A SCHOLARLY BOOK REPOSITORY83 start with J start with J
When revolutionaries seized Dublin during the 1916 Easter Rising, they looked back to unrequited pasts to point the way toward radical futures—transforming the Celtic Twilight into the electric light of modern Dublin in James Joyce’s Ulysses. For Luke Gibbons, the short-lived rebellion converted the Irish renaissance into the beginning of a global decolonial movement. James Joyce and the Irish Revolution maps connections between modernists and radicals, tracing not only Joyce’s projection of Ireland onto the world stage, but also how revolutionary leaders like Ernie O’Malley turned to Ulysses to make sense of their shattered worlds. Coinciding with the centenary of both Ulysses and Irish independence, this book challenges received narratives about the rebellion and the novel that left Ireland changed, changed utterly.
In 1500 Malay Malacca was the queen city of the Malay Archipelago, one of the great trade centers of the world. Its rulers, said to be descendents of the ancient line of Srivijaya, dominated the lands east and west of the straits. The Portuguese, unable to compete in the marketplace, captured the town. They were followed a hundred years later by the Dutch who, lured in their turn by Malacca as symbol of the wealth and luxury of the east, were to rule this port city for more than a hundred and fifty years.
It proved to be, in many ways, an empty conquest. Portuguese and Dutch governments imposed restrictions on Malacca’s trade, driving it to the newer ports in the north and south. Moreover, by the time the Dutch finally secured the town, they had established their own port at Batavia, in Java. Dutch Malacca was, by 1701, “a place of little trade.” Why then did the Dutch maintain their occupation of the port? Lewis draws on the extensive correspondence of the Dutch East India Company to examine the role the Dutch played as Malacca’s rulers in the eighteenth-century Malay world, arguing that their presence, though generally too weak to secure their own interests, disrupted the traditional political and economic organization of the Malay polities, contributing significantly to the disarray that beset the Malay world at the beginning of the nineteenth century.
Jane Austen completed only six novels, but enduring passion for the author and her works has driven fans to read these books repeatedly, in book clubs or solo, while also inspiring countless film adaptations, sequels, and even spoofs involving zombies and sea monsters. Austen’s lasting appeal to both popular and elite audiences has lifted her to legendary status. In Jane Austen’s Cults and Cultures, Claudia L. Johnson shows how Jane Austen became “Jane Austen,” a figure intensely—sometimes even wildly—venerated, and often for markedly different reasons.
In Jane Austen’s Names, Margaret Doody offers a fascinating and comprehensive study of all the names of people and places—real and imaginary—in Austen’s fiction. Austen’s creative choice of names reveals not only her virtuosic talent for riddles and puns. Her names also pick up deep stories from English history, especially the various civil wars, and the blood-tinged differences that played out in the reign of Henry VIII, a period to which she often returns. Considering the major novels alongside unfinished works and juvenilia, Doody shows how Austen’s names signal class tensions as well as regional, ethnic, and religious differences. We gain a new understanding of Austen’s technique of creative anachronism, which plays with and against her skillfully deployed realism—in her books, the conflicts of the past swirl into the tensions of the present, transporting readers beyond the Regency.
Full of insight and surprises for even the most devoted Janeite, Jane Austen’s Names will revolutionize how we read Austen’s fiction.
Jeremy F. Lane’s Jazz and Machine-Age Imperialism is a bold challenge to the existing homogenous picture of the reception of American jazz in world-war era France. Lane’s book closely examines the reception of jazz among French-speaking intellectuals between 1918 and 1945 and is the first study to consider the relationships, sometimes symbiotic, sometimes antagonistic, between early white French jazz critics and those French-speaking intellectuals of color whose first encounters with the music in those years played a catalytic role in their emerging black or Creole consciousness. Jazz’s first arrival in France in 1918 coincided with a series of profound shocks to received notions of French national identity and cultural and moral superiority. These shocks, characteristic of the era of machine-age imperialism, had been provoked by the first total mechanized war, the accelerated introduction of Taylorist and Fordist production techniques into European factories, and the more frequent encounters with primitive “Others” in the imperial metropolis engendered by interwar imperialism. Through close readings of the work of early white French jazz critics, alongside the essays and poems of intellectuals of color such as the Nardal sisters, Léon-Gontran Damas, Léopold Sédar Senghor, and René Ménil, Jazz and Machine-Age Imperialism highlights the ways in which the French reception of jazz was bound up with a series of urgent contemporary debates about primitivism, imperialism, anti-imperialism, black and Creole consciousness, and the effects of American machine-age technologies on the minds and bodies of French citizens.
Jean-Paul Marat’s role in the French Revolution has long been a matter of controversy among historians. Often he has been portrayed as a violent, sociopathic demagogue. This biography challenges that interpretation and argues that without Marat’s contributions as an agitator, tactician, and strategist, the pivotal social transformation that the Revolution accomplished might well not have occurred.
Clifford D. Conner argues that what was unique about Marat - which set him apart from all other major figures of the Revolution, including Danton and Robespierre - was his total identification with the struggle of the propertyless classes for social equality.
