"Colbert has long been celebrated as Louis XIV's minister of finance, trade, and industry. More recently, he has been viewed as his minister of culture and propaganda. In this lively and persuasive book, Jake Soll has given us a third Colbert, the information manager."
---Peter Burke, University of Cambridge
"Jacob Soll gives us a road map drawn from the French state under Colbert. With a stunning attention to detail Colbert used knowledge in the service of enhancing
royal power. Jacob Soll's scholarship is impeccable and his story long
overdue and compelling."
---Margaret Jacob, University of California, Los Angeles
"Nowadays we all know that information is the key to power, and that the masters of information rule the world. Jacob Soll teaches us that Jean-Baptiste Colbert had grasped this principle three and a half centuries ago, and used it to construct a new kind of state. This imaginative, erudite, and powerfully written book re-creates the history of libraries and archives in early modern Europe, and ties them in a novel and convincing way to the new statecraft of Europe's absolute monarchs."
---Anthony Grafton, Princeton University
"Brilliantly researched, superbly told, and timely, Soll's story is crucial for the history of the modern state."
---Keith Baker, Stanford University
When Louis XIV asked his minister Jean-Baptiste Colbert---the man who was to oversee the building of Versailles and the Royal Academy of Sciences, as well as the navy, the Paris police force, and French industry---to build a large-scale administrative government, Colbert created an unprecedented information system for political power. In The Information Master, Jacob Soll shows how the legacy of Colbert's encyclopedic tradition lies at the very center of the rise of the modern state and was a precursor to industrial intelligence and Internet search engines.
Soll's innovative look at Colbert's rise to power argues that his practice of collecting knowledge originated from techniques of church scholarship and from Renaissance Italy, where merchants recognized the power to be gained from merging scholarship, finance, and library science. With his connection of interdisciplinary approaches---regarding accounting, state administration, archives, libraries, merchant techniques, ecclesiastical culture, policing, and humanist pedagogy---Soll has written an innovative book that will redefine not only the history of the reign of Louis XIV and information science but also the study of political and economic history.
Ingenuity in the Making explores the myriad ways in which ingenuity shaped the experience and conceptualization of materials and their manipulation in early modern Europe. Contributions range widely across the arts and sciences, examining objects and texts, professions and performances, concepts and practices. The book considers subjects such as spirited matter, the conceits of nature, and crafty devices, investigating the ways in which ingenuity acted in and upon the material world through skill and technique. Contributors ask how ingenuity informed the “maker’s knowledge” tradition, where the perilous borderline between the genius of invention and disingenuous fraud was drawn, charting the ambitions of material ingenuity in a rapidly globalizing world.
An Open Letters Review Best Book of the Year
“Grafton presents largely unfamiliar material…in a clear, even breezy style…Erudite.”
—Michael Dirda, Washington Post
In this celebration of bookmaking in all its messy and intricate detail, Anthony Grafton captures both the physical and mental labors that went into the golden age of the book—compiling notebooks, copying and correcting proofs, preparing copy—and shows us how scribes and scholars shaped influential treatises and forgeries.
Inky Fingers ranges widely, from the theological polemics of the early days of printing to the pathbreaking works of Jean Mabillon and Baruch Spinoza. Grafton draws new connections between humanistic traditions and intellectual innovations, textual learning and the delicate, arduous, error-riddled craft of making books. Through it all, he reminds us that the life of the mind depends on the work of the hands, and the nitty gritty labor of printmakers has had a profound impact on the history of ideas.
“Describes magnificent achievements, storms of controversy, and sometimes the pure devilment of scholars and printers…Captivating and often amusing.”
—Wall Street Journal
“Ideas, in this vivid telling, emerge not just from minds but from hands, not to mention the biceps that crank a press or heft a ream of paper.”
—New York Review of Books
“Grafton upends idealized understandings of early modern scholarship and blurs distinctions between the physical and mental labor that made the remarkable works of this period possible.”
—Christine Jacobson, Book Post
“Scholarship is a kind of heroism in Grafton’s account, his nine protagonists’ aching backs and tired eyes evidence of their valiant dedication to the pursuit of knowledge.”
—London Review of Books
There have been numerous studies in recent decades of the medieval inquisitions, most emphasizing larger social and political circumstances and neglecting the role of the inquisitors themselves. In this volume, Karen Sullivan sheds much-needed light on these individuals and reveals that they had choices—both the choice of whether to play a part in the orthodox repression of heresy and, more frequently, the choice of whether to approach heretics with zeal or with charity.
In successive chapters on key figures in the Middle Ages—Bernard of Clairvaux, Dominic Guzmán, Conrad of Marburg, Peter of Verona, Bernard Gui, Bernard Délicieux, and Nicholas Eymerich—Sullivan shows that it is possible to discern each inquisitor making personal, moral choices as to what course of action he would take. All medieval clerics recognized that the church should first attempt to correct heretics through repeated admonitions and that, if these admonitions failed, it should then move toward excluding them from society. Yet more charitable clerics preferred to wait for conversion, while zealous clerics preferred not to delay too long before sending heretics to the stake. By considering not the external prosecution of heretics during the Middles Ages, but the internal motivations of the preachers and inquisitors who pursued them, as represented in their writings and in those of their peers, The Inner Lives of Medieval Inquisitors explores how it is that the most idealistic of purposes can lead to the justification of such dark ends.
Few events in the history of humanity rival the Industrial Revolution. Following its onset in eighteenth-century Britain, sweeping changes in agriculture, manufacturing, transportation, and technology began to gain unstoppable momentum throughout Europe, North America, and eventually much of the world—with profound effects on socioeconomic and cultural conditions.
