A SCHOLARLY BOOK REPOSITORY53 start with N start with N
Extraordinary visions of material abundance, unprecedented materials, and powerful engineering capabilities have marked the arrival of nanotechnology, as well as dystopian scenarios of self-replicating devices running amok and causing global catastrophe. Largely a future possibility rather than present actuality, nanotechnology has become a potent cultural signifier.
NanoCulture explores the ways in which nanotechnology interacts with, and itself becomes, a cultural construction. Topics include the co-construction of nanoscience and science fiction; the influence of risk assessment and nanotechnology on the shapes of narratives; intersections between nanoscience as a writing practice and experimental literature at the limits of fabrication; the Alice-in-Wonderland metaphor for nanotechnology; and the effects of mediation on nanotechnology and electronic literature.
NanoCulture is produced in collaboration with the nano art exhibit at the Los Angeles County Museum of Art (December 2003-September 2004), created by an interdisciplinary team led by media artist Victoria Vesna and nanoscientist James Gimzewski. NanoCulture is richly illustrated with images from the nano exhibit, which also provides the basis for an ethnographic analysis of collaborative process and an exploration of changing concepts of museum space.
The dynamic uniting these diverse perspectives is boundary crossing: between art, science, and literature; cultural imaginaries, scientific facts, and technological possibilities; actual. virtual, and hybrid spaces; the science of fictions and the fictions of science; and utopian dreams, material constraints, and dystopian nightmares.
The first book-length study focus on cultural implications of nanotechnology, NanoCulture breaks new ground in showing the importance of the new technoscience to contemporary culture and of culture to the development, interpretation, and future of this technoscience.
Milburn illuminates the practices of nanotechnology by examining an enormous range of cultural artifacts, including scientific research articles, engineering textbooks, laboratory images, popular science writings, novels, comic books, and blockbuster films. In so doing, he reveals connections between the technologies of visualization that have helped inaugurate nano research, such as the scanning tunneling microscope, and the prescient writings of Robert A. Heinlein, James Blish, and Theodore Sturgeon. He delves into fictive and scientific representations of “gray goo,” the nightmare scenario in which autonomous nanobots rise up in rebellion and wreak havoc on the world. He shows that nanoscience and “splatterpunk” novels share a violent aesthetic of disintegration: the biological body is breached and torn asunder only to be refabricated as an assemblage of self-organizing machines. Whether in high-tech laboratories or science fiction stories, nanovision deconstructs the human subject and galvanizes the invention of a posthuman future.
"Robert Cover drew his sources for the authority of law--for its violence, but also for its paideic potential--from the structuring stories that spark our communal imaginations. Literally until the day of his untimely death, his irreplaceably restless spirit was binding itself with the pages of the Midrash, of The Brothers Karamazov, of Billy Budd, Sailor. It is for us now to work also with these--Bob Cover's stories."--Richard Weisberg, Benjamin N. Cardozo Law School, Yeshiva University
"The writings of Robert Cover were usually provocative, sometimes exasperating, but always relevant. In his last years, he concentrated on Jewish sources as well as mystical and Messianic thought. This collection of his articles is a thesaurus of some of his finest writings."--Robert F. Drinan, S.J., Georgetown University Law Center
The late Robert Cover was Professor of Law, Yale Law School. Martha Minow is Professor of Law, Harvard Law School. Michael Ryan is Professor of English, Northeastern University. Austin Sarat is William Nelson Cromwell Professor of Jurisprudence and Political Science and Chair of the Program in Law, Jurisprudence, and Social Thought, Amherst College.
Once relegated to the borders of literature—neither Mexican nor truly American—Chicana/o writers have always been in the vanguard of change, articulating the multicultural ethnicities, shifting identities, border realities, and even postmodern anxieties and hostilities that already characterize the twenty-first century. Indeed, it is Chicana/o writers' very in-between-ness that makes them authentic spokespersons for an America that is becoming increasingly Mexican/Latin American and for a Mexico that is ever more Americanized.
