One of the most fascinating aspects of Rembrandt's extraordinary artistic career is his suite of brooding half-length portraits of religious figures from the late 1650s and early 1660s. Painted during a difficult time in the artist's life—when he no longer enjoyed a ready market for his works and may have turned to his deep religious convictions for solace—these images are among the most evocative Rembrandt created. For years scholars have debated whether these paintings were intended as a series, yet until now these works have, unbelievably, never been shown together.

An exhibition by the National Gallery of Art and this accompanying catalog assemble seventeen of the paintings for the first time, finally giving the powerful images their due. Many of these subtle and wondrous paintings have been identified as images of apostles and evangelists, but among them are also representations of Christ, the Virgin, and still-unidentified saints and monks. In Rembrandt's typical fashion, the men and women in these portraits peer out of the dark recesses of dimly lit interiors as though burdened by the weight of their spiritual and emotional concerns. Yet recent archival research has raised questions about their attribution, the relationships among the paintings, and, in a broader sense, Rembrandt's life and career—issues addressed by the contributors to this volume. With its lavish color images and state-of-the-field research, Rembrandt's Late Religious Portraits will make a profound contribution to the understanding of this unique and provocative body of work.

This catalog documents a 2022 exhibition of original editorial illustrations commissioned by the University of Tennessee Libraries to complement the Chimney Tops 2 Wildfires Oral History Project. The four illustrators showcased here have strong ties to East Tennessee. Paige Braddock, author of the Eisner-nominated comic strip Jane’s World and Chief Creative Officer at Charles M. Schulz Creative Associates, is an ’85 UT alumna; Charlie Daniel, beloved Knoxville News Sentinel editorial illustrator, has been a Knoxville resident since 1958; Marshall Ramsey, syndicated editorial illustrator and Pulitzer nominee, is a ’91 UT alumnus; and professional illustrator Danny Wilson has been a visible part of Knoxville’s graphic landscape since graduating from UT in 1984. The artists were given access to the project’s digital archive of oral interviews—to date, 139 have been recorded—and were asked to respond creatively to what they heard and read.

The result is Rising from the Ashes, a candid and deeply felt collection of illustrations encapsulating accounts of the merciless firestorm that enveloped Sevier County in November 2016. The flexible medium of the editorial illustration shows itself capable of extended narrative, disquieting detail, and poignant synthesis, as well as moments of beauty, hope, horror, and even humor as it ushers viewers into the recollections of wrestling and sorrow that animate the project’s still expanding archive. Bales writes, “Ultimately, the multiple fires destroyed or damaged 2,500 homes and buildings, killed 14 trapped people, injured another 200 or more, and burned over 17,000 acres of mostly woodlands that were a powder keg of dried leaves, all in a matter of three hours.” Years later, the ramifications of this event are still being felt in the community and region. Rising from the Ashes is a tribute to a people who suffered, lost, banded together, and rebuilt; and no less important, it is an expression of solidarity, recognizing how much remains to be done.

For most of the eighteenth century, automata were deemed a celebration of human ingenuity, feats of science and reason. Among the Romantics, however, they prompted a contradictory apprehension about mechanization and contrivance: such science and engineering threatened the spiritual nature of life, the source of compassion in human society. A deep dread of puppets and the machinery that propels them consequently surfaced in late eighteenth and early nineteenth century literature. Romantic Automata is a collection of essays examining the rise of this cultural suspicion of mechanical imitations of life.

Recent scholarship in post-humanism, post-colonialism, disability studies, post-modern feminism, eco-criticism, and radical Orientalism has significantly affected the critical discourse on this topic. In engaging with the work and thought of Coleridge, Poe, Hoffmann, Mary Shelley, and other Romantic luminaries, the contributors to this collection open new methodological approaches to understanding human interaction with technology that strives to simulate, supplement, or supplant organic life.


Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.