As democracy has swept the globe, the question of why some democracies succeed while others fail has remained a pressing concern. In this theoretically innovative, richly historical study, Michael Bernhard looks at the process by which new democracies choose their political institutions, showing how these fundamental choices shape democracy's survival.
Offering a new analytical framework that maps the process by which basic political institu-tions emerge, Bernhard investigates four paradigmatic episodes of democracy in two countries: Germany during the Weimar period and after World War II, and Poland between the world wars and after the fall of communism.
Students of democracy will appreciate the broad applicability of Bernhard's findings, while area specialists will welcome the book's accessible and detailed historical accounts.
Camus, Sartre, and Beauvoir in France. Eich, Richter, and Böll in Germany. Pavese, Levi, and Silone in Italy. These are among the defenders of human dignity whose lives and work are explored in this widely encompassing work. James D. Wilkinson examines for the first time the cultural impact of the anti-Fascist literary movements in Europe and the search of intellectuals for renewal—for social change through moral endeavor—during World War II and its immediate aftermath.
It was a period of hope, Wilkinson asserts, and not of despair as is so frequently assumed. Out of the shattering experience of war evolved the bracing experience of resistance and a reaffirmation of faith in reason. Wilkinson discovers a spiritual revolution taking place during these years of engagement and views the participants, the engagés, as heirs of the Enlightenment. Drawing on a wide range of published writing as well as interviews with many intellectuals who were active during the 1940s, Wilkinson explains in the fullest context ever attempted their shared opposition to tyranny during the war and their commitment to individual freedom and social justice afterward.
Wilkinson has written a cultural history for our time. His wise and subtle understanding of the long-range significance of the engages is a reminder that the reassertion of humanist values is as important as political activism by intellectuals.
With the end of the Cold War, will the space race become a cooperative venture? This book, which tells the story of the European Space Agency, shows how such a cooperative enterprise has worked over the past three decades and how it might apply to future space science.
Linking fifteen European nations, the European Space Agency offers a working model of scientific, technological, and political cooperation on an international scale. Roger M. Bonnet and Vittorio Manno give us an insiders’ view of the agency—its beginnings as the European Space Research Organization, its development in the face of early difficulties, and its daily operations. Covering thirty years, this account traces the evolution of ESA’s programs, facilities, and capabilities and the establishment of its scientific, technological, industrial, and political policies and objectives. With an eye to future global space activities, the authors detail ESA’s relationships with its own member states and with other countries, particularly the United States. The history of cooperation between ESA and NASA as exemplified by two specific projects—Ulysses and the international space station—highlights the difficulties of associating different decision-making bodies and political systems.
Illustrated with pictures and diagrams, enlivened with anecdotes involving key world players in space science, this book provides a rich blend of factual information and personal recollection, history and interpretation. A timely contribution to the study of the politics of science and technology, it points the way to future international cooperation.
International Exposure demonstrates the wealth of desires woven into the fabric of European history: desires about empire and nation, about self and other, about plenty and dearth. By documenting the diverse meanings of pornography, senior scholars from across disciplines show the ways that sexuality became central to the individual, to the nation, and to the transnational character of modern society.
The ten essays in the volume engage a rich array of topics, including obscenity in the German states, censorship in France’s Third Republic, “she-male” internet porn, the rise of incestuous longings in England, the place of the Hungarian video revolution in the global market, and the politics of pornography in Russia. Taken together, the essays illustrate the latest approaches to content, readership, form, and delivery in modern European pornography.
A substantial discussion of the broad history and state of the field complements the ten in-depth case studies that examine a wide range of sources from literature to magazines, video to the internet. By tackling the highbrow and lowdown of the pornographic form, this volume lays the groundwork for the next surge of studies in the field.
The Jewish Labor Bund was one of the major political forces in early twentieth-century Eastern Europe. But the decades after the Second World War were years of enormous difficulty for Bundists. Like millions of other European Jews, they faced the challenge of resurrecting their lives, so gravely disrupted by the Holocaust. Not only had the organization lost many members, but its adherents were also scattered across many continents. In this book, David Slucki charts the efforts of the surviving remnants of the movement to salvage something from the wreckage.
Covering both the Bundists who remained in communist Eastern Europe and those who emigrated to the United States, France, Australia, and Israel, the book explores the common challenges they faced—building transnational networks of friends, family, and fellow Holocaust survivors, while rebuilding a once-local movement under a global umbrella. This is a story of resilience and passion—passion for an idea that only barely survived Auschwitz.
No story of World War II is more triumphant than the liberation of France, made famous in countless photos of Parisians waving American flags and kissing GIs as columns of troops paraded down the Champs Élysées. But one of the least-known stories from that era is also one of the ugliest chapters in the history of Jim Crow. In The Interpreter, celebrated author Alice Kaplan recovers this story both as eyewitnesses first saw it, and as it still haunts us today.
The American Army executed 70 of its own soldiers between 1943 and 1946—almost all of them black, in an army that was overwhelmingly white. Through the French interpreter Louis Guilloux’s eyes, Kaplan narrates two different trials: one of a white officer, one of a black soldier, both accused of murder. Both were court-martialed in the same room, yet the outcomes could not have been more different.
Kaplan’s insight into character and setting creates an indelible portrait of war, race relations, and the dangers of capital punishment.