This is an essential book for anyone interested in the history of the revolutionary period and the personalities that led it.
Rebhandl skillfully weaves together biographical details; information about the cultural, intellectual, and cinematic milieu over the decades; and descriptions of Godard’s most significant films to support his assertion that the director was a permanent revolutionary—always seeking new ways to create, understand, and comment on film within a larger context. He views Godard as an artist consistently true to himself while never ceasing to change and evolve, often in unexpected, radical, and controversial ways.
Rebhandl is known as a journalist with deep insights and lucid prose. Despite the wealth of material to analyze, he neither gets lost in the details nor offers a superficial gloss, even while directly tackling such topics as the long-standing charges of antisemitism against Godard and his oeuvre. This volume will be welcome to both casual fans and dedicated devotees.
Yerusholayim d’lite: di yidishe kultur in der lite (Jerusalem of Lithuania: A Reader in Yiddish Cultural History) by Jerold C. Frakes contains cultural, literary, and historical readings in Yiddish that vividly chronicle the central role Vilnius (Lithuania) played in Jewish culture throughout the past five centuries. It includes many examples of Yiddish literature, historiography, sociology, and linguistics written by and about Litvaks and includes work by prominent Yiddish poets, novelists, raconteurs, journalists, and scholars. In addition, Frakes has supplemented the primary texts with many short essays that contextualize Yiddish cultural figures, movements, and historical events.
This is the tale of Father Blas Valera, the child of a native Incan woman and Spanish father, caught between the ancient world of the Incas and the conquistadors of Spain. Valera, a Jesuit in sixteenth-century Peru, believed in what to his superiors was pure heresy: that the Incan culture, religion, and language were equal to their Christian counterparts.
As punishment for his beliefs he was imprisoned, beaten, and, finally, exiled to Spain, where he died at the hands of English pirates in 1597.
Four centuries later, this Incan chronicler had been all but forgotten, until an Italian anthropologist discovered some startling documents in a private Neapolitan collection. The documents claimed, among other things, that Valera's death had been faked by the Jesuits; that he had returned to Peru; and, intriguingly, while there had taught his followers that the Incas used a secret phonetic quipu-a record-keeping device of the Inca empire-to record history.
Far from settling anything, the documents created an international sensation among scholars and led to bitter disputes over how they should be assessed. Are they forgeries, authentic documents, or something in between? If genuine, they will radically reform our view of Inca culture and Valera. The author insightfully examines the evidence, showing how fact and fiction intertwine, and brings the dimly understood history of this author-priest to light.
The Jesuits were rejected. Italy already had fourteen universities famous for their research and teaching. They were ruled by princes and cities who refused to share their universities with a religious order led by Spaniards. Between 1548 and 1773 the Jesuits made sixteen attempts, from Turin in the north to Messina in Sicily, to found new universities or to become professors in existing universities. They had some successes, as they helped found four new universities and became professors of mathematics in three more universities. But they suffered nine total failures. The battles between universities, civil governments, and the Jesuits were memorable. Lay professors accused the Jesuits of teaching philosophy badly. The Jesuits charged that Italian professors delivered few lectures and skipped most of Aristotle. Behind the denunciations were profound differences about what universities should be.
Italian universities were dominated by law and the Jesuits emphasized the humanities and theology. Nevertheless, the Society of Jesus had an impact. They added cases of conscience to the training of clergymen. They made four years of study the norm for a degree in theology. They offered a student-centered alternative to Italian universities that focused on research and ignored student misbehavior.
Paul Grendler tells a new story based on years of research in a dozen archives. Anyone interested in the volatile mix of universities, religion, and politics will find this book fascinating and instructive, as will anyone who contemplates what it means to be a Catholic university.
The first complete translation into a modern language of a major authority on the medieval Christian liturgy.
Honorius Augustodunensis’s Jewel of the Soul (the Gemma animae) gleams as one of the most attractive liturgical commentaries from the twelfth century. A lively and effective teacher, Honorius strives to unveil the meaning behind the sacred texts, objects, music, and ritual of the Roman Mass and Divine Office for young initiates. Building on the allegorical approach pioneered in the Carolingian era by Amalar of Metz, he shows readers how their souls are beautified by the liturgy as gold is by a jewel. His flowing and comprehensive commentary gained widespread influence in Western Christendom and was an important source for later liturgical treatises. For the modern scholar this work remains key to understanding the medieval allegorical approach to worship and provides valuable documentation about how these offices were celebrated in the twelfth century. These volumes offer the first complete translation into a modern language of this foundational Latin text on Christian liturgy.
The first complete translation into a modern language of a major authority on the medieval Christian liturgy.