In this pioneering study, Héctor Calderón looks at seven Chicana and Chicano writers whose narratives constitute what he terms an American Mexican literature. Drawing on the concept of "Greater Mexican" culture first articulated by Américo Paredes, Calderón explores how the works of Paredes, Rudolfo Anaya, Tomás Rivera, Oscar Zeta Acosta, Cherríe Moraga, Rolando Hinojosa, and Sandra Cisneros derive from Mexican literary traditions and genres that reach all the way back to the colonial era. His readings cover a wide span of time (1892-2001), from the invention of the Spanish Southwest in the nineteenth century to the América Mexicana that is currently emerging on both sides of the border. In addition to his own readings of the works, Calderón also includes the writers' perspectives on their place in American/Mexican literature through excerpts from their personal papers and interviews, correspondence, and e-mail exchanges he conducted with most of them.
This collection is organized through broad topics in order to provide entrances into his challenging work: myth, literature, and seriality; music, performance, and collaboration; syncretism, synopsis, and what-saying. It engages Mackey’s spiritual and esoteric disposition along with his attention to what Amiri Baraka called the “enraged sociologies” of Black music. In his manifesto “Destination Out,” Mackey describes his work as “wanting to bid all givens goodbye” and as “centrifugal.” It is also centripetal, manifesting a reflexive interiority that creates itself through recurring forms.
Contributors: Maria Damon, Joseph Donahue, Rachel Blau DuPlessis, Norman Finkelstein, Luke Harley, Paul Jaussen, Adalaide Morris, Fred Moten, Peter O’Leary, Anthony Reed
Miller ranges from the beginnings of francophone African literature—which he traces not to the 1930s Negritude movement but to the largely unknown, virulently radical writings of Africans in Paris in the 1920s—to the evolving relations between African literature and nationalism in the 1980s and 1990s. Throughout he aims to offset the contemporary emphasis on the postcolonial at the expense of the colonial, arguing that both are equally complex, with powerful ambiguities. Arguing against blanket advocacy of any one model (such as nationalism or hybridity) to explain these ambiguities, Miller instead seeks a form of thought that can read and recognize the realities of both identity and difference.
The province of Galicia was the easternmost land of the old Habsburg Empire. Throughout the nineteenth century it was noted for political conflicts and the cultural vibrancy of its three major national groups: Poles, Ukrainians, and Jews.
This volume brings together for the first time eleven essays on various aspects of the last seventy-five years of Austrian Galicia's existence. Included are general surveys on Galicia within the imperial Habsburg system and on the fate of Ukrainians, Poles, and Jews within the province. Various aspects of Ukrainian development receive special attention, and a major bibliographic essay completes the volume. Among the leading specialists represented are Peter Brock, Paul R. Magocsi, Ezra Mendelsohn, Ivan L. Rudnytsky, and Piotr Wandycz.
First published in 1916 and one of South Africa’s great political books, Native Life in South Africa was first and foremost a response to the Native’s Land Act of 1913, and was written by one of the most gifted and influential writers and journalists of his generation. Sol T. Plaatje provides an account of the origins of this crucially important piece of legislation and a devastating description of its immediate effects.
Natural Coincidence collects some of Bil Gilbert's finest writing, covering a diverse range of subjects that include investigations of the biology of Tasmanian devils, the lives and loves of snapping turtles, and an appreciation of the intelligence of crows. Perfectly suiting this eclectic choice of angles is Gilbert's unique writing style, a blend of unprepossessing erudition, wit, and honesty that has been compared to Aldo Leopold's Sand County Almanac.
The collection opens with a memoir of a childhood Christmas in western Michigan, before Gilbert's fascination with the natural world drew him to more exotic locales like Tasmania, Alaska, Nova Scotia, and Manhattan to write about such topics as the javelina, bigfoot, buffalo, and ringtails.
"More than 50 years ago," writes Gilbert, "without a clear notion about why or where I was going, I set off on a trip from Kalamazoo, Michigan. I am still traveling toward an unknown destination. But along the way, much more for reasons of good luck than thoughtful planning, I have met many wonderful beings and happenings. The essays appearing in Natural Coincidence represent an attempt to describe some of these wonders. I like to think, or at least pretend, that the inspiration for and theme of this book is gratitude."
