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The Age of Everything
How Science Explores the Past
Matthew Hedman
University of Chicago Press, 2007
Taking advantage of recent advances throughout the sciences, Matthew Hedman brings the distant past closer to us than it has ever been. Here, he shows how scientists have determined the age of everything from the colonization of the New World over 13,000 years ago to the origin of the universe nearly fourteen billion years ago.

Hedman details, for example, how interdisciplinary studies of the Great Pyramids of Egypt can determine exactly when and how these incredible structures were built. He shows how the remains of humble trees can illuminate how the surface of the sun has changed over the past ten millennia. And he also explores how the origins of the earth, solar system, and universe are being discerned with help from rocks that fall from the sky, the light from distant stars, and even the static seen on television sets.

Covering a wide range of time scales, from the Big Bang to human history, The Age of Everything is a provocative and far-ranging look at how science has determined the age of everything from modern mammals to the oldest stars, and will be indispensable for all armchair time travelers.
 
“We are used to being told confidently of an enormous, measurable past: that some collection of dusty bones is tens of thousands of years old, or that astronomical bodies have an age of some billions. But how exactly do scientists come to know these things? That is the subject of this quite fascinating book. . . . As told by Hedman, an astronomer, each story is a marvel of compressed exegesis that takes into account some of the most modern and intriguing hypotheses.”—Steven Poole, Guardian
 
“Hedman is worth reading because he is careful to present both the power and peril of trying to extract precise chronological data. These are all very active areas of study, and as you read Hedman you begin to see how researchers have to be both very careful and incredibly audacious, and how much of our understanding of ourselves—through history, through paleontology, through astronomy—depends on determining the age of everything.”—Anthony Doerr, Boston Globe 
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Bede and the Theory of Everything
Michelle P. Brown
Reaktion Books, 2023
An accessible biography of the venerable Bede, regarded as the father of English history.
A 2023 History Today Book of the Year

 
This book investigates the life and world of Bede (c. 673–735), the foremost scholar of the early Middle Ages and the “father of English history.” It examines his notable feats, including calculating the first tide tables, creating the Ceolfrith Bibles and the Lindisfarne Gospels, writing the earliest extant Old English poetry, and composing his famous Ecclesiastical History of the English People. In addition to providing an accessible overview of Bede’s life and work, Michelle P. Brown describes new discoveries regarding Bede’s handwriting, his historical research, and his previously lost Old English translation of St John’s Gospel, dictated on his deathbed.
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The Crack In Everything
Alicia Suskin Ostriker
University of Pittsburgh Press, 1996
This volume of poetry from Alicia Suskin Ostriker is one of her most ambitious, ranging from laments and celebrations for a flawed world to meditations on art and artists, to a powerful exploration of illness and healing.
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Curiosity
How Science Became Interested in Everything
Philip Ball
University of Chicago Press, 2013
With the recent landing of the Mars rover Curiosity, it seems safe to assume that the idea of being curious is alive and well in modern science—that it’s not merely encouraged but is seen as an essential component of the scientific mission. Yet there was a time when curiosity was condemned. Neither Pandora nor Eve could resist the dangerous allure of unanswered questions, and all knowledge wasn’t equal—for millennia it was believed that there were some things we should not try to know. In the late sixteenth century this attitude began to change dramatically, and in Curiosity: How Science Became Interested in Everything, Philip Ball investigates how curiosity first became sanctioned—when it changed from a vice to a virtue and how it became permissible to ask any and every question about the world.
 
Looking closely at the sixteenth through eighteenth centuries, Ball vividly brings to life the age when modern science began, a time that spans the lives of Galileo and Isaac Newton. In this entertaining and illuminating account of the rise of science as we know it, Ball tells of scientists both legendary and lesser known, from Copernicus and Kepler to Robert Boyle, as well as the inventions and technologies that were inspired by curiosity itself, such as the telescope and the microscope. The so-called Scientific Revolution is often told as a story of great geniuses illuminating the world with flashes of inspiration. But Curiosity reveals a more complex story, in which the liberation—and subsequent taming—of curiosity was linked to magic, religion, literature, travel, trade, and empire. Ball also asks what has become of curiosity today: how it functions in science, how it is spun and packaged for consumption, how well it is being sustained, and how the changing shape of science influences the kinds of questions it may continue to ask.
 