Honorius Augustodunensis’s Jewel of the Soul (the Gemma animae) gleams as one of the most attractive liturgical commentaries from the twelfth century. A lively and effective teacher, Honorius strives to unveil the meaning behind the sacred texts, objects, music, and ritual of the Roman Mass and Divine Office for young initiates. Building on the allegorical approach pioneered in the Carolingian era by Amalar of Metz, he shows readers how their souls are beautified by the liturgy as gold is by a jewel. His flowing and comprehensive commentary gained widespread influence in Western Christendom and was an important source for later liturgical treatises. For the modern scholar this work remains key to understanding the medieval allegorical approach to worship and provides valuable documentation about how these offices were celebrated in the twelfth century. These volumes offer the first complete translation into a modern language of this foundational Latin text on Christian liturgy.
The sheer magnitude of the Holocaust has commanded our attention for the past sixty years. The extent of atrocities, however, has overshadowed the calculus Nazis used to justify their deeds.
According to German wartime media, it was German citizens who were targeted for extinction by a vast international conspiracy. Leading the assault was an insidious, belligerent Jewish clique, so crafty and powerful that it managed to manipulate the actions of Roosevelt, Churchill, and Stalin. Hitler portrayed the Holocaust as a defensive act, a necessary move to destroy the Jews before they destroyed Germany.
Joseph Goebbels, Minister of Propaganda, and Otto Dietrich’s Press Office translated this fanatical vision into a coherent cautionary narrative, which the Nazi propaganda machine disseminated into the recesses of everyday life. Calling on impressive archival research, Jeffrey Herf recreates the wall posters that Germans saw while waiting for the streetcar, the radio speeches they heard at home or on the street, the headlines that blared from newsstands. The Jewish Enemy is the first extensive study of how anti-Semitism pervaded and shaped Nazi propaganda during World War II and the Holocaust, and how it pulled together the diverse elements of a delusionary Nazi worldview. Here we find an original and haunting exposition of the ways in which Hitler legitimized war and genocide to his own people, as necessary to destroy an allegedly omnipotent Jewish foe. In an era when both anti-Semitism and conspiracy theories continue to influence world politics, Herf offers a timely reminder of their dangers along with a fresh interpretation of the paranoia underlying the ideology of the Third Reich.
"Offers a clear introduction to a fascinating, yet little known, phenomenon in Nazi Germany, whose very existence will be a surprise to the general public and to historians. Easily blending general history with musicology, the book provides provocative yet compelling analysis of complex issues."
---Michael Meyer, author of The Politics of Music in the Third Reich
"Hirsch poses complex questions about Jewish identity and Jewish music, and she situates these against a political background vexed by the impossibility of truly viable responses to such questions. Her thorough archival research is complemented by her extensive use of interviews, which gives voice to those swept up in the Holocaust. A Jewish Orchestra in Nazi Germany is a book filled with the stories of real lives, a collective biography in modern music history that must no longer remain in silence."
---Philip V. Bohlman, author of Jewish Music and Modernity
"An engaging and downright gripping history. The project is original, the research is outstanding, and the presentation lucid."
---Karen Painter, author of Symphonic Aspirations: German Music and Politics, 1900-1945
The Jewish Culture League was created in Berlin in June 1933, the only organization in Nazi Germany in which Jews were not only allowed but encouraged to participate in music, both as performers and as audience members. Lily E. Hirsch's A Jewish Orchestra in Nazi Germany is the first book to seriously investigate and parse the complicated questions the existence of this unique organization raised, such as why the Nazis would promote Jewish music when, in the rest of Germany, it was banned. The government's insistence that the League perform only Jewish music also presented the organization's leaders and membership with perplexing conundrums: what exactly is Jewish music? Who qualifies as a Jewish composer? And, if it is true that the Nazis conceived of the League as a propaganda tool, did Jewish participation in its activities amount to collaboration?
Lily E. Hirsch is Assistant Professor of Music at Cleveland State University.
German Jews were fully assimilated and secularized in the nineteenth century—or so it is commonly assumed. In Jewish Scholarship and Culture in the Nineteenth Century, Nils Roemer challenges this assumption, finding that religious sentiments, concepts, and rhetoric found expression through a newly emerging theological historicism at the center of modern German Jewish culture.
Modern German Jewish identity developed during the struggle for emancipation, debates about religious and cultural renewal, and battles against anti-Semitism. A key component of this identity was historical memory, which Jewish scholars had begun to infuse with theological perspectives beginning in the 1850s. After German reunification in the early 1870s, Jewish intellectuals reevaluated their enthusiastic embrace of liberalism and secularism. Without abandoning the ideal of tolerance, they asserted a right to cultural religious difference for themselves--an ideal they held to even more tightly in the face of growing anti-Semitism. This newly re-theologized Jewish history, Roemer argues, helped German Jews fend off anti-Semitic attacks by strengthening their own sense of their culture and tradition.
Jews, Christian Society, and Royal Power in Medieval Barcelona traces the development of the Jewish community of Barcelona from 1050 to 1300. Elka Klein challenges the common perception that medieval Jews lived in relative isolation from the surrounding society, argues for the existence of significant cultural common ground between Jews and Christians, and proposes a new model for understanding Jewish communal autonomy and the relationship between Jews and their rulers.
