In Taiwan, small-scale subcontracting factories of thirty employees or less make items for export, like the wooden jewelry boxes that Ping-Chun Hsiung made when she worked in six such factories. These factories are found in rice fields and urban areas, front yards and living rooms, mostly employing married women in line with the government slogan that promotes work in the home—"Living Rooms as Factories."
Hsiung studies the experiences of the married women who work in this satellite system of factories, and how their work and family lives have contributed to Taiwan's 9.1 percent GNP growth over the last three decades, the "economic miracle." This vivid portrayal of the dual lives of these women as wives, mothers, daughters-in-law and as manufacturing workers also provides sophisticated analyses of the links between class and gender stratification, family dynamics, state policy, and global restructuring within the process of industrialization.
Hsiung uses ethnographic data to illustrate how, in this system of intersecting capitalist logic and patriarchal practices, some Taiwanese women experience upward mobility by marrying into the owners' family, while others remain home and wage workers. Although women in both groups acknowledge gender inequality, this commonality does not bridge divergent class affiliations. Along with a detailed account of the oppressive labor practices, this book reveals how workers employ clandestine tactics to defy the owners' claims on their labor.
As Martin shows, access to land in and around steel and pottery towns allowed residents to preserve rural habits and culture. Workers in these places valued place and local community. Because of their belief in localism, an individualistic ethic of "making do," and company loyalty, they often worked to place limits on union influence. At the same time, this localism allowed workers to adapt to the dictates of industrial capitalism and a continually changing world on their own terms--and retain rural ways to a degree unknown among their urbanized peers. Throughout, Martin ties these themes to illuminating discussions of capital mobility, the ways in which changing work experiences defined gender roles, and the persistent myth that modernizing forces bulldozed docile local cultures.
Revealing and incisive, Smokestacks in the Hills reappraises an overlooked stratum of American labor history and contributes to the ongoing dialogue on shifts in national politics in the postwar era.
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