk law diverges from official law.
The collection begins by defining various forms of “folk law,” drawing on examples from many cultures. The second section provides historical profiles of pioneering figures in the study of folk law. Following sections examine field research techniques used to identify folk laws; aspects of folk law within the realm of rituals, songs, and other forms of expressive culture; instances where folk law comes into conflict with national law, and the role of folk law in the international arena. The volumes also include description and analysis of two approaches to folk law—the rule approach, in which scholars dissect the codes that underlie folk law, and the case approach, in which researchers examine specific cases involving folk law.
Valuable for students and scholars of law, folklore, or anthropology, this extensive casebook marks a rare interdisciplinary approach to two important areas of research.
Folklore—the inherently creative expression, transmission, and performance of cultural traditions—has always provided a deep well of material for writers, musicians, and artists of all sorts. Folklorists usually employ descriptive and analytical prose, but they, like scholars in other social sciences, have increasingly sought new, creative and reflexive modes of discourse. Many folklorists are also creative writers, some well known as such, and the folk traditions they research often provide shape and substance to their work. This collection of creative writing grounded in folklore and its study brings together some of the best examples of such writing.
Contributors to this collection include Teresa Bergen, John Burrison, Norma E. Cantu, Frank de Caro, Holly Everett, Danusha Goska, Neil R. Grobman, Carrie Hertz, Edward Hirsch, Laurel Horton, Rosan Augusta Jordan, Paul Jordan-Smith, Elaine J. Lawless, Cynthia Levee, Jens Lund, Mary Magoulick, Bernard McCarthy, Joanne B. Mulcahy, Kirin Narayan, Ted Olson, Daniel Peretti, Leslie Prosterman, Jo Radner, Susan Stewart, Jeannie Banks Thomas, Jeff Todd Titon, Libby Tucker, Margaret Yocom, and Steve Zeitlin.
This volume documents Randolph's life and work through his own writings. The editors have combed through the files of libraries, manuscript collections, and newspapers, selecting more than seventy published and unpublished pieces that shed light on Randolph's most significant activities. The book is organized thematically around his major interests—dismantling workplace inequality, expanding civil rights, confronting racial segregation, and building international coalitions. The editors provide a detailed biographical essay that helps to situate the speeches and writings collected in the book. In the absence of an autobiography, this volume offers the best available presentation of Randolph's ideas and arguments in his own words.
In his explorations of the relations between the sacred and violence, René Girard has hit upon the origin of culture—the way culture began, the way it continues to organize itself. The way communities of human beings structure themselves in a manner that is different from that of other species on the planet.
Like Albert Einstein, Sigmund Freud, Émile Durkheim, Martin Buber, or others who have changed the way we think in the humanities or in the human sciences, Girard has put forth a set of ideas that have altered our perceptions of the world in which we function. We will never be able to think the same way again about mimetic desire, about the scapegoat mechanism, and about the role of Jewish and Christian scripture in explaining sacrifice, violence, and the crises from which our culture has been born.
The contributions fall into roughly four areas of interpretive work: religion and religious study; literary study; the philosophy of social science; and psychological studies.
The essays presented here are offered as "essays" in the older French sense of attempts (essayer) or trials of ideas, as indeed Girard has tried out ideas with us. With a conscious echo of Montaigne, then, this hommage volume is titled Essays in Friendship and in Truth.
Royko, a nationally syndicated Pulitzer Prize winner, wrote for three major Chicago newspapers in the course of his 34 years as a daily columnist. Chosen from more than 7,000 columns, For the Love of Mike brings back more than a hundred vintage Royko pieces-most of which have not appeared since their initial publication-for readers across the country to enjoy. This second collection includes Royko's riffs on the consequences of accepting a White House dinner invitation (not surprisingly, he turned it down); his explanation of the notorious Ex-Cub Factor in World Series play; and his befuddlement at a private screening of Beyond the Valley of the Dolls, to which he was invited by his pal Ebert, the screenplay's author. The new collection also illuminates Royko's favorite themes, topics he returned to again and again: his skewering of cultural trends, his love of Chicago, and his rage against injustice. By turns acerbic, hilarious, and deeply moving, Royko remains a writer of wit and passion who represents the best of urban journalism.