Klein traces the development of the Jewish community of Barcelona in two contexts: the parallel development of the city of Barcelona and the changing relationship of the king to urban communities, Jewish and Christian. Until the later twelfth century, the Jewish community, like the Christian city of Barcelona, was left mostly to its own devices by the counts of Barcelona, who had neither the interest nor the power to interfere in internal affairs. Klein draws on both Hebrew and Latin sources to offer a picture of a communal elite whose power, mostly informal, derived from their influence within the community. This system changed in the later twelfth century as a result of the expansion of comitial-royal administration. Four Jewish families used their positions as bailiffs, accountants, and secretaries to consolidate power within their community. The rule of this courtier elite was short lived; two episodes of communal conflict in the early thirteenth century and increased royal activism led to the institution of a new regime of elected officials in 1241. The book concludes with an examination of the new elite and the implications of increased royal interference in internal affairs.
A central argument of Jews, Christian Society, and Royal Power in Medieval Barcelona is that it is necessary to distinguish between autonomy by default, resulting from the indifference of the ruler, who leaves a community to govern itself; and autonomy by design, guaranteed by selective royal interference. Against the view that royal interference undercut Jewish autonomy, Klein argues that autonomy by default left the community with insufficient power to enforce its decisions; because Catalan kings generally interfered in support of existing structures, autonomy by design in fact strengthened the community.
This book contributes to ongoing debates about the relationship between the cultures of the three religions in the Iberian peninsula. It joins a body of recent scholarship arguing that medieval European Jews and Christians shared considerable cultural common ground.
Though many of the details of Jewish life under Hitler are familiar, historical accounts rarely afford us a real sense of what it was like for Jews and their families to live in the shadow of Nazi Germany’s oppressive racial laws and growing violence. With Jews in Nazi Berlin, those individual lives—and the constant struggle they required—come fully into focus, and the result is an unprecedented and deeply moving portrait of a people.
Drawing on a remarkably rich archive that includes photographs, objects, official documents, and personal papers, the editors of Jews in Nazi Berlin have assembled a multifaceted picture of Jewish daily life in the Nazi capital during the height of the regime’s power. The book’s essays and images are divided into thematic sections, each representing a different aspect of the experience of Jews in Berlin, covering such topics as emigration, the yellow star, Zionism, deportation, betrayal, survival, and more. To supplement—and, importantly, to humanize—the comprehensive documentary evidence, the editors draw on an extensive series of interviews with survivors of the Nazi persecution, who present gripping first-person accounts of the innovation, subterfuge, resilience, and luck required to negotiate the increasing brutality of the regime.
A stunning reconstruction of a storied community as it faced destruction, Jews in Nazi Berlin renders that loss with a startling immediacy that will make it an essential part of our continuing attempts to understand World War II and the Holocaust.
Scholarly, objective, insightful, and analytical, Jews, Turks, and Other Strangers studies the causes of prejudice against Jews, foreign workers, refugees, and emigrant Germans in contemporary Germany. Using survey material and quantitative analyses, Legge convincingly challenges the notion that German xenophobia is rooted in economic causes. Instead, he sees a more complex foundation for German prejudice, particularly in a reunified Germany where perceptions of the "other" sometimes vary widely between east and west, a product of a traditional racism rooted in the German past. By clarifying the foundations of xenophobia in a new German state, Legge offers a clear and disturbing picture of a conflicted country and a prejudice that not only affects Jews but also fuels a larger, anti-foreign sentiment.
A rare example of musical scholarship from the Tudor period, in translation and fully annotated
John Dygon was the prior of St. Augustine’s monastery in Canterbury when Henry VIII boldly dissolved the English Catholic Church during the 1530s and reorganized it under royal control. Only a single copy of Dygon’s manuscript on music theory has survived, held by Trinity College, Cambridge. This volume will be the first publication of these two treatises, providing both a scholarly transcription and English translation.
Dygon’s treatise provides a rare and important example of musical scholarship from the early Tudor period, demonstrating the status of music education at the time, the affiliations of English scholarship with music study in Europe, and the music that was actually performed in England. The treatises address questions of musical notation, especially regarding rhythmic proportions, as well as practical issues about performance. Theodor Dumitrescu’s introduction situates Dygon’s treatises within the larger history of European music, paying close attention to its borrowings from and adaptations of prior treatises.
John Dixon Hunt takes a fresh look at the life and work of one of England’s greatest diarists, focusing particularly on Evelyn’s “domesticity.” The book explores Evelyn’s life at home, and perhaps even more importantly, his domestication of foreign ideas and practices in England. During the English Civil Wars, Evelyn traveled extensively throughout Europe, taking in ideas on the management of estate design while abroad to apply them in England. Evelyn’s greatest accomplishment was the import of European garden art to the UK, a feat Hunt puts into context alongside a range of Evelyn’s social and ethical thinking. Illustrated with visual material from Evelyn’s time and from his own pen, the book is an ideal introduction to a hugely important figure in the shaping of early modern Britain.
John Evelyn (1620–1706), an English virtuoso and writer, was a pivotal figure in seventeenth-century intellectual life in England. He left an immensely rich literary heritage, which is of great significance for scholars interested in garden history and the histories of intellectual life and architecture.