Author John E. Schwegman looks at the state’s early natural history, including its prehistoric vegetation and wildlife. He describes surviving remnants of formerly widespread species, such as biting horseflies so abundant they could kill a horse and flights of passenger pigeons dense enough to block the sun. The book addresses issues of species decline, the ways animals adapt to climate change and dwindling habitats, and the problem of invasive exotic species. Ecosystem preservation is discussed, and readers will witness prescribed burning techniques and volunteers aiding in natural land management.
Animal and plant conservation in Illinois is illustrated by essays that examine the efforts to save our dwindling Prairie Chicken population and to reintroduce river otters, the return of nesting bald eagles and cormorants to the state, the discovery of armadillos in southern Illinois, the pros and cons of feeding birds, and the biological significance of frog calls. Essays on Illinois’ native plants cover a wide range of topics, from defensive strategies to poisonous and edible species, prairie’s dependence on fire, how to recognize our wild roses, orchids, prairie grasses, and more. Full of fascinating information and expert knowledge, this book will prove invaluable to scholars, students, teachers, and casual nature lovers.
In this remarkable collection of essays, Stephen Harrigan explores, with an unfailing depth of feeling, the human longing to feel at home in the world of nature. In vivid and convincing prose, he evokes the landscape of his home territory, Texas, and his own reactions, sometimes droll, sometimes haunted, to the extraordinary power of place that Texas projects.
Hilary Putnam’s ever-evolving philosophical oeuvre has been called “the history of recent philosophy in outline”—an intellectual achievement, nearly seventy years in the making, that has shaped disciplinary fields from epistemology to ethics, metaphysics to the philosophy of physics, the philosophy of mathematics to the philosophy of mind. Naturalism, Realism, and Normativity offers new avenues into the thought of one of the most influential minds in contemporary analytic philosophy.
The essays collected here cover a range of interconnected topics including naturalism, commonsense and scientific realism, ethics, perception, language and linguistics, and skepticism. Aptly illustrating Putnam’s willingness to revisit and revise past arguments, they contain important new insights and freshly illuminate formulations that will be familiar to students of his work: his rejection of the idea that an absolute conception of the world is obtainable; his criticism of a nihilistic view of ethics that claims to be scientifically based; his pathbreaking distinction between sensations and apperceptions; and his use of externalist semantics to invalidate certain forms of skepticism. Above all, Naturalism, Realism, and Normativity reflects Putnam’s thinking on how to articulate a theory of naturalism which acknowledges that normative phenomena form an ineluctable part of human experience, thereby reconciling scientific and humanistic views of the world that have long appeared incompatible.
"A fascinating study of the life cycles of the animals of Alaska and their inter-relationships. One venturing to capture something of the true beauty of Alaska and its fauna will probably find it in this book."—Journal of the West
"This book should be considerable aid to those who wish to preserve some of the great natural treasures still remaining in Alaska in the face of the inevitable pressures of a growing population. The writing is absolutely first rate. Highly recommended."—Library Journal
The Golden Crescent of South Texas, a fifteen-county region along and inland from the middle Gulf Coast, is often called "the Crossroads" because of its natural diversity. Located in the heart of the Gulf Coast Prairie and Marshes, the area also encompasses the trailing edges of the South Texas Plains, Post Oak Savannah, and Blackland Prairie. This confluence of ecological zones makes it a wonderful place for birding and for observing the changing face of nature, especially during seasonal transitions.
In this book, Ro Wauer describes a typical year in the natural life of South Texas. Using selected entries from his weekly column in the Victoria Advocate newspaper, he discusses numerous topics for each month, from the first appearance of butterflies in January, to alligators making a comeback in July, to the Christmas bird count in December. His observations are filled with intriguing natural history lore, from what sounds mockingbirds will imitate (almost any noise in their neighborhood) to how armadillos swim (by inflating themselves to increase their buoyancy).
Nearly 30 million acres of the Northern Forest stretch across New York, Vermont, New Hampshire, and Maine. Within this broad area live roughly a million residents whose lives are intimately associated with the forest ecosystem and whose individual stories are closely linked to the region’s cultural and environmental history. The fourteen engaging essays in Nature and Culture in the Northern Forest effectively explore the relationships among place, work, and community in this complex landscape. Together they serve as a stimulating introduction to the interdisciplinary study of this unique region.