"To read these columns again is to have Mike back again, nudging, chuckling, wincing, deflating pomposity, sticking up for the little guy, defending good ideas against small-minded people," writes Roger Ebert in his foreword to the book. For the Love of Mike does indeed bring Mike back again, and until a Chicago newspaper takes up Ebert's suggestion that it begin reprinting each of Royko's columns, one a day, this collection will more than satisfy Royko's loyal readers.
Forests of Gold is a collection of essays on the peoples of Ghana with particular reference to the most powerful of all their kingdoms: Asante. Beginning with the global and local conditions under which Akan society assumed its historic form between the fifteenth and seventeenth centuries, these essays go on to explore various aspects of Asante culture: conceptions of wealth, of time and motion, and the relationship between the unborn, the living, and the dead. The final section is focused upon individuals and includes studies of generals, of civil administrators, and of one remarkable woman who, in 1831, successfully negotiated peace treaties with the British and the Danes on the Gold Coast. The author argues that contemporary developments can only be fully understood against the background of long-term trajectories of change in Ghana.
This book brings together a unique combination of experts in conflict resolution and focuses on the role forgiveness can play in the process. It deals with theology, public policy, psychological and social theory, and social policy implementation of forgiveness. This book is essential for libraries, scholars, conflict negotiators, and all people who hope to understand the role of forgiveness in the peace process.
The book's first section explores how ideas like "forgiveness" and "reconciliation" are moving out from the seminary and academy into the world of public policy and how these terms have been used and defined in the past. The second section looks at forgiveness and public policy. One of the chapters, by Donald W. Shriver Jr., addresses forgiveness in a secular political forum.
The third section of the book draws us to a more thorough analysis of the relationship between forgiveness and reconciliation from voices in the academic and theological community, and the final section highlights the work of practitioners currently working with religion, public policy, and conflict transformation, particularly in areas such as Ireland and Africa.
Contributors include Desmond M. Tutu, Rodney L. Petersen, Miroslav Volf, Stanley S. Harakas, Raymond G. Helmick, SJ, Joseph V. Montville, Douglas M. Johnston, Donna Hicks, Donald W. Shriver, Jr., Everett L. Worthington, Jr., John Paul Lederach, Ervin Staub, Laurie Anne Pearlman, John Dawson, Audrey R. Chapman, Olga Botcharova, Anthony da Silva, SJ, Geraldine Smythe, OP, Andrea Bartoli, Ofelia Ortega, and George F. R. Ellis.
The Reagan and Thatcher "revolutions." The collapse of Eastern Europe dramatically captured in the tearing down of the Berlin Wall. F. A. Hayek, "grand old man of capitalism" and founder of the classical liberal, free-market revival which ignited and inspired these world events, forcefully predicted their occurrence in writings such as The Road to Serfdom, first published in 1944.
Hayek's well-known social and political philosophy—in particular his long-held pessimistic view of the prospects of socialism, irrefutably vindicated by the recent collapse of the Eastern bloc—is fully grounded in the Austrian approach to economics. In this new collection, Hayek traces his intellectual roots to the Austrian school, the century-old tradition founded at the University of Vienna by Carl Menger, and links it to the modern rebirth of classical liberal or libertarian thought.
As Hayek reminds us, the cornerstone of modern economics—the theory of value and price—"represents a consistent continuation of the fundamental principles handed down by the Vienna school." Here, in this first modern collection of essays on the Austrian school by one of its preeminent figures, is the genesis of this tradition and its place in intellectual history.
Reflections on Hayek's days as a young economic theorist in Vienna, his opening address to the inaugural meeting of the Mont Pèlerin Society, and essays on former teachers and other leading figures in the Austrian school are included in volume 4. Two hitherto unavailable memoirs, "The Economics of the 1920s as Seen from Vienna," published here for the first time, and "The Rediscovery of Freedom: Personal Recollections," available for the first time in English, make this collection invaluable for Hayek scholars.
Hayek's writings continue to provide an invaluable education in a subject which is nothing less than the development of the modern world.
Taking as its subject the "intricately assembled, relentlessly disassembling metropolitan screen", it charts the virulent implosions of culture, the distortions and violence that give city-living its fractured and hallucinatory quality.
