front cover of Deaf Space in Adamorobe
Deaf Space in Adamorobe
An Ethnographic Study in a Village in Ghana
Annelies Kusters
Gallaudet University Press, 2015
Shared signing communities consist of a relatively high number of hereditarily deaf people living together with hearing people in relative isolation. In the United States, Martha’s Vineyard gained mythical fame as a paradise for deaf people where everyone signed up until the 19th century. That community disappeared when deaf people left the island, newcomers moved in, married locals, and changed the gene pool. These unique communities still exist, however, one being the Akan village in Ghana called Adamorobe. Annelies Kusters, a deaf anthropologist, traveled to Adamorobe to conduct an ethnographic study of how deaf and hearing people live together in the village. In her new book, Kusters reveals how deaf people in Adamorobe did not live in a social paradise and how they created “deaf spaces” by seeking each other out.

      Deaf Space in Adamorobe reveals one example of the considerable variation in shared signing communities regarding rates of sign language proficiency and use, deaf people’s marriage rates, deaf people’s participation in village economies and politics, and the role of deaf education. Kusters describes spaces produced by both deaf and hearing people as a cohesive community where living together is an integral fact of their sociocultural environments. At the same time, Kusters identifies tension points between deaf and hearing perspectives and also between outside perspectives and discourses that originated within the community. Because of these differences and the relatively high number of deaf people in the community, Kusters concludes it is natural that they form deaf spaces within the shared space of the village community.
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front cover of Gender, Work and Property
Gender, Work and Property
An Ethnographic Study of Value in a Spanish Village
Nancy Konvalinka
Campus Verlag, 2013
Why do young men born in many small villages in Spain tend, at the end of the twentieth century, to stay there to live, often remaining unmarried, while young women from the same villages tend to leave? In Gender, Work, and Property, Nancy Konvalinka explores this phenomenon using the case of one small village in northwestern Spain, and she extrapolates her findings there to understand similar processes elsewhere in Europe.
The changes in this village are analyzed and documented through long-term ethnographic research, participant observation, interviews, kinship diagrams, life-course models, and archive study in order to help bring the village alive for the reader.

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Pindar's Verbal Art
An Ethnographic Study of Epinician Style
James Bradley Wells
Harvard University Press, 2009
In Pindar’s Verbal Art, James Bradley Wells argues that the victory song is a traditional art form that appealed to a popular audience and served exclusive elite interests through the inclusive appeal of entertainment, popular instruction, and laughter. This is the first study of Pindar’s language that applies performance as a method for the ethnographic description and interpretation of entextualized records of verbal art. In Mikhail Bakhtin’s terms, Pindar’s Verbal Art is a sociological stylistics of epinician language and demonstrates that Pindar’s is a highly dialogical form of art, an intertextual web of voices, whose study enables us to appreciate popular dimensions of his songs. Wells offers a new take on recurrent Pindaric questions: genre, the unity of the victory song, tradition, and, principally, epinician performance.
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