Though proverbial wisdom tell us that it was through curiosity that our innocence was lost, that has not deterred us. Instead, it has been completely the contrary: today we spend vast sums trying to reconstruct the first instants of creation in particle accelerators, out of a pure desire to know. Ball refuses to let us take this desire for granted, and this book is a perfect homage to such an inquisitive attitude.

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The End of Everything and Everything That Comes after That
Nick Lantz
University of Wisconsin Press, 2024
A chicken lives for eighteen months after its head is cut off. Tourists pose with an inflatable sex doll at the 9/11 memorial. A sex-reveal party starts a wildfire in a forest named for a conquistador. The author’s cancer treatments are intertwined with the rise of domestic fascism. “Is that something I should put in a poem?” asks Nick Lantz; the resounding answer is yes! 

Mixing sincerity with irony, lyric with vernacular, Lantz’s collisions of style and subject are at their most vibrant in the long sequence at the center of the collection, a series of poems that brilliantly capture the disruption and disorder of our lives during the COVID-19 pandemic in breathless, unpunctuated verse. Depicting the uncanny dissonance of living during and beyond events that feel world ending, this volume reminds us of the ways in which we carry our own traumas and the traumas of history with us in our daily lives.

      Life is all gilded frescoes
and Arnold Palmers 

at the clubhouse until Titus and his men 
      pass through with torches, 
until Cortés and his men 
pass through with torches, until Sherman 

      and his men and so on, 
until men forget 
what their hands looked like without torches.
—Excerpt from “Ruin”
 
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Everything
Andrea Cohen
Four Way Books, 2021
The poems in Everything, Andrea Cohen’s seventh collection, traffic in wonder and woe, in dialogue and interior speculation. Humor and gravity go hand in hand here. Cohen’s poems have the rueful irony of a stand-up comic playing to an empty room. But look around: there are wrecking balls, zebras, lovers, milk money. It’s a room to hang around in.
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Everything I Kept
Todo Lo Que Guardé
Ruth Behar
Swan Isle Press, 2018
Moving between the speech and silence of a woman struggling to speak freely, Ruth Behar embarks on a poetic voyage into her own vulnerability and the sacrifices of her exiled ancestors as she tries to understand love, loss, regret, and the things we keep and carry with us. Behar’s vivid renderings of wilted gardens, crashing waves, and firefly-lit nights recall the imagery of her inspiration, Dulce María Loynaz, who is often known as the Cuban Emily Dickinson. Presented in a beautiful bilingual English-Spanish edition—Behar serves as her own translator—Everything I Kept/Todo lo que guardé will haunt readers with the cries and whispers which illuminate the human spirit and the spectrum of emotions that make for a life and lives well-remembered.  
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Everything I Never Wanted to Know
Christine Hume
The Ohio State University Press, 2023
“A dauntless and harrowing indictment of patriarchal violence.” —Publishers Weekly

In Everything I Never Wanted to Know, Christine Hume confronts the stigma and vulnerability of women’s bodies in the US. She explores bodily autonomy and sexual assault alongside the National Sex Offender Registry in order to invoke not solutions but a willingness to complicate our ideas of justice and defend every human’s right to be treated like a member of the community. Feminist autobiography threads into historical narrative and cultural criticism about the Victorian-era Frozen Charlotte doll; the Nylon Riots of the 1940s; the movie Halloween; Larry Nassar, who practiced in Hume’s home state of Michigan; and other material. In these reflections on sexuality, gender, criminality, and violence, Hume asks readers to reconsider what we have collectively normalized and how we are each complicit, writing through the darkness of what we don’t want to see, what we’d rather not believe, and what some of us have long tried to forget.
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Everything to Gain
Making the Most of the Rest of Your Life
Jimmy Carter
University of Arkansas Press, 1995
Everything to Gain, first published in 1987, is the warm account of Jimmy and Rosalynn Carter’s life after their years in the White House. They discuss their marriage and health issues, their work with Habitat for Humanity and the Carter Center, and much more.
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Heaven, Hell, and Everything in Between
Murals of the Colonial Andes
By Ananda Cohen-Aponte
University of Texas Press, 2016

Examining the vivid, often apocalyptic church murals of Peru from the early colonial period through the nineteenth century, Heaven, Hell, and Everything in Between explores the sociopolitical situation represented by the artists who generated these murals for rural parishes. Arguing that the murals were embedded in complex networks of trade, commerce, and the exchange of ideas between the Andes and Europe, Ananda Cohen-Aponte also considers the ways in which artists and viewers worked through difficult questions of envisioning sacredness.