Provocatively written as a series of inter-locking poetic fragments, the text evokes the formation of metropolitan "identity" as it ricochets between the physical surface of the city and the vulnerable but manipulating consciousness of city dwellers.
Barber has discovered a powerful new vocabulary – a vocabulary charged with the visual and sonic impact of the cinema. Like the city, the text pulsates, creatively chaotic, raw and exhilarating.
“In addition to his accomplishments as a talented novelist, a thorough historian, and an excellent essayist, Frank Waters is that rare breed of man who has merged heart and mind early in his life and moved forward to confront ultimate questions. This dilemma of faith and heritage, religion and identity, and commitment and comfort has never been resolved intellectually. Even with profound faith and rigorous discipline of self, mystics have found it difficult to resolve through action and prayer…I look at the life and writing of Frank Waters…and find…a remarkable journey of inquiry spanning nearly a century and illuminating questions which I did not think possible to formulate.”
—Vine Deloria, Jr., editor
Contributors to this volume are Alvin M. Josephy, Jr., Bobby Bridger, Steven Wall, Will Wright, William Eastlake, Larry Evers, David Jongeward, Max Evans, Win Blevins, Barbara Waters, Rudolfo Anaya, Thomas J. Lyon, Joe Gordon, Robert Kostka, Charles Adams, Father Peter J. Powell, Quay Grigg, Alexander Blackburn, and T. N. Luther.
Franklin Furnace is a renowned New York–based artsorganization whose mission is to preserve, document, and present works of avant-garde art by emerging artists—particularly those whose works may be vulnerable due to institutional neglect or politically unpopular content. Over more than thirty years, Franklin Furnace has exhibited works by hundreds of avant-garde artists, some of whom—Laurie Anderson, Vito Acconci, Karen Finley, Guillermo Gómez-Peña, Jenny Holzer, and the Blue Man Group, to name a few—are now established names in contemporary art.
Here, for the first time, is a comprehensive history of this remarkable organization from its conception to the present. Organized around the major art genres that emerged in the second half of the twentieth century, this book intersperses first-person narratives with readings by artists and scholars on issues critical to the organization's success as well as Franklin Furnace's many contributions to avant-garde art.
Is there a moment in history when a work receives its ideal interpretation? Or is negotiation always required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations of music and literature, exists in a delicate balance with fidelity to the identity of the original work.
Rosen cautions us to avoid doctrinaire extremes when approaching art of the past. To understand Shakespeare only as an Elizabethan or Jacobean theatergoer would understand him, or to modernize his plays with no sense of what they bring from his age, deforms the work, making it less ambiguous and inherently less interesting. For a work to remain alive, it must change character over time while preserving a valid witness to its earliest state. When twentieth-century scholars transformed Mozart’s bland, idealized nineteenth-century image into that of a modern revolutionary expressionist, they paradoxically restored the reputation he had among his eighteenth-century contemporaries. Mozart became once again a complex innovator, challenging to perform and to understand.
Drawing on a variety of critical methods, Rosen maintains that listening or reading with intensity—for pleasure—is the one activity indispensable for full appreciation. It allows us to experience multiple possibilities in literature and music, and to avoid recognizing only the revolutionary elements of artistic production. By reviving the sense that works of art have intrinsic merits that bring pleasure, we justify their continuing existence.
French Suite examines a range of important French painters and two writers, Baudelaire and Flaubert, from the brothers Le Nain in the mid-seventeenth century to Manet, Degas, and the Impressionists in the later nineteenth century. A principal theme of Michael Fried’s essays is a fundamental concern of his throughout his career: the relationship between painting and the beholder. Fried’s typically vivid and strongly argued essays offer many new readings and unexpected insights, examining both familiar and lesser-known French artistic and literary works.
Friendly Fallout 1953 is a hybrid work of literature that combines the actual history of aboveground atomic testing in the Nevada desert in 1953 with fictional vignettes that explore the impact of the tests on the people who participated in them and on civilian "downwinders." The book brings to life a turbulent era when Cold War fears, patriotic enthusiasm, scientific progress, and unacknowledged political agendas often collided with the welfare of ordinary citizens and the environment.