“A nuanced historical account that resonates with today’s controversies over race and capital punishment.” Publishers Weekly
“American racism could become deadly for black soldiers on the front. The Interpreter reminds us of this sad component of a heroic chapter in American military history.” Los Angeles Times
“With elegance and lucidity, Kaplan revisits these two trials and reveals an appallingly separate and unequal wartime U.S. military justice system.” Minneapolis Star Tribune
“Kaplan has produced a compelling look at the racial disparities as they were played out…She explores both cases in considerable and vivid detail.” Sacramento Bee
Just as Ireland has produced many brilliant writers in the past century, so these writers have produced a new Ireland. In a book unprecedented in its scope and approach, Declan Kiberd offers a vivid account of the personalities and texts, English and Irish alike, that reinvented the country after centuries of colonialism. The result is a major literary history of modern Ireland, combining detailed and daring interpretations of literary masterpieces with assessments of the wider role of language, sport, clothing, politics, and philosophy in the Irish revival.
In dazzling comparisons with the experience of other postcolonial peoples, the author makes many overdue connections. Rejecting the notion that artists such as Wilde, Shaw, Yeats, Joyce, and Beckett became modern to the extent that they made themselves "European," he contends that the Irish experience was a dramatic instance of experimental modernity and shows how the country's artists blazed a trail that led directly to the magic realism of a García Márquez or a Rushdie. Along the way, he reveals the vital importance of Protestant values and the immense contributions of women to the enterprise. Kiberd's analysis of the culture is interwoven with sketches of the political background, bringing the course of modern Irish literature into sharp relief against a tragic history of conflict, stagnation, and change.
Inventing Ireland restores to the Irish past a sense of openness that it once had and that has since been obscured by narrow-gauge nationalists and their polemical revisionist critics. In closing, Kiberd outlines an agenda for Irish Studies in the next century and detects the signs of a second renaissance in the work of a new generation of authors and playwrights, from Brian Friel to the younger Dublin writers.
Going as far back as the thirteenth century, Britons mined and burned coal. Britain’s supremacy in the nineteenth century depended in large part on its vast deposits of coal, which powered industry, warmed homes, and cooked food. As coal consumption skyrocketed, the air in Britain’s cities and towns filled with ever-greater and denser clouds of smoke. Yet, for much of the nineteenth century, few people in Britain even considered coal smoke to be pollution.
Inventing Pollution examines the radically new understanding of pollution that emerged in the late nineteenth century, one that centered not on organic decay but on coal combustion. This change, as Peter Thorsheim argues, gave birth to the smoke-abatement movement and to new ways of thinking about the relationships among humanity, technology, and the environment.
Even as coal production in Britain has plummeted in recent decades, it has surged in other countries. This reissue of Thorsheim’s far-reaching study includes a new preface that reveals the book’s relevance to the contentious national and international debates—which aren’t going away anytime soon—around coal, air pollution more generally, and the grave threat of human-induced climate change.
Britain's supremacy in the nineteenth century depended in large part on its vast deposits of coal. This coal not only powered steam engines in factories, ships, and railway locomotives but also warmed homes and cooked food. As coal consumption skyrocketed, the air in Britain's cities and towns became filled with ever-greater and denser clouds of smoke.
In this far-reaching study, Peter Thorsheim explains that, for much of the nineteenth century, few people in Britain even considered coal smoke to be pollution. To them, pollution meant miasma: invisible gases generated by decomposing plant and animal matter. Far from viewing coal smoke as pollution, most people considered smoke to be a valuable disinfectant, for its carbon and sulfur were thought capable of rendering miasma harmless.
Inventing Pollution examines the radically new understanding of pollution that emerged in the late nineteenth century, one that centered not on organic decay but on coal combustion. This change, as Peter Thorsheim argues, gave birth to the smoke-abatement movement and to new ways of thinking about the relationships among humanity, technology, and the environment.
A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. This book offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt.
The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium’s profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day.
Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium’s ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination.
Why are there restaurants? Why would anybody consider eating to be an enjoyable leisure activity or even a serious pastime? To find the answer to these questions, we must accompany Rebecca Spang back to France in the eighteenth century, when a restaurant was not a place to eat but a thing to eat: a quasi-medicinal bouillon that formed an essential element of prerevolutionary France's nouvelle cuisine. This is a book about the French Revolution in taste and of the table--a book about how Parisians invented the modern culture of food, thereby changing their own social life and that of the world.
During the 1760s and 1770s, those who were sensitive and supposedly suffering made public show of their delicacy by going to the new establishments known as "restaurateurs' rooms" and there sipping their bouillons. By the 1790s, though, the table was variously seen as a place of decadent corruption or democratic solidarity. The Revolution's tables were sites for extending frugal, politically correct hospitality, and a delicate appetite was a sign of counter-revolutionary tendencies. The restaurants that had begun as purveyors of health food became symbols of aristocratic greed. In the early nineteenth century, however, the new genre of gastronomic literature worked within the strictures of the Napoleonic police state to transform the notion of restaurants and to confer star status upon oysters and champagne. Thus, the stage was set for the arrival of British and American tourists keen on discovering the mysteries of Frenchness in the capital's restaurants. From restoratives to Restoration, Spang establishes the restaurant at the very intersection of public and private in French culture--the first public place where people went to be private.
Winner of the Louis Gottschalk Prize
Winner of the Thomas J. Wilson Memorial Prize
“Witty and full of fascinating details.”
—Los Angeles Times
Why are there restaurants? Why would anybody consider eating alongside perfect strangers in a loud and crowded room to be an enjoyable pastime? To find the answer, Rebecca Spang takes us back to France in the eighteenth century, when a restaurant was not a place to eat but a quasi-medicinal bouillon not unlike the bone broths of today.
This is a book about the French revolution in taste—about how Parisians invented the modern culture of food, changing the social life of the world in the process. We see how over the course of the Revolution, restaurants that had begun as purveyors of health food became symbols of aristocratic greed. In the early nineteenth century, the new genre of gastronomic literature worked within the strictures of the Napoleonic state to transform restaurants yet again, this time conferring star status upon oysters and champagne.
