During the sengoku era—the period of "warring provinces" in fifteenth- and sixteenth-century Japan—warlords vied for supremacy and sought to expand their influence over the realm. Powerful religious institutions also asserted their military might by calling upon their adherents to do battle against forces that threatened their spiritual and secular interests.
The Honganji branch of Jodo Shinshu (True Pure Land Sect) Buddhism was one such powerhouse that exercised its military will by fanning violent uprisings of ikko ikki, loosely structured "leagues of one mind" made up of mostly commoners who banded together to fight for (or against) any number of causes—usually those advanced by the Honganji's Patriarch.
Carol Richmond Tsang delves into the complex and often contradictory relationship between these ikko leagues and the Honganji institution. Moving beyond the simplistic characterization of ikki as peasant uprisings, the author argues cogently for a fuller picture of ikko ikki as a force in medieval Japanese history. By exploring the political motivations and machinations of the Honganji and the diverse aims and allegiances of its ikko followers, Tsang complicates our understanding of ikko ikki as a multifaceted example of how religion and religious belief played out in a society in conflict.
Mormonism is a community with two faces: progressive and conservative. This is true of nearly all faith traditions, which can be alternately open or defensive, traditional or innovative, accepting or judgmental. In the case of the LDS Church, it continues, a century after having shaken off the stigma of polygamy, three decades after embracing blacks as equals, and in the face of international growth, to wrestle with freeing itself from its past insularity. In doing so, it will find its place within the larger religious world and its accommodation to the challenges of modernism.
This all represents a challenge for individual members, especially for artists, scholars, and independent thinkers. The poet Robert Haas has made a distinction between religion, which is “communal worship centered on shared ideas of the sacred,” and spirituality, which “has to do with the individual soul’s struggle with its own meaning.” In this anthology, sixteen Latter-day Saints explain how they balance the demands of religion and spirituality in the modern Church. It brings to mind the example of LDS educator Lowell Bennion who offered the image of carrying water on both shoulders to explain the binary nature of balancing faith with reason, institutional commitment with individual integrity, obedience with love.
It is encouraging to discover so many Latter-day saints who, the editor writes, “neither stay with their faith blindly nor leave it rebelliously, but rather choose to struggle with challenges and strive for a more mature discipleship.” The contributors to this anthology are Lavina Fielding Anderson, Mary Bradford, William Bradshaw, Claudia L. Bushman, Fred Christensen, Lael Littke, Armand Mauss, Chase Peterson, Grethe Peterson, J. Frederick “Toby” Pingree, Gregory Prince, Robert A. Rees, Tom Rogers, William D. Russell, Cherry Bushman Silver, and Morris Thurston.
Feminist thought has wrestled with the question of whether religion has been principally responsible for the oppression of women or instead has provided access to culture, public life, and--sometimes--power. This study of Italian women and Catholicism from the fourth through the twentieth century reflects this conflict and the tension between the masculine character of divinity in the Catholic Church and the potential for equality in the gospels and early writings ("neither male nor female, but one in Jesus").
The various chapters in this book consider the institutions within which religious women lived, many of which they themselves founded or reorganized. In addition to overviews of women and the religious life throughout the periods under study, specific chapters focus on mystical marriage, religious writings by women, secular writings by nuns, women in sacred images, women in the nineteenth-century Christian family, Marian pilgrimages, and depictions of sisters and saints in film. The authors, leading American, Italian, and French scholars, have drawn on rich resources to provide a panorama of sixteen centuries of Italian history, religious history, and women's history.
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