When it was first published in 1987, Frog Mountain Blues documented the creeping sprawl of new development up the Catalinas’ foothills. Today, that development is fully visible, but Charles Bowden’s prescience of the urgency to preserve and protect a sacred recreational space remains as vivid as ever. Accompanied by Jack W. Dykinga’s photographs from the original work, this book continues to convey the natural beauty of the Catalinas and warns readers that this unique wilderness could easily be lost.
As Alison Hawthorne Deming writes in the new foreword, “Frog Mountain Blues continues to be an important book for learning to read this place through the eyes of experience and history, and Bowden remains a sobering voice for facing our failures in protecting what we love in this time of global destruction, for taking seriously the power of language to set ourselves right again with the enormous task of living with purpose and presence and care on the land.”
Foreword by Bill Wittliff
Illustrations by Glenn Wolff
“Another fine, reflective, anecdotal look at rural Texas.” —New Yorker
“Graves writes eloquently about a countryman’s concerns. There's not a false note in the book.” —Boston Globe
“Like the unmortared stone fences of Graves’s native hill country, From a Limestone Ledge is constructed of bits and pieces never designed to fit together, yet made to achieve a unity that is more enduring than the sum of its individual parts by the hands of a master craftsman.” —Southwestern Historical Quarterly
“The beauty of his work endures, and there is a greater pride in Texans’ hearts for their home, I think, than there would be if he hadn’t written the books he did.” —Rick Bass, Garden & Gun
“In describing the particulars of his surroundings, Graves often was describing the world in microcosm and the place and plight of humankind in it.” —Bryan Woolley, Dallas Morning News
The essays here are united by two basic themes. First, the essays suggest that law can usefully be regarded not only as a set of rules designed to produce results in the material world, as it usually is regarded, but also as an imaginative and intellectual activity that has as its end the claim of meaning for human experience, both individual and collective. Second, they argue that education, including in the law, works by the constant modification of expectation by experience.
White claims that as we grow, whether as individuals or as a community, we constantly shape our expectations to our experiences. This happens with particular force and clarity in the law, which seeks to create both a certain set of expectations--this is how it works as a system of regulation--and a series of occasions and methods for their revision. White's interest is in the way these understandings can affect legal teaching, practice, and criticism.
The essays in this book examine such topics as the nature of legal education; the possibilities for writing in the law for both judges and lawyers; the relation between the practice of making and claiming meaning as it works in the law and in literatures more usually though of as imaginative, such as poetry or drama; the ways in which the law talks, and ought to talk, about business corporations, religion, and individual judgments; and the ethical possibilities of the practice of law when it is conceived of as a field for the making of meaning.
From Expectation to Experience will be of interest to lawyers, legal scholars, as well as students of law, law and literature, and ethics and literature.
James Boyd White is Hart Wright Professor of Law, Professor of English, and Adjunct Professor of Classical Studies, University of Michigan.
The first essay assesses U.S. interests in economic globalization, the second examines recent steps toward free trade at the multilateral and regional levels, and the next three offer an in-depth critique of U.S. regional free trade objectives in the Americas, across the Pacific, and possibly with Europe. The final essay presents a multilateral/regional synthesis for going from here to free trade over the coming decade.
"Sue Hubbell's From Here to There and Back Again is stylish and thought-provoking. As her brother I have long admired her mince pies and her ability to knit her own thermal underwear."
---Bil Gilbert
"The real masterwork that Sue Hubbell has created is her life."
---New York Times Book Review
"A latter-day Henry Thoreau with a sense of the absurd."
---Chicago Sun-Times
"Sue Hubbell writes splendidly."
---William Least Heat-Moon
"Prose as clear, languorous and beautiful as honey poured from a jar."
---People
From Here to There and Back Again is the much-anticipated collection of essays on an array of offbeat and engrossing subjects by magazine essayist and nature writer Sue Hubbell, author of A Country Year, Shrinking the Cat, and Waiting for Aphrodite.
Reading Sue Hubbell is like embarking on a journey of discovery with a close friend. Her writing is witty, learned yet unassuming, intensely personal, and pointedly honest as she ranges far and wide on such topics as after-hours truck stops, the country's best pie restaurants, bowling shoes, Costa Rica's blue morpho butterfly, earthquakes, and the honey trade. Several of her pieces take place in Michigan locales as well, including Elvis sightings in Vicksburg and the magicians' convention in Colon. In the end you'll return from these travels refreshed, enlightened-and wiser.
