How poetry can help us think about and live in the Anthropocene by reframing our intimate relationship with geological time
The Anthropocene describes how humanity has radically intruded into deep time, the vast timescales that shape the Earth system and all life-forms that it supports. The challenge it poses—how to live in our present moment alongside deep pasts and futures—brings into sharp focus the importance of grasping the nature of our intimate relationship with geological time. In Anthropocene Poetics, David Farrier shows how contemporary poetry by Elizabeth Bishop, Seamus Heaney, Evelyn Reilly, and Christian Bök, among others, provides us with frameworks for thinking about this uncanny sense of time.
Looking at a diverse array of lyric and avant-garde poetry from three interrelated perspectives—the Anthropocene and the “material turn” in environmental philosophy; the Plantationocene and the role of global capitalism in environmental crisis; and the emergence of multispecies ethics and extinction studies—Farrier rethinks the environmental humanities from a literary critical perspective. Anthropocene Poetics puts a concern with deep time at the center, defining a new poetics for thinking through humanity’s role as geological agents, the devastation caused by resource extraction, and the looming extinction crisis.
Balancing on the Brink of Extinction presents a comprehensive overview of the Endangered Species Act -- its conception, history, and potential for protecting the remaining endangered species.
An exploration of the explosive illegal trade in succulents and the passion that drives it
Cacti and succulents are phenomenally popular worldwide among plant enthusiasts, despite being among the world’s most threatened species. The fervor driving the illegal trade in succulents might also be driving some species to extinction. Delving into the strange world of succulent collecting, The Cactus Hunters takes us to the heart of this conundrum: the mystery of how and why ardent lovers of these plants engage in their illicit trade. This is a world of alluring desires, where collectors and conservationists alike are animated by passions that at times exceed the limits of law.
What inspires the desire for a plant? What kind of satisfaction does it promise? The answer, Jared D. Margulies suspects, might be traced through the roots and workings of the illegal succulent trade—an exploration that traverses the fields of botany and criminology, political ecology and human geography, and psychoanalysis. His globe-spanning inquiry leads Margulies from a spectacular series of succulent heists on a small island off the coast of Mexico to California law enforcement agents infiltrating a smuggling ring in South Korea, from scientists racing to discover new and rare species before poachers find them to a notorious Czech “cacto-explorer” who helped turn a landlocked European country into the epicenter of the illegal succulent trade.
A heady blend of international intrigue, social theory, botanical lore, and ecological study, The Cactus Hunters offers complex insight into species extinction, conservation, and more-than-human care.
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Exploring one of the greatest potential contributors to climate change—thawing permafrost—and the anxiety of extinction on an increasingly hostile planet
Climate scientists point to permafrost as a “ticking time bomb” for the planet, and from the Arctic, apocalyptic narratives proliferate on the devastating effects permafrost thaw poses to human survival. In Earth, Ice, Bone, Blood, Charlotte Wrigley considers how permafrost—and its disappearance—redefines extinction to be a lack of continuity, both material and social, and something that affects not only life on earth but nonlife, too.
Earth, Ice, Bone, Blood approaches the topic of thawing permafrost and the wild new economies and mitigation strategies forming in the far north through a study of the Sakha Republic, Russia’s largest region, and its capital city Yakutsk, which is the coldest city in the world and built on permafrost. Wrigley examines people who are creating commerce out of thawing permafrost, including scientists wishing to recreate the prehistoric “Mammoth steppe” ecosystem by eventually rewilding resurrected woolly mammoths, Indigenous people who forage the tundra for exposed mammoth bodies to sell their tusks, and government officials hoping to keep their city standing as the ground collapses under it. Warming begets thawing begets economic activity— and as a result, permafrost becomes discontinuous, both as land and as a social category, in ways that have implications for the entire planet. Discontinuity, Wrigley shows, eventually evolves into extinction.
Offering a new way of defining extinction through the concept of “discontinuity,” Earth, Ice, Bone, Blood presents a meditative and story-focused engagement with permafrost as more than just frozen ground.
A Times Higher Education Book of the Week
Approximately 200,000 years ago, as modern humans began to radiate out from their evolutionary birthplace in Africa, Neanderthals were already thriving in Europe—descendants of a much earlier migration of the African genus Homo. But when modern humans eventually made their way to Europe 45,000 years ago, Neanderthals suddenly vanished. Ever since the first Neanderthal bones were identified in 1856, scientists have been vexed by the question, why did modern humans survive while their closest known relatives went extinct?
“Shipman admits that scientists have yet to find genetic evidence that would prove her theory. Time will tell if she’s right. For now, read this book for an engagingly comprehensive overview of the rapidly evolving understanding of our own origins.”
—Toby Lester, Wall Street Journal
“Are humans the ultimate invasive species? So contends anthropologist Pat Shipman—and Neanderthals, she opines, were among our first victims. The relationship between Homo sapiens and Homo neanderthalensis is laid out cleanly, along with genetic and other evidence. Shipman posits provocatively that the deciding factor in the triumph of our ancestors was the domestication of wolves.”