“An ambitious, thought-changing book…Rich in weird data, unsung heroes, and bizarre true stories.”
—Adam Gopnik, New Yorker
“[A] pleasingly spiced history of the restaurant.”
—New York Times
“A lively, engrossing, authoritative account of how the restaurant as we know it developed…Spang is…as generous in her helpings of historical detail as any glutton could wish.”
—The Times
Paralleling his friend Alexis de Tocqueville's visit to America, Gustave de Beaumont traveled through Ireland in the mid-1830s to observe its people and society. In Ireland, he chronicles the history of the Irish and offers up a national portrait on the eve of the Great Famine. Published to acclaim in France, Ireland remained in print there until 1914. The English edition, translated by William Cooke Taylor and published in 1839, was not reprinted.
In a devastating critique of British policy in Ireland, Beaumont questioned why a government with such enlightened institutions tolerated such oppression. He was scathing in his depiction of the ruinous state of Ireland, noting the desperation of the Catholics, the misery of repeated famines, the unfair landlord system, and the faults of the aristocracy. It was not surprising the Irish were seen as loafers, drunks, and brutes when they had been reduced to living like beasts. Yet Beaumont held out hope that British liberal reforms could heal Ireland's wounds.
This rediscovered masterpiece, in a single volume for the first time, reproduces the nineteenth-century Taylor translation and includes an introduction on Beaumont and his world. This volume also presents Beaumont's impassioned preface to the 1863 French edition in which he portrays the appalling effects of the Great Famine.
A classic of nineteenth-century political and social commentary, Beaumont's singular portrait offers the compelling immediacy of an eyewitness to history.
During the eighteenth-century Enlightenment, Scotland and England produced such well-known figures as David Hume, Adam Smith, and John Locke. Ireland’s contribution to this revolution in Western thought has received much less attention. Offering a corrective to the view that Ireland was intellectually stagnant during this period, The Irish Enlightenment considers a range of artists, writers, and philosophers who were full participants in the pan-European experiment that forged the modern world.
Michael Brown explores the ideas and innovations percolating in political pamphlets, economic and religious tracts, and literary works. John Toland, Francis Hutcheson, Jonathan Swift, George Berkeley, Edmund Burke, Maria Edgeworth, and other luminaries, he shows, participated in a lively debate about the capacity of humans to create a just society. In a nation recovering from confessional warfare, religious questions loomed large. How should the state be organized to allow contending Christian communities to worship freely? Was the public confession of faith compatible with civil society? In a society shaped by opposing religious beliefs, who is enlightened and who is intolerant?
The Irish Enlightenment opened up the possibility of a tolerant society, but it was short-lived. Divisions concerning methodological commitments to empiricism and rationalism resulted in an increasingly antagonistic conflict over questions of religious inclusion. This fracturing of the Irish Enlightenment eventually destroyed the possibility of civilized, rational discussion of confessional differences. By the end of the eighteenth century, Ireland again entered a dark period of civil unrest whose effects were still evident in the late twentieth century.
Examining the Latter-day Saint experience against one nation’s rapid social and religious changes, Irish Mormons blends participant observation and interviews with analysis to offer a rare view of the Latter-day Saints in contemporary Ireland.
"The strength of this volume cannot be conveyed by an itemisation of its contents; for what it provides is an incisive commentary on the newly-recognised landmarks of Irish agrarian history in the modern period. . . . The importance, even indispensability, of this achievement is compounded by exemplary editing."—Roy Foster, London Times Literary Supplement
"As a whole, the volume demonstrates the wealth, complexity, and sophistication of Irish rural studies. The book is essential reading for anyone involved in modern Irish history. It will also serve as an excellent introduction to this rich field for scholars of other peasant communities and all interested in problems of economic and political developments."—American Historical Review
"A milestone in the evolution of Irish social history. There is a remarkable consistency of style and standard in the essays. . . . This is truly history from the grassroots."—Timothy P. O'Neill, Studia Hibernica
One contributor addresses the issue of constitutional nationalism in late-nineteenth- and early-twentieth-century Ireland, while another looks at the recent history of Irish republicanism in relation to the peace process. Other essays examine Protestant society and Unionist hegemony in nineteenth-century Ulster, immigration and racism as the Irish experienced them in postwar Britain, and the historiography of race and racialization in Ireland. The historical adviser for the award-winning film The Wind That Shakes the Barley reflects on its portrayal of the period of the Irish War of Independence and Civil War and a photographic essay focuses on supporters of the modern Irish republican movement in the United States and Ireland.
Contributors. Kevin Bean, Pauline Collombier-Lakeman, Mary Conley, John Corbally, Steve Garner, Diane George, Van Gosse, Martin Hayes, Bill Kissane, Conor McGrady, Kerby Miller, Kevin Noble, Donal Ó Drisceoil
From the author of the acclaimed The Thirty Years War and Heart of Europe, a masterful, landmark reappraisal of German military history, and of the preconceptions about German militarism since before the rise of Prussia and the world wars.
German military history is typically viewed as an inexorable march to the rise of Prussia and the two world wars, the road paved by militarism and the result a specifically German way of war. Peter Wilson challenges this narrative. Looking beyond Prussia to German-speaking Europe across the last five centuries, Wilson finds little unique or preordained in German militarism or warfighting.
Iron and Blood takes as its starting point the consolidation of the Holy Roman Empire, which created new mechanisms for raising troops but also for resolving disputes diplomatically. Both the empire and the Swiss Confederation were largely defensive in orientation, while German participation in foreign wars was most often in partnership with allies. The primary aggressor in Central Europe was not Prussia but the Austrian Habsburg monarchy, yet Austria’s strength owed much to its ability to secure allies. Prussia, meanwhile, invested in militarization but maintained a part-time army well into the nineteenth century. Alongside Switzerland, which relied on traditional militia, both states exemplify the longstanding civilian element within German military power.