Each of the four sections views through a different lens the interconnections between place and people. The essayists in “Encounters” have their hiking boots on as they focus on personal encounters with flora and fauna of the region. The energizing accounts in “Teaching and Learning” question our assumptions about education and scholarship by proposing invigorating collaborations between teachers and students in ways determined by the land itself, not by the abstractions of pedagogy. With the freshness of Thoreau’s irreverence, the authors in “Rethinking Place” look at key figures in the forest’s literary and cultural development to help us think about the affiliations between place and citizenship. In “Nature as Commodity,” three essayists consider the ways that writers from the nineteenth and early twentieth centuries thought about nature as a product and, thus, how their conclusions bear on the contemporary retailing of place.
The writers in Nature and Culture in the Northern Forest reveal the rich affinities between a specific place and the literature, thought, and other cultural expressions it has nurtured. Their insightful and stimulating connections exemplify adventurous bioregional thinking that encompasses both natural and cultural realities while staying rooted in the particular landscape of some of the Northeast’s wildest forests and oldest settlements.
Nabhan invites a prism of voices—friends, colleagues, and advisors from his more than four decades of study of deserts—to bring their own perspectives. Scientists, artists, desert contemplatives, poets, and writers bring the desert into view and investigate why these places compel us to walk through their sands and beneath their cacti and acacia. We observe the spines and spears, stings and songs of the desert anew. Unexpected. Surprising. Enchanting. Like the desert itself, each essay offers renewed vocabulary and thoughtful perceptions.
The desert inspires wonder. Attending to history, culture, science, and spirit, The Nature of Desert Nature celebrates the bounty and the significance of desert places.
Contributors
Thomas M. Antonio
Homero Aridjis
James Aronson
Tessa Bielecki
Alberto Búrquez Montijo
Francisco Cantú
Douglas Christie
Paul Dayton
Alison Hawthorne Deming
Father David Denny
Exequiel Ezcurra
Thomas Lowe Fleischner
Jack Loeffler
Ellen McMahon
Rubén Martínez
Curt Meine
Alberto Mellado Moreno
Paul Mirocha
Gary Paul Nabhan
Ray Perotti
Larry Stevens
Stephen Trimble
Octaviana V. Trujillo
Benjamin T. Wilder
Andy Wilkinson
Ofelia Zepeda
Gaard journeys through the deserts of southern California, through the High Sierras, the Wind River Mountains, and the Northern Cascades, through the wildlands and waterways of Washington and Minnesota, through snow season, rain season, mud season, and lilac season, yet her essays transcend mere description of natural beauty to investigate the interplay between place and identity. Gaard examines the earliest environments of childhood and the relocations of adulthood, expanding the feminist insight that identity is formed through relationships to include relationships to place. “Home” becomes not a static noun, but an active verb: the process of cultivating the connections with place and people that shape who we become.
Striving to create a sense of home, Gaard involves herself socially, culturally, and ecologically within her communities, discovering that as she works to change her environment, her environment changes her. As Gaard investigates environmental concerns such as water quality, oil spills, or logging, she touches on their parallels to community issues such as racism, classism, and sexism, uncovering the dynamic interaction by which “humans, like other life on earth, both shape and are shaped by our environments.”
While maintaining an understanding of the complex systems and structures that govern communities and environments, Gaard’s writing delves deeper to reveal the experiences and realities we displace through euphemisms or stereotypes, presenting issues such as homelessness or hunger with compelling honesty and sensitivity. Gaard’s essays form a quest narrative, expressing the process of letting go that is an inherent part of an impermanent life. And when a person is broken, in the aftermath of that letting go, it is a place that holds the pieces together.
As long as we are forced to move—by economics, by war, by colonialism—the strategies we possess to make and redefine home are imperative to our survival, and vital in the shaping of our very identities.
With this collection of essays, Jack Kamerman presents the first sustained examination of one of the underpinnings of the operation of the criminal justice system: the issue of responsibility for actions and, as a consequence, the issue of accountability.
Unique in the breadth of its approach, this volume examines the issue of responsibility from the perspectives of criminal justice professionals, sociologists, philosophers, and public administrators from four countries. Attacking the problem on various levels, the essayists look first at the assumptions made by criminal justice institutions regarding offender responsibility, then turn to the views of offenders on the causes of their own actions and to the consequences of offenders either to accept or deny responsibility.