—Daniel Cressey, Nature
Tortoises may be the first family of higher animals to become extinct in the coming decades. They are losing the survival race because of what distinguishes them, in particular their slow, steady pace of life and reproduction.
The Last Tortoise offers an introduction to these remarkable animals and the extraordinary adaptations that have allowed them to successfully populate a diverse range of habitats—from deserts to islands to tropical forests. The shields that protect their shoulders and ribs have helped them evade predators. They are also safeguarded by their extreme longevity and long period of fertility. Craig Stanford details how human predation has overcome these evolutionary advantages, extinguishing several species and threatening the remaining forty-five.
At the center of this beautifully written work is Stanford’s own research in the Mascarene and Galapagos Islands, where the plight of giant tortoise populations illustrates the threat faced by all tortoises. He addresses unique survival problems, from genetic issues to the costs and benefits of different reproductive strategies. Though the picture Stanford draws is bleak, he offers reason for hope in the face of seemingly inevitable tragedy. Like many intractable environmental problems, extinction is not manifest destiny. Focusing on tortoise nurseries and breeding facilities, the substitution of proxy species for extinct tortoises, and the introduction of species to new environments, Stanford’s work makes a persuasive case for the future of the tortoise in all its rich diversity.
How films help us understand the inevitable death of Earth and humanity
Offering a bracing theoretical corrective to ecocriticism’s emphasis on pedagogies of care and interconnection, Negative Life: The Cinema of Extinction brings cinema studies, queer theory, and psychoanalysis into novel configuration around a concept inherent to yet critical of life: negative life, a sundering of the connections between human and nonhuman relations. Engaging questions and challenges such as the nothingness of existentialism, the aversive side of sex, and the immanent exception of the drive in psychoanalysis, coauthors Steven Swarbrick and Jean-Thomas Tremblay not only counter ecocritical pieties but cut a new path for theory. They engage a unique corpus of films and philosophies that reject the pastoralism of “entanglement” or “enmeshment,” which have functioned as an ethical and aesthetic alibi for extinction. Negative Life examines films by Julian Pölsler, Kelly Reichardt, Lee Isaac Chung, Mahesh Matai, and Paul Schrader, which exemplify the existential contradictions that have intensified amid the sixth mass extinction; meanwhile, a set of interludes on ecohorror supplement this focus on negative life and the philosophers and theorists who express it. Each case study testifies formally and thematically to negative life as a structural condition of thought and film. Together, the titles that compose the titular cinema of extinction reveal the unlivable dimension of life and art, where form, desire, and nonbelonging tarry with the future-oriented promise of ecostudies—where all that lives connects. Negative Life militates against this promise, showing that faith in connection is a dead end.
Engaging a broad spectrum of ecological thought to articulate the ethical scale of global extinction
As global rates of plant and animal extinctions mount, anxieties about the future of the earth’s ecosystems are fueling ever more ambitious efforts at conservation, which draw on Western scientific principles to manage species and biodiversity. In Revenant Ecologies, Audra Mitchell argues that these responses not only ignore but also magnify powerful forms of structural violence like colonialism, racism, genocide, extractivism, ableism, and heteronormativity, ultimately contributing to the destruction of unique life forms and ecosystems.
Critiquing the Western discourse of global extinction and biodiversity through the lens of diverse Indigenous philosophies and other marginalized knowledge systems, Revenant Ecologies promotes new ways of articulating the ethical enormity of global extinction. Mitchell offers an ambitious framework—(bio)plurality—that focuses on nurturing unique, irreplaceable worlds, relations, and ecosystems, aiming to transform global ecological–political relations, including through processes of land return and critically confronting discourses on “human extinction.”
Highlighting the deep violence that underpins ideas of “extinction,” “conservation,” and “biodiversity,” Revenant Ecologies fuses political ecology, global ethics, and violence studies to offer concrete, practical alternatives. It also foregrounds the ways that multi-life-form worlds are actively defying the forms of violence that drive extinction—and that shape global efforts to manage it.
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We have long lorded over the ocean. But only recently have we become aware of the myriad life-forms beneath its waves. We now know that this delicate ecosystem is our life-support system; it regulates the earth’s temperatures and climate and comprises 99 percent of living space on earth. So when we change the chemistry of the whole ocean system, as we are now, life as we know it is threatened.
In Seasick, veteran science journalist Alanna Mitchell dives beneath the surface of the world’s oceans to give readers a sense of how this watery realm can be managed and preserved, and with it life on earth. Each chapter features a different group of researchers who introduce readers to the importance of ocean currents, the building of coral structures, or the effects of acidification. With Mitchell at the helm, readers submerge 3,000 feet to gather sea sponges that may contribute to cancer care, see firsthand the lava lamp–like dead zone covering 17,000 square kilometers in the Gulf of Mexico, and witness the simultaneous spawning of corals under a full moon in Panama.
The first book to look at the planetary environmental crisis through the lens of the global ocean, Seasick takes the reader on an emotional journey through a hidden realm of the planet and urges conservation and reverence for the fount from which all life on earth sprang.
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