Only after Prussia’s unexpected victory over France in 1871 did Germans and outsiders come to believe in a German gift for warfare—a special capacity for high-speed, high-intensity combat that could overcome numerical disadvantage. It took two world wars to expose the fallacy of German military genius. Yet even today, Wilson argues, Germany’s strategic position is misunderstood. The country now seen as a bastion of peace spends heavily on defense in comparison to its peers and is deeply invested in less kinetic contemporary forms of coercive power.
In the aftermath of World War II, Prussia—a centuries-old state pivotal to Europe’s development—ceased to exist. In their eagerness to erase all traces of the Third Reich from the earth, the Allies believed that Prussia, the very embodiment of German militarism, had to be abolished. But as Christopher Clark reveals in this pioneering history, Prussia’s legacy is far more complex. Though now a fading memory in Europe’s heartland, the true story of Prussia offers a remarkable glimpse into the dynamic rise of modern Europe.
What we find is a kingdom that existed nearly half a millennium ago as a patchwork of territorial fragments, with neither significant resources nor a coherent culture. With its capital in Berlin, Prussia grew from being a small, poor, disregarded medieval state into one of the most vigorous and powerful nations in Europe. Iron Kingdom traces Prussia’s involvement in the continent’s foundational religious and political conflagrations: from the devastations of the Thirty Years War through centuries of political machinations to the dissolution of the Holy Roman Empire, from the enlightenment of Frederick the Great to the destructive conquests of Napoleon, and from the “iron and blood” policies of Bismarck to the creation of the German Empire in 1871, and all that implied for the tumultuous twentieth century.
By 1947, Prussia was deemed an intolerable threat to the safety of Europe; what is often forgotten, Clark argues, is that it had also been an exemplar of the European humanistic tradition, boasting a formidable government administration, an incorruptible civil service, and religious tolerance. Clark demonstrates how a state deemed the bane of twentieth-century Europe has played an incalculable role in Western civilization’s fortunes. Iron Kingdom is a definitive, gripping account of Prussia’s fascinating, influential, and critical role in modern times.
Thrust into power in the midst of the bloodiest conflict Europe had ever experienced, Amalia Elisabeth fought to save her country, her Calvinist church, and her children’s inheritance. Tryntje Helfferich’s vivid portrait reveals how this unique and embattled ruler used her diplomatic gifts to play the great powers of Europe against one another during the Thirty Years War, while raising one of the most powerful and effective fighting forces on the continent.
Stranded in exile after the death of her husband, Amalia Elisabeth stymied the maneuvers of male relatives and advisors who hoped to seize control of the affairs of her tiny German state of Hesse-Cassel. Unshakable in her religious faith and confident in her own capacity to rule, the princess crafted a cunning strategy to protect her interests. Despite great personal tragedy, challenges to her rule, and devastating losses to her people and lands, Amalia Elisabeth wielded her hard-won influence to help shape the new Europe that arose in the war’s wake. She ended her reign in triumph, having secured the birthright of her children and the legalization of her church. The Iron Princess restores to view one of the most compelling political figures of her time, a woman once widely considered the heroine of the seventeenth century.
The most significant conquest of the twentieth century may well have been the triumph of American consumer society over Europe’s bourgeois civilization. It is this little-understood but world-shaking campaign that unfolds in Irresistible Empire, Victoria de Grazia’s brilliant account of how the American standard of living defeated the European way of life and achieved the global cultural hegemony that is both its great strength and its key weakness today.
De Grazia describes how, as America’s market empire advanced with confidence through Europe, spreading consumer-oriented capitalism, all alternative strategies fell before it—first the bourgeois lifestyle, then the Third Reich’s command consumption, and finally the grand experiment of Soviet-style socialist planning. Tracing the peculiar alliance that arrayed New World salesmanship, statecraft, and standardized goods against the Old World’s values of status, craft, and good taste, Victoria de Grazia follows the United States’ market-driven imperialism through a vivid series of cross-Atlantic incursions by the great inventions of American consumer society. We see Rotarians from Duluth in the company of the high bourgeoisie of Dresden; working-class spectators in ramshackle French theaters conversing with Garbo and Bogart; Stetson-hatted entrepreneurs from Kansas in the midst of fussy Milanese shoppers; and, against the backdrop of Rome’s Spanish Steps and Paris’s Opera Comique, Fast Food in a showdown with advocates for Slow Food. Demonstrating the intricacies of America’s advance, de Grazia offers an intimate and historical dimension to debates over America’s exercise of soft power and the process known as Americanization. She raises provocative questions about the quality of the good life, democracy, and peace that issue from the vaunted victory of mass consumer culture.
Of the communal institutions elaborated by medieval Spaniards, the most significant and longest-lived were the irrigation communities which the Muslims had established centuries earlier in the Valencian region.
The objective of these remarkably democratic communities was justice and equity in water distribution; and the irrigators succeeded in combining traditional rules with consensual authority to maintain their systems with a minimum of conflict. Above the community level, however, regional powers including king, nobles, church, and town all sought to derive, at each other's expense, the maximum benefit from the available water supply. The resultant interplay of power politics was a sharp contrast to the democracy of the communities.