Evelyn is perhaps best known for Sylva, a compilation of thoughts on practical estate management, gardening, and philosophy, and the first book published by the Royal Society in London. As one of the group of learned men who founded the Royal Society in 1660 to promote scientific research, discussion, and publications, John Evelyn was at the center of many of the vital intellectual currents of the time. “Elysium Britannicum,” Evelyn’s unpublished manuscript of almost a thousand pages of densely packed drafts, rewrites, and projects, was perhaps something of an enigma to his contemporaries, who nevertheless urged its publication. It remains for scholars today a treasure-trove of fascinating insights on Evelyn and his milieu.
The contributors to this volume approach Evelyn and his work from diverse disciplines, including architectural and intellectual history and the histories of science, agriculture, gardens, and literature. They present a rich picture of the “Elysium Britannicum” as one of the central documents of late European humanism.
In March 1942, a desperate period for the allies in World War II, John Steinbeck published his propaganda novel The Moon is Down—the story of ruthless invaders who overrun a militarily helpless country. Throughout the novel, Steinbeck underscored both the fatal weakness of the “invincible” unnamed aggressors and the inherent power of the human values shard by the “conquered” people.
The Moon is Down created an immediate sensation among American literary critics; fierce debate erupted over Steinbeck’s uncommonly sympathetic portrayal of the enemy and the novel’s power as a vehicle for propaganda. Fifty years later, Coers continues the debate, relying heavily on unpublished letters and personal interviews with the lawyers, book dealers, actors, publishers, and housewives associated with the resistance movements in Western Europe. Clandestine translations of The Moon Is Down quickly appeared and were widely circulated under the noses of the Gestapo. Coers documents the fate of Steinbeck’s novel in the hands of World War II resistance fighters and deepens our appreciation of Steinbeck’s unique ability to express the feelings of oppressed peoples.
John Venn (1834–1923) is remembered today as the inventor of the famous Venn diagram. The postmortem fame of the diagram has until now eclipsed Venn’s own status as one of the most accomplished logicians of his day. Praised by John Stuart Mill as a “highly successful thinker” with much “power of original thought,” Venn had a profound influence on nineteenth-century scientists and philosophers, ranging from Mill and Francis Galton to Lewis Carroll and Charles Sanders Peirce. Venn was heir to a clerical Evangelical dynasty, but religious doubts led him to resign Holy Orders and instead focus on an academic career. He wrote influential textbooks on probability theory and logic, became a fellow of the Royal Society, and advocated alongside Henry Sidgwick for educational reform, including that of women’s higher education. Moreover, through his students, a direct line can be traced from Venn to the early analytic philosophy of G. E. Moore and Bertrand Russell, and family ties connect him to the famous Bloomsbury group.
This essential book takes readers on Venn’s journey from Evangelical son to Cambridge don to explore his life and work in context. Drawing on Venn’s key writings and correspondence, published and unpublished, Lukas M. Verburgt unearths the legacy of the logician’s wide-ranging thinking while offering perspective on broader themes in religion, science, and the university in Victorian Britain. The rich picture that emerges of Venn, the person, is of a man with many sympathies—sometimes mutually reinforcing and at other times outwardly and inwardly contradictory.
Avoiding the male-authored model of competing orations, French and Italian women of the Renaissance framed their dialogues as informal conversations, as letters with friends that in turn became epistles to a wider audience, and even sometimes as dramas. No other study to date has provided thorough, comparative view of these works across French, Italian, and Latin. Smarr's comprehensive treatment relates these writings to classical, medieval, and Renaissance forms of dialogue, and to other genres including drama, lyric exchange, and humanist invective -- as well as to the real conversations in women's lives -- in order to show how women adapted existing models to their own needs and purposes.
Janet Levarie Smarr is Professor of Theatre and Italian Studies at the University of California, San Diego.
"It is in his description of that arduous three-year voyage [on the ship Endeavor] that Mr. O'Brian is at his most brilliant. . . . He makes us understand what life within this wooden world was like, with its 94 male souls, two dogs, a cat and a goat."—Linda Colley, New York Times
"An absorbing, finely written overview, meant for the general reader, of a major figure in the history of natural science."—Frank Stewart, Los Angeles Times
"[This book is] the definitive biography of an extraordinary subject."—Robert Taylor, Boston Globe
"His skill at narrative and his extensive knowledge of the maritime history . . . give him a definite leg up in telling this . . . story."—Tom Clark, San Francisco Chronicle
“This author testifieth Joseph of Arimathea to be the first preacher of the word of God within our realms. Long after that, when Austin came from Rome, this our realm had bishops and priests there-in, as is well known to the learned of our realm.”—Elizabeth I, in a 1559 letter to Roman Catholic bishops on the precedence of the Church of England
The name Joseph of Arimathea is generally well known, either from the accounts in each of the New Testament Gospels that tell of his providing a tomb for the burial of Jesus; from his depictions in medieval and Renaissance art; from his associations with the Holy Grail that later found greater expression in medieval Arthurian stories; and even from the story that has endured in western Britain that as a trader in tin, copper, and lead, he had traveled often to the region—and with him came the Christian religion. These stories are strongly rooted, despite the lack of impeccable source material—so much so that Elizabeth I used Joseph of Arimathea as proof that the Church of England predated the Catholic church in her country. In Joseph of Arimathea Glyn S. Lewis brings these fragments together in order to provide as fully as is possible what we can infer about this first-century apostle.