These scholars also examine the social and psychological circumstances under which people in general accept or deny responsibility for what they do, thus providing the basis for understanding the process of social distance as a major precondition for people to commit atrocities without seeing themselves as responsible. Understanding the circumstances under which people either distance themselves from or embrace responsibility enables criminologists to make grounded recommendations for reordering responsibility in the criminal justice system and, more generally, for restoring a sense of responsibility to organizations, occupations, and society.
Aside from Kamerman, the contributors are William C. Collins, Charles Fethe, Gilbert Geis, Robert J. Kelly, Alison Liebling, Jess Maghan, Mark Harrison Moore, Paul Neurath, John Rakis, William Rentzmann, and José E. Sánchez.
For millennia the ecology of the Great Basin has evolved because of climate change and the impacts of human presence. Nevada’s Changing Wildlife Habitat is the first book to explain the transformations in the plants and animals of this region over time and how they came about. Using data gleaned from archaeological and anthropological studies, numerous historical documents, repeat photography, and several natural sciences, the authors examine changes in vegetation and their impact on wildlife species and the general health of the environment. They also outline the choices that current users and managers of rangelands face in being good stewards of this harsh but fragile environment and its wildlife.
Nevada's relatively brief history (it became a state in 1864) has been largely a story of the exploitation of its natural resources. Mining has torn down mountains and poisoned streams and groundwater. Uncontrolled grazing by vast herds of sheep and cattle has denuded grasslands and left them prey to the invasion of noxious plant species and vulnerable to wildfire. Clear-cut logging practices have changed the composition of forests and induced serious soil erosion. More recently, military testing, including hundreds of atomic blasts to determine the efficacy of nuclear weapons, has irreversibly polluted expanses of fragile desert landscape. And rampant development throughout the state over the past four decades, along with the public's growing demand for recreational facilities, has placed intolerable demands on the arid state's limited water resources and threatened the survival of numerous rare plant and animal species. Veteran historian and Nevada native James W. Hulse considers the state's complex environmental history as a series of Faustian bargains between the state's need for economic development and the industries, government agencies, and individuals that have exploited Nevada's natural resources with little concern for the long-term consequences of their activities. His survey covers all these issues, and examines public attitudes about the environment and the role of federal and state agencies in creating, interpreting, and enforcing environmental policies.
Reaching through time, language, and poetic history, A New Divan offers a lyrical conversation and opens paths of connection across cultures.
America is a nation making itself up as it goes along—a story of discovery and invention unfolding in speeches and images, letters and poetry, unprecedented feats of scholarship and imagination. In these myriad, multiform, endlessly changing expressions of the American experience, the authors and editors of this volume find a new American history.
In more than two hundred original essays, A New Literary History of America brings together the nation’s many voices. From the first conception of a New World in the sixteenth century to the latest re-envisioning of that world in cartoons, television, science fiction, and hip hop, the book gives us a new, kaleidoscopic view of what “Made in America” means. Literature, music, film, art, history, science, philosophy, political rhetoric—cultural creations of every kind appear in relation to each other, and to the time and place that give them shape.
The meeting of minds is extraordinary as T. J. Clark writes on Jackson Pollock, Paul Muldoon on Carl Sandburg, Camille Paglia on Tennessee Williams, Sarah Vowell on Grant Wood’s American Gothic, Walter Mosley on hard-boiled detective fiction, Jonathan Lethem on Thomas Edison, Gerald Early on Tarzan, Bharati Mukherjee on The Scarlet Letter, Gish Jen on Catcher in the Rye, and Ishmael Reed on Huckleberry Finn. From Anne Bradstreet and John Winthrop to Philip Roth and Toni Morrison, from Alexander Graham Bell and Stephen Foster to Alcoholics Anonymous, Life, Chuck Berry, Alfred Hitchcock, and Ronald Reagan, this is America singing, celebrating itself, and becoming something altogether different, plural, singular, new.