Thomas F. Glick has drawn on original documents of the fourteenth and fifteenth centuries to present in this volume a thorough and lively study of Valencian irrigation and society. In Part One Glick describes medieval Valencian irrigation in the epoch of its fullest documentation (1238-4500), focusing on the institutional dynamics of both the local irrigation communities--those irrigating from a single main canal--and the larger regional units, the huertas. He examines the huerta environment and the administration of the irrigation communities and then discusses intracommunity conflict, the city's role in irrigation development, the search for new sources of water, and regional arrangements for irrigation.
Part Two is concerned generally with the spread of Islamic irrigation technology and, more specifically, with cultural diffusion and the persistence of cultural forms during the transition in Spain from Islamic to Christian rule. Here the author examines the antecedents of medieval Valencian irrigation on the basis of Islamic survivals in medieval Christian institutions and of comparative data from other Islamic irrigation systems. He also touches on aspects of acculturation and cultural transition that extend beyond the geographical and temporal bounds of this study, explaining that "the history of Spanish irrigation is but one example of the administrative creativity and genius for cultural synthesis which characterized Iberian culture at the dawn of themodern age."
Winner of the Ernst Fraenkel Prize, Wiener Holocaust Library
An Open Letters Monthly Best History Book of the Year
A New York Post “Must-Read”
In the most crucial phase of the Second World War, German troops confronted the Allies across lands largely populated by Muslims. Nazi officials saw Islam as a powerful force with the same enemies as Germany: the British Empire, the Soviet Union, and the Jews. Islam and Nazi Germany’s War is the first comprehensive account of Berlin’s remarkably ambitious attempts to build an alliance with the Islamic world.
“Motadel describes the Mufti’s Nazi dealings vividly…Impeccably researched and clearly written, [his] book will transform our understanding of the Nazi policies that were, Motadel writes, some ‘of the most vigorous attempts to politicize and instrumentalize Islam in modern history.’”
—Dominic Green, Wall Street Journal
“Motadel’s treatment of an unsavory segment of modern Muslim history is as revealing as it is nuanced. Its strength lies not just in its erudite account of the Nazi perception of Islam but also in illustrating how the Allies used exactly the same tactics to rally Muslims against Hitler. With the specter of Isis haunting the world, it contains lessons from history we all need to learn.”
—Ziauddin Sardar, The Independent
Spanish Arabism was a touchstone of the major intellectual and political issues facing Spain as it emerged from its imperial past into its current form as a modern nation-state. James T. Monroe’s survey of four centuries of Spanish scholarship on the cultural history of al-Andalus (Muslim Spain) establishes Spanish scholars on the forefront of European scholars confronting the Orientalism and colonialism at the heart of their national projects.
This reissue of James T. Monroe’s classic study of Spanish Arabism features a new foreword by Michelle M. Hamilton and David A. Wacks that offers an overview of its impact and of how the investigation of Spanish Arabism has blossomed since the publication of Monroe’s pathbreaking study.
In the Middle Ages, Muslim travelers embarked on a rihla, or world tour, as surveyors, emissaries, and educators. On these journeys, voyagers not only interacted with foreign cultures—touring Greek civilization, exploring the Middle East and North Africa, and seeing parts of Europe—they also established both philosophical and geographic boundaries between the faithful and the heathen. These voyages thus gave the Islamic world, which at the time extended from the Maghreb to the Indus Valley, a coherent identity.
Islam and Travel in the Middle Ages assesses both the religious and philosophical aspects of travel, as well as the economic and cultural conditions that made the rihla possible. Houari Touati tracks the compilers of the hadith who culled oral traditions linked to the prophet, the linguists and lexicologists who journeyed to the desert to learn Bedouin Arabic, the geographers who mapped the Muslim world, and the students who ventured to study with holy men and scholars. Travel, with its costs, discomforts, and dangers, emerges in this study as both a means of spiritual growth and a metaphor for progress. Touati’s book will interest a broad range of scholars in history, literature, and anthropology.
Winner of the National Book Critics Circle Award
“Impeccably researched and seductively readable…tells the story of Sam Sharpe’s revolution manqué, and the subsequent abolition of slavery in Jamaica, in a way that’s acutely relevant to the racial unrest of our own time.” —Madison Smartt Bell, author of All Souls’ Rising
The final uprising of enslaved people in Jamaica started as a peaceful labor strike a few days shy of Christmas in 1831. A harsh crackdown by white militias quickly sparked a full-blown revolt, leaving hundreds of plantation houses in smoking ruins. The rebels lost their daring bid for freedom, but their headline-grabbing defiance triggered a decisive turn against slavery.
Island on Fire is a dramatic day-by-day account of these transformative events. A skillful storyteller, Tom Zoellner uses diaries, letters, and colonial records to tell the intimate story of the men and women who rose up and briefly tasted liberty. He brings to life the rebellion’s enigmatic leader, the preacher Samuel Sharpe, and shows how his fiery resistance turned the tide of opinion in London and hastened the end of slavery in the British Empire.
“Zoellner’s vigorous, fast-paced account brings to life a varied gallery of participants…The revolt failed to improve conditions for the enslaved in Jamaica, but it crucially wounded the institution of slavery itself.” —Fergus M. Bordewich, Wall Street Journal
“It’s high time that we had a book like the splendid one Tom Zoellner has written: a highly readable but carefully documented account of the greatest of all British slave rebellions, the miseries that led to it, and the momentous changes it wrought.” —Adam Hochschild, author of Bury the Chains
A groundbreaking reassessment of W. H. Auden’s early life and poetry, shedding new light on his artistic development as well as on his shifting beliefs about political belonging in interwar England.
From his first poems in 1922 to the publication of his landmark collection On This Island in the mid-1930s, W. H. Auden wrestled with the meaning of Englishness. His early works are prized for their psychological depth, yet Nicholas Jenkins argues that they are political poems as well, illuminating Auden’s intuitions about a key aspect of modern experience: national identity. Two historical forces, in particular, haunted the poet: the catastrophe of World War I and the subsequent “rediscovery” of England’s rural landscapes by artists and intellectuals.