The author first discusses Arimathea, a town that has yet to be positively identified. He then reviews the accounts of Joseph’s entombment of Jesus that appear in each of the four Gospels. From these earliest references, the author next consults the literary and oral tradition evidence of Joseph’s passage by ship to the south of France among a group of fugitives escaping persecution for being Christians, and his early visits to Britain as a trader in precious ores. These voyages are said to have brought him to the area around Glastonbury, which became a flourishing monastery in the Middle Ages. Whether or not Joseph of Arimathea visited Britain, his story remains an enthralling and fascinating mystery.
"He was a man of fair learning, and more than average accomplishment; not at all intolerant of opinions at issue with his own; in religion a Dissenter of the class still prevalent in New England: in his tastes scholarly and refined, not ill read in general literature, prone to social enjoyments, a reasonably good critic of what he saw, altogether an excellent example of the class of men out of whom the fathers and founders of that great republic sprang..."
-Charles Dickens, in summing up the character of Samuel Curwen
This unabridged two-volume edition of Samuel Curwen's journal supersedes the only version previously available to historians: a fragmentary and inaccurate mid-nineteenth-century work published by George Atkinson Ward, which nevertheless was celebrated by Charles Dickens.
Andrew Oliver, combining painstaking documentation with an abundance of illustrations, provides a colorful, complete work which ranks as a valuable source of English social history from 1775 to 1784. It was during these years that Curwen, a Salem merchant, after fleeing from the harassment incurred by his loyalist activities, migrated to England and kept this journal. A man small in size, physically timid, mentally brave, and remarkably injudicious, Curwen felt that he was "unhappily though unjustly ranked" as a tory. Thus his observations and thoughts are useful in understanding the attitudes and experiences of the loyalist exiles.
Set primarily in England and sparked throughout with engaging reports on personalities, places, and even the weather, the journal traces Curwen's nine years of exile. It also briefly details his departure from Salem, his short and alarming sojourn in Philadelphia where he found the political climate no less unfavorable, and his subsequent sea voyage to England.
The Journal of Samuel Curwen, Loyalist is the first in a series of Loyalist Papers, a long-term program to be undertaken independently by a number of publishers in Britain, Canada, and the United States. The program will locate, gather, and make available documents that place in perspective those Americans who, at the time of the Revolution, remained loyal to the Crown.
The Journal of the American Revolution, Annual Volume 2020, presents the journal’s best historical research and writing over the past calendar year. The volume is designed for institutions, scholars, and enthusiasts to provide a convenient overview of the latest research and scholarship in American Revolution and Founding Era studies. The thirty-six articles in the 2020 edition include:
Bernard E. Griffiths: Trumpeter Barney of the Queen’s Rangers, Chelsea Pensioner—and Freed Slave by Todd W. Braisted
The Declaration of Independence: Did John Hancock Really Say that about his Signature?—and Other Signing Stories by J. L. Bell
Les Habitants: Collaboration and Pro-American Violence in Canada, 1774–1776 by Sebastian van Bastelaer
Misadventures in the Countryside: Escape from a British Prison Ship by Katie Turner Getty
The Revolutionary Memories of New York Loyalists: Thomas Jones and William Smith, Jr. by Cho-Chien Feng
The East India Company and Parliament’s “Fateful Decision” of 1767 by Steven Neill
Massachusetts Privateers During the Siege of Boston by Alexander Cain
The Constitution Counted Free Women and Children—And It Mattered by Andrew M. Schocket, with Kinzey M. McLaren-Czerr and Colin J. Spicer
How Magna Carta Influenced the American Revolution by Jason Yonce
Putting a Price on Loyalty: Mary Loring’s List of Losses by John Knight
The year’s best articles from the leading on-line source of new research on the Revolution and Founding eras
The Journal of the American Revolution, Annual Volume 2022, presents the journal’s best historical research and writing over the past calendar year. The volume is designed for institutions, scholars, and enthusiasts to provide a convenient overview of the latest research and scholarship in American Revolution and Founding Era studies. This year's articles are:
Massachusettensis and Novanglus: The Last Great Debate Prior to the War by James M. Smith
Wampum Belts to Canada: Stockbridge Indian Ambassadors’ Dangerous 1775 Peace Mission by Mark R. Anderson
Ethan Allen’s “Motley Parcel of Soldiery” at Montreal by Mark R. Anderson
The Devil at the Helm: A Quote That Went Astray by Don N. Hagist
Thomas Knowlton’s Revolution by David Price
Major Robert Rogers and the American Revolution by Scott M. Smith
La Petite Guerre and Indian Irregular Manner of War: Siblings, But Not Twins by Brian Gerring
George Washington and the First Mandatory Immunization by Richard J. Werther
French Adventurers, Patriots, and Pretentious Imposters in the Fight for American Independence by Arthur S. Lefkowitz
The Cherokee-American War from the Cherokee Perspective by Jordan Baker
The Numerical Strength of George Washington’s Army During the 1777 Philadelphia Campaign by Gary Ecelbarger and Michael C. Harris
A Reconsideration of Continental Army Numerical Strength at Valley Forge by Gary Ecelbarger and Michael C. Harris
American Indians at Valley Forge by Joseph Lee Boyle
The Discovery of a Letter from a Soldier of the First Rhode Island Regiment by Christian McBurney
“The Predicament We Are In”: How Paperwork Saved the Continental Army by Mike Matheny
Sir Henry Clinton’s Generalship by John Ferling
The Varick Transcripts and the Preservation of the War by Justin McHenry
“A Mere Youth”: James Monroe’s Revolutionary War by John A. Ruddima
Haitian Soldiers at the Siege of Savannah by Robert S. Davis
George Washington’s Culper Spy Ring: Separating Fact from Fiction by Bill Bleyer
Texas, Cattle, Cowboys, Ranchers, Indian Raids, and the American Revolution by George Kotlik
The Odyssey of Loyalist Colonel Samuel Bryan by Douglas R. Dorney, Jr.