In the introduction to this volume, editors Robert Jackall and Duffy Graham identify Bensman’s trademark habits of mind: an analytical stance, fundamentally objective and dispassionate; a vigilant awareness of the reach and vitality of bureaucracy; an ability to discern intellectual problems in superficially unremarkable phenomena; attention to empirical detail and suspicion of theoretical abstractions; and appreciation of irony and unintended consequences.
Robert Jackall is Willmott Family Professor of Sociology and Public Affairs at Williams College. He is the author of Moral Mazes: The World of Corporate Managers
and Street Stories: The World of Police Detectives, among other books. Duffy Graham is the author of The Consciousness of the Litigator.
In From Kant to Husserl, Charles Parsons examines a wide range of historical opinion on philosophical questions, from mathematics to phenomenology. Amplifying his early ideas on Kant’s philosophy of arithmetic, Parsons uses Kant’s lectures on metaphysics to explore how his arithmetical concepts relate to the categories. He then turns to early reactions by two immediate successors of Kant, Johann Schultz and Bernard Bolzano, to shed light on disputed questions regarding interpretation of Kant’s philosophy of mathematics. Interested, as well, in what Kant meant by “pure natural science,” Parsons considers the relationship between the first Critique and the Metaphysical Foundations of Natural Science. His commentary on Kant’s Transcendental Aesthetic departs from mathematics to engage the vexed question of what it tells about the meaning of Kant’s transcendental idealism.
Proceeding on to phenomenology, Parsons examines Frege’s evolving idea of extensions, his attitude toward set theory, and his correspondence, particularly exchanges with Russell and Husserl. An essay on Brentano brings out, in the case of judgment, an alternative to the now standard Fregean view of negation, and, on truth, alternatives to the traditional correspondence view that are still discussed today. Ending with the question of why Husserl did not take the “linguistic turn,” a final essay included here marks the only article-length discussion of Husserl Parsons has ever written, despite a long-standing engagement with this philosopher.
Distinguished critic and scholar Louis L. Martz refreshingly addresses some of the central concerns in current studies of English poetry from the sixteenth and seventeenth centuries, exploring the context of religious controversy within which this poetry developed and the relationship of poetry to the visual arts.
From Text to Action is an essential companion to the classic The Conflict of Interpretations. Here, Ricoeur continues and extends his project of constructing a general theory of interpretation, positioning his work in relation to its philosophical background: Hegel, Husserl, Gadamer, and Weber. He also responds to contemporary figures like K. O. Apel and Jürgen Habermas, connecting his own theorization of ideology to their critique of ideology.
This new edition includes a foreword by Richard Kearney. It and other new editions of Ricoeur's texts published by Northwestern University Press have joined the canon of contemporary continental philosophy and continue to contribute to emergent discussions in the twenty-first century.
“Bottom line is, I’m the kind of guy who’s happy to go to the opera, but I should like to be allowed to wear steel-toed boots with my evening suit. I like to read Harper’s with a chaser of Varmint Hunter Magazine. Maybe that’s why I enjoy a good show under canvas. Here we sit, brain-deep in arts and culture, but we’re also just people hanging out in a tent, some of us wearing boots, a few of us wearing Birkenstocks, but best of all we’re breathing free fresh air filled with music.”
From Scandihoovian Spanglish to snickering chickens, New York Times bestselling author and humorist Michael Perry navigates a wide range of topics in this collection of brief essays drawn from his weekly appearances on the nationally syndicated Tent Show Radio program. Fatherhood, dumpster therapy, dangerous wedding rings, Christmas trees, used cars, why you should have bacon in your stock portfolio, loggers in clogs—whatever the subject, Perry has a rare ability to touch both the funny bone and the heart.
The way we create and organize knowledge is the theme of From the Tree to the Labyrinth, a major achievement by one of the world’s foremost thinkers on language and interpretation. Umberto Eco begins by arguing that our familiar system of classification by genus and species derives from the Neo-Platonist idea of a “tree of knowledge.” He then moves to the idea of the dictionary, which—like a tree whose trunk anchors a great hierarchy of branching categories—orders knowledge into a matrix of definitions. In Eco’s view, though, the dictionary is too rigid: it turns knowledge into a closed system. A more flexible organizational scheme is the encyclopedia, which—instead of resembling a tree with finite branches—offers a labyrinth of never-ending pathways. Presenting knowledge as a network of interlinked relationships, the encyclopedia sacrifices humankind’s dream of possessing absolute knowledge, but in compensation we gain the freedom to pursue an infinity of new connections and meanings.