This study brings to light the fact that, unlike the murals of New Spain, the murals of the Andes possess few direct visual connections to a pre-Columbian painting tradition; the Incas’ preference for abstracted motifs created a problem for visually translating Catholic doctrine to indigenous congregations, as the Spaniards were unable to read Inca visual culture. Nevertheless, as Cohen Suarez demonstrates, colonial murals of the Andes can be seen as a reformulation of a long-standing artistic practice of adorning architectural spaces with images that command power and contemplation. Drawing on extensive secondary and archival sources, including account books from the churches, as well as on colonial Spanish texts, Cohen Suarez urges us to see the murals not merely as decoration or as tools of missionaries but as visual archives of the complex negotiations among empire, communities, and individuals.

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If Einstein Had Been a Surfer
A Surfer, a Scientist, and a Philosopher Discuss a "Universal Wave Theory" or "Theory of Everything"
Peter Kreeft
St. Augustine's Press, 2009
(1) Science, (2) philosophy, and (3) poetry, myth, and mysticism are three modes of consciousness that are radically different today. We are usually very good at carefully distinguishing them so as not to corrupt them, reduce them, or to confuse them with each other. But almost no one tries to connect them in a synthesis in which each maintains its own identity yet each contributes to a greater whole that no one of them could attain alone – like a happy marriage. If we bring them together at all, it is only to focus in three different ways on a specific issue (like health care, or children’s literature, or gender roles). If Einstein Had Been a Surfer dares to do it for Everything, or rather for a “Theory of Everything” that only scientists today dare to talk about. But how can a “theory of the whole” be discovered by a brain that is less than a whole brain?
    In this book all three dimensions of consciousness not only speak about a “theory of everything” but speak to each other in dialog. The three voices are incarnated in three characters from an upcoming novel, An Ocean Full of Angels: Evan Jellema is a theoretical physicist (and a clumsy Dutchman), ’Isa Ben Adam is a philosophical Muslim (and cantankerously clear), and Libby Rawls is a poet, mystic, and surfer (and a sassy, classy Black feminist).
    Isn’t “surfer” a bit of a stretch? Not at all. Actually, the papers reported last year that an amateur scientist has in fact finally discovered, or claimed to have discovered, the “theory of everything” that Einstein failed to find and that scientists have been searching for ever since – and he is a surfer! Perhaps this is no accident, but a natural connection: the mind of the “soul surfer,” having become one with the sea, has awakened its “third eye” which alone gives the scientist the binocular vision, the synoptic perspective, that he lacks. And perhaps only a philosopher can mediate the two other modes of vision, as Aquinas mediated and synthesized the science of Albert the Great and Aristotle with the poetry and symbolism of mystics like Augustine.
    This lively trialog, full of irony, intellectual surprise, and humor, is a serious call for a post-medieval synthesis. It does not claim to have arrived anywhere near the end of a journey to a “Theory of Everything,” only to have begun it. Even that modest ambition will certainly be criticized a priori as impossibly ambitious. Does that tell you anything about the book, or does it tell you something about the critic?
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Intellectual Property
Everything the Digital-Age Librarian Needs to Know
Timothy Lee American Library Association
American Library Association, 2008

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The New Flatlanders
A Seeker's Guide to the Theory of Everything
Eric Middleton
Templeton Press, 2007

In The New Flatlanders, teacher, scientist, and chaplain Eric Middleton challenges traditional ways of looking at reality by engaging readers in a "voyage of discovery starting with questions." The book engagingly begins with a discussion group embarking on an exploratory conversation about the nature of the universe and the place of human beings in it. Daunting questions emerge, such as "How can there possibly be a tear or hole in three-dimensional space? And if there is a hole, can something fall through it? Where would it fall to?" In short order, students and teacher are on a quest to develop a "working theory of everything" that takes them from stone circles to quarks, superstrings, quantum theory, the anthropic principle, evolution, consciousness, miracles, chaos, and the spiritual universe.

The key to exploring these questions is finding a language with which to talk about the awe and wonder of today's science alongside the joy of experiencing the spiritual. This is done by interweaving into the discussions the philosophy of "Flatland," a nonreligious entry point to Jesus posited by nineteenth-century clergyman and educator Edwin A. Abbott in his classic parable Flatland: A Romance of Many Dimensions.