“She Had Gone to the Army . . . to Her Husband”: Judith Lines’s Unremarked Life by John U. Rees
The Yorktown Tragedy: George Washington’s Slave Roundup by Gregory J. W. Urwin
Such as are Absolutely Free: Benjamin Thompson’s Black Troopers by Todd W. Braisted
The King of Sweden: Friendly Foe of the United States by Richard Werther
Shifting Indian Policy of the Articles of Confederation by John DeLee
Justice, Mercy, and Treason: John Marshall’s and Mercy Otis Warren’s Treatments of Benedict Arnold by Ray Mirante
A Chance Amiss: George Washington and the Fiasco of Spain’s Gift Diplomacy by Elisa Vargas
The Constitutional Convention Debates the Electoral College by Jason Yonce
Respected Citizen of Washington City: The Mystery of Will Costin, Freed Mount Vernon Slave by David O. Stewart
The Impeachment of Senator William Blount by Andrew A. Zellers-Frederick
Instinctive Temporary Unity: Examining Public Opinion During the Whiskey Rebellion by Jonathan Curran
“Good and Sufficient Testimony”: The Development of the Revolutionary War Pension Plan by Michael Barbieri
Journey of Five Capuchin Nuns contains all the elements of a riveting adventure story. Through the eyes of the Mother Abbess, María Rosa, the reader is taken along on this journey through wars, pirates, disease, travel on the high seas, and treacherous mountain passes in the Andes. Five nuns set out in the early 1700s from their cloistered convent in Madrid, Spain, to travel halfway around the world to Lima, Peru. The journey lasted three years—an odyssey not all of them would complete. Yet, this unique historical document is so much more than a typical travel narrative. It illuminates the eighteenth-century way of life of religious women on both sides of the Atlantic basin. María Rosa’s lively prose attests to the literary connection among women religious writers of Spain and Latin America. This annotated edition and first-ever English translation of the manuscript will be of interest to scholars, students and anyone who wants to learn more about women’s history.
In Joyce’s Ghosts, Luke Gibbons mounts a powerful argument that this view is mistaken: Joyce’s Irishness is intrinsic to his modernism, informing his most distinctive literary experiments. Ireland, Gibbons shows, is not just a source of subject matter or content for Joyce, but of form itself. Joyce’s stylistic innovations can be traced at least as much to the tragedies of Irish history as to the shock of European modernity, as he explores the incomplete project of inner life under colonialism. Joyce’s language, Gibbons reveals, is haunted by ghosts, less concerned with the stream of consciousness than with a vernacular interior dialogue, the “shout in the street,” that gives room to outside voices and shadowy presences, the disruptions of a late colonial culture in crisis.
Showing us how memory under modernism breaks free of the nightmare of history, and how in doing so it gives birth to new forms, Gibbons forces us to think anew about Joyce’s achievement and its foundations.
Engaging the work of such figures as Sigmund Freud, Walter Benjamin, Hannah Arendt, Charlotte Salomon, Arnaldo Momigliano, Leonard Bernstein, and Daniel Libeskind, Michael Steinberg shows how modern Jews advanced cosmopolitanism and multiplicity by helping to loosen—whether by choice or by necessity—the ties that bind any culture to accounts of its origins. In the process, Steinberg composes a mosaic of texts and events, often distant from one another in time and place, that speak to his theme of musicality. As both a literal value and a metaphorical one, musicality opens the possibility of a fusion of aesthetics and analysis—a coupling analogous to European modernity’s twin concerns of art and politics.