In this collection, D. Michael Quinn has selected fifteen essays which demonstrate the methods of this new history. Contributors include Thomas G. Alexander, James B. Allen, Leonard J. Arrington, Maureen Ursenbach Beecher, Eugene E. Campbell, Kenneth L. Cannon II, Mario S. DePillis, Robert B. Flanders, Klaus J. Hansen, William G. Hartley, Stanley S. Ivins, Dean L. May, Linda King Newell, B. H. Roberts, Jan Shipps, and Ronald W. Walker. Participants offer new ideas and give readers the opportunity to determine for themselves the relative success of these approaches by presenting examples. The collection demonstrates areas of interpretation that may be considered revisionist as well.
Widely regarded as today’s foremost American Jewish historian, Jonathan D. Sarna had a huge impact on the academy. Sarna’s influence is perhaps nowhere more apparent than among his former doctoral students—a veritable “Sarna diaspora” of over three dozen active scholars around the world. Both a tribute to Sarna and an important collection in its own right, New Perspectives in American Jewish History was compiled by Sarna’s former students and presents previously unpublished, neglected, or rarely seen historical documents and images that illuminate the breadth, diversity, and dynamism of the American Jewish experience. Beginning with the earliest known Jewish divorce in circum-Atlantic history (1774) and concluding with a Black Lives Matter Haggadah supplement (2019), the collection travels across time and space to shed light on intriguing and generative moments that span the varieties of Jewish experience in the American setting from the colonial era to the present. The materials underscore the interrelationship of myriad themes including ritual observance, Jewish-Christian relations, civil rights, Zionism and Israel, and immigration. While not intended as a comprehensive treatment of American Jewish history, the collection offers a chronological road map of American Jewry’s evolving self-understanding and encounter with America over the course of four centuries. A brief prefatory note sets up the analytic context of each document and helps to unpack and explore its significance. The capacious and multifaceted quality of the American Jewish experience is further amplified here by a sampling of artistic texts such as photographs, advertisements, cartoons, and more.
This volume brings together essays on the nature of political organization of the Moche, a complex pre-Inca society that existed on the north coast of Peru from c. 100 to 800 CE. Since the discovery of the royal tombs of Sipán in 1987, the Moche have become one of the best-known pre-Hispanic cultures of the Americas and the focus of a number of archaeological projects. But the nature of Moche political organization is still debated. Some scholars view the Moche as a monolithic state, others see a clear distinction between a northern and southern Moche polity, and yet others argue that the most accurate model is one in which each valley contained an independent polity. In a presentation of new data and new perspectives, the authors debate these competing theories.
Based on a set of papers presented by sixteen international scholars at the Dumbarton Oaks Pre-Columbian Studies symposium held in Lima, Peru, in 2004, this volume marks an important point in the development of Moche archaeology and will be a landmark work in Pre-Columbian studies.
The first edition of May’s Short Story Theories (1976) opened with an essay entitled “The Short Story: An Underrated Art.” Almost two decades later, the short story suffers no such slight. Publishers and critics have become increasingly interested in the form, which has enjoyed a renaissance led by such writers as Raymond Carver, Tobias Wolff, Ann Beattie, Bobbie Ann Mason, and Mary Robison. An important part of this revival of interest, Short Story Theories has continued to attract a strong and loyal audience among students and teachers.
The New Short Story Theories includes a few basic pieces from the earlier volume—Poe’s Hawthorne review, Brander Matthew’s extension and formalization of Poe’s theories, and essays by Randall Jarrell, Elizabeth Bowen, and Nadine Gordimer—but most of the essays are new to the collection.
Addressing problems of definition, historical considerations, issues of technique, and cognitive approaches, essays include:
“The Tale as Genre in Short Story Fiction,” by W. S. Penn
“O. Henry and the Theory of the Short Story,” by Suzanne C. Ferguson
“On Writing,” by Raymond Carver
“From Tale to Short Story,” by Robert F. Marler
“A Cognitive Approach to Storyness,” by Susan Lohafer
May’s new collection will continue to highlight the short story, to provoke debate, and to enrich our experience of a demanding and rewarding literary form.