Moving effortlessly from analyses of Aristotle and James Joyce to the philosophical difficulties of telling dogs from cats, Eco demonstrates time and again his inimitable ability to bridge ancient, medieval, and modern modes of thought. From the Tree to the Labyrinth is a brilliant illustration of Eco’s longstanding argument that problems of interpretation can be solved only in historical context.
Jane Miller loves poetry. In these provocative and deeply insightful essays, she unpacks the work of giants like Adrienne Rich, Paul Celan, Marina Tsvetaeva, Osip Mandelstam, and Federico García Lorca alongside painters such as Caravaggio and Paul Klee, as well as ancient Chinese music and techniques of the contemporary poem. Miller explores the use of the question mark in the history of poetry and its function as a revelation of poetic voice. She considers the positive and negative aspects of surrealism on the contemporary poem, its anti-feminist origins in France, its contemporary usage, and the benefits of super-real images. Miller examines how identity politics might affect the imagination. She describes ancient Chinese musical instruments to show how their sounds resonate off/in American poems and on the aural integrity of the lyric poem. She interrogates the political implications of language and the degeneration and regeneration of words. Finally, in an essay about what she dares not say about poetry, she comes out against forms of surrealism, narrative, jargon, rhetoric, irony, and appropriation. This masterful work can be read as advice to a young writer, but it also invites us into the mind of a writer who has developed her craft through the course of a lifetime of writing, reading, and exploring the world, showing not only the ideas that influenced her—feminist, lesbian, and international works—but also how Miller has, in turn, influenced ideas.
Spanning both the history of the modern West and his own five-decade journey as a historian, Gerald Stourzh’s sweeping new essay collection covers the same breadth of topics that has characterized his career—from Benjamin Franklin to Gustav Mahler, from Alexis de Tocqueville to Charles Beard, from the notion of constitution in seventeenth-century England to the concept of neutrality in twentieth-century Austria.
This storied career brought him in the 1950s from the University of Vienna to the University of Chicago—of which he draws a brilliant picture—and later took him to Berlin and eventually back to Austria. One of the few prominent scholars equally at home with U.S. history and the history of central Europe, Stourzh has informed these geographically diverse experiences and subjects with the overarching themes of his scholarly achievement: the comparative study of liberal constitutionalism and the struggle for equal rights at the core of Western notions of free government. Composed between 1953 and 2005 and including a new autobiographical essay written especially for this volume, From Vienna to Chicago and Back will delight Stourzh fans, attract new admirers, and make an important contribution to transatlantic history.
This interdisciplinary study of Frontinus' work addresses the questions that lie between the lines of his text. How large a work force was required to build an aqueduct, and how did they go about doing it? What did such an undertaking cost, and who was responsible for paying? Who decided which route should be followed? Why did Frontinus feel a need to write this book? Who was his audience?
To date, Frontinus has been subjected to very little critical scrutiny. Deane R. Blackman and A. Trevor Hodge have gathered here a wide range of recognized authorities--in classics, hydraulics engineering, surveying, financing, and the formation of calcium carbonate deposits in the water conduits-- to examine the puzzle Frontinus has left us.
Deane R. Blackman is Associate Professor of Engineering, Monash University. A. Trevor Hodge is Distinguished Research Professor of Classics, Carleton University.
The Frontline presents a selection of essays drawn together for the first time to form a companion volume to Serhii Plokhy’s The Gates of Europe and Chernobyl. Here he expands upon his analysis in earlier works of key events in Ukrainian history, including Ukraine’s complex relations with Russia and the West, the burden of tragedies such as the Holodomor and World War II, the impact of the Chernobyl nuclear disaster, and Ukraine’s contribution to the collapse of the Soviet Union.
Juxtaposing Ukraine’s history to the contemporary politics of memory, this volume provides a multidimensional image of a country that continues to make headlines around the world. Eloquent in style and comprehensive in approach, the essays collected here reveal the roots of the ongoing political, cultural, and military conflict in Ukraine, the largest country in Europe.