The Island presents a new picture of Auden, the poet and the man, as he explored a genteel, lyrical form of nationalism during these years. His poems reflect on a world in ruins, while cultivating visions of England as a beautiful—if morally compromised—haven. They also reflect aspects of Auden’s personal search for belonging—from his complex relationship with his father, to his quest for literary mentors, to his negotiation of the codes that structured gay life. Yet as Europe veered toward a second immolation, Auden began to realize that poetic myths centered on English identity held little potential. He left the country in 1936 for what became an almost lifelong expatriation, convinced that his role as the voice of Englishness had become an empty one.
Reexamining one of the twentieth century’s most moving and controversial poets, The Island is a fresh account of his early works and a striking parable about the politics of modernism. Auden’s preoccupations with the vicissitudes of war, the trials of love, and the problems of identity are of their time. Yet they still resonate profoundly today.
Through the centuries, people from all walks of life have heard the siren call of a pilgrimage, the lure to journey away from the familiar in search of understanding. But is a pilgrimage even possible these days for city-dwellers enmeshed in the pressures of work and family life? Or is there a way to be a pilgrim without leaving one’s life behind? James Attlee answers these questions with Isolarion, a thoughtful, streetwise, and personal account of his pilgrimage to a place he thought he already knew—the Cowley Road in Oxford, right outside his door.
Isolarion takes its title from a type of fifteenth-century map that isolates an area in order to present it in detail, and that’s what Attlee, sharp-eyed and armed with tape recorder and notebook, provides for Cowley Road. The former site of a leper hospital, a workhouse, and a medieval well said to have miraculous healing powers, Cowley Road has little to do with the dreaming spires of the tourist’s or student’s Oxford. What Attlee presents instead is a thoroughly modern, impressively cosmopolitan, and utterly organic collection of shops, restaurants, pubs, and religious establishments teeming with life and reflecting the multicultural makeup of the surrounding neighborhood.
From a sojourn in a sensory-deprivation tank to a furtive visit to an unmarked pornography emporium, Attlee investigates every aspect of the Cowley Road’s appealingly eclectic culture, where halal shops jostle with craft jewelers and reggae clubs pulsate alongside quiet churchyards. But the very diversity that is, for Attlee, the essence of Cowley Road’s appeal is under attack from well-meaning city planners and predatory developers. His pilgrimage is thus invested with melancholy: will the messy glories of the Cowley Road be lost to creeping homogenization?
Drawing inspiration from sources ranging from Robert Burton’s The Anatomy of Melancholy to contemporary art, Attlee is a charming and companionable guide who revels in the extraordinary embedded in the everyday. Isolarion is at once a road movie, a quixotic stand against uniformity, and a rousing hymn in praise of the complex, invigorating nature of the twenty-first-century city.
A consumer’s guide to iconic celebrity and ageless glamour
“Strikingly original, wickedly witty, and thoroughly learned, Roach’s anatomy of abnormally interesting people and the vicarious pleasure we take in our modern equivalents to gods and royals will captivate its readers from the first page. I dare you to read just one chapter!”
—Felicity Nussbaum, University of California, Los Angeles
“It considers the effect that arises when spectacularly compelling performers and cultural fantasy converge, as in the outpouring of public grief over the death of Princess Diana. . . . An important work of cultural history, full of metaphysical wit . . . It gives us a fresh vocabulary for interpreting how after-images endure in cultural memory.”
—Andrew Sofer, Boston College
“Joseph Roach’s enormous erudition, sharp wit, engaging style, and gift for finding the most telling historical detail or literary quote are here delightfully applied to the intriguing subject of why certain historical and theatrical figures have possessed a special power to fascinate their public.”
—Marvin Carlson, Graduate Center, City University of New York
That mysterious characteristic “It”—“the easily perceived but hard-to-define quality possessed by abnormally interesting people”—is the subject of Joseph Roach’s engrossing new book, which crisscrosses centuries and continents with a deep playfulness that entertains while it enlightens.
Roach traces the origins of “It” back to the period following the Restoration, persuasively linking the sex appeal of today’s celebrity figures with the attraction of those who lived centuries before. The book includes guest appearances by King Charles II, Samuel Pepys, Flo Ziegfeld, Johnny Depp, Elinor Glyn, Clara Bow, the Second Duke of Buckingham, John Dryden, Michael Jackson, and Lady Diana, among others.
Italian arts and culture have been a significant influence on Philadelphia dating back to Thomas Jefferson and colonial times. Throughout the ensuing decades, Italian art and architecture styles flourished, and wealthy Philadelphians traveled to Italy and brought back objects to display in emerging institutions of art and culture. New immigration formed neighborhoods—such as South Philly, home to the Italian Market—and Italian business leaders, politicians, artists, musicians and sports figures came to prominence and became part of the social fabric of the city.
This glorious volume, The Italian Legacy in Philadelphia, celebrates the history, impact, and legacy of this vibrant community, tracing four periods of key transformation in the city’s political, economic, and social structures. The editors and contributors chronicle the changing dynamics of the city as Italian immigrants established themselves and as they continue to have lively interactions with people and institutions in Italy.
Interdisciplinary essays, along with nearly 250 gorgeous images, explore the changing perspectives and styles of those who contributed Italian influences. As settlers and their descendants brought everyday cultural practices, memories, and traditions, they created different Italian-American experiences that became important parts of American culture, a legacy that is thriving in contemporary, globalized Philadelphia.