New Threats to Freedom
In the twentieth century, free people faced a number of mortal threats,ranging from despotism, fascism, and communism to the looming menace of global terrorism. While the struggle against some of these overt dangers continues, some insidious new threats seem to have slipped past our intellectual defenses. These often unchallenged threats are quietly eroding our hard-won freedoms and, in some cases, are widely accepted as beneficial.
In New Threats to Freedom, editor and author Adam Bellow has assembled an all-star lineup of innovative thinkers to challenge these insidious new threats. Some leap into already raging debates on issues such as Sharia law in the West, the rise of transnationalism, and the regulatory state. Others turn their attention to less obvious threats, such as the dogma of fairness, the failed promises of the blogosphere, and the triumph of behavioral psychology.
These threats are very real and very urgent, yet this collection avoids projecting an air of doom and gloom. Rather, it provides a blueprint for intellectual resistance so that modern defenders of liberty may better understand their enemies, more effectively fight to preserve the meaning of freedom, and more surely carry its light to a new generation.
What are the new threats to freedom?
when has authority not claimed, when imposing trammels and curbs on liberty, that it does so for a wider good and a greater happiness?” —Christopher Hitchens
“The regulatory state amounts to a regressive tax that penalizes small independent producers and protects
the status quo.” —Max Borders
“Europe tends to favor stability over democracy, America democracy over stability.” —Daniel Hannan
“The value of free expression is perceived to be at odds with goals that were considered ‘more important,’ like inclusiveness, diversity, nondiscrimination, and tolerance.” —Greg Lukianoff
“The masses cannot ultimately be free: only the individual can be.” —Robert D. Kaplan
“That old bugbear of postwar sociology—the mob-self—is now a reality. In a participatory/popularity culture, the freedom to think and act for ourselves becomes harder and harder to achieve.” —Lee Siegel
“As traditional marriage declines, the ranks of single women are growing, and increasingly these women are substituting the security of a husband with the security of the state.” —Jessica Gavora
“Ending the freedom to fail is a mean-spirited attack on the freedom to succeed.” —Michael Goodwin
“The only solution to the new threats to American press freedom lies in organized resistance.” —Katherine Mangu-Ward
“The new behaviorism isn’t interested in protecting people’s freedom to choose; on the contrary, its core principle is the idea that only by allowing an expert elite to limit choice can individuals learn to break their bad habits.” —Christine Rosen
“There’s a world of Travis Bickles out there, and they’re not driving cabs. They’re reading blogs.” —Ron Rosenbaum
“The first amendment ensures not that speech will be fair, but that it will be free. It cannot be both.” —David Mamet
Join the conversation about these issues at www.newthreatstofreedom.com
New York has long been both America’s leading cultural center and its sports capital, with far more championship teams, intracity World Series, and major prizefights than any other city. Pro football’s “Greatest Game Ever Played” took place in New York, along with what was arguably history’s most significant boxing match, the 1938 title bout between Joe Louis and Max Schmeling. As the nation’s most crowded city, basketball proved to be an ideal sport, and for many years it was the site of the country’s most prestigious college basketball tournament. New York boasts storied stadiums, arenas, and gymnasiums and is the home of one of the world’s two leading marathons as well as the Belmont Stakes, the third event in horse racing’s Triple Crown.
New York sportswriters also wield national influence and have done much to connect sports to larger social and cultural issues, and the vitality and distinctiveness of New York’s street games, its ethnic institutions, and its sports-centered restaurants and drinking establishments all contribute to the city’s uniqueness.
New York Sports collects the work of fourteen leading sport historians, providing new insight into the social and cultural history of America’s major metropolis and of the United States. These writers address the topics of changing conceptions of manhood and violence, leisure and social class, urban night life and entertainment, women and athletics, ethnicity and assimilation, and more.
The News from Poems brings together newly commissioned essays by eminent poets and scholars of poetry and serves as a companion volume to an earlier anthology of engaged poetry compiled by the editors. Essays by Bob Perelman, Steven Gould Axelrod, Tony Hoagland, Eleanor Wilner, and others reveal how recent poetry has redefined our ideas of politics, authorship, identity, and poetics.
The volume showcases the diversity of contemporary American poetry, discussing mainstream and experimental poets, including some whose work has sparked significant controversy. These and other poets of our time, the volume suggests, are engaged not only with public events and topics but also with new ways of imagining subjectivity, otherness, and poetry itself.