Carole and Robert Hillenbrand are legendary British professors, both of whom have made immense contributions to the fields of Islamic history and art history, and they are highly respected and beloved by the academic community. For these two volumes, editors Melanie Gibson and Ali Ansari have gathered an eclectic mix of scholarly contributions by colleagues and by some of their most recent students who now occupy positions in universities worldwide. The eleven articles in the volume dedicated to Carole Hillenbrand include research on a range of topics, including the elusive Fatimid caliph al-Zafir, a crusader raid on Mecca, and the Persian bureaucrat Mirza Saleh Shirazi’s history of England. In Robert Hillenbrand's volume, the thirteen articles include studies of a rare eighth-century metal dish with Nilotic scenes, Chinese Qur’ans, the process of image-making in both theory and practice, and a shrine in Mosul destroyed by ISIS.
Carole and Robert Hillenbrand are legendary British professors, both of whom have made immense contributions to the fields of Islamic history and art history, and they are highly respected and beloved by the academic community. For these two volumes, editors Melanie Gibson and Ali Ansari have gathered an eclectic mix of scholarly contributions by colleagues and by some of their most recent students who now occupy positions in universities worldwide. The eleven articles in the volume dedicated to Carole Hillenbrand include research on a range of topics, including the elusive Fatimid caliph al-Zafir, a crusader raid on Mecca, and the Persian bureaucrat Mirza Saleh Shirazi’s history of England. In Robert Hillenbrand's volume, the thirteen articles include studies of a rare eighth-century metal dish with Nilotic scenes, Chinese Qur’ans, the process of image-making in both theory and practice, and a shrine in Mosul destroyed by ISIS.
Gathered in honor of The Ohio State University’s sesquicentennial celebration, this collection of essays highlights the significant contributions that Ohio State continues to make as part of its twenty-first-century land-grant mission. Authors from across the university—representing fields as various as agriculture, dance, English, engineering, family science, geography, medicine, social work, and veterinary science—provide contributions that highlight the preeminent status of The Ohio State University. In addition, the perspectives of alumni, staff members, and senior administrators (both present and former) round out the picture of Ohio State as the first among equals regarding its land-grant peers. Overall, contributors draw on rich and varied institutional backgrounds to offer invaluable insights for higher education administrators and scholars across the US.
" This volume is likely to prove indispensable to historians of anthropology in general and of British anthropology in particular. There are a wide range of historical skills on display, from traditional textual analysis to historical sociology of the most sophisticated sort, and there is a more or less thorough chronological coverage from the era of classical evolutionism virtually up to the present. One can only hope that historicizing anthropologists will sample some of these wares."—Journal of the History of the Behavioral Sciences
This book seeks to underscore the importance of dealing with our planet’s common crises—climate change, species extinction, land and food shortages, water pollution, and many more global catastrophes. In the face of these calamities, this book calls for the transformation of human development model and civilization paradigm: Promote the transformation from industrial civilization to global Civilization and then strive to realize the great civilization.
The far-reaching effects of the COVID-19 pandemic have gone beyond the fields of health, deeply impacting economic, social, and geopolitical affairs worldwide. The still-unfolding health crisis has forced many to rethink the axioms of what they know as “civilization.” In this book, Zhouying Jin contends that if the human beings who share the earth cannot guide the direction of technological innovation to create a more advanced human civilization, then they are doomed to move toward self-destruction. The Future of Humanity calls on human beings to prepare for the future by altering their destructive relationship with nature and abandoning people-centered thinking to promote an awakening of all mankind.
Ukraine is in the midst of the worst international crisis in East-West relations since the Cold War, and history itself has become a battleground in Russia-Ukraine relations. Can history and historical narratives be blamed for what has happened in the region, or can they show the path to peace and reconciliation, helping to integrate the history of the region in the broader European context?
The essays collected here address these questions, rethinking the meaning of Ukrainian history by venturing outside boundaries established by the national paradigm, and demonstrating how research on the history of Ukraine can benefit from both regional and global perspectives. The Future of the Past shows how the study of Ukraine’s past enhances our understanding of Europe, Eurasia, and the world—past, present, and future.
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