Fascism and the Second World War left Italy indelibly changed, and cinema was arguably the art that most rigorously confronted the devastated nation. In this examination of four Italian filmmakers, Noa Steimatsky brilliantly maps their forceful negotiation of Italy’s identity and posits that the cinematic forms they employ constitute an imaginary reinhabiting of Italy-one that is inextricably linked with the political, physical, and symbolic predicament of reconstruction.
A dynamic intersection of pictorial and photographic, architectural and literary discourses inform Steimatsky’s revisionist interrogation of exemplary works from the 1940s to the mid–1960s. From the earliest documentary work of Michelangelo Antonioni on the River Po to Pier Paolo Pasolini’s re-siting of the Gospel in the arid, peripheral landscape of the Italian south, and from Roberto Rossellini’s tracing of a neorealist project in ruinous Berlin to Luchino Visconti’s wrought grandeur visited upon a humble Sicilian fishing village, Italian Locations probes the historical experience of displacement, anachronism, and a thoroughly contemporary anxiety in the cinematic arena.
For Steimatsky, Antonioni’s modernist achievement, informed by his native landscape, Rossellini’s neorealist image of Italy as a nation of ruins, Visconti’s reaching back to the nineteenth century and even more archaic pasts, and Pasolini’s ambivalence about modernity-all partake in a search for a politically and culturally redeemed Italy.
Noa Steimatsky is associate professor of the history of art and film studies at Yale University.
The Renaissance was not just a rebirth of the mind. It was also a new dawn for the machine.
When we celebrate the achievements of the Renaissance, we instinctively refer, above all, to its artistic and literary masterpieces. During the fifteenth and sixteenth centuries, however, the Italian peninsula was the stage of a no-less-impressive revival of technical knowledge and practice. In this rich and lavishly illustrated volume, Paolo Galluzzi guides readers through a singularly inventive period, capturing the fusion of artistry and engineering that spurred some of the Renaissance’s greatest technological breakthroughs.
Galluzzi traces the emergence of a new and important historical figure: the artist-engineer. In the medieval world, innovators remained anonymous. By the height of the fifteenth century, artist-engineers like Leonardo da Vinci were sought after by powerful patrons, generously remunerated, and exhibited in royal and noble courts. In an age that witnessed continuous wars, the robust expansion of trade and industry, and intense urbanization, these practitioners—with their multiple skills refined in the laboratory that was the Renaissance workshop—became catalysts for change. Renaissance masters were not only astoundingly creative but also championed a new concept of learning, characterized by observation, technical know-how, growing mathematical competence, and prowess at the draftsman’s table.
The Italian Renaissance of Machines enriches our appreciation for Taccola, Giovanni Fontana, and other masters of the quattrocento and reveals how da Vinci’s ambitious achievements paved the way for Galileo’s revolutionary mathematical science of mechanics.
In the later fifteenth century, the Kingdom of Hungary became the first land outside Italy to embrace the Renaissance, thanks to its king, Matthias Corvinus, and his humanist advisors, János Vitéz and Janus Pannonius. Matthias created one of the most famous libraries in the Western World, the Bibliotheca Corviniana, rivaled in importance only by the Vatican. The court became home to many Italian humanists, and through his friendship with Lorenzo the Magnificent, Matthias obtained the services of such great Florentine artists as Andrea del Verrocchio, Benedetto da Maiano, and Filippino Lippi. After Matthias’s death in 1490, interest in Renaissance art was continued by his widowed Neapolitan queen, Beatrice of Aragon, and by his successors Vladislav I and Louis II Jagiello.
The twenty-two essays collected in this volume provide a window onto recent research on the development of humanism and art in the Hungary of Matthias Corvinus and his successors. Richly illustrated with new photography, this book eloquently documents and explores the unique role played by the Hungarian court in the cultural history of Renaissance Europe.
From the earliest times, successive waves of foreign invaders have left their mark on Italy. Beginning with Germanic invasions that undermined the Roman Empire and culminating with the establishment of the modern nation, Girolamo Arnaldi explores the dynamic exchange between outsider and “native,” liberally illustrated with interpretations of the foreigners drawn from a range of sources. A despairing Saint Jerome wrote, of the Sack of Rome by the Visigoths in 410, “My sobs stop me from dictating these words. Behold, the city that conquered the world has been conquered in its turn.” Other Christian authors, however, concluded that the sinning Romans had drawn the wrath of God upon them.
Arnaldi traces the rise of Christianity, which in the transition from Roman to barbarian rule would provide a social bond that endured through centuries of foreign domination. Incursions cemented the separation between north and south: the Frankish conquerors held sway north of Rome, while the Normans settled in the south. In the ninth century, Sicily entered the orbit of the Muslim world when Arab and Berber forces invaded. During the Renaissance, flourishing cities were ravaged by foreign armies—first the French, who during the siege of Naples introduced an epidemic of syphilis, then the Spanish, whose control preserved the country’s religious unity during the Counter-Reformation but also ensured that Italy would lag behind during the Enlightenment.
Accessible and entertaining, this outside-in history of Italy is a telling reminder of the many interwoven strands that make up the fabric of modern Europe.
Biondo Flavio (1392–1463), humanist and historian, was a pioneering figure in the Renaissance discovery of antiquity; famously, he was the author who popularized the term “Middle Age” to describe the period between the fall of the Roman Empire and the revival of antiquity in his own time. While serving a number of Renaissance popes, he inaugurated an extraordinary program of research into the history, cultural life, and physical remains of the ancient world.
Italy Illuminated (1453), of which this is the second and final volume, is a topographical work describing Italy region by region. Its aim is to explore the Roman roots of modern Italy. As such, it is the quintessential work of Renaissance antiquarianism.
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