The toil of several million peasant farmers in Aztec Mexico transformed lakebeds and mountainsides into a checkerboard of highly productive fields. This book charts the changing fortunes of one Aztec settlement and its terraced landscapes from the twelfth to the twenty-first century. It also follows the progress and missteps of a team of archaeologists as they pieced together this story.

Working at a settlement in the Toluca Valley of central Mexico, the authors used fieldwalking, excavation, soil and artifact analyses, maps, aerial photos, land deeds, and litigation records to reconstruct the changing landscape through time. Exploiting the methodologies and techniques of several disciplines, they bring context to eight centuries of the region’s agrarian history, exploring the effects of the Aztec and Spanish Empires, reform, and revolution on the physical shape of the Mexican countryside and the livelihoods of its people. Accessible to specialists and nonspecialists alike, this well-illustrated and well-organized volume provides a step-by-step guide that can be applied to the study of terraced landscapes anywhere in the world.
 
The four authors share an interest in terraced landscapes and have worked together and on their own on a variety of archaeological projects in Mesoamerica, the Mediterranean, Poland, and the United Kingdom.
 

The result of decades of research, A Green Band in a Parched and Burning Land presents a thorough and detailed understanding of the Sobaipuri O’odham—arguably the most influential and powerful Indigenous group in southern Arizona in the terminal prehistoric and early historic periods, yet one of the least understood and under-studied to have occupied the region. Deni J. Seymour combines historical sources with fresh archaeological data and oral history to reveal an astonishingly different view of, and revise conventional wisdom around, the native history of the region.
 
First and foremost irrigation farmers, the Sobaipuri O’odham permanently occupied verdant strips along all the major rivers in the region—including the headwaters of the San Pedro and various other areas thought to be beyond their domain. Seymour draws on career-spanning fieldwork, conversations with direct descendants (the O’odham residents of Wa:k), and recent breakthroughs in archaeological, ethnographic, and ethnohistorical research to shed light on their unique forms of landscape use, settlement patterns, and way of life. She details the building materials, linear site layout, and other elements of their singular archaeological signature; newly established dating for individual sites, complex building episodes, and occupational sequences; and evidence of cumulative village occupation as well as the habitation of river valleys and other locales long after supposed abandonment. The book also explains the key relationships between site distributions and landscape characteristics.
 
Addressing some of the longest-standing archaeological and historical questions about the Sobaipuri O’odham, A Green Band in a Parched and Burning Land reorients the discussion of their crucial place in the history of the region in constructive new directions.