front cover of On Reason
On Reason
Rationality in a World of Cultural Conflict and Racism
Emmanuel Chukwudi Eze
Duke University Press, 2008
Given that Enlightenment rationality developed in Europe as European nations aggressively claimed other parts of the world for their own enrichment, scholars have made rationality the subject of postcolonial critique, questioning its universality and objectivity. In On Reason, the late philosopher Emmanuel Chukwudi Eze demonstrates that rationality, and by extension philosophy, need not be renounced as manifestations or tools of Western imperialism. Examining reason in connection to the politics of difference—the cluster of issues known variously as cultural diversity, political correctness, the culture wars, and identity politics—Eze expounds a rigorous argument that reason is produced through and because of difference. In so doing, he preserves reason as a human property while at the same time showing that it cannot be thought outside the realities of cultural diversity. Advocating rationality in a multicultural world, he proposes new ways of affirming both identity and difference.

Eze draws on an extraordinary command of Western philosophical thought and a deep knowledge of African philosophy and cultural traditions. He explores models of rationality in the thought of philosophers from Aristotle, René Descartes, Francis Bacon, and Thomas Hobbes to Noam Chomsky, Richard Rorty, Hilary Putnam, and Jacques Derrida, and he considers portrayals of reason in the work of the African thinkers and novelists Chinua Achebe, Ngugi wa Thiong’o, and Wole Soyinka. Eze reflects on contemporary thought about genetics, race, and postcolonial historiography as well as on the interplay between reason and unreason in the hearings of South Africa’s Truth and Reconciliation Commission. He contends that while rationality may have a foundational formality, any understanding of its foundation and form is dynamic, always based in historical and cultural circumstances.

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An Other Tongue
Nation and Ethnicity in the Linguistic Borderlands
Alfred Arteaga
Duke University Press, 1994
As our millennium draws to a close, we find ourselves in the midst of great and rapid global changes with nations and political systems dissolving all around us and the world becoming one of shifting identities--of peoples unified and divided by such distinctions as nationality, ethnicity, race, religion, and colonial status. The articulation and construction of these distinctions, the very language of difference, is the subject of An Other Tongue. This collection of essays by a group of distinguished scholars, including Norma Alarcón, Gayatri Spivak, Tzvetan Todorov, and Gerald Vizenor, explores the interconnections between language and identity.
The Chicanos, the U.S./Mexico borderland polyglots whose sense of history, nationality, and race is as mixed as their language, are the book's prime example. But the authors recognize that border zones, like diasporas and post-colonial relations, occur globally, and their discussion of hybrid or mestizo identities ranges from the United States to the Caribbean to South Asia to Ireland. Drawing on personal experience, readings of poetry and fiction, and cultural theory, the authors detail the politics of being human through the mediation of language. What does "shadow" mean to the Native American Indian, or diaspora to the East Indian immigrant? How does British colonialism yet affect Irish and Indian nationalist literary production? Why is the split between Eastern and Western European language use necessarily schizophrenic? So much of our sense of difference today is constructed as we speak, and An Other Tongue speaks with eloquence to this phenomenon and will be of great interest to those concerned with the discourse of post-colonial studies, critical theory, and the remapping of world literature.

Contributors. Norma Alarcón, Alfred Arteaga, Juan Bruce-Novoa, Cordelia Chávez Candelaria, Michael G. Cooke, Edmundo Desnoes, Eugene C. Eoyang, David Lloyd, Lydie Moudileno, Jean-Luc Nancy, Tejaswini Niranjana, Ada Savin, Gayatri Chakravorty Spivak, Michael Smith, Tzvetan Todorov, Luis A. Torres, Gerald Vizenor

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front cover of Our Women Are Free
Our Women Are Free
Gender and Ethnicity in the Hindukush
Wynne Maggi
University of Michigan Press, 2001
The Kalasha are a dynamic community of about three thousand people living in three tiny finger valleys near Chitral, Pakistan. A tumultuous history has left them the only remaining practitioners of cultural and religious traditions that once extended across the Hindukush into Afghanistan. The Kalasha differ in many ways from the conservative Muslim communities now surrounding them.
Yet despite their obvious religious differences with nearby communities, when asked what makes the Kalasha unique, both men and women often reply, "Our women are free" (homa istrizia azat asan). The concept that Kalasha women are "free" (azat), that they have "choice" (chit), is a topic of spirited conversation among the Kalasha. It touches at the heart of both individual women's identities and the collective identity of the community.
Our Women are Free introduces the historical and cultural landscape of the Kalasha and describes the role that "women's freedom" plays as an ethnic marker for the entire community. Throughout the narrative, Wynne Maggi stays close to conversations and events that illustrate the daily life of the community, focusing particularly on the Kalasha people's sense of humor; on the pleasure they take in work, children, ritual, and relationships; as well as on the complexity and seriousness of their social lives.
Accessible and thought-provoking, Our Women are Free will be of interest to professional anthropologists, area scholars, and other social scientists.
Wynne Maggi teaches anthropology and women's studies at the University of Colorado.
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