The essays in Night Mother delve beneath the surface of The Exorcist to reveal the deeper stories the film tells about faith, family, illness, anger, guilt, desire, and death. Whether tracing the career of its young star, Linda Blair, unpacking its most infamous scenes, exploring its problematic depictions of gender and race, or reflecting on the horror of growing up female in America, Williams deftly blends bold personal narrative with shrewd cultural criticism. Night Mother offers fresh insights for both fans of the film and newcomers alike.
A small revolution is remaking the world. The only problem is, we can’t see it. This book uses dazzling images and evocative descriptions to reveal the virtually invisible realities and possibilities of nanoscience. An introduction to the science and technology of small things, No Small Matter explains science on the nanoscale.
Authors Felice C. Frankel and George M. Whitesides offer an overview of recent scientific advances that have given us our ever-shrinking microtechnology—for instance, an information processor connected by wires only 1,000 atoms wide. They describe the new methods used to study nanostructures, suggest ways of understanding their often bizarre behavior, and outline their uses in technology. This book explains the various means of making nanostructures and speculates about their importance for critical developments in information processing, computation, biomedicine, and other areas.
No Small Matter considers both the benefits and the risks of nano/microtechnology—from the potential of quantum computers and single-molecule genomic sequencers to the concerns about self-replicating nanosystems. By making the practical and probable realities of nanoscience as comprehensible and clear as possible, the book provides a unique vision of work at the very boundaries of modern science.
Praise for Cole Swensen:
"One of the most assured voices in contemporary poetry."
---Library Journal
"Engaging and delightful."
---Publishers Weekly
A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.
Ezra Pound famously said that literature is "news that stays news," but recent experiments in poetry and the sciences allow us to enlarge the statement to bring information theory and biology to bear on the issue---in particular, how the information theory–based model of self-organization from noise offers a way to look at language as an art material as well as a mode of communication. This concept directs these essays on poetry by contemporary poet Cole Swensen.
Noise That Stays Noise covers a variety of subjects relevant to contemporary poetry and will give the general reader a broad notion of the issues that inform discourse around poetry today. Space---the conceptual geometry of poetry and its concrete mise-en-page---is an underlying theme of this collection, sometimes approached directly through the work of other twentieth-century poets, sometimes more obliquely through considerations of the role of the visual arts in contemporary poetry. This question of space and the shapes it includes and acquires offers a different way to look at some familiar writers, such as Mallarmé and Olson, and a way to introduce several more recent writers who may not yet be known to the general public.
Berland explores how understandings of space and time, empire and margin, embodiment and technology, and nature and culture are shaped by broadly conceived communications technologies including pianos, radio, television, the Web, and satellite imaging. Along the way, she provides a useful overview of the assumptions driving communications research on both sides of the U.S.-Canadian border, and she highlights the distinctive contributions of the Canadian communication theorists Harold Innis and Marshall McLuhan. Berland argues that electronic mediation is central to the construction of social space and therefore to anti-imperialist critique. She illuminates crucial links between how space is traversed, how it is narrated, and how it is used. Making an important contribution to scholarship on globalization, Berland calls for more sophisticated accounts of media and cultural technologies and their complex “geographies of influence.”
Adoption of the Northwest Ordinance in 1787 ended a long and sometimes acrimonious debate over the question of how to organize and govern the western territories of the United States. Many eastern leaders viewed the Northwest Territory as a colonial possession, while freedom-loving settlers demanded local self- government. These essays address the ambiguities of the Ordinance, balance of power politics in North America, missionary activity in the territory, slavery, and higher education in the Old Northwest.
The influential essays collected in Novel and Film display a wide range of critical and analytic approaches to the narrative aspects of the two genres. For all the variety of their subjects, from constructional forms such as interior duplication and game play to intertextual parallels with mathematics and topology, these essays together define a unified critical perspective, one that has brought fresh precision to the analysis of narrative techniques and that continues to raise questions of prime importance to contemporary fiction. Included is a complete bibliography of Morrissette's scholarly works.
“Professor Booth’s earnestness is graced by wit, irony, and generous humor.”—Louis Coxe, New Republic
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