This original look at the French Reformation pits immovable object--the French appellate courts or parlements--against irresistible force--the most dynamic forms of the Protestant Reformation. Without the slightest hesitation, the high courts of Renaissance France opposed these religious innovators. By 1540, the French monarchy had largely removed the prosecution of heresy from ecclesiastical courts and handed it to the parlements. Heresy trials and executions escalated dramatically. But within twenty years, the irresistible force had overcome the immovable object: the prosecution of Protestant heresy, by then unworkable, was abandoned by French appellate courts.
Until now no one has investigated systematically the judicial history of the French Reformation. William Monter has examined the myriad encounters between Protestants and judges in French parlements, extracting information from abundant but unindexed registers of official criminal decisions both in Paris and in provincial capitals, and identifying more than 425 prisoners condemned to death for heresy by French courts between 1523 and 1560. He notes the ways in which Protestants resisted the French judicial system even before the religious wars, and sets their story within the context of heresy prosecutions elsewhere in Reformation Europe, and within the long-term history of French criminal justice.
Just Assassins is an engrossing collection of fourteen original essays that illuminate terrorism as it has occurred in Russian culture past and present. The broad range of writers and scholars have contributed work that examines Russian literature, film, and theater; historical narrative; and even amateur memoir, songs, and poetry posted on the Internet. Along with editor Anthony Anemone’s introduction, these essays chart the evolution of modern political terrorism in Russia, from the Decembrist uprising to the horrific school siege in Beslan in 2004.
As terrorism and the fear of terrorism continues to animate, shape, and deform public policy and international relations across the globe, Just Assassins brings into focus how Russia’s cultural engagement with its legacy of terrorism offers instructive lessons and insights for anyone concerned about political terror.
These essays examine fairy tales and other traditional forms of the fantastic and the real to offer alternative expressions of justice relevant to gender, sex, sexuality, environment, Indigeneity, class, ability, race, decolonizing, and human and nonhuman relations. By analyzing fairy tales and wonder texts from various media through an intersectional feminist lens, Pauline Greenhill and Jennifer Orme consider how wonder genres and forms blend with diverse conceptions of seeking and enacting justice. International collaborators—both established and emerging scholars who self-identify with different subjectivities, locations, and generations and come from an impressive range of inter/disciplines—engage with contemporary and historical texts from various languages and cultural contexts, including interventions, counterparts, and comparisons to the fairy tale. Just Wonder offers a critical look at how creative wondering can expand the ability to resist modes of oppression while fostering equity, as well as encourage curiosity and imagination.
In a world that can be overwhelming and precarious, this book presents scholarly, artistic, personal, and collective-action interventions to identify and respond to injustice while centering wonder and, thus, imagination, questioning, and hope. Just Wonder will appeal to fairy-tale scholars; folklorists; students and scholars of film, media studies, and cultural studies; as well as a general audience.
-Sister Helen Prejean
Justice Imperiled is the story of the brilliant lawyer Max Hirschberg, one of Germany's most courageous defenders of justice in the face of Hitler's rise to power.
Hirschberg lived an extraordinary life at a defining moment in German and European history. By the time he fled Nazi Germany in 1934, he had argued a series of cases in Munich's courtrooms that shed light on the history of political justice in pre-Nazi Germany and, by extension, the miscarriage of justice in all Western democracies.
Hirschberg was a rare figure: he fought for cases that reflected the new democracy rather than the old monarchy, that valued equality rather than hierarchy, and that showed respect for workers as well as aristocrats.
Throughout the Weimar period Hirschberg squared off in court against Munich's conservatives, reactionaries, and Nazis-twice facing Hitler himself. As he litigated politically charged disputes, he also began fighting to reverse the criminal convictions of innocent defendants and to study what mistaken verdicts teach us about the criminal justice system as a whole.
In a unique blend of biography and courtroom drama, Justice Imperiled captures the excitement of Hirschberg's actual cases and presents legal battles that still rage, in different circumstances, to this day.
The Armenian Genocide and the Nazi Holocaust are often thought to be separated by a large distance in time and space. But Stefan Ihrig shows that they were much more connected than previously thought. Bismarck and then Wilhelm II staked their foreign policy on close relations with a stable Ottoman Empire. To the extent that the Armenians were restless under Ottoman rule, they were a problem for Germany too. From the 1890s onward Germany became accustomed to excusing violence against Armenians, even accepting it as a foreign policy necessity. For many Germans, the Armenians represented an explicitly racial problem and despite the Armenians’ Christianity, Germans portrayed them as the “Jews of the Orient.”
As Stefan Ihrig reveals in this first comprehensive study of the subject, many Germans before World War I sympathized with the Ottomans’ longstanding repression of the Armenians and would go on to defend vigorously the Turks’ wartime program of extermination. After the war, in what Ihrig terms the “great genocide debate,” German nationalists first denied and then justified genocide in sweeping terms. The Nazis too came to see genocide as justifiable: in their version of history, the Armenian Genocide had made possible the astonishing rise of the New Turkey.
Ihrig is careful to note that this connection does not imply the Armenian Genocide somehow caused the Holocaust, nor does it make Germans any less culpable. But no history of the twentieth century should ignore the deep, direct, and disturbing connections between these two crimes.
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