Cross-cultural encounters in Europe and Asia in the sixteenth and seventeenth centuries brought the potential for bafflement, hostility, and admiration. The court was the crucial site where expanding Eurasian states and empires met and were forced to make sense of one another. By looking at these interactions, Courtly Encounters provides a fresh cross-cultural perspective on the worlds of early modern Islam, Counter-Reformation Catholicism, Protestantism, and a newly emergent Hindu sphere.

Both individual agents and objects such as texts and paintings helped mediate encounters between courts, which possessed rules and conventions that required decipherment and translation, whether in words or in pictures. Sanjay Subrahmanyam gives special attention to the depiction of South Asian empires in European visual representations, finding a complex history of cultural exchange: the Mughal paintings that influenced Rembrandt and other seventeenth-century Dutch painters had themselves been earlier influenced by Dutch naturalism. Courtly Encounters provides a rich array of images from Europe, the Islamic world, India, and Southeast Asia as aids for understanding the reciprocal nature of cross-cultural exchanges. It also looks closely at how insults and strategic use of martyrdom figured in courtly encounters.

As he sifts through the historical record, Subrahmanyam finds little evidence for the cultural incommensurability many ethnohistorians have insisted on. Most often, he discovers negotiated ways of understanding one another that led to mutual improvisation, borrowing, and eventually change.

A long-awaited corrective to the controversial idea of world literature, from a major voice in the field.

Katerina Clark charts interwar efforts by Soviet, European, and Asian leftist writers to create a Eurasian commons: a single cultural space that would overcome national, cultural, and linguistic differences in the name of an anticapitalist, anti-imperialist, and later antifascist aesthetic. At the heart of this story stands the literary arm of the Communist International, or Comintern, anchored in Moscow but reaching Baku, Beijing, London, and parts in between. Its mission attracted diverse networks of writers who hailed from Turkey, Iran, India, and China, as well as the Soviet Union and Europe. Between 1919 and 1943, they sought to establish a new world literature to rival the capitalist republic of Western letters.

Eurasia without Borders revises standard accounts of global twentieth-century literary movements. The Eurocentric discourse of world literature focuses on transatlantic interactions, largely omitting the international left and its Asian members. Meanwhile, postcolonial studies have overlooked the socialist-aligned world in favor of the clash between Western European imperialism and subaltern resistance. Clark provides the missing pieces, illuminating a distinctive literature that sought to fuse European and vernacular Asian traditions in the name of a post-imperialist culture.

Socialist literary internationalism was not without serious problems, and at times it succumbed to an orientalist aesthetic that rivaled any coming from Europe. Its history is marked by both promise and tragedy. With clear-eyed honesty, Clark traces the limits, compromises, and achievements of an ambitious cultural collaboration whose resonances in later movements can no longer be ignored.

A dramatic new telling of the dawn of modern East Asia, placing Korea at the center of a transformed world order wrought by imperial greed and devastating wars.

In the nineteenth century, Russia participated in two “great games”: one, well known, pitted the tsar’s empire against Britain in Central Asia. The other, hitherto unrecognized but no less significant, saw Russia, China, and Japan vying for domination of the Korean Peninsula. In this eye-opening account, brought to life in lucid narrative prose, Sheila Miyoshi Jager argues that the contest over Korea, driven both by Korean domestic disputes and by great-power rivalry, set the course for the future of East Asia and the larger global order.

When Russia’s eastward expansion brought it to the Korean border, an impoverished but strategically located nation was wrested from centuries of isolation. Korea became a prize of two major imperial conflicts: the Sino-Japanese War at the close of the nineteenth century and the Russo-Japanese War at the beginning of the twentieth. Japan’s victories in the battle for Korea not only earned the Meiji regime its yearned-for colony but also dislodged Imperial China from centuries of regional supremacy. And the fate of the declining tsarist empire was sealed by its surprising military defeat, even as the United States and Britain sized up the new Japanese challenger.

A vivid story of two geopolitical earthquakes sharing Korea as their epicenter, The Other Great Game rewrites the script of twentieth-century rivalry in the Pacific and enriches our understanding of contemporary global affairs, from the origins of Korea’s bifurcated identity—a legacy of internal politics amid the imperial squabble—to China’s irredentist territorial ambitions and Russia’s nostalgic dreams of recovering great-power status.