Before his death in 2016, Abbas Kiarostami wrote or directed more than thirty films in a career that mirrored Iranian cinema's rise as an international force. His 1997 feature Taste of Cherry made him the first Iranian filmmaker to win the Palme d'Or at Cannes. Critics' polls continue to place Close-Up (1990) and Through the Olive Trees (1994) among the masterpieces of world cinema. Yet Kiarostami's naturalistic impulses and winding complexity made him one of the most divisive--if influential--filmmakers of his time. In this expanded second edition, award-winning Iranian filmmaker Mehrnaz Saeed-Vafa and film critic Jonathan Rosenbaum renew their illuminating cross-cultural dialogue on Kiarostami's work. The pair chart the filmmaker's late-in-life turn toward art galleries, museums, still photography, and installations. They also bring their distinct but complementary perspectives to a new conversation on the experimental film Shirin. Finally, Rosenbaum offers an essay on watching Kiarostami at home while Saeed-Vafa conducts a deeply personal interview with the director on his career and his final feature, Like Someone in Love.
Hans Holbein the Younger was the leading artist of the Northern Renaissance, yet his life and work are not nearly as well-documented as those of his contemporaries Leonardo da Vinci or Michelangelo. That omission has been remedied with this acclaimed study by Oskar Bätschmann and Pascal Griener. Hans Holbein chronicles the life and oeuvre of Holbein (1497/8–1543), as Bätschmann and Griener apply their considerable knowledge to explore the full range of cultural and social influences that affected him and his work. The artist’s friendships with leading thinkers such as Erasmus and Thomas More, the development of his painting style, and the cultural influences on his work are all discussed here in this unparalleled and in-depth biography that will be essential to the bookshelf of every art lover. This second edition includes an expanded introduction and additional images.
Independence has been a contested issue in Scotland since the region was first invaded by England in 1707, and the realm continues to linger between regional status and full sovereignty. The issue of independence has risen to the forefront of Scottish discussion in the past fifty years, and Murray Pittock offers here an examination of modern Scottish nationalism and what it means for the United Kingdom.
Pittock charts Scotland’s economic, cultural, and social histories, focusing on the history and cultural impact of Scottish cities and industries, the role of multiculturalism in contemporary Scottish society, and the upheaval of devolution, including the 2007 election of Scotland’s first nationalist government. From the architecture and art of Edinburgh and Glasgow to the Scottish Parliament, the book investigates every aspect of modern Scottish society to explain the striking rise of Scottish nationalism since 1960. Now brought up to date and with a new foreword by Scottish First Minister Alex Salmond, The Road to Independence? reveals a new perspective on modern Scottish culture on the eve of Scotland’s referendum on independence from the UK in September 2014.
“Enormously informative and often thought-provoking. . . . This book could hardly be improved on: it’s lively, lucid, witty, beautifully written.”—Scotsman
“A well-arranged exposition of the various pressures and stresses Scottish society has faced and faces still.”—Diplomat