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One Kind of Everything
Poem and Person in Contemporary America
Dan Chiasson
University of Chicago Press, 2007

One Kind of Everything elucidates the uses of autobiography and constructions of personhood in American poetry since World War II, with helpful reference to American literature in general since Emerson. Taking on one of the most crucial issues in American poetry of the last fifty years, celebrated poet Dan Chiasson explores what is lost or gained when real-life experiences are made part of the subject matter and source material for poetry. In five extended, scholarly essays—on Robert Lowell, Elizabeth Bishop, Frank Bidart, Frank O’Hara, and Louise Glück—Chiasson looks specifically to bridge the chasm between formal and experimental poetry in the United States. Regardless of form, Chiasson argues that recent American poetry is most thoughtful when it engages most forcefully with autobiographical material, either in an effort to embrace it or denounce it.

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So Much Stuff
How Humans Discovered Tools, Invented Meaning, and Made More of Everything
Chip Colwell
University of Chicago Press, 2023
How humans became so dependent on things and how this need has grown dangerously out of control.
 
Over three million years ago, our ancient ancestors realized that rocks could be broken into sharp-edged objects for slicing meat, making the first knives. This discovery resulted in a good meal and eventually changed the fate of our species and our planet.
 
With So Much Stuff, archaeologist Chip Colwell sets out to investigate why humankind went from self-sufficient primates to nonstop shoppers, from needing nothing to needing everything. Along the way, he uncovers spectacular and strange points around the world—an Italian cave with the world’s first known painted art, a Hong Kong skyscraper where a priestess channels the gods, and a mountain of trash that rivals the Statue of Liberty. Through these examples, Colwell shows how humanity took three leaps that led to stuff becoming inseparable from our lives, inspiring a love affair with things that may lead to our downfall. Now, as landfills brim and oceans drown in trash, Colwell issues a timely call to reevaluate our relationship with the things that both created and threaten to undo our overstuffed planet.
 
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A Theory of Everything
Mary Crockett Hill
Autumn House Press, 2009
Winner of the 2008 Autumn House Poetry Contest, selected by Naomi Shihab Nye. Crockett considers the intimacies of daily life and what it means to be interconnected.
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The Universe, Life and Everything
Dialogues on our Changing Understanding of Reality
Sarah Durston and Ton Baggerman
Amsterdam University Press, 2018
Our current understanding of our world is nearly 350 years old. It stems from the ideas of Descartes and Newton and has brought us many great things, including modern science and increases in wealth, health and everyday living standards. Furthermore, it is so ingrained in our daily lives that we have forgotten it is a paradigm, not a fact. There are, however, some problems with it. First, there is no satisfactory explanation for why we have consciousness and experience meaning in our lives. Second, modern-day physics tells us that observations depend on characteristics of the observer at the large, cosmic, and small, subatomic scales. Third, ongoing humanitarian and environmental crises show us that our world is vastly interconnected. Our understanding of reality is expanding to incorporate these issues. In The Universe, Life and Everything . . . Dialogues on our Changing Understanding of Reality, some of the scholars at the forefront of this change, from the fields of physics, psychology, and social sciences, discuss the direction it is taking and its urgency.
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Widows' Words
Women Write on the Experience of Grief, the First Year, the Long Haul, and Everything in Between
nan Bauer-Maglin
Rutgers University Press, 2019
Becoming a widow is one of the most traumatic life events that a woman can experience. Yet, as this remarkable new collection reveals, each woman responds to that trauma differently. Here, forty-three widows tell their stories, in their own words.
 
Some were widowed young, while others were married for decades. Some cared for their late partners through long terminal illnesses, while others lost their partners suddenly. Some had male partners, while others had female partners. Yet each of these women faced the same basic dilemma: how to go on living when a part of you is gone.
 
Widows’ Words is arranged chronologically, starting with stories of women preparing for their partners’ deaths, followed by the experiences of recent widows still reeling from their fresh loss, and culminating in the accounts of women who lost their partners many years ago but still experience waves of grief. Their accounts deal honestly with feelings of pain, sorrow, and despair, and yet there are also powerful expressions of strength, hope, and even joy. Whether you are a widow yourself or have simply experienced loss, you will be sure to find something moving and profound in these diverse tales of mourning, remembrance, and resilience.
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